brainwashed

  • Increase font size
  • Default font size
  • Decrease font size

Alog, "Amateur"

cover image Espen Sommer Eide and Dag-Are Haugan return as Alog for yet another fantastic album. They further refine their symbiosis of natural and electronic sounds, always sounding at once earthy and cosmic. Never utilizing weird sounds just for the sake of it, the dozen tracks on this CD are all pieces of music that sound more than beautiful. As expected from Alog, this is a remarkable album that reveals more and more with each listen.

 

Rune Grammofon

What I enjoy most about Amateur (and this applies to pretty much all the other albums put out by Rune Grammofon) is the attention to detail in terms of sounds and sound treatments. Eide and Haugan are not afraid to leave a sound as it is if it has the right character or to tweak it if it needs a little help fitting in with the rest of the sounds. Although I must admit, sometimes it is hard to tell what has been treated in the studio and what is a "real life" sound as there are so many unusual instruments used on and built for the album. Not only that but Alog approach voices from an interesting perspective, the vocal layering of "Write Your Thoughts in Water" sound like a living church organ (and from what I can tell, there no little digital trickery going on here).

Amateur has a dreamy, meandering feel to it. Many of the pieces (especially the aptly named "The Learning Curve") begin with random sounding noises, like the recording has started while the two musicians are trying to figure out what instruments they are playing. However, as if by magic, it all comes together to form a delicate and captivating whole. A good example of this is "The Future of Norwegian Wood," which for the first half of the piece is a cut up of the sound of nails been hammered into wood which makes for interesting listening on its own. When the treated piano comes in over this unusual percussion, the effect is startling and gorgeous.

Most of the album is fairly laid back but Eide and Haugan can bring the music to the boil when they want to, the powerful staccato of "The Beginner" and the middle part of the lengthy "Bedlam Emblem." While Amateur is far from a boring album, it would have been nice to have one or two more livelier pieces on it but that might be entering the realms of greed. As it stands it is a cracker of an album, a logical and fitting continuation of Alog's journey through sound.

samples:

 

The Eye: Video of the Day

Comets On Fire

YouTube Video


read more >>>

Review of the Day

Thomas Köner, "Daikan"
Mille Plateaux
After my first listen to this album at a low volume level, I was a little worried because there didn't seem to be much going on; but luckily, subsequent listens on a decent system revealed a great level of detail, much of it buried under immense low end. The focal point is the periodic repetition of a low-pass-filtered percussive sound, stretched out to such an extent that its booming decay lingers long enough to reveal the slow fluctuations of a vibrating membrane. This is accompanied by a harmonically rich, but somewhat muted, midrange drone that very slowly fades from complete silence to full volume and then back again to nothingness, bringing new layers of sound with each iteration. The tonal elements resemble Köner's more recent Unerforschtes Gebiet recording in their texture and evocation of abandoned places. Here they are softer. The percussion and gradual variations in amplitude lend a mysterious—and somewhat human—element to an otherwise uninhabited landscape. Midway through the piece, the drone descends rather conspicuously through four closely-spaced notes, in what is reminiscent of a threateningly futuristic movie soundtrack. After this big event, some quiet, almost mechanical, filtered noise emerges, along with repeated bass-rich volume swells that sound like more stretched out percussion, this time played backwards. The slight hissing and patient rise and fall in volume are like breathing; and the middle part of this recording is really quite beautiful, despite the abundance of low-end making it almost claustrophobic and morose. Shades of the descending melody are audible as the original sounds return, and the drum sound re-enters and grows more and more extended throughout the remainder of the piece. It finally ends with a sustained rumble. Even with the limited range of sound that Köner seems to have confined himself to, Daikan is quite stunning and is a fine addition to the Köner collection. 

samples:


read more >>>

Login Form



http://soundcloud.combrainwashedcom


Donate towards our web hosting bill!
Shop
		at the iTunes store