Vinyl on Demand

The first two LPs in this box set compiles all the Nurse With Wound tracks from the Scrag, Mi-Mort and Nylon Coverin’ Body Smotherin’ cassettes. These recordings provide a fantastic alternative history of Nurse With Wound as Stapleton included works in progress and alternative versions of tracks that would make up his classic albums on these albums. Some of the pieces appear here more or less as they would end up, such as “Nylon Coverin’ Body Smotherin’” which would end up becoming “Brained by Falling Masonry.” However, other pieces like “Someone Others Aquarium” which would end up as “Phenomenon of Aquarium and Bearded Lady” on Gyllensköld, Geijerstam and I at Rydberg's demonstrate how much Stapleton tinkered with his creations in order to get to the finished work (although considering how much he recycles his source sounds, when is a work considered finished down Cooloorta way?).

Miscellaneous compilation tracks are collected on the third LP and these provide a further insight into how the early Nurse With Wound albums came to be. Another version of “Phenomenon of Aquarium and Bearded Lady” makes an appearance and a couple of Chrystal Belle Scrodd tracks are also included (but both of these are easily available on the Belle de Jour CD reissue). The real items of interest on this part of the compilation are the pieces that never made it beyond the compilation tape. “Smooching with the Sacred Cow of Om” and “Mystery Track No. 2” both show very different sides to Stapleton’s approach to music compared to the other early recordings included on Flawed Existence. Both of these tracks are from the tail end of the 80s and show that Stapleton was moving towards the more varied (and more musical) sound that defined Nurse With Wound in the 90s much earlier than I thought.

The fourth LP is given over to recordings from Nurse With Wound’s short foray into live performances in 1984. The Current 93/Nurse With Wound split release NL-Centrum Amsterdam was originally released on tape in 1985 but quickly deleted due to both David Tibet and Stapleton not being happy with the final product. It has been one of those releases that has evaded me for years so I am delighted to finally hear it. Violent and dangerous sounding, Diana Rogerson dominates the performance and her vocals have rarely sounded this unhinged. The chaotic sounds emanating from the speakers are much busier and more frenetic than those Nurse With Wound unleash in the studio. The sensation of not knowing what is going on (and the feeling that the band don’t either) runs through the live recordings, capturing the same creative germ that gave the world Chance Meeting....

The other side of the LP contains the original version of Live at Bar Maldoror including the untitled piece that never made it onto the CD reissue. Less boisterous than NL-Centrum Amsterdam, it sounds more like the Nurse With Wound found in the studio. The performance is more tempered, there is less going on and a greater emphasis is placed on atmosphere. The music has a creeping dread underlying it that gets under my skin. It puts me in the same unsettling place that Insect and Individual Silenced does and, like that album, I cannot understand why both these live recordings have remained out of print for so long (Stapleton’s bad memories of the whole experience aside).

The item of most interest to Nurse With Wound collectors is the 10” which contains two unreleased pieces called the Destroyed Piano suite. Recorded in 1983, these two pieces are quite unlike Stapleton’s other works from that time; they do not rely on studio trickery at all. Instead, the scraping sounds (of a piano I am guessing) seem to be recorded as they were. The different sound textures are captured so vividly and seem so much larger than life that it is possible to imagine Stapleton inside a giant piano, scraping strings and rubbing the great wooden walls with various objects.

Most of the LPs have far more than the expected amount of music packed onto each side, the average being about half an hour. Therefore I was apprehensive as to how Flawed Existence would sound. However, at no point was there undue distortion or noticeable degradation in sound quality. In fact, all of Flawed Existence sounds great and it is a vast improvement on the original releases (even though most, if not all, the music was mastered from the cassettes). For convenience, I would have gone for a CD collection of this material but overall, it is impossible to fault this box set for its completeness and quality.

This release is currently vinyl only so unfortunately no sound samples at this point in time, apologies!