Pan American / Komet / Fishertogold "Personal Settings" Quartermass Preset 1 QS127 2001 (47:52)

Pan American "Train Station" (8:06)
Pan American "The Passage" (7:22)
Komet "Stab" (5:51)
Komet "Eist" (6:37)
Komet "Pass" (5:35)
Fishertogold "Lapis Lazuli" (14:21)

Mark Nelson (Pan American), Frank Bretschneider (Komet) and Joe Kingman (Fisherofgold) are given only one restriction for this project:  approximately 15 minutes apiece to subjectively express themselves.  I wonder why only 48 minutes total when most discs and players can accommodate 75-80?  That question aside, volume 1 of this artist friendly series from Quartermass is a solid collection of complementary tracks.  Pan American's "Train Station" and "The Passage" continue laying track beyond last year's delicious "East Coast Bugs" 12" on BSI.  The latter in particular builds up a strong, pulsating head of dub steam with no time to pick up passengers 'til the end of the line.  Komet specializes in economic titles, sounds and structures.  His 3 tracks - "Stab", "Eist" and "Pass" - repetitively but progressively pop, click, boom and hiss, much like the digital 'pop' of his own "Rand" and "Curve" discs on Mille Plateaux.  Fisherofgold uses nearly all of his allotted time for a single track.  "Lapis Lazuli" (a semiprecious gemstone in varying shades of blue) evokes more of a golden than blue feel for me.  Tiny ball bearings tumble around in a cement mixer as delicate rips and tears of audio are smeared about and a 7 note bass line loops.  A languorous trip hop beat kicks in but is snuffed out within a few minutes.  By the 9th minute it has slipped into a very comfortable and pretty groove adding a strummed accompaniment.  And in the remaining time Kingman carefully strips away the elements 'til it comes to a sudden stop.  I bought this disc for the Pan American and Komet but the Fisherofgold is best, though only marginally so as they're all quite pleasant.  Now I wonder who will be on volume 2 ...

Where did I get this cd? - mail order via Soleilmoon Recordings.

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