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Nice Nice, "Yesss!"

Consider this a continuation or addendum or something for my last review of Nice Nice. After I covered the Spring/Summer/Fall/Winter EPs I got some into some pleasant debates which resulted in my receiving of their EP Yesss! on Audraglint.



I'm not going to take back anything I said about the seasonal EPs on Temporary Residence. I will, however gladly state that Yesss! is Jason Buehler and Mark Shirazi's greatest release as Nice Nice to date. I liked their debut LP Chrome, but it was all over the map. When you take two ADHD kids spewing out numerous songs of through different styles and confine them to one EP, there can be some surprisingly focused results. The five songs on groove with finesse, with vocals, bass, drums, and whatever else they're actually throwing in. I think by the recording of this they've dropped that gimmick of claiming to be playing everything live in the studio as there's undeniably some multitracking going on, with bass playing, guitar riffs, vocals, and drums all at the same time in spots. The three remixes that go along with them (Caural, Stars As Eyes, and DJ/Rupture) are euaqlly as classy and none of them lose any of the magic: they hold to the feeling the band initiated don't let go and don't leave their muddy footprints all over the place.

Yesss! was originally released back in 2004 and it's been a bitch to find. When it showed up I was ecstatic. What I first noticed about Audraglint years ago is that there's the uttmost respect for attention to fine details, all the covers share a similar aesthetic and actually feel very nice, commanding that desire to find out what musical contents lie within (reminder: it was from Audraglint that the world experienced Nudge for the first time, perhaps one of the greatest new bands in the last five years). Fortunately I have yet to be underwhelmed.


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Review of the Day

Cursor Miner, "Explosive Piece Of Mind"
Lo Recordings
This debut full-length from Rob Tubb, who must surely be Chichester's premier retro-electro crooner, follows his recent "Remote Control" single, also on Lo Recordings. While the electroclash cultural blip has made me wary of contemporary musicians who pay overt homage to the 1980s, I've plenty of time for those working in a more underground, principled, fashion (for example Gerhard Potuznik). Cursor Miner is definitely to be counted amongst the most interesting of such musicians, fabricating something original and fun from the lighter side of 1980s English synth-pop and the geeky, meticulous side of modern electronica.
Instead of just dropping a ponderous vocal on to a club-friendly beat, he deftly merges the electro-pop basics of warm, resonant keyboard riffs and fey vocals with up-to-the-minute production work that's manic and crisp. The package is completed by a nice line in retro-futuristic lyrics, most notably on the single "Remote Control" itself, which ironically feigns both wonder at, and fear of, modern technology.
Cursor Miner's music is a forward-looking form of nostalgia. The fact that he doesn't take the easy route of pure 1980s revivalism means probably won't get the following it deserves, but on the other hand, he won't end up eviscerated and embarrassed on the altar of mass whim like, say, Fischerspooner. Quite simply, this is an excellent album for fans of interesting electro-pop and one which brings something new to the game.



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