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Their nervous energy is apparent from the beginning with songs like “A+ Cannibal” and “Toffee Coffee.” Drums race forward while the vocals spew raw and vitriolic. As elsewhere on the album, the flute and clarinet come across like jagged spurts of free jazz that retain their shape just shy of chaos. But they have other uses, too, like on “Boomer,” in which they form a demented march. Drums often burst from unexpected places, and the vocals are frequently confrontational. Anarchy never seems too far away, lending the album the impression that it could implode at any moment. Thankfully, it never does.
It’s only fitting that such an uncommon configuration would have a unique sound, and Death Sentence: Panda!'s sound is only heightened by an aversion to anything resembling typical songwriting. Although it’s hard for me to guess how long such an unconventional arrangement can last, especially considering that the group breezes through eight songs in just 11 minutes on this record, I certainly hope their creativity continues to flourish like it does on this excellent debut.
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