Following a successful US tour, Knoxville, Tennessee's Superdrag wentoff for Japan, one of those countries where people are capable of beingutterly more popular than they are here. Like Sweden. And while theywere there, they released this, a tour EP of new songs, old songs, anda few cover songs. The intention was to release it on their label's(Arena Rock Recording Co.) website so fans could order it. That tookawhile, due to dissatisfaction with the initial release. New mixing wasdone, the release was delayed, and now a limited number are availableon the website. And what do we have? Kind of a mixed bag, which you'dhave to expect from Superdrag. The new songs, like "Baby Goes ToEleven" and "Take Your Spectre Away" are good, but you get the feelingthat Superdrag is getting more emotional with age. Where is theballs-out shrikeing rock we've heard before. And I'm not really fond of"bass guy" Sam Power's lead vocals on stu. I've grown accustomed toJohn Davis' wail, thank you, so give me more of it. And two tracks,"Bloody Hell" and "Liquor," first on their independent release "TheFabulous 8-track Sound of Superdrag," are missing the power of thoseearly recordings. In fact, "Liquor" is even missing the first verse!The only thing that made this release worthwhile for me was the covers.Any chance to hear Superdrag cover The Replacements ("Bastards ofYoung," no less), and I'm there. But then, just to keep thosecomparisons ever-present, they cover the Kinks classic "You Really GotMe." Now here's the band that Superdrag most reminds people of, and forgood reason. At their best, Superdrag are just as hook-laden, just asrawking, and just as cohesive musically. "Greetings From Tennessee" isnot Superdrag at their best: it's for the diehard fan only. And forthose last two songs, it's worth it. Can't wait for LP4 in Spring 2002.
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