brainwashed

  • Increase font size
  • Default font size
  • Decrease font size

Menace Ruine, "Cult of Ruins"

cover imageBy all accounts this is a metal album.  From the dark, lo-fi black-and-white artwork, gore-ified fonts and titles, I expected some form of death or black metal, and I was pretty much right on target.  Now, knowing the label that put this out, I assumed it couldn't be just any generic metal album, because Alien8 is known for leaning towards the experimental.

 

Alien8 Recordings

The opener, "Process of Bestialization," cemented that hypothesis of mine rather quickly.  Sure, the demonic vocals and drum machine blasts raised fingers up in Ronnie James Dio devil horn fashion, but the accompanying controlled feedback that reached a point of near ambience was a different demon entirely, and was definitely conventional riffing or head banging in nature. 

For those who like their metal either black or deathy or a combination of both, tracks like "They Who Enter Caves" will fit the bill. It is hard to tell if the track is being led by a processed guitar or a synth but the pace and mood of overall track, coupled with the vocals and drums, is unabashedly metallic in nature.   However, the underlying ambience that is a bit more apparent during the ending shows more debt to dark ambient than the rest of the track leads on.  Similarly, the 12-minute "Bonded by Wyrd" adds some prog rock elements into the metal sludge with its rapid guitar arpeggios and restrained vocals and massive drum break down during the second half.

Other tracks show the metal vestiges even less, the sustained "kvlt" produced guitar roar of "Dove Instinct" have more in common with label mates Nadja or some overamped release from the heyday of the Cold Meat Industries label than it does to any traditional metal band.  Even though "Sky as a Reversed Abyss" is more blatant in its use of guitar and other forms of traditional instrumentation, the lugubrious pace and barely structured guitar put it more in the family tree of early Swans or other like minded industrial-tinged sludgesters. 

It wasn't entirely wrong to immediately assume this is a headbanger's type album (there is definitely a black metal edge to this entire album), the sound is actually much more varied than expected from the genre, and incorporates a significant amount of other stylistic elements that will catch the ears of those who aren't adherent metal heads (such as I).  Although this mysterious band (as of this writing there isn't even an entry on discogs.com for them, and they've got everything!) seems to be relatively new on the scene, they are already showing a wide enough array of talents to make them worth keeping an eye on. 

samples:

 

The Eye: Video of the Day

Brokeback

YouTube Video


read more >>>

Review of the Day

NOBUKAZU TAKEMURA, "SIGN"
This indeed is what it should all be about. Side one has three tracks, two different versions of the title track, "Sign" and another track, "COGWHEEL." As expected from the last release, "Sign" harbors Takemura's love for beauty and the voice, coupled with his ability to hack and chop away at sounds and beats electronically. The real excitement happens when you flip the record over to side two. Now, I set my timer to this one as it looked like it was pressed rather tight (the vinyl that is). Experts have claimed that only about 25 minutes would fit comfortably on one side of a 12" record, played at 33 1/3 RPM, right? The improvisational "jam" that takes place on side two features Chicago friends Bundy K. Brown, John McEntire and Doug McCombs (all from Tortoise and related camps) clocks in just over 35 minutes. Right, that's not a typo! The piece is fantastic and might as well be another one of those songs you always wished would appear on a Tortoise record. It starts off with a wonderful showcase of how all four musicians have a keen sense of improvisation and incredible talent to create cohesive noise with each other. It starts off like a jamming rockish jazzish tune, but then something goes awry, glitchiness ensues in a dreamy audio bath of laptop fuckery with live instruments... I'm getting flashbacks and almost begin dreaming that this could honestly be "Djed 2!" Yes, I'm a fan and I love Tortoise music, but this track simply titled only as "Souvenir in Chicago" is a stunning performance, and it's something you knew these guys could do and hoped they would do, but never actually heard. This record only comes on vinyl and is limited to 2000 copies. Tortoise fans, Takemura fans shouldn't pass this one by, you'll regret it for years to come! And vinyl sure makes for a great stocking stuffer!

samples:


read more >>>

Login Form



http://soundcloud.combrainwashedcom


Donate towards our web hosting bill!
Shop
		at the iTunes store