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Bad Company UK, "Shot Down On Safari"

Electronic music has had many casualties over the years, but none probably as depressing as the death of drum n' bass. Unlike many genres who have fallen victim to the same ultimate fate, drum n' bass (which for the sake of this review will encompass all subgenres that would fall under the larger grouping) found itself divided inside itself as well as commercially exploited in a ruthless manner. In the end, corporate trend vultures and shady admen reduced the music to 30 second loops, while those who originally loved the music splintered off into "new" genres such as garage and breakcore. Still, there are artists out there plugging away and writing music truly evocative of the genre. However, the question lingers: does this effort even matter anymore? If Bad Company is any indication, then the answer is, sadly, no. In order for a genre to thrive, the music must remain interesting. Over the course of two CDs (one album and one continuous mix), Bad Company's Shot Down On Safari represents the stagnancy that helped bring down drum n' bass. From the overused ragga vocals (particularly on "Mo' Fire") to the same old tired breakbeats and synth effects, it becomes abundantly clear why so many people jumped ship for more progressive sounds. Admittedly, my tastes in drum n' bass have always leaned in the darkstep / techstep direction, but this album just doesn't offer anything up worth mentioning. If for some bizarre reason after reading this review you still feel like you want "Shot Down On Safari," rest assured that the mix CD offers quite a few older tracks that reflect the brighter days of drum n' bass.



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