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Forced Exposure New Releases for the Week of 3/16/2026

Newer music is due from Colleen, More Eaze, and Jowee Omicil, while older music is due from Brion Gysin, Helios, and Tim Hecker. 

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From the Perverse to the Pathetic

25 July 2005
Gary Suarez
Deep Thoughts
Terror attacks in Western nations are about to become as common as those in Israel. "Could it happen here?" was nearly all you heard on television in the days following the July 7 bombings in London. Not only could it happen here, but it will.

Read more …

Jonathan Dean's Wish List

13 July 2003
Jonathan Dean
Deep Thoughts
"The Dream World of Dion MacGregor"
This 1957 LP on Decca often fetches prices as high as $500 at online auctions. The record comprises a series of "dream monologues" - recordings of a New York man talking aloud in his sleep, telling bizarre, disjointed and disturbing stories. John Zorn's Tzadik label recently released some additional dream material too obscene to be included on the first LP, but the original has still not seen the light of day.

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holiday party idea for music nerds

14 December 2002
Staff
Deep Thoughts
It's almost a modification of the "exchanging of the keys" wife-swapping parties of the 1970s: Gather a bunch of friends, make a mix tape or mix CD, make an original package or creative concept and distrube randomly. Okay, so it's got nothing to do with wife-swapping but you can put them all in a basket like they did in that awful film, "The Ice Storm." Brainwashed staff and contributors cannot take credit for the invention of this party concept.

enough

08 September 2002
Staff
Deep Thoughts
Everybody who's reading this right now knows what happened a year ago this week. Rather than take the soap box again with ramblings, I want to share a web site a friend pointed out to me. This live journal web site I feel sums up what is on many people's minds. I don't know who this person is but I think what they wrote was well-said. http://www.livejournal.com/talkpost.bml?journal=vyoma&itemid=437161

this week in music industry bullshit

23 June 2002
Staff
Deep Thoughts
(a.k.a. "Your major label dollars at work.")
The major labels have gone too far again. I realize this message has been repeated ad nauseam but this week, two major events serve as evidence to reinforce the hatred against the shitheads. On Tuesday, under influence from the strongest major record corporations, the RIAA successfully halted AudioGalaxy's current means of operating. What irritates me most is not their moronic self-imposed right to own the control of intellectual property after they "release" it (unlike the book publishing world), but because their battle-losing streak is hurting the people they are pretending to protect. Fact of the matter is that once AudioGalaxy is down, there will be another 10 to spring up. At the end of the day, the only people benefitting are the high-priced Beverly Hills lawyers since the music industry can only keep losing the battle against the file-sharing public. The majors have indeed LOST, but they can't admit they're the big losers, so they ass rape their own artists by not giving health benefits and employees who rarely make a living wage in the most expensive cities in the world.
Once again, I clearly state that not all indies are good but all majors can at least AFFORD to give benefits. The major labels have got so much fucking money that they will unhesitatingly step up to the plate every time and pay for the finest lawyers to stomp out whoever's violating them any week. AOL Time Warner, for example, owns most of the internet providers AND a large chunk of the most popular cable channels to boot (and also pays their cable tv employees benefits) while Vivendi/Universal is viciously trying to creep up to their size with recent acquisitions of more cable TV networks, themselves.
On Saturday, the United States Copyright Office decided to charge web broadcasters $0.70 per song, but I don't see any provisions made in terms of public, non-profit, or educational broadcasters, who are exempt from royalty fees on conventional radio. Kudos, motherfuckers. Next time the college radio rep from the Island Def Jam group calls up the college radio station I DJ for asking me to play their records I'll find it amazingly hard to refuse to tell him to go fuck himself and his major label brown nose.
Bottom line is this: supporting major labels only feeds the highest priced lawyers and NOT the artists they're pretending to protect nor the employees who can't make enough money to live in the parts of the world with the highest rents imaginable. The difference between them and the minors is that on the whole, they CAN afford to act responsibly but time and time again they choose not to.
The Brainwashed Brain will proudly ignore major labels until they finally give in and admit they're rapists, liars, hypocrites and thieves and happily take the time out to say FUCK YOU to them. We encourage everybody to spend their money and time more wisely. I also personally call upon any writer of any music publication who features major label artists to stop and think about what you're doing, possibly even remotely consider spending an issue making a concerned effort to focus solely on independent artists and labels.

 

web broadcasters safe? for now...

26 May 2002
Staff
Deep Thoughts
This past Tuesday, the Library of Congress rejected a proposal by CARP (the Copyright Arbitration Royal Panel) which proposed a rate for internet-based music broadcasters to adhere to. They didn't however rule out internet music royalty collections alltogether, as a final decision on rates and such is yet to be determined in June. While a number of web broadcasters are crying that these royalties would "shut them down for good," I strongly believe there is justification in charging a fee, as there is in the radio and television mediums. In radio, however, only commercial stations pay royalty fees, while non-commercial, non-profit, and educational institutions are exempt. The mere notion to charge non-profit organizations who do not sell their content is ludicrous, as royalties were originally set up because commercial radio stations essentially "re-sell" the music (their 'content') to advertisers. To put it bluntly, commercial radio stations are basically making money off of other people's songs. It is by this justification of royalty payments that commercial "electronic" or "web" organizations who sell the content should, by all means, pay all applicable fees, and clear distinctions need to be made as to who is providing educational non-profit fair usage. A number of "internet petitions" circulate around about this issue but there's a lot of smoke being blown around by various groups on each side who have strong financial interests in the matter. In the end, be wary of these petitions, always question the motives of each group involved, and voice your opinions to your representative (if you have one) in Congress.

EMI BUYS MUTE, SO WHAT?

12 May 2002
Staff
Deep Thoughts
This past week, the UK-based multimedia corporation EMI announced their purchase of long time independent record label, Mute. While this might initially send shivers down spines of faithful Mute fans or indie label advocates, I feel the need to remind some of us about previous deals between Matador and Atlantic, or even Matador with the EMI-owned Capitol records. Back in the early-mid 1990s, Atlantic thought Matador had something really big with Pavement and Liz Phair, so they decided to go in on a deal with them to put out all of their records. When the Atlantic realized that they sank more money into releases which weren't bringing the bucks into Time Warner, they decided to end the relationship. Shortly thereafter, Capitol did the same thing. While EMI would love to have Moby, does anybody with half a brain think EMI will even want to release albums from Diamanda Galas, Throbbing Gristle or Non? Sure, the aging post-smack fiends Nick Cave and Depeche Mode do okay and all, but if EMI paid millions to have Virgin sever their ties with Mariah Carey, a deal like this won't last. If it does, get ready for Cabaret Voltaire, Fad Gadget and Can records to go back out of print. According to reports, EMI will pay £23 million for Mute, plus up to £19 million of potential performance-related payments, over a period of four years. Couldn't they just have bought the rights to the music industry's biggest whore (anything for money Moby) and saved both the cash and the disgrace which will surely follow 18 months from now?

In Boston, There Is No Other

17 March 2002
Staff
Deep Thoughts
As last week's issue of "The Brain" went live, the folks at Other Music were moving all the stock from the Boston store back to NY. The unannounced departure of Other Music Boston is about as bittersweet as their shocking arrival, 16 months ago.

Read more …

"I Was There When..."

09 February 2002
Brian Cleary
Deep Thoughts
It was about 1982 or 3ish I was about 15, and I had just flown up to Boston for the summer to stay with my Dad. WZBC used to have a show called called Saturday morning music (just music) which was sort of a New Age-ier version of NCP -- back before New Age was called New Age and before it got killed by ... very bad music.

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a letter from the editor

23 September 2001
Staff
Deep Thoughts
The "entertainment industry" often becomes the target for politicians trying to win brownie points for a voting segment or parents who need a scape goat other than themselves. The lifestyles of those who chose to be in this field are often frowned upon — the pay is shit and it's an expensive trade to be in. "Why don't you want to be a doctor or lawyer like your cousin?" There's even that pathetic amount of ridicule that goes on when people tend to disagree on something as personal as preference. Over the last week, amongst many things on my mind is how important entertainment really is.

When I woke on September 11th, one of the World Trade Towers was on fire — nobody could confirm whether it was a bomb or fire. Minutes later, I, along with millions of others witnessed live an airplane crashing into the second tower, shortly thereafter a plane crashed into the Pentagon. What the fuck is going on in our world? What is next? Is this armageddon? It was the most terrifying day I have ever lived through. It didn't help that in these very tense hours, our selected leader was nowhere to be found, flying all over the country, in what seemed like a surreal chess game where the king is the most protected yet comparitively helpless piece.

Panic was taking over where shock was giving way. I tried to phone friends in NY and one in Washington who works for the government but all lines were overloaded, jammed. Soon, the towers crumbled, and the feeling of panic and everything just sunk into an indescribable feeling of void, sadness and emptiness. The pictures had clearly shown loads of rescue workers and volunteers scrambling to save thousands of people, many of them didn't have enough chance to make it out to safety. Towards the end of the day, contacts were made, all friends and family I knew who were in these places were safe. Contacts were made later with close friends and family just to say hi and how much we care for and love each other.
Over the next few days, the news reports were filled with much sadness and despair. The loss is catastrophic and the amount of love and support shown across the world was comforting in a time of great pain. (Heck, I even cried when the Brits played our national anthem.) However, tensions were high everywhere. From my own personal experience, many people on music-related electronic forums I either read or subscribe to engaged in heated arguments, finger pointing and name calling. If anything, these experiences have reinforced my feelings in the necessity for people to listen and try their hardest to exercise a bit of understanding. This goes for -ALL- sides: I'm hurt, sad and angry when I hear about people spouting their mouths off about killing people of various nations as well as when I hear people automatically assume my government is about to take part in the murder of innocent civilians. I have spoken my mind, but have been accused of being a bully, a stupid yank, intolerable, and siding with the opposing side of whoever I'm disagreeing with. All because I probably have not properly communicated that I wish people would try to be more understanding, considerate and less bigoted. Maybe Greater Than One were really profound when they wrote back in 1988, "Ignorance is the Agent of Fear"; "Fear is the Agent of Violence."

There comes a time where you feel that you can't take it any more. The TV shows you images nearly everybody has seen over and over and over again, the arguments get so fierce and personal that you begin to lose ability to focus properly on work, life, personal interactions, etc,... Now, more than ever, I'm finding how important music is in my life. To have the luxury of turning everything off for a bit of introspection, whether it be for the new Lali Puna, a comforting old Cocteau Twins, Beatles, Pixies, Nurse With Wound or Bjorn Again, is truly magical. Some may consider it escape, some may consider it solace, some may consider it spiritual or inspirational, but it is yours for consideration.

With that, I'm proud to have such a minimal part of "this industry" and an important role in a team who is helpful and sharing, caring and listening. We need this. We need to continue on. We need music and we need to continue sharing and listening.

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