Victo

The first track, “The Mangler,” is actually a couple of different pieces in one. Starting as a slow and menacing soundscape where Braxton and John Olsen duel with their saxophones like two jungle cats. Around them sheets of metal and electric humming adds a truckload of danger to the piece. The din simmers for about 20 minutes with the four players feeding off each other magnificently. There is a lot of restraint shown by all of them and when the performance finally bubbles over into “Stabbed in the Face” it hits with a lot more fury than I had anticipated. Nathan Young’s and Mike Connely’s vocals sound more cutting than the razor sharp feedback that erupts throughout the whole set. I’m sure if I played the disc any louder I’d be bleeding.

For the encore Braxton is asked whether he’d prefer “Leper War” or “Black Vomit” to which he gleefully demands the latter, although the sleeve notes list it as “Rationed Rot.” From his tone of voice (and indeed his playing) it is obvious that he is having the time of his life. The noise may be unsettling but the vibes from the players are good. All four are clearly enjoying themselves immensely and on the very odd occasions when the crowd are audible, it sounds like they’re enjoying themselves too. When the music ends I almost end up applauding myself!

When compared to much of the Wolf Eyes catalogue, the production on Black Vomit is crystal clear. Each of the players is given space to breath in the mix instead of it being one mess of sound. The only problem is the brevity of the performance; I could listen to this for a lot longer. However, that’s something I expect of Wolf Eyes now, indeed the short performance adds to the power of the punch and there’s always the “repeat” button. Along with Human Animal, Black Vomit has renewed my faith in Wolf Eyes after some very stale releases by them.

samples:

• The Mangler
• The Mangler (Stabbed in the Face)
• Rationed Rot