- Staff
- Annual Readers Polls
After over two and a half decades, we're miraculously still here and still conducting the longest running online interactive music poll where readers both nominate and vote. The lists aren't perfect, we'll probably be constantly adding more comments, possibly correcting errors, but until then, here we are.
This year we had a record number of entries (over 1500) and the following are what made the top lists.
Thanks again to everyone for their support, participation, and patience.
Album of the Year
- Tim Hecker, "No Highs" (Kranky)
"Each new Tim Hecker album these days is a bold and compelling reinvention of his aesthetic and the execution is always flawless. I genuinely did not expect to like Morse code-inspired minimalism this much." —Anthony D'Amico - loscil // lawrence english, "Colours Of Air" (Kranky)
"Usually mashing together two things that I like does not yield a new third thing that I like, but this album is a rare exception. Gorgeous pieces like 'Cyan' easily stand with either artist's strongest solo work." —Anthony D'Amico - Mary Lattimore, "Goodbye, Hotel Arkada" (Ghostly International)
"Mary continues to expand her sound and evolve as a composer and arranger, allowing more guests but never distracting from her core sound." —Jon Whitney
"'Horses, Glossy on the Hill' is one of the most movingly beautiful pieces that Lattimore has ever recorded." —Anthony D'Amico - Caterina Barbieri, "Myuthafoo" (Light-Years)
"A compelling sister release to Ecstatic Computation devoted to pieces that evolved and transformed as Barbieri tried out new ideas on tour." —Anthony D'Amico - Swans, "The Beggar" (Young God)
"Demanding the attention of a listener for over two hours is bold, and Swans continue to do this and continue to have success with it."—Jon Whitney - Radian, "Distorted Rooms" (Thrill Jockey)
"Probably the most inventive and forward-thinking project in the post-rock milieu right now. I truly do not understand why Radian is not as revered and universally beloved as Tortoise." —Anthony D'Amico - Slowdive, "Everything Is Alive" (Dead Oceans)
"Shoegaze is having a moment this decade, isn't it? This is a worthy winner, and one of the tightest records of their career." — Eve McGivern - KMRU, "Dissolution Grip" (OFNOT)
- Colleen, "Le jour et la nuit du réel" (Thrill Jockey)
- Colin Stetson, "When we were that what wept for the sea" (52Hz)
"This album made it abundantly clear that I have not been listening to nearly enough Colin Stetson. 'Infliction' is absolutely sublime." —Anthony D'Amico - Vanishing Twin, "Afternoon X" (Fire)
"Every Vanishing Twin album boasts at least one perfect weird pop song and this one has the title track. Also "Marbles" has a wonderfully wonky groove." —Anthony D'Amico - O Yuki Conjugate, "A Tension Of Opposites Vols 3 & 4" (OYC Limited)
"I'm always glad to see OYC get some love! Always carefully crafted, and a fine entry into their catalog." — Eve McGivern - Lea Bertucci, "Of Shadow and Substance" (Cibachrome Editions)
"Two commissioned compositions that nudged Bertucci out of her comfort zone and into some of the finest work that she's ever recorded." —Anthony D'Amico - Black To Comm, "At Zeenath Parallel Heavens" (Thrill Jockey)
"I always find Marc Richter's work interesting and unique, but his run of Thrill Jockey albums has been especially strong. Yet another wonderful and hallucinatory headphone album, but now with added antiquarian erotic innuendo." —Anthony D'Amico - Forest Swords, "Bolted" (Ninja Tune)
- Yo la Tengo, "This Stupid World" (Matador)
"I've gone through so many musical phases in my life and Yo La Tengo has continued to release cool albums throughout all of them. 'Miles Away' is pure slow-motion bliss." —Anthony D'Amico - PJ Harvey, "I Inside the Old Year Dying" (Partisan)
- William Ryan Fritch, "Cohesion" (Lost Tribe Sound)
- Oval, "Romantiq" (Thrill Jockey)
- Klara Lewis & Nik Colk Void, "Full-On" (Alter)
"Playful and spontaneous-sounding miniatures from two artists who are very much on the same wavelength. I especially enjoyed the duo's more 'fun' side characterized by pieces like 'Junk Funk.'" —Anthony D'Amico - FACS, "Still Life In Decay" (Trouble In Mind)
- The Necks, "Travel" (Northen Spy)
- Godflesh, "Purge" (Avalanche)
"With the heavy use of loops and samples, Purge sits nicely between Songs of Love and Hate and Us and Them without sounding as dated." - Creaig Dunton - Nonconnah, "Unicorn Family" (Was Ist Das?)
"Nonconnah has been steadily releasing one shoegaze-damaged collage masterpiece after another lately and this is the latest one. One of my absolute favorite projects around. Characteristically transcendent." —Anthony D'Amico - CV & JAB, "Κλίμα (Klima)" (Editions Basilic)
"For a second I thought this was CV Vision's monumental 2023 release. Then I woke up."—Duncan Edwards - Liturgy, "93696" (Thrill Jockey)
"I don't know why they keep tagging the term black metal to Haela Hunt-Hendrix's Liturgy project when listening feels like a blast of blinding brightness not unlike footage of the atom bomb being detonated."—Jon Whitney - Blonde Redhead, "Sit Down for Dinner" (Section1)
- emptyset, "ash" (Subtext)
"James Ginzburg and Paul Purgas bring Bristol sound system culture right to your living room to appropriately seismic effect." —Anthony D'Amico - Midwife & Vyva Melinkolya, "Orbweaving" (The Flenser)
"An excellent matching of the minds. NMP could possibly be my favorite song of the year."—Jon Whitney - Craven Faults, "Standers" (The Leaf Label)
"A(nother) wonderful release from Craven Faults, showcasing what it means to be some the best kosmische available in the 21st Century." — Eve McGivern - Film School, "Field" (Felte)
"This entry should have been much higher; what an incredible blend of dream pop, shoegaze, psychedelia and pop bliss. Still, I'll take it." — Eve McGivern - Loraine James, "Gentle Confrontation" (Hyperdub)
"Lush, kaleidoscopically multifaceted, and emotionally resonant. Yet another gem from Loraine James." —Anthony D'Amico - Big Blood, "First Aid Kit" (Ba Da Bing!/Feeding Tube/dontrustheruin)
"The hooks. This is what makes even the most gritty home recordings become some of the most loved music in our collections. They may never make it to pop radio but they bring the hooks like so few are able to do."—Jon Whitney - Mandy, Indiana, "i've seen a way" (Fire Talk)
"A Manchester-based post-punk band with clattering industrial percussion, plenty of gnarled noise, and a French woman who occasionally raps? Check! And the album was partially recorded in a cave and a crypt? Check! Count me in." —Anthony D'Amico - ANOHNI and the Johnsons, "My Back Was A Bridge For You To Cross" (Secretly Canadian)
- bdrmm, "I Don't Know" (Rock Action)
- Nation of Language, "Strange Disciple" (Play It Again Sam)
"This one instantly hooked me! I think they just get better and better. Again, would have loved to see this a lot higher on the list, but I'm glad readers liked it enough to get it within the Top 50." — Eve McGivern - Lea Bertucci & Lawrence English, "Chthonic" (American Dreams)
- Laurel Halo, "Atlas" (Awe)
"I enjoyed this understated album just fine, but I'm still perplexed by how many people were instantly hailing it as The Album of The Year when it was released." —Anthony D'Amico - Tristan Allen, "Tin Iso and the Dawn" (RVNG Intl.)
"All of the beauty, melancholy, and wonder of an epic puppet romance, minus the puppets (for now). One of the year's most pleasant surprises for me." —Anthony D'Amico - thisquietarmy, "Hiatus" ([self-released])
- Aidan Baker, Jana Sotzko, Melissa Guion, "Trio Not Trio - Letzte" (Gizeh)
- Death and Vanilla, "Flicker" (Fire)
- Zaumne, "Parfum" (sferic)
- Kassel Jaeger, "Shifted in Dreams" (Shelter Press)
"My first exposure to Jaeger's work stunned me." —Duncan Edwards - Paul St. Hilaire, "Tikiman Vol. 1" (Kynant)
"I greatly appreciate that Paul St. Hilaire is out there valiantly trying to fill the Rhythm & Sound-sized hole in my heart single-handedly." —Anthony D'Amico - African Head Charge, "A Trip To Bolgatanga" (On-U Sound)
"My vote for most addictive release this year."—Jon Whitney - Elodie, "Clarté Déserte" (La Scie Dorée)
- Edward Ka-Spel, "A Carrington Event" ([self-released])
"It is so easy to get overwhelmed with EKS and LPD releases but there's always a track that stands out as a future classic and my pick is "Taming the Tiger," which has been on heavy rotation since this release."—Jon Whitney - Rrose, "Please Touch" (Eaux)
- Divide and Dissolve, "Systemic" (Invada)
- The American Analog Set, "For Forever" ([self-released])
"A surprise and warmly welcomed comeback, looking forward to the archive box coming soon."—Jon Whitney - Kali Malone, "Does Spring Hide Its Joy" (Ideologic Organ)
"A two- or three-hour magnum opus of heady deep listening recorded in empty concert halls by three like-minded friends in the early days of the pandemic." —Anthony D'Amico - Anthony Naples, "orbs" (ANS)
- Edward Ka-Spel, "Tease Seize....Apply" ([self-released])
- Jonnine, "Maritz" (Idle Press)
- 58918012, "Blue" (Syntes)
- Bill Orcutt, "Jump On It" (Palilalia)
"Bite-sized, reverb-marinated, chunks of high-quality, guitar lyriicism. Memorable."—Duncan Edwards - Water From Your Eyes, "Everyone's Crushed" (Matador)
- Joseph Allred, "What Strange Flowers in the Shade" (Feeding Tube)
- Cloudland Canyon, "Cloudland Canyon" (Medical)
- Saloli, "Canyon" (Kranky)
- Wanderwelle, "All Hands Bury The Cliffs At Sea Release" (Important)
"A deeply upsetting subject renderred into a great lamentation. Sad as hell, though."—Duncan Edwards - The Drin, "Today My Friend You Drunk the Venom" (Feel It)
"An impressively unhinged and ill-intentioned rock n' roll vision. These guys would have been a solid opening act for The Cramps' legendary mental hospital gig." —Anthony D'Amico - Guided By Voices, "Nowhere to Go But Up" (GBV Inc.)
- Eluvium, "(Whirring Marvels In) Consensus Reality" (Temporary Residence)
- Kammerflimmer Kollektief, "Schemen" (Karl)
"This album immediately sent me down a Kammerflimmer Kollektief rabbit hole and I was quite pleased with my findings. I feel like I owe this band a heartfelt apology for sleeping on the previous two decades of their oft-killer discography." —Anthony D'Amico - Angel Bat Dawid, "Requiem for Jazz" (International Anthem)
"Diamada Galás fans should be taking notice of Angel Bat Dawid. No, she doesn't sound like her one bit. However, as a composer, performer, and sound artist she has the ability to create longform epics such as this one, incorporating her incredible talents, knowledge, and ability, her experiences with spirituality, religion, and oppression, and constructing something beyond the ability to classify and conform into a single genre."—Jon Whitney - Niecy Blues, "Exit Simulation" (Kranky)
"it's like everything and nothing you would expect from Kranky. The context of a deep, compelling, atmospheric otherworldly listen is nothing new to the label, but the strong roots in southern gospel, soul, and R&B is nearly uncharted territory and it comes together beautifully for my favorite debut album of the year."—Jon Whitney - La Sécurité, "Stay Safe!" (Mothland)
"Late 2023 release may have been lost in some of the shuffle, but a very engaging rock album from this Montreal quintet, full of earworms."—Jon Whitney - Mint Field, "Aprender a Ser" (Felte)
- Troller, "Drain" (Relapse)
"A lot has happened in seven years but Troller have returned with an album that didn't grab me like Grapic but has been a slow burn that has grown on me quite a bit."—Jon Whitney - Benoît Pioulard, "Eidetic" (Morr)
- Surgeon, "Crash Recoil" (Tresor)
- Lorelle Meets The Obsolete, "Remezcla" (Sonic Cathedral)
- Alva noto, "HYbr:ID II" (Noton)
- Earth House Hold, "How Deep Is Your Devotion" (A Strangely Isolated Place)
"Not just a new album, but a remastered overview of the entire lifespan of Brock Van Wey's long-running house-inspired side project. Admittedly a bit overwhelming and relentlessly soft-focus, but I absolutely loved some of these pieces." —Anthony D'Amico - Nicol Eltzroth Rosendorf, "Internal Return" (Negative Capability Editions)
- Tirzah, "trip9love...???" (Domino)
- Grand River, "All Above" (Editions Mego)
- Merzbow, "CATalysis" (Elevator Bath)
- BIG|BRAVE, "nature morte" (Thrill Jockey)
- TALsounds, "Shift" (NNA Tapes)
- A Certain Ratio, "1982" (Mute)
- V/Z, "Suono Assente" (AD93)
- Drop Nineteens, "Hard Light" (Wharf Cat)
"Probably wins this year's award for Most Time Between Albums. I am very happy for their return."—Jon Whitney - Martyna Basta, "Slowly Forgetting, Barely Remembering" (Warm Winters)
"I am very much a Martyna Basta fan. I preferred the more spare Diaries Beneath Fragile Glass EP to this full-length, but her hot streak remains unbroken." —Anthony D'Amico - Matmos, "Return to Archive" (Smithsonian Folkways)
- Raphael Rogiński, "Talàn" (Instant Classic)
- Frédéric D. Oberland, "Solstices" (Zamzamrec)
- Shit And Shine, "2222 And Airport" (The state51 Conspiracy)
- Ale Hop & Laura Robles, "Agua Dulce" (Buh)
"I am always eager to hear whatever idiosyncratic mindfuckery Alejandra Cárdenas records, but teaming up with a talented Peruvian percussionist was a welcome and inspired evolution." —Anthony D'Amico - Piotr Kurek, "Peach Blossom" (Mondoj)
- Nonconnah, "Shadows From The Walls Of Death" (Cruel Nature)
- Tengger, "Tengger" (Beyond is Beyond is Beyond)
- Ben Chasny & Rick Tomlinson, "Waves" (Voix)
- Helen Money / Will Thomas, "Trace" (Thrill Jockey)
- Justin Walter, "Destroyer" (Kranky)
- JK Flesh, "π11" (Pi Electronics)
- A Place To Bury Strangers, "See Through You Rerealized" (Dedstrange)
Single of the Year
- The Legendary Pink Dots, "The Legendary Pink Dots' Hallowe'en Special 2023" ([self-released])
"The Legendary Pink Dots' Christmas and Halloween singles invariably delight me every single year. A beloved underground institution that almost always captures Ka-Spel at the height of his powers." —Anthony D'Amico - Caterina Barbieri, "Perennial Fantas" (Light-Years)
"I definitely did not expect 'Fantas' to keep expanding and evolving for four more years after Ecstatic Computation was released. It's the gift that keeps giving! Possibly forever!" —Anthony D'Amico - The Legendary Pink Dots, "The Legendary Pink Dots' Christmas Special 2023" ([self-released])
"It is very amusing that my LPD fandom has gradually and imperceptibly evolved from 'these guys collaborated with Skinny Puppy-I should check them out!' to "Edward Ka-Spel is basically my Santa Claus now.'" —Anthony D'Amico - Mary Lattimore, "A Lock of His Hair Under Glass" ([self-released])
- The Bug, "Machine I" (Pressure)
- Bark Psychosis, "Scum" (Rolling Heads)
- Edward Ka-Spel, "All Flags Are False" (Witch Cat)
- Aphex twin, "Blackbox Life Recorder 21f In A Room7 F760" (Warp)
"Enjoyable, but not nearly audacious enough to make a memorable impression." —Anthony D'Amico - Four Tet, "Three Drums" ([self-released])
- Sam Prekop and John McEntire / The Soft Pink Truth, "A Yellow Robe Remixes" (Thrill Jockey)
- A Winged Victory for the Sullen, "All Our Friends Are Vampires" (Ninja Tune)
- The Bug, "Machine II" (Pressure)
- Meat Beat Manifesto & DHS, "Man From Mantis" (Love Love)
- Om, "Gebel Barkal" (Drag City)
- James Blackshaw, "Why Keep Still?" ([self-released])
"It is wonderful to see Blackshaw releasing new music again, even if it is only one song (for now)." —Anthony D'Amico - Godflesh, "Nero" (Avalanche)
- Sun's Signature, "Sun's Signature Extended" (Partisan)
- Eric Random & Stephen Mallinder, "Deadeye Remixed" (Emergency Hearts)
- Strategy, "Graffiti In Space" (Community Library)
- Letting Up Despite Great Faults, "Crumble EP" ([self-released])
- Death and Vanilla, "Reimagined by Civilistjävel!" (Fire)
- Drab Majesty, "An Object in Motion" (Dais)
- Kieran Hebden & William Tyler, "Darkness, Darkness / No Services" (Psychic Hotline)
- Mouse on Mars, "3D-LS" (Sonig)
- Loraine James, "5 a Day" ([self-released])
Compilation of the Year
- "Gespensterland" (Bureau B)
"I am 100% the target demographic for a collection of supernaturally inspired German artists 'operating in the margins and intersections of folklore, experimental electronics, dreams and nightmares.' A murderers' row of fringe-dwelling visionaries like Brannten Schnüre." —Anthony D'Amico - "When the Frog from the Well Sees the Ocean (Reports from English UFOlklore)" (Folklore Tapes)
"Folklore Tapes steps a bit outside of their comfort zone with an eclectic and freewheeling celebration of UFO sightings, alien visitations, and their forever-altered witnesses. A characteristically wonderful and singular collection." —Anthony D'Amico - "Cease & Resist - Sonic Subversion & Anarcho Punk In The UK 1979-1986" (Optimo Music)
"I really wish this had come out during my lengthy Crass phase." —Anthony D'Amico - "Searchlight Moonbeam" (Efficient Space)
"Astonishing to hear 'Never Anyone Around To Hear It' by Bo Harwood and John Cassavetes."—Duncan Edwards
"Both Time is Away and Efficient Space have proven themselves to be pretty damn infallible at digging up cool and eclectic obscurities." —Anthony D'Amico - "Subliminal Skull Palace II" (Utech)
"Utech is really doing god's work with this series celebrating tripped-out Japanese guitar music. The Tatsuya Goto and Kawabata Makoto pieces on this one were especially revelatory." —Anthony D'Amico - "Imaginational Anthem vol. XII : I Thought I Told You - A Yorkshire Tribute to Michael Chapman" (Tompkins Square)
- "Future Sounds of Kraut Vol. 1" (Compost)
- "Space Funk: Afro Futurist Electro Funk in Space 1976-84 2" (Soul Jazz)
- "XKatedral Anthology Series II" (XKatedral)
"Sweden's XKatedral consistently releases some of the most compelling drone/'slowly evolving harmonic and timbral music' around. If you're a connoisseur, this is the vanguard." —Anthony D'Amico - "Kotti Island Disc – An Auditive Snapshot" (Tresor)
- "7A19" (Sähkö Recordings)
"I am reliably drawn to '80s cassette underground compilations like a moth to a flame. I think that probably counts more as a neurosis than a recommendation though." —Anthony D'Amico - "Antipodean Anomalies 2" (Left Ear)
- "Ariwa Sounds: The Early Sessions" (Melodies International)
- "Channel One Soundsystem: Down in the Dub Vaults" (VP)
"Unusually quiet year for Jamaican dub compilations (presumably because Soul Jazz is busy being funky in space), but I really enjoyed this one." —Anthony D'Amico - "Denshi Ongaku No Bigaku (The Aesthetics of Japanese Electronic Music Vol 1 & 2)" (Cosmocities)
- "American Dreams Diner Open 24 Hours" (American Dreams)
- "Radigue: Dedalus / Akama" (Montagne Noire)
- "Eccentric Boogie" (Numero Group)
- "Pacific Breeze 3: Japanese City Pop, AOR and Boogie 1975–1987" (Light in the Attic)
- "Ballads Of Seduction, Fertility And Ritual Slaughter" (Was Ist Das?)
- "Contaminazioni No Wave Italiane (1980-1985)" (Spittle)
- "The NID Tapes: Electronic Music From India 1969-1972" (The State51 Conspiracy)
- "If You Want to Make a Lover: Palm Wine, Akan Blues & Early Guitar Highlife, Pt. I" (Death Is Not The End)
"The singing and playing here transcends locale or genre and ends up as a mystical bottling of the square-root of charm."—Duncan Edwards - "Mondo Industrial: A Selection Of Rare Tape Music From The '80s & '90s" (Mafarka)
- "ElectroDub Vol. 3 & 4" [tie] (Emergency Hearts)
Vault/Reissue of the Year
- The Residents, "Commercial Album" (Cherry Red)
- Bowery Electric, "Bowery Electric" (Kranky)
"An absolutely flawless release, restored to the full tracklist plus given a bonus side of the first EP, sounding just as massive as ever."—Jon Whitney - Drew McDowell, "Lamina" (Dais)
- Techno Animal, "Re-Entry (2023 Remaster)" (Relapse)
"I was really expecting this to take first place, but I may just be biased. Beautiful job reissuing the duo's absolute masterpiece."—Creaig Dunton - Emeralds, "Does It Look Like I'm Here? expanded remaster" (Ghostly)
"It was cool to get an expanded reissue of this album, but it was already pretty damn canonical." —Anthony D'Amico - Earth, "Earth 2 Special Low Frequency Mix" (Sub Pop)
- Andrew Chalk, "Dreams: Scenes I - XV" (Faraway Press)
- Moonshake, "Eva Luna" (Beggars Arkive)
"Some aspects of Moonshake's audacious and influential debut album have not aged particularly well, but 'Little Thing' and 'Sweetheart' are still perennial favorites for me." —Anthony D'Amico - The Legendary Pink Dots, "Only Dreaming" ([self-released])
- Sonic Youth, "Live in Brooklyn 2011" (Silver Current)
- In The Nursery, "L'Esprit" (ITN Corp)
- The Chameleons, "Script of the Bridge" (Blue Apple)
- Arthur Russell, "Picture of Bunny Rabbit" (Audika)
"I hope the vault of Arthur Russell continues to produce more fantastic collections like this. It's okay to vary between styles and maintain a bit of a theme for time and location of recordings. My addiction grows stronger."—Jon Whitney - The Legendary Pink Dots, "Come Out From The Shadows Volume 3: The 80s" ([self-released])
- Bardo Pond, "Peel Sessions" (Fire)
- Air Miami, "Me. Me. Me." (4AD)
- Pan American, "In Daylight Dub" (Foam On A Wave)
- Nurse With Wound, "The Sylvie and Babs Hi-Fi Companion" (United Dirter)
- Fridge, "Happiness" (Temporary Residence)
- Edward Ka-Spel, "Caste O' Graye Skreeëns" ([self-released])
- Edward Ka-Spel, "Ghost Logik 2" ([self-released])
- Mouse on Mars, "Bilk" (Sonig)
- Nurse With Wound, "Brained By Falling Masonry/Cooloorta Moon" (United Dirter)
- Nurse With Wound, "Alice The Goon (Funeral Music For Perez Prado)" (B.F.I.)
- Big Blood & The Bleedin' Hearts, "Big Blood & The Bleedin' Hearts" (Feeding Tube)
"One of the finest albums in Big Blood's entire discography finally got a non-CDr physical release! Pretty exciting day at the mailbox." —Anthony D'Amico
Boxed Set of the Year
- Neutral Milk Hotel, "The Collected Works of..." (Merge)
"Essentially just a vinyl reissue of 2011's career retrospective with some additional live material added, which is probably somewhat revelatory for more obsessive NMH fans than me. Everyone else can safely just keep listening to In The Aeroplane Over The Sea forever, as there is nothing in the vaults that rivals it." —Anthony D'Amico
"I'm probably the only person in the world who prefers On Avery Island more, Anthony, but what do I know?"—Jon Whitney - The Residents, "Eskimo" (Psychofon)
- Hawkwind, "Space Ritual: 50th Anniversary Edition" (Atomhenge)
- Pharoah Sanders, "Pharoah" (Luaka Bop)
- Magnolia Electric Co., "Sojourner" (Secretly Canadian)
- A.R.Kane, "A.R.Kive" (Rocket Girl)
- Pere Ubu, "Elitism for the People 1975 - 1978" (Fire)
- Laraaji, "Segue To Infinity" (Numero Group)
- [V/A], "Remix Anthology Vol. 1-4 2002-2022" (Smalltown Supersound)
"This was my personal favorite boxed set of the year, as it was quite a treasure trove of killer songs that I had never heard before." —Anthony D'Amico - Acid Mothers Temple & the Melting Paraiso UFO, "Acid Motherly Love" (Riot Season)
- Jack Dangers, "Lucky Bag" (Flexidisc)
- [V/A], "Steven Wilson Presents: Intrigue - Progressive Sounds In UK Alternative Music 1979–89" (Burning Shed)
- King Crimson, "Larks' Tongues in Aspic (The Complete Recording Sessions)" (Panegyric)
"Surprisingly very little overlap between this and the 15 disc set from a decade ago, and I appreciate that it doesn't take up too much shelf space." -- Creaig Dunton - Laibach, "Nova Akropola / Live In Europe 1997-2020 / Live in London 1985-1987" (Cherry Red)
- Pere Ubu, "Architecture of Language 1979 - 1982" (Fire)
- Killing Joke, "Honor the Fire Live" (Live Here Now, Live Here Now)
- Acid Mothers Temple & the Melting Paraiso UFO, "Vinyl Archives Volume 1" (Riot Season)
- Duster, "Moods, Modes" (Numero Group)
- Einstürzende Neubauten, "Phase IV - The Singles" (Potomak)
- Celer, "Selected Self-Releases 2006-2007" (Two Acorns)
- [V/A], "The Complete Obscure Records" (Dialogo)
"I did not expect a retrospective of Brian Eno's hugely influential imprint to be this low in the rankings. It has admittedly been a long time since I was personally excited about anything Eno-related, but Gavin Bryars' The Sinking of the Titanic is an all-timer for me.'" —Anthony D'Amico
"Mine didn't arrive until the new year, Anthony."—Jon Whitney - King Crimson, "Absent Lovers (Live in Montreal 1984)" (Discipline Global Mobile)
- Karate, "Complete Studio Recordings" (Numero Group)
- Luc Ferrari, "L'Œuvre Électronique" (INA GRM)
- The New Blockaders, "Etudes de Rien" (Coherent States)
Artist of the Year
- The Legendary Pink Dots
- Caterina Barbieri
- Mary Lattimore
- Tim Hecker
- The Bug
- KMRU
- Loraine James
- Swans
- Godflesh
- Benoît Pioulard
Label of the Year
- Thrill Jockey
- Kranky
"It comes as no surprise these two labels continue to dominate the Brainwashed Readers Poll. It is a testament to their tireless dedication to quality."—Jon Whitney - Fire
- Drag City
- Psychofon
- International Anthem
- Important
- Room40
- Light-Years
- 4AD
New Artist of the Year
Derecho Rhythm Section
"It is important, for me at least, to hear Alan Sparhawk's voice on new music again, and he is not afraid to let us know exactly how he feels. Joined by his children with Mimi Parker, something special is definitely evolving. Hard to say what will become of this project in particular, but I hope to continue to hear all of them together."—Jon Whitney
Lifetime Achievement Recognition
Phill Niblock
"As a drone fan, Phill Niblock was always a bit of a living legend for me, as he and contemporaries like Éliane Radigue were instrumental in elevating the form into the realm of high art. Also, he was definitely a guy who understood and appreciated the elemental power of immersive, room-shaking vibrations. Beyond that, however, he played quite an outsized role in building and maintaining NYC's legendary avant-garde scene as the long-time director of Experimental Intermedia. I cannot think of many other people who were hip enough to book artists like Arthur Russell, Rhys Chatham, and Charlemagne Palestine as early as 1973/1974 and the list of other artists who played Niblock-curated shows in the 1970s is basically a who's who of nearly everyone who shaped the late 20th century avant-garde (Annea Lockwood, Suzanne Ciani, Catherine Christer Hennix, Laurie Spiegel, etc.). The musical landscape of 2024 would be a much bleaker place without Niblock's lifelong passion for championing groundbreaking and iconoclastic artists." —Anthony D'Amico
Read More
- Staff
- Annual Readers Polls
We're done
Votes have been entered and are now being tallied and calculated.
Once again, thanks to all who have participated and continue to participate and we wish you all the best for 2024.
Stay tuned for results.
Read More
- Staff
- Annual Readers Polls
The Brainwashed Readers Poll aims to be set apart by other online music polls. The staff and contributors aren't here to dictate to readers what we think people should be enjoying, we welcome the community to voice their opinion, and then we add our bits and pieces after.
Thanks again to all who have taken part in this year's Readers Poll. And thanks to all for your patience as this was the first year voting began after the year ended. Lots of surprises this year but keep in mind we all have been voting on what we liked and the items that seem to overlap the most with people rise to the top. See something missing? Sorry, it's a readers poll, participate more next year!
And here they are:
Album of the Year
- Oren Ambarchi, "Shebang" (Drag City)
"A deserving winner! Probably my favorite album from Ambarchi's more fusion-inspired rhythm-driven era." — Anthony D'Amico
"The breadth of Ambarchi's catalog can be quite intimidating, especially as he is historically defying genres, classifications, and expectations. His previous recordings with Johan Berthling might have been somewhat of an indication for what to expect, along with the other release on Drag City from this year, but I was completely unprepared for how amazing this album is." — Jon Whitney - Caterina Barbieri, "Spirit Exit" (Light-Years)
"Her development as a composer and arranger is nothing short of spectacular. This is a magnificent album." — Jon Whitney
"The Italian synth sorceress lets some dance and pop elements into her world of hypnotic arpeggios and spacy, neon-lit futurism. I especially loved "At Your Gamut" and its chopped-up techno deconstruction ("Terminal Clock"). — Anthony D'Amico - Lucrecia Dalt, "¡Ay!" (RVNG Intl.)
"I definitely did not expect Dalt to drop a sexy sci-fi tropical album last year, nor did I expect it to feel like such an effortless and natural direction for her. Hopefully a similarly sensuous companion album from Aaron Dilloway is not far behind." — Anthony D'Amico - Bitchin Bajas, "Bajascillators" (Drag City)
"Bitchin Bajas historically delve too far into the new age side of the psychedelia spectrum for my taste, but the 'tropical Steve Reich' magic of 'Amorpha' won me over on this one." — Anthony D'Amico - Bill Orcutt, "Music For Four Guitars" (Palilalia)
"Four tracks means four times as much Bill Orcutt. Yet another dazzling and sometimes surprising opus from an avant-guitar visionary on one hell of a hot streak." — Anthony D'Amico - The Soft Pink Truth, "Is It Going To Get Any Deeper Than This?" (Thrill Jockey)
"Drew Daniel rounds up a murderers' row of collaborators for an endearingly sincere disco homage. Gets a bit trippier and more eclectic than the EP, but its similarly great (and fun as hell)." — Anthony D'Amico
"Drew has continued in the trajectory from the last album to construct something even more epic and mature. But even when I tried to give him this compliment in person he snickered, so I'm glad he still considers SPT his space to have fun." — Jon Whitney - Matmos, "Regards/Ukłony dla Bogusław Schaeffer" (Thrill Jockey)
"An edgy yet playful elegy packed with surprises." — Duncan Edwards - Širom, "The Liquified Throne of Simplicity" (Glitterbeat)
"Sounds like the lost freak-folk recordings of a krautrock commune living in a jungle. One of my favorites, unsurprisingly." — Anthony D'Amico - Carla dal Forno, "Come Around" (Kallista)
"I enjoyed the eclectic new influences that crept into this album (girl groups, tropical rhythms, etc.). The somnambulant post-punk anthem 'Stay Awake' is especially wonderful." — Anthony D'Amico - Gnod, "Hexen Valley" (Rocket)
"I did not personally find this to be one of Gnod's strongest releases. It's a powerful onslaught as they hammer home the sludge, but I found it to be too repetitive and lacking their typical inventiveness. That said, I'm still looking forward to their next release." — Eve McGivern
"One of my favorite albums of 2022 to play BLISTERINGLY LOUD (along with the Veldt album which sadly didn't crack the top 100)." — Jon Whitney - Cosey Fanni Tutti, "Delia Derbyshire: The Myths And The Legendary Tapes" (Conspiracy International)
- Kali Malone, "Living Torch" (Portraits GRM)
"More slow-burning magic from the ever-fascinating Malone, but with a small ensemble this time around. I didn't definitely expect to get so absorbed In a recording of a site-specific performance." — Anthony D'Amico
"I did not think Kali Malone could ever match The Sacrificial Code, but she has. It is utterly bemusing that this album makes the list, though, while Delphine Dora's Hymnes Apophatiques gets the complete cold shoulder." — Duncan Edwards - Pan•American, "The Patience Fader" (Kranky)
"Another ethereal beauty from the great Pan•American. I'm glad to see this one in the Top 20, well deserved. This release continues to prove Pan•American timeless yet continues to flow with the times." — Eve McGivern
"While the cover depicts a cold, overcast, grey time of year I found myself using this album as a soundtrack to warm, clear summer nights outside under the stars. This is my favorite album from Mark Nelson in the last 20 years." – Jon Whitney - Carmen Villain, "Only Love From Now On" (Smalltown Supersound)
"I loved this album's Fourth World feel in general, but the haunted exotica of 'Portal' is especially brilliant." — Anthony D'Amico - Earthen Sea, "Ghost Poems" (Kranky)
- Sam Prekop and John McEntire, "Sons Of" (Thrill Jockey)
- Dry Cleaning, "Stumpwork" (4AD)
- Oren Ambarchi / Johan Berthling / Andreas Werliin, "Ghosted" (Drag City)
"Another stellar year for Oren Ambarchi. Ghosted is every bit as magnifcent as Shebang."- Duncan Edwards - Current 93, "If a City Is Set Upon a Hill" (House of Mythology)
- Ian William Craig, "Music for Magnesium_173" (Fat Cat)
- Alabaster DePlume, "Gold" (International Anthem)
"I was fully prepared to dismiss this as merely The Album After To Cy & Lee but, despite some annoying vocals and hype, Gold has some gorgeous moments and a spirtual groove." - Duncan Edwards - Andrew Chalk, "The Circle of Days 5" (Faraway Press)
- Diamanda Galás, "Broken Gargoyles" (Intravenal Sound Operations)
"Even after close to four decades of listening to Diamanda's music, words escape me when trying to describe her music. She is beyond classification, genre-defiant, peerless, and her subjects take time to thoroughly comprehend. There's no room for passive listening to her. Nothing of hers doesn't command attention, and this is no exception. I know that sounds vague but the longform sound sculptures like Broken Gargoyles are so dense with meaning through multiple movements, that it's best to just stop talking and listen." — Jon Whitney - Andrew Chalk, "The End Times" (ICR)
- Bill Callahan, "YTI⅃AƎЯ" (Drag City)
- Christina Vantzou, "Nº5" (Kranky)
- The Smile, "A Light for Attracting Attention" (XL)
"Whoah! I can't believe this isn't much higher ranked. Is it because people are sick of Thom Yorke, or a certain other band of his? I found this to be far better than anything he (or they) have ever released, and it quickly became one of my albums of the year. I hope more people will give it a listen and then push it up in their own personal ranks." — Eve McGivern - Brainwaltzera, "ITSAME" (FILM)
- Mary Lattimore & Paul Sukeena, "West Kensington" (Three Lobed)
- Loop, "Sonancy" (Cooking Vinyl)
"While I generally prefer Loop's lengthier songs, this more concise album is an excellent return after all these years." — Creaig Dunton
"While this is not, say, A Gilded Eternity, it's a solid addition to their stellar catalog. This is a refreshed Loop, and easily one of the most anticipated releases of 2022." — Eve McGivern - Horace Andy, "Midnight Rocker" (On-U Sound)
"Paired with its partner, Midnight Scorchers, Andy and Sherwood have packed an astounding 1-2 punch: contemporary, relevant, and powerful." — Jon Whitney - Ak'Chamel, "A Mournful Kingdom of Sand" (Akuphone)
"Masked mariachi-mad psych weirdos who seem like they just materialized from a Jodorowsky-inspired nightmare. If that doesn't grab your attention, I don't know what to tell you, buddy. A worthy and inspired follow up to The Totemist." — Anthony D'Amico - Nonconnah, "Don't Go Down To Lonesome Holler" (Ernest Jenning)
"A mind-melting avalanche of weird shoegaze sound collage magic. Probably my single favorite album of the year (albeit currently tied with Voice Actor)." — Anthony D'Amico - HTRK, "Death is a Dream" (N&J Blueberries)
- Sam Prekop, "The Sparrow" (TALmusic)
- Duster, "Together" (Numero Group)
- claire rousay, "everything perfect is already here" (Shelter Press)
- Horace Andy, "Midnight Scorchers" (On-U Sound)
- Félicia Atkinson, "Image Langage" (Shelter Press)
"Another year, another gorgeous, immersive, and endlessly mysterious Félicia Atkinson album with a unique theme. Feels like one of her strongest releases to date, but I suspect I've probably said the same thing about at least three other Atkinson releases in recent memory because she keeps releasing great albums." — Anthony D'Amico - Makaya McCraven, "In These Times" (International Anthem)
- Daniel Avery, "Ultra Truth" (Mute)
- Wet Leg, "Wet Leg" (Domino)
"The world needs more upbeat, clever tunes that are undeniably infectious, especially during times which continue to make us more polarized and isolated. It often feels that the days of the rock band are long gone in a world that favors the solo performer. But then something like this thankfully somehow manages to break through the dreck and bring people back together as a community to enjoy music together again." — Jon Whitney - Anna von Hausswolff, "Live at Montreux Jazz Festival" (Southern Lord)
- Dälek, "Precipice" (Ipecac)
- Madeleine Cocolas, "Spectral" (Room40)
- Jesu, "Pity / Piety" (Avalanche)
- Eli Winter, "Eli Winter" (Three Lobed)
"Broadrick slows the immense Jesu sound to a crawl to create the soundtrack for a mountaineer hanging on for dear life in the snow. — Matthew Jeanes - Christina Vantzou, Michael Harrison and John Also Bennett, "Christina Vantzou, Michael Harrison and John Also Bennett" (Séance Centre)
- Nik Colk Void, "Bucked Up Space" (Editions Mego)
- The Legendary Pink Dots, "The Museum of Human Happiness" (Metropolis)
- William Basinski & Janek Schaefer, ". . . on reflection" (Temporary Residence)
"This first collaboration between Jelinek, Basinski, and a gaggle of unwitting birds apparently took eight long years to come to fruition, but it definitely wound up in the right place in the end. Essentially just a single brief piano passage beautifully twisted, stretched, layered, and dissolved into a shape-shifting and poignant album-length reverie. Sublime minimalist perfection." — Anthony D'Amico - Cate Le Bon, "Pompeii" (Mexican Summer)
- KMRU, "there was nothing in between" (self-released)
- Marisa Anderson, "Still, Here" (Thrill Jockey)
- Andrew Chalk, "Dreams" (Faraway Press)
- Roy Montgomery, "Camera Melancholia" (Grapefruit)
- Edward Ka-Spel, "Conspiracy Of Pylons" (self-released)
- This Immortal Coil, "The World Ended A Long Time Ago" (Ici d'ailleurs)
- Sarah Davachi, "Two Sisters" (Late Music)
- Rat Heart Ensemble, "A Blues" (Shotta Tapes)
- Ryoji Ikeda, "Ultrasonics" (Noton)
- The Advisory Circle, "Full Circle" (Ghost Box)
- Billy Woods, "Aethiopes" (Backwoodz)
- Colin Stetson, "Chimæra I" (Room40)
- Raum, "Daughter" (Yellowelectric)
- Lustmord, "The Others [Lustmord Deconstructed]" (Pelagic)
- Laura Cannell, "Antiphony Of The Trees" (Brawl)
"Cannell shows no sign of either slowing down or letting the standard of her releases dip. As here where she uses a neglected instrument - the recorder - to celebrate the sacred, otherworldly, aspect of birdsong " — Duncan Edwards - Mabe Fratti, "Se Ve Desde Aquí" (Unheard Of Hope)
- Ami Dang, "The Living World's Demands" (Phantom Limb)
- Kyle Kidd, "Soothsayer" (American Dreams)
- Cucina Povera, "Tuhka" (Infinite Greyscale)
"Maria Rossi's collaboration with Ben Vince seemed to get most of the attention this year, but this single-sided solo album is absolute heaven. Both pieces are mesmerizing, gently hallucinatory delights." — Anthony D'Amico - Erik K. Skodvin, "Schächten" (Miasmah)
- Deathprod, "Sow Your Gold In The White Foliated Earth" (Smalltown Supersound)
- B. Fleischmann, "Music for Shared Rooms" (Morr Music)
- Big Thief, "Dragon New Warm Mountain I Believe in You" (4AD)
- Just Mustard, "Heart Under" (Partisan)
- Rachika Nayar, "Heaven Come Crashing" (NNA Tapes)
"I've listened to this album roughly a dozen times and still can't decide how I feel about it. On the one hand, there are plenty of swooningly lush and lovely moments. On the other, the new 'vivid, fluorescent, cinematic maximalism' almost makes it feel more like an M83 album than a Rachika Nayar album." — Anthony D'Amico. - Jeff Parker ETA IVtet, "Mondays at the Enfield Tennis Academy" (Eremite)
- Clarice Jensen, "Esthesis" (Fatcat)
- caroline, "caroline" (Rough Trade)
- Scanner & Modelbau, "Loess" (Moving Furniture)
- Saloli, "Ghosts: Music For Piano vol. 2" (self-released)
- Kelly Lee Owens, "LP.8" (Smalltown Supersound)
- KMRU, "Temporary Stored" (self-released)
- Ellen Arkbro & Johan Graden, "I get along without you very well" (Thrill Jockey)
- Rafael Anton Irisarri, "Sacred Hatred" (Black Knoll)
- Beach House, "Once Twice Melody" (Bella Union)
- Treasury of Puppies, "Mitt Stora Nu" (Discreet)
"Discreet was releasing killer drone albums and weird hiss-soaked bedroom art-pop gems left and right last year. This one is a fine example of the latter, but Arv & Miljö, Gothenberg Sound Workshop, Klara Livet, Jon Collin, and Astrid Øster Mortensen brought the heat as well (and that isn't even a complete list)." — Anthony D'Amico - Julia Sabra and Fadi Tabbal, "Snakeskin" (Beacon Sound)
"This album floored me. So haunting, so beautiful, and gnarled and unsettling in all the right ways. A collaboration made in heaven. The moment when the snare kicks in on 'All the Birds' delights me every single time that I hear it." — Anthony D'Amico - Pale Sketcher, "Golden Skin" (Give/Take)
- Postcards, "In Parenthesis Vol. 1" (self-released)
"The next best thing to discovering Snakeskin was learning about Julia Sabra's shoegaze/dreampop band. This particular album is not an especially representative one, as it was recorded live with borrowed gear during a brief residency in the ancient city of Jbeil, but the looseness and spontaneity of these recordings suit the band extremely well." — Anthony D'Amico - Raphael Loher, "Keemuun" (Three:Four)
- ulla, "foam" (3 X L)
- Marina Herlop, "Pripyat" (PAN)
- Julia Reidy, "World in World" (Black Truffle)
"Reidy has always been a reliably compelling and adventurous guitarist, but this batch of shorter, more focused pieces felt especially revelatory. I was especially impressed with how close 'Holding Onto' comes to resembling a killer indie pop single despite its haunting, broken-sounding dissonance." — Anthony D'Amico - Tangerine Dream, "Raum" (KScope)
- Huerco S., "Plonk" (Incienso)
- Anteloper, "Pink Dolphins" (International Anthem)
- CS + Kreme, "Orange" (The Trilogy Tapes)
- Edward Ka-Spel, "100 Seconds To Midnight" (self-released)
"Once again a stunner of a year for Ka-Spel with four fantastic full-length solo albums, a full-length Dots LP, and various singles,... I'm still trying to familiarize myself with the nine solo albums from 2021! I'll get there." — Jon Whitney
Single of the Year
- Mary Lattimore, "Moon Over Deetjen's" (self-released)
"Exactly the sort of rippling, bittersweet dreaminess that I always hope for in a new Mary Lattimore single." — Anthony D'Amico - The Soft Pink Truth, "Was It Ever Real?" (Thrill Jockey)
"The best moments on this EP sound like Goblin and Coil teaming up to throw a sexy, psychedelic disco party." — Anthony D'Amico
"In 1997 I visited Chicago and Thrill Jockey's HQ, Peter Christopherson gave me a Black Light District LP to hand to them for consideration but they passed. Great to see Coil finally ending up on Thrill Jockey, if only indirectly!" — Jon Whitney - The Legendary Pink Dots, "The Legendary Pink Dots' Hallowe'en Special 2022" (self-released)
" I keep expecting Edward Ka-Spel to eventually run out of great ideas for these, but he just keeps pulling more rabbits out of his hat. An exquisite annual pleasure (along with the Christmas song)." — Anthony D'Amico - Nailah Hunter, "Forest Dwelling" (Longform Editions)
"Yes please, more long, beautiful pieces from Ms. Hunter." — Jon Whitney - Burial, "Antidawn" (Hyperdub)
- KMRU, "Imperceptible Perceptible" (Longform Editions)
- Midwife, "Sickworld" (Hardly Art)
"Until we get a new album from Madeline Johnston, she has gifted us another breathtaking masterpiece, this time in the form of a nearly seven minute piece opening up her heart and sharing her feelings on a world desperately in need of healing. " — Jon Whitney - The Legendary Pink Dots, "The Legendary Pink Dots' Christmas Special 2022" (self-released)
- Andrew Chalk, "Bright Rivers Run / Shimmer in the Sun" (Faraway Press)
"Originally released back in 2015 on a 7" from the Japanese label Meditations, these two small electronic tunes are a little slice of heaven, showcasing Chalk's ability to create compact melodic pieces that are just as beautiful as the epic long, sprawling masterpieces he has become cherished for. " — Jon Whitney - Dean McPhee, "Cosmos/Ether" (Reverb Worship)
- Esau, "Other Places" (self-released)
- Karate, Guns & Tanning, "Graffiti Children" (Turntable Kitchen)
- Pan•American, "Alpalhão" (self-released)
- Sam Prekop, "Saturday Sunday" (Longform Editions)
- Carmen Villain, "CV x Actress" (Smalltown Supersound)
- Nonconnah, "At the River of Hell You're a Sparrow" (self-released)
- Bauhaus, "Drink the New WIne" (self-released)
- Four Tet, "Mango Feedback" (Text)
- Dummy, "Mono Retriever" (Sub Pop)
- Big Blood, "Weird Road" (Don't Trust the Ruin)
- Source Direct, "Snake Style 2" (Tempo)
- Dummy, "Hallogallo (Live)" (self-released)
"I loved how they covered this, and lots of folks have covered it for sure. Dummy just seems effortlessly tuneful, no matter what they do." — Eve McGivern - Pan•American, "Both Noun and Verb" (self-released)
- Laura Cannell, "We Long to be Haunted" (Brawl)
- ulla strauss, "Hope Sonata" (Longform Editions)
- [V/A], "Send the Pain Below" (The Flenser)
- Actress, "Dummy Corporation" (Ninja Tune)
- Fovea Hex, "All Those Signs (EarthPercent Mix)" (Janet)
"No. There were not 27 better singles in 2022." — Duncan Edwards - perila, "corridor between days" (Longform Editions)
- Burial, "Streetlands" (Hyperdub)
- Springtime, "Night Raver EP" (Joyful Noise)
- House of Harm, "Feel My Heart Beat / In Threes" (self-released)
- Madeleine Cocolas, "A Memory, Blown out" (Room40)
- Nailah Hunter, "Forest Dark" (self-released)
- serpentwithfeet, "I'm Pressed" (Secretly Canadian)
- The Veldt, "Check Out Your Mind EP" tied with "Electric Revolution (Rhythm and Drone) EP" (5BC)
"They were easily in my personal top 10 with their majestic Entropy is the Mainline To God LP and these two preceding singles were only a hint at its greatness." — Jon Whitney - ESG, "Not My First (Rodeo)" (self-released)
"Continue to be bringing it, although the recorded version of this doesn't capture the power of the group as a live entity. One of my favorte shows from last year." — Jon Whitney - Ela Minus & DJ Python, "♡ EP" (Smugglers Way)
- Jason Molina, "The Lamb and Flag I" (Secretly Canadian)
- FIRE! w/Stephen O´Malley & David Sandström, "Requiēs" (Rune Grammofon)
- Lia Kohl, "Untitled Radio (futile, fertile)" (Longform Editions)
- foodman, "Percussion Oyaji" (Longform Editions)
- James Bangura, "Wichita" (Incienso)
- Matt LaJoie, "Trine" (Longform Editions)
- Munchi, "The Mambo Detanao EP" (Nyege Nyege Tapes)
- Natalie Rose LeBrecht, "Star Water Shapeshift" (Longform Editions)
- Solomon Fesshaye, "Star City / Save Our Place" (Ghostly)
- TSVI & Loraine James, "53" (AD93)
- Gavilán Rayna Russom, "Trans Feminist Symphonic Music" (Longform Editions)
- Sun's Signature, "Sun's Signature" (Partisan)
"Kind of surprised Liz Fraser produced by Thighpaulsandra didn't score higher with brainwashed readers." — Jon Whitney
"I'm with Jon; this was a stellar single, and a perfect release for the Brainwashed audience." — Eve McGivern
Compilation of the Year
- "Saturno 2000 - La Rebajada de Los Sonideros 1962 - 1983" (Analog Africa)
"Mesmerizing collection somewhere in the region of Hany Mehanna, Joe Meek, Olga Mella, Mort Garson, and Konono #1, which is a hell of a region, yet distinct and idiosyncratic." — Duncan Edwards
"Plenty of cratediggers find killer lost records in far-flung places, but Analog Africa unearths entire lost subcultures. This instant classic documents slowed-down cumbias popularized by Mexican sound system operators, which is definitely something I didn't realize I needed in my life until I heard the opening 'Sampuesana.'" — Anthony D'Amico - "Luke Schneider Presents Imaginational Anthem vol. XI : Chrome Universal - A Survey of Modern Pedal Steel" (Tompkins Square)
"I have historically not been a big pedal steel fan, but Chuck Johnson's recent work has recalibrated my ears enough to dig this collection. Curator/contributor Luke Schneider made quite a few inspired choices and most of the featured artists were entirely new to me. I especially enjoyed the Maggie Bjorklund piece." — Anthony D'Amico - "Studio One Women Vol. 2" (Soul Jazz)
"I am a total whore for these Studio One compilations. This is one of the lighter, more pop-focused instalments, but it is characteristically strewn with gems. Nana McLean's dubbed-out girl group bliss was especially revelatory." — Anthony D'Amico - "Silberland - Kosmische Musik Vol 1 (1972-1986)" (Bureau B)
"I'm so pleasantly surprised to find this in the Top 5 ranking of compilations this year! So many great tracks here, and some lesser known selections that deserve the spotlight" — Eve McGivern - "WaJazz: Japanese Jazz Spectacle Vol.I - Deep, Heavy and Beautiful Jazz from Japan 1968-1984" (180g/ WaJazz)
- "Ghost Riders" (Efficient Space)
"The ache and throb of teenage hopefuls. Do not miss 14 year old Dennis Harte's fantastic track "Summer's Over", a 1960's gem." — Duncan Edwards
"Yet another singular collection ('coming of age garage soul') from the label who previously blessed us with Sky Girl. Watch your back, Numero Group!" — Anthony D'Amico - "Hallow Ground presents: EPIPHANIES" (Hallow Ground)
- "Echoes Of The Quadrature - One & Two & Three & Four (tied)" (insectorama)
- "I Had the Craziest Dream: Modern Jazz and Hard-Bop in Post War London, Vol. 1 & 2 & 3 (tied)" (Death Is Not The End)
- "Begging the Moon: Phleng Thai Sakon & Luk Krung, 1945-1960" (Death Is Not The End)
"Beguiling melodies which, as with Ferkat Al Ard's Oghneya, hooked me from the first few bars." — Duncan Edwards - "All Bad Boy & All Good Girl: Manchester Street Soul Soundtapes, 1988-1996" (Death Is Not The End)
"Like enjoying a tour of Manchester's hipper streets circa late 1980s-mid 1990s without any of the real life irritation of suffering someone blasting their musical choices in public. Classic mixtape mythology, then." — Duncan Edwards - "Studio One Music Lab" (Soul Jazz)
- "Beirut Adrift" (Norient)
- "SESTRO" (система | system)
"Some fantastic gems on this Ukranian release to benefit women and LGBT+ people affected by the war." — Jon Whitney - "Longing for the Shadow: Ryūkōka Recordings, 1921-1939" (Death Is Not The End)
- "A Colourful Storm USB Bomb" (A Colourful Storm)
- "Padang Moonrise: The Birth of the Modern Indonesian Recording Industry (1955-69)" (Soundway)
"Soundway's Miles Cleret was already responsible for at least a half-dozen compilations that remain in perpetual heavy rotation for me (The Sound of Siam, Cartagena!, etc.) and this one is yet another instant classic." — Anthony D'Amico - "XKatedral Anthology Series I" (XKatedral)
- "Pefkin / Roxane Métayer split LP" (Morc)
- "Aquapelago: an Oceans Anthology" (Discrepant)
- "Studia Spiritual" (12th Isle)
- "Elsewhere VXIII" (Rocket)
- "Pure Wicked Tune: Rare Groove Blues Dances & House Parties, 1985-1992" (Death Is Not The End)
- "Get This: 32 Tracks For Free - A Tribute to Peter Rehberg" ($ pwgen 20)
- "Síntomas de techno : Ondas electrónicas subterráneas desde Perú (1985-1991)" (Buh)
Vault/Reissue of the Year
- The Dead Texan (kranky)
"Sounds just as great as it ever did." — Duncan Edwards
"Christina Vantzou is only credited as contributing film and videos to this release but thankfully her music career has taken off with numerous solo releases since then and appears twice in this year's top 50 albums." — Jon Whitney - Stereolab, "Pulse of the Early Brain [Switched On Volume 5]" (Duophonic)
"Hearing Simple Headphone Mind performed live was certainly not on my bingo card but there it was, and it was a magnificent experience!" — Jon Whitney - Gavin Bryars, "The Sinking Of The Titanic" (Superior Viaduct)
- Sarah Davachi, "In Concert & In Residence" (Late Music)
- Diamanda Galás, "The DIvine Punishment" (Intravenal Sound Operations)
"Classic, and my favorite in the Red Death trilogy. Glad it is available once again." — Creaig Dunton - Emeralds, "Solar Bridge" (Ghostly)
- Coil, "Selvaggina, Go Back Into The Woods" (Retractor)
- Ekkehard Ehlers, "Ekkehard Ehlers plays" (Keplar)
"I don't know if I should be excited about the vinyl reissue of this 20-year-old collection or not, but Plays is an absolutely canonical 'early 2000s laptop milieu' album in my book. Please play 'John Cassavetes 2' at my eventual funeral." — Anthony D'Amico - Can, "Live In Cuxhaven 1976" (Mute)
- Coil, "Persistence Is All (Live At Royal Festival Hall)" (Retractor)
- Fennesz, "Hotel Paral.lel" (Editions Mego)
- Codeine, "Dessau" (Numero Group)
"I am not a passionate enough Codeine fan to have a strong opinion about how this long-lost second album stacks up against the one that was ultimately released in its place (1994's White Birch), but I am a passionate enough Codeine fan to be delighted that their tragically lean discography unexpectedly expanded last year. It is extremely rare for a formerly shelved album to be this good." — Anthony D'Amico - Sonic Youth, "In/Out/In" (3 Lobed)
"As a long-time SY devotee, I didn't think twice about pickup up this one. I'm always happy to see rarities, though I found this to be mostly for the obsessive fan." — Eve McGivern
"As a fan of the Musical Perspectives series over their '90s major label pop albums, this was a welcome pleasure." — Jon Whitney - Coil, "Limoges 2002" (Retractor)
- Nate Scheible, "Fairfax" (Warm Winters Ltd)
"Is there anything sadder than anonymous sadness, or more hopeful than anonymous hope?" — Duncan Edwards
"This one is an absolute all-timer for me. A once-in-a-lifetime thrift store find loving transformed into a singular emotional gutpunch of an album. Total stunner from start-to-finish." — Anthony D'Amico - Thomas Leer & Robert Rental, "The Bridge" (Mute)
"One of the finest albums Industrial Records issued." — Jon Whitney - Lustmord, "[The Dark Places of the Earth]" (Pelagic)
- Sun Ra and his Blue Universe Arkestra, "Universe in Blue" (Cosmic Myth)
- The Sonora Pine, "II" (Husky Pants)
- Photay with Carlos Niño, "An Offering" (International Anthem)
- Galcher Lustwerk, "100% Galcher" (Ghostly International)
- Mouse On Mars, "Radical Connector" (Thrill Jockey)
- Wire, "Not About To Die" (Pink Flag)
"One of the few bands (and eras) where the demos are not only drastically different, but stand brilliantly on their own." — Creaig Dunton
"Proving that even in their rawest forms, Wire is a genius musical force." — Eve McGivern - Maxine Funke, "Pieces of Driftwood" (Disciples)
- Laraaji, "Celestial Vibrations" (Numero Group)
Boxed Set of the Year
- Coil, "Love's Secret Domain (Chaostropy Edition)" (WaxTrax!)
"I'm glad more generations get to experience this incredible album." — Eve McGivern - Iannis Xenakis, "Electroacoustic Works" (Karlrecords)
"The fact that this has been sitting unplayed on my bookshelf for months fills me with a high level of ambient shame at all times." — Anthony D'Amico - Jesu, "Jesu (deluxe)" (Avalanche)
- Karate, "Time Expired" (Numero Group)
- "Bound For Hell: On The Sunset Strip" (Numero Group)
"I never realized how much I missed hairspray, tight pants, and guitar solos." — Jon Whitney - Al Cisneros, "Sinai Dub Box (2012-2022)" (Drag City)
- Celer, "Selected Self-releases, 2006-2007" (Two Acorns)
"Most of the strongest albums from Celer's classic duo years lovingly and stylishly compiled in one place." — Anthony D'Amico - Edward Ka-Spel, "The Quarantine Tapes Volume 2" (Witch Cat)
- Neu!, "50" (Grönland)
"One of the most highly anticipated releases of 2022, but ultimately not essential if you have all the original albums. Still, there are some goodies here that will warm a completist's soul." — Eve McGivern - Tindersticks, "Past Imperfect: The Best Of Tindersticks '92 - '21" (City Slang)
- Love and Rockets, "The Albums 1985-1994" (Beggars Arkive)
"I coveted this one pretty hard, but ultimately couldn't justify the price tag as an owner of the 180 gram reissues. Still, a worthy collection from one of my favorite bands for anyone that doesn't already have these in a non-digital format." — Eve McGivern - Sleep, "Dopesmoker" (Third Man)
"How many times has this been reissued? An album of mythical proportions for sure." — Eve McGivern - The Heads, "Under Sided (20th Anniversary Edition)" (Rooster Rock)
"More from the early catalog please." — Eve McGivern - Ákos Rózmann, "Mass/Mässa" (Ideologic Organ)
- The Residents, "Wormwood Box" (Cherry Red)
- Merzbow, "2017 - 2020 & 35CD Box (tied)" (スローダウン)
- Peter Murphy, "Peter Murphy" (Beggars Arkive)
"Beggars Arkive has been hit and miss with the re-pressings and reissues. I was certainly not impressed by the records from this set that I did hear, along with the fuzzy artwork. The Dali's Car record, however, not part of this set, I felt was fantastic." — Jon Whitney - Motorpsycho, "Salad Days Vol. 1 & 2 (tied)" (Rune Grammofon)
- Sleep, "Sleep's Holy Mountain" (Earache)
"I'll ask again, how many times has this been reissued? Still, recommended if you had neither this, nor Dopesmoker in physical format." — Eve McGivern - Roland Kayn, "Infra" (Reiger)
- µ-Ziq, "Lunatic Harness (25th Anniversary Edition)" (Planet Mu)
- Robert Fripp, "Exposures" (Discipline Global Mobile)
"Five versions of the one album, and a metric ton of Frippertronics performances. Redundant as hell, but I still bought it." — Creaig Dunton
"While I didn't spring for the ultra-deluxe massive version of this one, having never owned it previously on vinyl meant purchasing at least the original format." — Eve McGivern - Muslimgauze, "The Extreme Years" (Aquarelist)
- Karen Dalton, "In My Own Time" (Light in the Attic)
"After hearing tracks from this one, I ran across the deluxe set for a good price, and sprung for it. I don't regret it." — Eve McGivern - Pere Ubu, "Nuke The Whales 2006-2014" (Fire)
Artist of the Year
- Andrew Chalk
"Between solo releases and collaborations, Chalk continues to give us nothing but high quality pieces of art." — Jon Whitney - Oren Ambarchi
- Sault
"Six full-length albums and one small length album in a single year mathematically earned this mysterious collective this high a score, yet I'm disappointed none broke the top 100 from the readers, as they all command attention." — Jon Whitney - The Soft Pink Truth
- Edward Ka-Spel
- The Legendary Pink Dots
- Pan•American
- Lucrecia Dalt
- KMRU
- Diamanda Galás
Label of the Year
- Thrill Jockey
"I just uncoved a catalog of theirs from 25 years ago in a CD from back then and was reminded how consistent they have been over the years with issuing fantastic music. (Sadly the LP prices are now pretty much tripled for what they were in 1998.)" — Jon Whitney - Drag City
- Longform Editions
"Pretty much every new batch of Longforms Editions releases in 2022 featured at least one near-masterpiece, delightful surprise, or a beloved familiar name gamely trying their hand at something new." — Anthony D'Amico - Kranky
- Room40
- Smalltown Supersound
- International Anthem
"International Anthem is a bit more jazz-centric than my usual haunts, but albums like the Alabaster DePlume one make me wonder how many other leftfield delights I may have unknowingly slept on." — Anthony D'Amico - Numero Group
- Mute
- Rocket
New Artist of the Year
Kyle Kidd
"The best moments of Kyle Kidd's solo debut sound like a '70s soul diva just awoke from a coma and developed a healthy passion for the pleasures of tape hiss, subtly hypnagogic production, and the Arthur Russell/Larry Levan side of the late '70s NYC underground." — Anthony D'Amico
"When I'm exposed to someone who grabs my attention this much, I passionately seek out more information of who they are, their history, and what got them to this point. The music of Kyle Kidd over the last few years that I was able to find is beautiful—that voice is absolutely gorgeous—but if I had heard those songs first, I would not have been prepared for the remarkable depth and finesse of Soothsayer. The haunting arragements, the compositons trigger so much emotion it feels like a warm embrace, almost as if soul was injected into Satie." — Jon Whitney
Lifetime Achievement Recognition
Adrian Sherwood
"Adrian Sherwood famously taught himself sound engineering as a reggae-obsessed teen (before the emergence of cassettes) and has been tirelessly championing cool underground music and the DIY ethos ever since. In just his '80s heyday alone, he was arguably at the cutting edge of the post-punk scene (working with Ari Up and Mark Stewart), London's reggae scene (Creation Rebel, Prince Far I, Mikey Dread), industrial music (Ministry, Skinny Puppy, NIN), and maybe even rap (Sherwood's Tackhead bandmates were the Sugar Hill house band and backed Grandmaster Flash). Along the way, he also made some significant dub innovations (playing effects backwards), established a killer house band of his own, and helped reinvigorate the careers of some of his Jamaican heroes. There have certainly been some lean years and disappointing albums along the way (as Sherwood would be the first to admit), but he just kept moving forward regardless because that is simply what he does. More than four decades after he started, Sherwood is still releasing fine albums, restlessly trying out new ideas, and hipping new generations to canonical dub/reggae sounds." — Anthony D'Amico
"My very first unwitting exposure to Adrian Sherwood was in the remix of The Beatnigs Television: The Drug of the Nation in 1988, after which I then kept seeing On-U plastered over albums by my most recent exploration, Mark Stewart. While I've been aware of Adrian Sherwood as a producer, and On-U as a label for years, I'm a latecomer to truly understanding the vast span of his career." — Eve McGivern
"I was a big Depeche Mode fan when I was 13, and words could not describe my shock hearing that Are People People? re-remix from Sherwood. I had never heard something labeled as a remix that was so far removed from the original: it was completely unrecognizable and made very little musical sense. But I had more questions. Where on earth did this inspiration come from? Who would bury something so massive so deep on limited releases? And WTF is an ON-U Sound Science Fiction?? In the next couple years Sherwood's name was appearing on albums from groups heavy on my playlists like Ministry, Cabaret Voltaire, Tackhead, KMFDM, and Skinny Puppy. Most of the music he did for the post-industrial acts I had known resembled nothing before nor after his involvement. It was still a few years before I finally gained exposure to his reggae and dub history stetching back to the late '70s, along with genre-bending releases from Annie Anxiety, Missing Brazilians, and Voice of Authority, and it is all about as flawless as it gets. Over 40 years later he's still at the controls, as relevent as ever, the two albums this year from Horace Andy and previously from Lee Perry are perfect evidence." — Jon Whitney
Read More
- Staff
- Annual Readers Polls
Thank you to all who participated in this year's Annual Brainwashed Readers Poll.
Results will be published shortly.
Read More
- Administrator
- Annual Readers Polls
Alas we are finally here to present the Annual Brainwashed Readers Poll. Once again, this is what the readers choose, as staff and contributors, we only make our comments here and there.
Sorry for the delays, these have been exceptionally stressful and demanding times for just about everybody. Production may be high, but morale remains low. This couldn't be more evident with this year's poll, which had the most entries in years, but had a remarkably low voter turnout. It is difficult to hold out until the very end of the year to be all-inclusive, where most places have made up their mind by November, and music of the year is being released constantly until the clock strikes midnight. So by the time we come around to soliciting votes, most people have checked out for the year. We will do some re-evaluation to the process prior to future polls.
Thanks again to everybody who participated. This is your voice.
- Administrator
- Annual Readers Polls
Thanks to all who took part in the 2021 Readers Poll.
Voting has now completed and we are working on the results.
All the best for 2022!
- Administrator
- Annual Readers Polls
Thank you again to everyone who took part in this year's annual readers poll.
Voting round is now closed.
Results are being tabulated and will be posted shortly.
Best wishes for 2021.
- Administrator
- Annual Readers Polls
Happy New Year!
The voting round is now closed for the Brainwashed Annual Readers Poll for 2019.
Thanks to all who participated. Results will be posted shortly.
- Administrator
- Annual Readers Polls
Nominations are in and it's time to vote in the 1999 Readers Poll Recount.
Vote round is open until the end of January
Thanks to all the readers who have participated in these readers polls over the years. No more readers polls until the end of 2019. Promise!
- Administrator
- Annual Readers Polls
2018 is over and so is the voting on the 20th Annual Brainwashed Readers Poll.
Results due soon.
Thank you to all the readers who have taken part in the readers polls for as many years as we have been doing them. All the best for the New Year.
- Administrator
- Annual Readers Polls
It's uncharted territory for us, as we didn't do a readers poll in 1997, but the time has come.
Vote round is now open!
This vote round will be open until December 15th. After that we will hopefully be ready to tackle the 2018 year in music. We appreciate all the readers who have taken the poll seriously over the years. Please continue to show respect for the staff and contributors to brainwashed and the work that goes into these polls. Hating and ballot-stuffing is uncool and swiftly deleted.
Thanks again for your attention and participation.