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Nice Nice, "Yesss!"

Consider this a continuation or addendum or something for my last review of Nice Nice. After I covered the Spring/Summer/Fall/Winter EPs I got some into some pleasant debates which resulted in my receiving of their EP Yesss! on Audraglint.

 

Audraglint

I'm not going to take back anything I said about the seasonal EPs on Temporary Residence. I will, however gladly state that Yesss! is Jason Buehler and Mark Shirazi's greatest release as Nice Nice to date. I liked their debut LP Chrome, but it was all over the map. When you take two ADHD kids spewing out numerous songs of through different styles and confine them to one EP, there can be some surprisingly focused results. The five songs on groove with finesse, with vocals, bass, drums, and whatever else they're actually throwing in. I think by the recording of this they've dropped that gimmick of claiming to be playing everything live in the studio as there's undeniably some multitracking going on, with bass playing, guitar riffs, vocals, and drums all at the same time in spots. The three remixes that go along with them (Caural, Stars As Eyes, and DJ/Rupture) are euaqlly as classy and none of them lose any of the magic: they hold to the feeling the band initiated don't let go and don't leave their muddy footprints all over the place.

Yesss! was originally released back in 2004 and it's been a bitch to find. When it showed up I was ecstatic. What I first noticed about Audraglint years ago is that there's the uttmost respect for attention to fine details, all the covers share a similar aesthetic and actually feel very nice, commanding that desire to find out what musical contents lie within (reminder: it was from Audraglint that the world experienced Nudge for the first time, perhaps one of the greatest new bands in the last five years). Fortunately I have yet to be underwhelmed.

 

The Eye: Video of the Day

Lockgroove

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Bill Callahan, "Woke on a Whaleheart"
For his umpteenth album, Bill Callahan drops his Smog/(Smog) band designation and now goes by his given name, if only to distance himself from the gloom, misogyny, and misery of his previous incarnation and start fresh. Although his subject matter is indeed sunnier and his songs more polished, he thankfully retains his sense of humor and knack for wordplay.
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