Naked Intruder makes game music with a demonic Nintendo Entertainment System.
Mile 329
The newest release from micro-indie label Mile 329 is a fun slab of nostalgic oddity that anyone who's spent time furiously tapping A and B buttons is sure to enjoy. This is the first I've heard from Naked Intruder, and The Last Vestige is his love letter to the musical engine inside the classic 8-Bit Nintendo Entertainment System. Composed from a Frankensteined NES-turned-synthesizer that I won't even try to understand or describe, the EP's central conceit is that the NES is its ONLY sound source: no effects or processing were used to gussie it up. This adherence to an arbitrary albeit admirable formality gives the record its charm while also hamstringing it as a novelty. The limitations of the sound capabilities of the NES' native sound processor mean that while the compositions are more interesting than a lot of standard game music, they nevertheless can't sound like anything BUT game music with overly-loud lead melodies and a sometimes grating dynamic range. Naked Intruder and Mile 329 wouldn't have it any other way though, and for that, the record scores major points for the fun little curio that it is, and not stacked against what it 'could' or 'should' be. The music itself is rich in melody and plays darkly against game music's usual palette of silly, chirpy sing-songiness. It's hard not to smile when each track uses the exact sounds I've heard thousands of times while blasting aliens with a flamethrower, but uses them in a new and purely musical way. There's a surprising amount of bass in the tracks, and the rhythms while stiff are about as funky as one can probably coax out of the Nintendo's sound chip. To cap it all off, the 3" CDR is housed in a classic Nintendo game cartridge that's been gutted and slapped with a Naked Intruder label. Even if it's the kind of thing I only listen to a handful of times, the NES cartridge with Naked Intruder on the spine will be a great conversation piece for my CD collection for years, and for $6, I can't ask for anything more.
The newest release from micro-indie label Mile 329 is a fun slab of nostalgic oddity that anyone who's spent time furiously tapping A and B buttons is sure to enjoy. This is the first I've heard from Naked Intruder, and The Last Vestige is his love letter to the musical engine inside the classic 8-Bit Nintendo Entertainment System. Composed from a Frankensteined NES-turned-synthesizer that I won't even try to understand or describe, the EP's central conceit is that the NES is its ONLY sound source: no effects or processing were used to gussie it up. This adherence to an arbitrary albeit admirable formality gives the record its charm while also hamstringing it as a novelty. The limitations of the sound capabilities of the NES' native sound processor mean that while the compositions are more interesting than a lot of standard game music, they nevertheless can't sound like anything BUT game music with overly-loud lead melodies and a sometimes grating dynamic range. Naked Intruder and Mile 329 wouldn't have it any other way though, and for that, the record scores major points for the fun little curio that it is, and not stacked against what it 'could' or 'should' be. The music itself is rich in melody and plays darkly against game music's usual palette of silly, chirpy sing-songiness. It's hard not to smile when each track uses the exact sounds I've heard thousands of times while blasting aliens with a flamethrower, but uses them in a new and purely musical way. There's a surprising amount of bass in the tracks, and the rhythms while stiff are about as funky as one can probably coax out of the Nintendo's sound chip. To cap it all off, the 3" CDR is housed in a classic Nintendo game cartridge that's been gutted and slapped with a Naked Intruder label. Even if it's the kind of thing I only listen to a handful of times, the NES cartridge with Naked Intruder on the spine will be a great conversation piece for my CD collection for years, and for $6, I can't ask for anything more. samples:
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