At live shows, I find that watching the musicians fiddle with buttonsand knobs is distracting. But with eyes closed, the noise may take mesomewhere in my imagination, using the sounds as cues to define a placeor a feeling. Many pieces on this CD achieve this effect. For example,while listening to track four (live in Stockholm), I feel like I'm in astrange old building, where the vacuum cleaner is running non-stop in anearby room, while in my immediate environment are dueling rhythmicclick-scrape noises and an odd chord twanging repeatedly. Then abackground machine din grows and overcomes the other sounds and Iwonder how I'll ever get out of this hellhole. I escape as track five(live at a radio station in Evanston, Illinois) begins with another dinfrom the machine room while a consistent rhythm is provided by a soundreminiscent of a slow drip from a leaky faucet, only each water dropseems to be hitting a drum surface rather than a sink. The densebackground din varies, with swirling pain sounds that sometimes couldbe a drawn-out AWWWWWW cry by some beast (human or other), but what Iimagine as wailing is actually just another electronic sound, not asampled cry. When the train finally comes, it's almost a relief: afamiliar blaring train whistle, one of the few recognizable samples onthis CD. Other pieces on the CD are lighter and sparser, like the pianocut-up that opens the CD. There are also some that feature a heavybuzzing sound, or a high-pitched drone.
I enjoy most of the selections here and feel that IOS fans will not be disappointed. -
- 4.26.01 live in Rostock, Germay @ M.S. Stubnitz
- 5.5.97 live in Stockholm, Sweden @ Fylkengen
- 5.15.97 live in Rennes, France @ Theatre de la Parch
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