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Yoo Doo Right, “Don't Think You Can Escape Your Purpose”

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cover imageMontreal's Yoo Doo Right, aptly named after a very early Can track, are absolutely about that vibe; one doesn't need to be a keen listener to catch that early on. However, the band's debut album is not a duplicate of any single kosmische entity but rather a blend of each best. They have been doing their homework, revealing a deep respect for the genre. Their debut "Don't Think You Can Escape Your Purpose" provides some of the best modern space rock released this year, filled with motorik rhythms and atmospheric guitars backed by solid bass lines. The music feels free enough to go off on tangents but always comes back around, fluidly alternating from dreamy fuzz to delicate ambiance before rocking out motorik-style.

Mothland

The tracks on "Don't Think You Can Escape Your Purpose" are not jams; if they are, they are genuinely well-constructed. The songs are catchy ear-worms, as is the case for "The Moral Compass of a Self-Driving Car," a track comprised of elements of all the classic Kosmiche riffs strung into a perfect spaced-out dream. The musicians pause as if letting the listener in a little secret, uttering a single repeat phrase: "Back up, you're moving too fast," before kicking it into high gear as if to prove a point, only to pull back into a gorgeous mashup of sonic bliss.

Both sides are nearly perfect, start to finish, with the only weak tracks the first on each side; songs that serve as "intros" into grander sounds. I initially listened to it track by track, identifying standouts, but the album felt satisfying whole after listening end-to-end. The album begins with "A Certain Sense of Disenchantment," sounding like the start to a desert vision quest, a mystical sounding tune that is pleasant enough. Then everything changes with the segue into "1N914," exploding into a blistering wall of sound, with wailing guitars and frenetic drumming, expertly balanced guitar riffs that ebb and flow alongside atmospheric keyboards. From there, things don't let up, ending with the majestically bombastic "Black Moth."

This is one of my favorites this year for this type of headspace; it's a memorable sonic adventure for space cadets. Headphones are optional.

Samples can be found here.

Last Updated on Sunday, 21 November 2021 21:23  


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