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One of the better 1990s music trends was when the remix truly evolved into an art form. Artists like Meat Beat Manifesto, The Orb, and Autechre were some of the first who not only transformed a song into something almost completely new, but left their mark with a distinguishable sound that made the new version identifiably their own.
 
While Richard D. James tended to follow more of the music trends than lead them (whether it was techno, ambient, drum and bass, breakcore or whatever terms hipsters, IDM listees, and record stores were coming up with that month) he excelled in the craft of transformation. A large percentage of Aphex Twin's popularity rose because of the remixes he did for then-popular worldwide acts like Nine Inch Nails, Jesus Jones, and Curve. (Another large percentage might arguably be chalked up to advertisement music, be on the lookout for 15 Ad Themes for Cash soon!) People bought 12" singles and CD singles in the early-mid 1990s because anything that had Aphex Twin printed on it was usually a sign of quality, and, no matter how little the original artist was liked, the remix would satisfy. 26 Mixes collects some of the more popular remixes along with some unreleased and scarely printed songs, arranged on two discs, with disc one containing more of the quiet stuff and disc two containing more of the beat-saturated loud stuff. It's an excellent document for those who aren't willing to pay high prices for things like the super-limited noodly Philip Glass/David Bowie track, are too embarassed to own a Jesus Jones record in their collection, or have absolutely no clue who Nav Katze, Mescalinum United, or Die Fantastischen Vier are and where to find them. It's not chronoligically arranged, but through the magic of programmable discs, the evolution can be charted, from the bashful, timid, faceless-era Richard D. James of 1990-92 through the "I have a bloody tank"-era Richard D. James of 2001. Fans will delight in the inclusion of two unreleased remixes: one from Selected Ambient Works 2 and a remix of Windowlicker (although shockingly not the one by V/Vm), but that Beck remix just didn't make cut. Maybe next time, Becky.
- Gavin Bryars - Raising the Titanic
- Nobukazu Takemura - Let My Fish Loose
- Aphex Twin - Selected Ambient Works 2 CD 1 Track 2 (original mix)
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- Stigmata Part One (Freiheit)
- The Ocean Cried Blue Murder on a Ferry in a Storm on a Walkman
- Basilisk Two
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The first four tracks are delicate, with a gentle nudge toward dub thatnever overwhelms the static drift. The sound dives almost to silence,but percolates upwards with a bassline here or a slight rise there, alltasteful, understated, and appealing. It reminds me of Eno's ambientmusic, which colors the tone of a room but does not assert itself somuch. The collaborative tracks with MSBR, in which the artists workedby reshaping each other's sonic material, are not as ephemeral as thetracks that come before them, but are complementary nonetheless.Beequeen's reworking of MSBR's noise begins with some teeth-grindingtension, which is quickly forced down to a low, barely perceptiblerumble. MSBR's mix of Beequeen sounds like a digital cut-up that twistswith a distinct feeling as if it is about to explode out of control,yet never does.
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- Alvarius B - Blood Baby
- Alvarius B - Viking Christmas
- Cerberus Shoal - Viking Christmas
- Cerberus Shoal - The Real Ding
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samples:
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samples:
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- Scanner - Thulium Hymn
- Battery Operated - Sois Dwofe
- Angel - NR 11
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