It's 1983, and Yazoo (or Yaz if you live in North America) has split up. Alison Moyet just didn't want to sing with peppy, happy, robotic synth-pop behind her any more and wanted to pursue a more "soul" avenue. A saddened Vincent Clarke is left holding the songs without a singer, tries out Paul Quinn and Fergal Sharkey but nothing seems right. Defeated, Clarke destroys all recordings and gives up, of course, until he is put in touch with his inner homosexual and launches Erasure. Sadly enough, all recordings in between the biggest productive times are gone, lost, destroyed, never to be seen again. Clarke never looks back.
 
Morr
Fifteen years later, a young boy in Toronto named Jason Amm is struck by lightning and by divine decree begins reconstructing the lost recordings. Piece-by-piece songs begin to surface, through various singles, albums, compilation tracks, remixes and collaborations. Over the next few years, an enterprising record executive (and huge Vincent Clarke fan) residing in Germany by the name of Thomas Morr manages to collect the right amount of songs and has now made that collection available to the world. Okay, so maybe it didn't happen like this, but Amm's third full-length as Solvent (and first for Morr Music) is a collection of nine impressively melodic instrumental tunes from various releases, performed on vintage equipment, recorded by modern gear. 'Solvent City' is a collection varied enough to give a good glimpse into the world of Solvent without being long enough to wear out its welcome.
 
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