Every single track from Foetus' latest album "Flow" is given a "Blow"job for this companion remix album. Eleven hip remixers take their turnbut Thirlwell isn't quite willing to entirely let go of the controls ashe maintains the executive producer's chair. For me, remix albums areusually a hit and miss proposition and this one's pretty par for thecourse. I often can't help but think, 'yeah, this is alright, but Ilike the original much better'. First the ones I like. Franz Treichler(Young Gods) completely turns "The Need Machine" inside out fromraucous rocker with aggro vocals to frosty soundscape techno withwhispered vocals (which must have been re-recorded). Phylr (JF Coleman,ex-Cop Shoot Cop) does a nice job of transforming "Mandelay" into oneof his own moody, predominantly instrumental pseudo-industrial tracks.Sean Beaven (Kidney Thieves, longtime NIN mixer/engineer/producer)gives "Grace of God" some drum 'n bass fills, clever new samples andeventually a slower guitar fortified chorus. Ursula 1000 serves up"Someone Who Cares" with a whole new white trash race track influencedbacking reminiscent of My Life With the Thrill Kill Kult circa"Sexplosion". And Thirlwell himself can't help but join in on the funby obliterating and extending "The Need Machine". And now the ones Idon't much like. Charlie Clouser (Team Nine Inch Nails) gives parts of"Quick Fix" an extra rock jolt but he also relies on far too manyNINnie-isms like vocoded and hacked up vocals. Pan Sonic and Kid 606essentially make new, annoying tracks of their own from pieces of"Kreibabe" and "Shun" respectively while Panacea buries "Heuldoch 7B"in distorted beats and synths. Yuck. And DJ Food tries to make"Suspect" creepier by pitch shifting down much of the vocals but themusic is such a mess it makes it intolerable. I'll say it again: hitand miss. I'd rather listen to "Flow", one of my favorite new albums ofthe year. Foetus.org states that a "Blow" related event is planned fornext January in Los Angeles.

 

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