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Surely one of the oddest items I've come across in quite a while, isthis cassette-only album released in the midst of the digital DIY ageof the CD-R. The tape consists solely of a 60-minute interview and jamsession with a group of Satanist teenagers from upstate New York in theearly 1980s. I'd actually heard about this recording years ago, one ofthose "cult items" that was heavily traded among the 80s cassetteunderground types. The Ecstatic Peace label had this item on theirrelease schedule for years, but it never saw the light of officialrelease until Hanson Records, home of Wolf Eyes and a handful of otherneo-noise bands, recently issued it as a joint release. The premise issimple: a group of young, self-professed Satan-worshippers talk abouttheir lifestyle with a bemused interviewer who keeps pressing them formore details about their rituals, frequent drug use and their extensivecriminal behavior. Throughout the interview, one or another of theinterview subjects retreats from the recording device to noodle away ona cheap synthesizer or noisily jam on an electric guitar, trying toinvoke all of the majestically dark Black Sabbath and Judas Priestriffs deeply embedded in their imaginations. The kids are startlinglyzealous and clearly idiotic, unable to effectively articulate even thesimplest concept behind their divergent religious beliefs: "We believein Satan and shit...We think he's the dark lord and we like to dofucked-up shit in his name." Their intense North Eastern accents andlower middle-class bearing typifies a certain type of rabble-rousingheavy metal fan that existed the early 80s—the burgeoning of theteenage mall-kid culture that eventually gave birth to atrocities likeMarilyn Manson and the current glut of soulless rap-metal. Everystatement from Satanic ringleader's mouth creates a strange mixture oflaughter and horror: laughter at the puerile silliness of a bunch ofacne-ridden teenagers professing love for the Antichrist; and horror atthe startling vapidity and amorality of this group. These are futuresociopaths in the making. I don't think it's a coincidence that theserecordings were made just before a string of highly publicized ritualmurders that took place in upstate New York, eventually leading to thearrest of a group of young heavy metal fans and admitted Satanists.It's impossible to know if these are the same kids captured so candidlyon this cassette, but I like to assume so. I wasn't able to provide apicture of the grinning, mulleted adolescent on the tape sleeve withthis review, because the Hanson Records website has suddenly andinexplicably disappeared from the web. No other online vendors ordistributors (that I could locate) are selling this little artifact, soSatan Place will most likely slide into a nether-world of irretrievable obscurity. That's probably as it should be.
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- Michael Patrick Brady
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- Administrator
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- Michael Patrick Brady
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samples:
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- Administrator
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Flameboy Records
Was there a time when Red Snapper was good? I seem to remember that time, but all that I get from this remix 12" are bits of Red Snapper distilled for a mindless club audience. Red One is the 12" release of remixes from the Lo Recordings CD that must be inevitable because there's little point to any of these mixes outside of a club or sneaker commercial. Radioactive Man takes a stab at remixing "Four Dead Monks" into a nondescript jumpy techno/break number that I'm sure some DJ pool has a genre name for but that leaves me as a casual listener pretty cold. "Ultraviolet" begins with a minimal arrangement of soft tones and sparse high hats before kicking in to beat so generic it could only have been designed to make people mash their bodies together. The out-of-time bassline tries to give the track some sexy funk but winds up only smearing things into a mechanically unfunky mess. "Drill" as remixed by Jakeone is a welcome change of pace on the B-side, mixing a hip hop vocal over rubbery electro that falls on the European side of Afrika Bambaataa but is nonetheless groovy and deep. It's also the only track exclusive to the 12" which is a mixed blessing as it's the only one really worth searching out. Lastly, never name the last track on your record "Regrettable" for obvious reasons. It's just fodder for those of us who are sent copies of these releases to review. If you have to include a track called "Regrettable", at least have the decency to bury it in the middle of your record so that the listener/reviewer's last impression of your record is not... well, obvious.
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- Administrator
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- Taylor McLaren
- Albums and Singles
![](http://www.brainwashed.com/brain/images/kensei_quietstorm-in_time_2.jpg)
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- Michael Patrick Brady
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![](http://www.brainwashed.com/brain/images/andre_ethier.jpg)
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- Administrator
- Albums and Singles
![](http://www.brainwashed.com/brain/images/genesis_p-orridge-when_i_was_young.jpg)
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- Administrator
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