Recorded live as a duet between turntables and keyboards (with editing and overdubbing bass added later), the main track here is a slow, dramatic piece, with the flip side conjuring the best moments of electronic dub.
Following up their four track debut (originally titled 4), here are two additional tracks from the former Clockcleaner vocalist's sideproject. Again, it is an exercise in unabashed goth revivalism, encapsulating the sensibilities of the genre without sounding like a tribute band or an overly derivative project. Here is simply two additional songs, following the mold set forth on the previous EP, of quality death rock with a modern influence.
Usually I’d imagine something coming out on the Hanson label to be a bit more obtuse and rough than what is presented on this album. Instead of leaning to the noiser end of the spectrum, the two side-long tracks here instead define themselves via classic analog synth drone that is so thick and sustained that it almost becomes tangible, yet never mundane.
There is the old adage that "brevity is the soul of wit" which, in some cases, may be true. However, in the case of 16 minute EPs such as this, brevity is more of a frustrating tease than a positive quality. This four track EP, recorded while Bailiff was touring Europe is such a purely compelling piece of work that it makes me wish it was a little bit longer.
On this very brief pink/red marbled vinyl 7", the two artists collaborate on a rather subtle work with both sides showing a very distinct character. "Properties" is all stuttering electronics, field recordings, and other near-impossible to place sounds. Squeaks, bangs, and a bit of guitar abuse sound like damaged childhood toys put out to pasture in a suburban parking lot to deliver their dying breaths. The flipside, "Ribbons" is somewhat more conventional, based around guitar textures, electronic tones, and field recordings of birds and insects. It's a bizarre set of recordings, but very compelling in their oddity and definitely worth checking out.