brainwashed

  • Increase font size
  • Default font size
  • Decrease font size

Phil Mouldycliff, "Written on Water"

cover image This is a mixed bag; there are sections that are incredible and beautiful but unfortunately there is an equal amount of music that is difficult to digest. It sounds like something I should be into, however there is something missing or that I am not getting that is preventing me from fully appreciating this album. Maybe it is the fact that many of these pieces were written and recorded for exhibitions and installations that leaves the music feeling a little empty.

 

ICR

"The Stillness of Chinese Jars" and "Kettleblack" both reflect Mouldycliff's best musical sides. The chiming calm of "The Stillness of Chinese Jars" makes for an exceptionally pretty piece of music. Taking this prettiness and warping it, "Kettleblack" makes for an unsettling and disorientating five minutes. There is a strong sniff of David Lynch-style atmospherics throughout the piece and the sounds conjure up very lucid images; in my mind's eye I can see a very slow shot panning across an empty, rather ordinary but slightly askew room.

The longest piece on Written on Water breaks the spell that Mouldycliff initially casts on the listener. It is hard to pick out what it is exactly that makes "A Speculative Atlas (for David Mitchell)" so hard to listen to. It all sounds a bit clichéd, the sustained notes on the wind instruments and the flurries of piano noodlings bursting in every now and then. One element that I felt did work is the sound of children pushed way back in the mix. The first time I listened to it I did not know whether kids were causing havoc outside or whether it was on the CD.

On the final piece, "Spirit of Place," there are elements both of The Hafler Trio and Nurse With Wound which is not surprising considering the involvement of Colin Potter as producer. This is where Mouldycliff actually shines, even if it is heavily indebted to what other artists have done before. Mouldycliff never reaches the same psychedelic heights as these other artists but it is hard not to slip into a daydream listening to the heady drones of this piece.

Aside from those few pieces where Mouldycliff loses his footing, Writing on Water is an enjoyable but a bit of a journeyman selection of experimentations. When he is at his weakest, he is still at least worth a listen to try and figure out what is not sitting right with me. I feel his music is something I should appreciate but cannot pinpoint the cause of my discomfort while listening. Every year I read Conrad's Heart of Darkness because I do not enjoy it and feel I must. One day it surely will fall into place. I get the same feeling from this album. There is something worth investigating here but there is also some invisible barrier in my way.

samples:

 

The Eye: Video of the Day

White Rainbow

YouTube Video


read more >>>

Review of the Day

ANTIPOP CONSORTIUM, "THE ENDS AGAINST THE MIDDLE"
For their Warp Records debut, Antipop present a 7 track EP that's done spinning in less than 17 minutes. Warp may seem like a strange place for an MC trio to be, but APC's hip hop is as electronic and forward thinking as anything else on the label. NYC's Beans, Priest and Sayid fastidiously flow mile a minute rhymes, as always, and are as involved in the sparse yet phat production as producer/engineer/arranger/mixer Earl Blaize. "Tuff Gong" gets right up in your face quick, Sayid letting you know within the minute that he "have the need to tell what I see". "Splinter" is as close as you'll get to verse chorus verse but like "Vector", it's a bit too laden with annoying synth notes. Moog and synth lines help propel the instrumental future funk groove of "Dystopian Disco Force". In "39303," Priest testifies, "I write like a man who can't read / feelin' the need / to seize his mind of reason / I spit treason / MCs in season / vets freezin' / I rap like there's nothin' left to believe in / clumsily uneven," seconds before his voice is panned to one channel and digital gurgles fill the opposite one. Next, "Pit," disorients with 2 minutes worth of veering tones, off/on beeps and ping pong ball percussion, then "Perpendicular" adds another 2 minutes of tasty piano and atmosphere enhanced hip hop beats. This disc is all over the place, much like an APC album, but it's all the more obvious in such a short time span. And unfortunately, I'd say only 4 tracks are really necessary (but hey, it's only ~$7) so here's looking forward to the debut album for Warp set to drop early next year. In the meantime, get "Tragic Epilogue" and "Shopping Carts Crashing" if'n you don't already have 'em.

 

samples:



read more >>>

Login Form



http://soundcloud.combrainwashedcom


Donate towards our web hosting bill!
Shop
		at the iTunes store