Ulrich Schnauss & Jonas Munk, "Eight Fragments Of An Illusion"
Part of Ulrich Schnauss's musical history is building layers of beautiful electronic imagery, both within his solo work and partnering with others. Schnauss is paired up once again with Danish recording and mastering engineer Jonas Munk, member of space rockers Causa Sui and half of the ambient chill-out duo Billow Observatory. These two equally talented creators produce a lush mélange of extraordinarily hypnotic dreamscapes on Eight Fragments Of An Illusion. Rich kosmische textures, vibrant guitar, and concentrated layers of electronic atmosphere make for an engaging ride, especially when experienced on headphones.
The third release from the duo expands upon the more restrictive electronic melodies prevalent in the previous efforts, providing for an expansion of musical interplay and greater emotional depth. The previous collaborations leaned heavily towards Causa Sui-style rock rhythms supported by a '90s analog synth template. Eight Fragments moves beyond this mold, bursting forth with glistening textures, consisting of a satisfying interplay of shimmering guitars, awash in ambient synthesizer, evocative melodies spurred by motorik rhythms. "Asteroid 2467" is the album's ear-catching opening, a heart-swelling piece that ebbs and flows like a wave, drawing out and back into the bright and exuberant "Return To Burlington." The majority of the tracks function like independent stories (hence, fragments) over the album's entirety, evoking mental imagery through practiced waves of sounds and layered instrumentation. My personal favorite, "Perpetual Motion," can easily take its rightful place in the immense catalog of classic Kosmische rock; every nook and cranny of the nearly 11 minutes bursts with gemütlichkeit, a pure feeling of warmth and contentment, and filled with diverse ear ticklers. Every fragment here is magical, easily listened to individually but making up a single illusion. "Polychrome" seals the illusion with a choir of cosmic voices, fading into silence to entrance again. Time to repeat.
Sound samples can be found here.
