 Four German composers (Stefan Funck, Gregory Buttner, Asmus Tietchens and Nicolai Stephan) had been meeting in Room 318 for years, but the room had a problem. The heating system didn't work, and made odd noises. Surely a distraction, but with artists like these, they made the natural decision: use the odd noises of the radiators and make an album out of them.
1000fussler The compilation demonstrates the unique styles of the four artists: even though they all utilized the same five minutes of source material ("Ausgangsmaterial," the final track on the disc), each shaped it into their own different and unique work, making sure that none sound like the other. Stefan Funck's four short pieces differ vastly from one to another, from the minimal slow burn power electronics of "Version Paris-Dakar" (like Whitehouse's "Told" without the misogynist vocals) to what could be initially a cover of Throbbing Gristle's "IBM" done with electric guitar feedback ("Version Vier Hauser"). Buttner's massive contribution, the 14 minute "Heiz" is swathed in reverb and the processed sounds of water dripping, which builds in layers over time, but still retains a distant, subtle tenor that could be a field recording of alien life somewhere deep in the cosmos.
Nicolai Stephan's "Ziehung" is not nearly as complex as the others, based around the sound of a stuttering tape and reversed delays. It's interesting but feels somewhat amateurish compared to the other tracks, and even more so considering it follows avant garde legend Asmus Tietchens' brilliant contribution, "Keine Warme," which is three minutes of rhythmic rattling and noise processed into melody before dropping off into a wind chamber, then coming back in a similarly musical, but with an entirely different sonic pallet for seven more minutes. For this type of music's complexity and obliqueness, Tietchens' piece is extremely accessible and listenable.
As aforementioned, the source material is included as an appendix on the disc, and while we can safely assume it is not something that will make it into heavy rotation, it is good to hear what exactly was used as the proverbial seed for this recording. It is exactly what would be expected: the high pitched whistle of a messed up radiator and the deep gurgling and dripping of water being passed through it.
To be perfectly clear, this is chin stroking music, not something to put on while cleaning the house or entertaining guests. With that in mind, however, it does make for an interesting listen if the proper attention can be paid. It makes for a fascinating example of how many variations can be placed on a simple theme, and just how unique artists of a similar ilk can be.
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