't Geruis, "Various Thoughts and Places"
Released back in the spring, this debut full-length from cryptically named Belgian composer 't Geruis has gradually blossomed into my favorite Lost Tribe Sound release not made by William Ryan Fritch or Andy Cartwright. According to the composer, Various Thoughts and Places is "an exercise in finding the balance between beauty and what is broken," which is a concise and poetic way of saying that this album shares a healthy amount of common ground with the more sublime side of tape loop artists such as Craig Tattersall and Andrew Hargreaves. Admittedly, few stylistic niches scream "Anthony D'Amico will like this‚Äù more than that one, but this album is also unexpectedly psychotropic and otherworldly in a way that is quite unique to 't Geruis. My best stab at describing that vision is that Various Thoughts and Places sounds like it was crafted from a handful of fragments of gorgeous and impressionistic-leaning classical albums and enhanced with strangled animal-like howls (I think there may also be a cannibalized pop song that I cannot place lurking in there too). Moreover, the execution is absolutely transcendent. Anyone looking for a slow-burning and immersive phantasmagoria of hissing loops and tenderly bittersweet melodies can basically begin and end their search here, as it is damn near impossible to imagine anyone surpassing this modest masterpiece once it hits its stride.
The opening "Tree Weeping (Lacrima)" nicely sets the gently hallucinatory mood with a one-finger piano melody wandering through a landscape of subtle string drones, crackle, and hiss before blossoming into a lovely and bittersweet violin melody. In a rough sense, both the opener and the album as a whole could be described as "classical-adjacent," as the primary building blocks are simple piano and string melodies, but the album starts to feel considerably more unique and inspired with the third piece ("Een Deur Ergens In De Vallei"), as the full depth of 't Geruis's vision starts to quietly reveal itself. It evokes a flickering, slow motion silent film accompanied by a crackling supernatural Victrola that imbues every sound with a dreamlike melancholia that feels gnawed, vulnerable, and lovesick. From that point onward, the album settles into a sustained run of absolutely beautiful pieces that makes it clear that 't Geruis is probably some kind of textural genius/master loop architect. On "Where Birds Resonate," for example, a simple plinking melody gradually starts tumbling into itself while a cricket-like textural backdrop hypnotically pulses and pans in see-sawing fashion, while "Le Cadeau d'Alice" calls to mind the gossamer folktronica of early Colleen enhanced with a corroded-sounding bass loop that feels half "industrial" and half "slowly heaving cosmic exhalation."
Elsewhere, "Rendit l'√Çme" uses a simple, pretty piano loop as the backdrop from a gnarled, warbling melody that sounds like it is struggling to emerge from the spirit realm. There is a definite "s√©ance" vibe to the piece, but it also feels more visceral than that, as if 't Geruis built a homemade microphone that could pick up the sadness of eternity and that it manifested itself as a loop of tape-ravaged, heartbroken moans. Despite that, the piece and the album are not particularly dark one on their surface, as the central focus is almost always on light, lovely melodies rather than brooding atmospheres‚Äîthe melodies just happen to be corroded, crackling, and hiss-chewed to such a degree that they always feel haunted and otherworldly. I suppose I would be remiss if I did not also mention that "Wanneer Alles Even Stil Staat" and "De Waarnemer" are highlights as well, but the album feels like a series of elegant variations on the same themes and its true magic lies in the sustained and beautiful spell that it casts as a whole. At its best, Various Thoughts and Places scratches roughly the same itch as some other contemporary tape music melancholia luminaries (always welcome territory), yet it also feels like it is being somehow channeled from an earlier century, which is quite a neat trick (and a tough illusion to sustain). While it admittedly took me a few listens before the full beauty of 't Geruis's vision began to fully bleed into my consciousness, I certainly got there eventually and this has since become one of my favorite releases of the year.
Samples can be found here.