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Gary Wilson

YouTube Video

Friday night, The Eye had the very rare honor of both catching the legendary Gary Wilson and the Blind Dates live in some strange small town, but we managed to get some on camera time.  You Think You Really Know Him is a feature-length documentary on Gary Wilson, completed a few years ago, but until that gets around to screening anywhere near you, we present this interview and live footage from a truly incredible man and awesome band.

Be careful of all the flour on the floor!

 

The Eye: Video of the Day

Meat Beat Manifesto

YouTube Video


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Review of the Day

Elixir, "Don't Be Scared"
Quatermass
Here is another electronic, beat-based album that plays the game of "I love it/I hate it." The atmosphere is mostly dark, the beats thick and chugging, and the melodies somehow buried inside walls of static noise and time-warped samples. There's the first problem: sometimes the melodies never get a chance to come out and play. As a result, I'm left listening to a somewhat boring, somewhat repetitive drum track that doesn't have the power to carry the song by itself. Unfortunately, the album is produced in such a way that each song inevitably has some incredible sounds on it but they're completely attenuated by the way they're thrown into the backgroud and lost beneath a plethora of effects. But then, amazingly, all that wishy-washy noise comes together for a few brief moments and gives birth to an explosion that comes close to relieving the tension and weariness of the first few minutes of the song. This is how "Flesh Wound" opens up the album and it segues into the infinitely more entertaining "Gargantuan." I imagine one of those dolls that has a slinky for a neck bopping around to this rubbery and dynamic wall of beats only to have a stick of dynamite send it into the great beyond. "Gargantuan" has nearly the same production style as "Flesh Wound," but manages to pull it off by allowing the repeating drum and melody patterns to weave a bit more intricate and diverse body of sound. "Boiled In Blood" is a bit more low-key than anything else on the album and it provides a nice break from the havoc of the first two tracks. It unfortunately gives way to more standard four-on-the-floor dance music that sounds horribly distorted and only covers up what seems to be the most interesting elements dying in the background. And so this process continues throughout the duration of Don't Be Scared. I either love it or I hate it. Not much changes in terms of production: it's all pretty muddy and eventually this makes the entire album feel far too homogenous. The formula either works for some of the songs or it doesn't. This up and down experience ends up making the whole album feel dull; it's just hard to sit down and listen to the whole thing all the way through.

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