Now that The Postal Service have become ubiquitous enough for your mother to know about, shoegazing electronic indie pop acts employing near-falsetto vocals are pretty much a dime a dozen. Some of these, however, still sound pretty good.
Normoton Never reaching the higher BPMs of the most memorable cuts from that Ben Gibbard / Jimmy Tamborello project's Give Up, Uphill Racer's debut for German electronica label Normoton finds its strength in cognizant structures, in welcome familiarity as opposed to post-new wave gimmickry. Dreamy emo warmth laminates these quite accessible tracks, with the essential ingredients of acoustic guitar, trembling chorus-laden singing, light piano tinkling, and soft rock rhythms on proud display throughout. Opener "The Fat Grin Of The Enemy" sets the stage with a lively downer full of cryptic lyrics and well-timed musical peaks and valleys. "Burns First Dies First" soars with ornate strings and a fluid chorus that, while difficult to sing along to, rivals most of the empty gestured adult contemporary balladry plaguing the VH1 Top 20 Countdown. A shameless sample from sappy late '80s show The Wonder Years hits about two minutes into the nonetheless thrilling "Polarbear," and an equally cringeworthy one from Eternal Sunshine of the Spotless Mind kicks off "One Face Down," though these minor stumbling blocks don't damage the album all that much. The closer, an untitled "hidden" track, reprises themes explored in the prior 45 minutes, with odd field-recorded samples and less natural tones that create moods and break them as needed. Charmingly sensitive enough to captivate the scruffy Williamsburg massive and those in the like-minded blogosphere, Uphill Racer's home listening tearjerker centerpiece will complement any post-break-up Sunday afternoon or Grey's Anatomy cliffhanger. Rest assured, Mom will dig it too. |
