Zos Kia/Coil
Transparent

1984

Cover Image

AT CS Nekrophile Records NRC 05

side a: Zos Kia. Berlin Atonal. 3.XII.1983

  1. Sicktone - [MP3]
  2. Baptism of Fire
  3. Violation - [MP3]
  4. Poisons
  5. Truth

side b: Coil/Zos Kia

  1. Sewn Open [Rehersal 5.X.1983]
  2. Sicktone
  3. Silence & Secrecy (section) [Live at Magenta Club, London 5.VIII.1983]
  4. Truth (version) [8.X.83]
  5. Stealing the Words [3.VIII.82] - [MP3]
  6. On Balance [5.V.82] - [MP3]

"Sicktone" does not actually appear on the B-side.
The packaging of the first copies of this release was orangish-brown. Subsequent editions were green.


1997

Cover Image

UK CD Threshold House LOCI CD 13
UK LP Threshold House ESKATON 017

side a: Zos Kia. Berlin Atonal. 3.XII.1983

  1. Sicktone - [MP3]
  2. Baptism of Fire
  3. Rape - [MP3]
  4. Poisons
  5. Truth

side b: Coil/Zos Kia

  1. Sewn Open [Rehersal 5.X.1983]
  2. Silence & Secrecy (section) [Live at Magenta Club, London 5.VIII.1983]
  3. Here to Here (Double Headed Secret) - [LOCI CD2]
  4. Stealing the Words [3.VIII.82] - [MP3]
  5. On Balance [5.V.82] - [MP3]

Side A - ZONE OF SOULS
Side B - KILLED IN ACTION

"Rape" is the same as "Violation" on the cassette release. "Silence & Secrecy" is nearly three minutes shorter than the version on the cassette, "Stealing the Words" is slightly longer.
The dates listed for "Sewn Open" and "Silence & Secrecy" are incorrect. They should be 5.X.1983 and 5.VIII.1983 respectively.
The disc is packaged in a mini LP style cardboard slipcase, and includes a booklet with photos from Coil/Zos Kia performances, text of a Coil Manifesto written by John Balance in 1983, and a transcript of a coversation between John Balance and Peter Christopherson regarding the Coil/Zos Kia performances and recordings.

John Balance
Peter Christopherson
Joan D'Arc [John Gosling]
Min

DLK says: My first impression was in the store before I even heard the CD. I don't like the cardboard CD single type packaging. The first thing I'll need to do is find a jewel case for it. I hope it's not an indication of things to come. Upon listening: Since I prefer early (pre-LSD) Coil albums over the more recent ones, I like the noisy/rough nature of the tracks on this CD. There's lots of noise and screaming so it's probably not for everyone though. Also, the hiss level makes it sound like they may have used one of the original 1984 cassettes for the CD master. There is a nice booklet inside which explains the pieces and has pictures of the events they were recorded at as well as the posters for those events. It also includes "The Coil Manefesto" circa 1983. It was interesting to see how much of the text of the manifesto eventually made it's way into the lyrics of later songs. This disc is important for it's historical documentation of that period of Coil's history, but I wouldn't recommend it to anyone except completionist/rabid/insatible fans. If there are any other Coil albums that you don't already have, you should probably get them first before this one.

John Deek says: WARNING : Do not listen to Rape on headphones with the volume turned up loud.....I was listening to this CD on headphones.. track 3 came along and I said "ooh a live version of 'here to here'...I wonder why they call it 'rape'?"...then Min came in with some spoken word and I said "ah that explains...still a pretty harsh name for such a mellow song...."just then the phone rang, and a split second after I took the headphones off a pierching shriek ripped from the headphones...they were nearly a foot away from my ears and I was still deafened...had I been wearing them my ears would probably be bleeding...deafened in the pursuit of ultimate sound.....how ironic..."