Jah Wobble "Fly" 30 Hertz Records Ltd. 30hzcd19 2002 (65:15)
Fly 1 (6:09)
Fly 2 (4:03)
Fly 3 (5:04)
Fly 4 (3:20)
Fly 5 (7:48)
Fly 6 (3:23)
Fly 7 (10:06)
Fly 8 (2:31)
Fly 9 (8:27)
Fly 10 (4:47)
Fly 11 (9:37)
After concentrating on other projects for most of last year including film soundtracks, remixes and sessions for other artists such as Tori Amos and Afro Celt Sound System, Wobble returns with a new solo album on his own label. Perhaps too solo. It begins promising enough as a few of the (unimaginatively numbered) tracks float Harry Beckett's mildly effected muted trumpet over a typically massive bass guitar groove and programmed beats, three being especially jazzy. Two is a solid, up-tempo pop number if you don't pay too close attention to Wobble's daft, half sung lyrics and concentrate instead on the driving bass and backdrop wails of trance veteran Cat Von-Trapp. But from here things get surprisingly bland, first with a soundtrack-like mid-section. Sandwiched between the aimless organ and piano progressions of tracks four and six is an inane spoken story, a near eight minute waste of space that won't stand-up to repeated listening. Seven brings the bass and beat back but some synth, pipes and flutes do little to spice up the rhythm. Nine reclaims the glory with a bouncy bass line, recalling classic Public Image a bit, and supple sax layers by Charlotte Glasson. The finale simply retreads the vibe of track one for a tedious nine and a half minutes. Altogether "Fly" lacks purpose, focus and flavor. Wobble fares better in full-fledged collaborations like "Shout At The Devil" with Temple of Sound, "Passage to Hades" with Evan Parker and "Molam Dub" with Molam Lao, not to mention his short-lived stint in The Damage Manual ...
Where did I get this cd? - mail order via 30 Hertz Records.