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This was theill-fated release funded by Capitol Records and shelved indefinitelywhen they realized they didn't know what to do with good music. Withthat in mind, I was prepared for the worst - for an album of slickproduction and instruments which would feel way out of place on an Idarecord. Much to my pleasant surprise, this has been one of their bestdiscs ever. With a longer running time than most of their otherreleases, they really let their songs grow and develop on "Will YouFind Me." Guests include Ida Pearle on violin, Bernie Worrell onkeyboards, Warn Defever on guitar and Tara Jane O'Neill on melodicaamong others. Out now on Tiger Style, the disc does indeed make mewonder how much American Music Club they've been listening to latelygiven the title of the album and an unrelated song titled "Firefly!"samples:
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- Paul Kustos
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This CD features two tracks, titled 'Six' and 'Seven'(you will remember that the five tracks on the other CD were called 'One'through 'Five'). The two tracks are each over 9 minutes long, and theysound as though they belonged on the first disc. In fact, were the twotracks placed on the first CD, there would still be about 9 minutes ofunrecorded space. I can't really tell what sets these songs apart fromthe first five. 'Six' begins with Muslimgauze-style vocal samples, thenturns into a very upbeat piece. 'Seven' is a little more ambient untilthe end, when it also features the upbeat sounds of 'Six.' The songs arevery good and worth the mere $7.99 Soleilmoon is asking for the disc;however, I can't see why the two CDs were released separately. The insidecover also features the story of the Bass Communion vs. Muslimgauze remixseries as told by Steven Wilson.Read More
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Regardless, the film could simply beyet another attempt at documenting upbeat electronic music (if I usedthe word techno or rave, somebody will surely step in and tell me thedifferences of each). Anyhow, the CD collection is simply okay, leaningtowards the more mediocre with appearances by Psychic TV, Spooky,Future Sound of London and the Crystal Method. I got it for the MeatBeat Manifesto track, and of course am still salivating for a new MBMfull-lengther. Compilation tracks are okay, but they're never the bestof the artist. An annoying attribute of this CD is the one liners fromrave kids which litters the disc between tracks. A wiser choice wouldbe stuffing them inside a hidden track at the beginning which you couldonly hear if you rewinded from the start of track 1... Worth mentioninghowever that as an added bonus, ACIDplanet Express software (for thePC) is included on the disk. It's looping techno software which I'msure functions much better in the full release as opposed to the'express' version.samples:
- Meat Beat Manifesto - Parts 1-4
- Future Sound of London - Expander
- Psychic TV - Money for E
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While his last full-lengther'Permutation' grabbed me instantaneously, this album demanded a fewmore listens. Tobin's taking his sweet time letting each track buildrather than jump on the main riffs right off the bat and keeping theloop going for 5 or so minutes. Surely this sounds like a consciousdecision, but in return, there's a lot of anticipation in this discgoing on. Give it a chance and it will do well for you, but if thequick fix is what you're looking for, seek out 1998's Permutation.samples:
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This CD released on Mille Plateaux's Force-Inc. labelhas a lot of drive and energy similar to that of early Panacea tracks.It's missing something however, it's not as abrasive, loud or evil, butthe songs are rewarding if you give them their few minutes to develop.samples:
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Yes, brainwashed readers might recognize him as ThomasGuttadauro in his reviews when he decides to contribute. Nice Godzillareference! Seriously, it's a fun disc of drones between him and fianceeJennifer, albeit a little primitive in the recordings. I saw them liveon Tuesday of this past week and was reminded quickly of going to theaquarium and staring at fish for hours because my parents said theywere cool. You know what? They were. I think this disc is currentlyonly available through Three Lonely Kaiju since nobody wants to stock it yet.samples:
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I first put this disc ofnoises and sonic rings on at work expecting to hear clicky cuttymaterial, but was shocked when bass sounds emerged out of nowhere,vibrating the ceiling tiles in the office. Nice job! The MP3 samples dothis album no justice, but it's a nice addition to the collection. samples:
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Ehlkers has done well, but the album gets a little sleepy in parts.Orhcestral sampling can only go so far. The sounds are truly nice butthe music doesn't seem to go anywhere over the course of the wholealbum, which does indeed grow tiresome near the end.samples:
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While there are already many collections ifITN works, this disc along with others provides a good starting pointfor people interested in pursuing more about ITN, as their sound hascertainly evolved over the years.samples:
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Sam Shalabi's name has popped up on various other records and projects, always with the note that he's of 'The Shalabi Effect.' The eponymous debut double-CD has finally been released through Alien8 in Montreal.
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Sam Shalabi's name has popped up on various other records and projects, always with the note that he's of 'The Shalabi Effect.' The eponymous debut double-CD has finally been released through Alien8 in Montreal.
In addition to treated guitars, chimes and vinyl record clicks & pops, traditional middle-eastern drones, tablas and scraped metal add color to this aurally rich experience. For a two hour 11 minute journey, atmospheres are constructed, time melts, spaces is manipulated and moved. The production is remarkably clean and rich, and while much of this might have been pieced together from various takes and mix-downs, the sound is very much of a live semi-improvisational group playing off each other. In parts the music sounds like Orb-produced Indian restaurant music, while others sound like audio paintings of space images crossed with space transmissions. I can only think of two other examples of equally ambitious double-album debuts, both of which have become two of my fave albums of all time, so the Shalabi Effect is in good company.
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