Forced Exposure New Releases for the Week of 4/22/24

 

PRICE: $27.00

CAT #: VP 4188LP

FILE UNDER: WORLD

2024 repress.. Reissue, originally released in 1974. "This Is Augustus Pablo is a studio album by Augustus Pablo originally released in 1974 and co-written and produced by Pablo's childhood friend and critically acclaimed reggae producer Clive Chin. The album boasts an impressive list of session musicians including Ansel Collins on keyboards and Lloyd Parks and Aston Barrett both on bass guitar. The album was one of the first to showcase Pablo's unique use of the melodica."

 

PRICE: $27.00

CAT #: AKU 1046LP

FILE UNDER: WORLD

Agua Larga offers an immersion into the Afro-Ecuadorian culture of the province of Esmeraldas. The authors have captured how music is part of the daily life of the inhabitants, and how it interacts with the other sound elements that surround it. The musical material is thus accompanied by stories, poems and scenes of everyday life captured on the spot, far from aseptic studios, in public spaces, on river banks or by the sea. The guiding theme is water ("agua" in Spanish), in all its forms. It was the sea that brought the slaves to this new continent, but it is the sea that supplies the fishermen of today with fish. The rivers and streams used by boats and pirogues connect the villages of this rainforest. Water has also become a rare commodity in the city, where access is still difficult for some of the population. Scenes taken on the spot will mark this omnipresence of water, as a place to live and a necessary daily resource. This documentary project is intended as a sound testimony to an oral culture that is still too little known.

 

PRICE: $23.50

CAT #: AKU 1049LP

FILE UNDER: EXPERIMENTAL

Bo?te Bo?te is the latest collection from French trumpeter Jac Berrocal. Composed of rare and previously unreleased tracks, it plunges the listener into the fascinating world of this unclassifiable and timeless avant-garde artist. Recorded between Paris, New York, Berlin and Riga, the works are received like postcards from an unknown sender and enjoyed without moderation. The selection, devised by Jac Berrocal himself, oscillates between experimental tracks such as the eponymous "Bo?te Bo?te" and electronic pop delusions such as "Amarena." Impeccably mixed by Vincent Epplay. Limited edition.

 

PRICE: $28.00

CAT #: AWE 001LP

FILE UNDER: ELECTRONIC

Limited repress. LP version. Currently based in Los Angeles, Laurel Halo has spent over a decade stepping into different towns and cities for a moment or more, to the point where everywhere almost became nowhere. Atlas, the debut release on her new imprint Awe, is an attempt to put that feeling to music. Using both electronic and acoustic instrumentation, Halo has created a potent set of sensual ambient jazz collages, comprised of orchestral clouds, shades of modal harmony, hidden sonic details, and detuned, hallucinatory textures. The music functions as a series of maps, for places real and imaginary, and for expressing the unsaid. The process of writing Atlas began back in 2020 when she reacquainted herself with the piano. She relished the piano's physical feedback, as well as its capacity to express emotion and lightness. And when the legendary Ina-GRM Studios in Paris invited her to take up a residency the following year in 2021, she spared no time to dub, stretch and manipulate some of the simple piano sketches she'd recorded over the prior months; these subtle piano recordings and electronic manipulations would go on to become the heart of Atlas. In the remainder of 2021 and 2022, with time spent between Berlin and London, Halo recorded additional guitar, violin and vibraphone, as well as acoustic instrumentation from friends and collaborators including saxophonist Bendik Giske, violinist James Underwood, cellist Lucy Railton, and vocalist Coby Sey. All of these sounds were shaped, melted, and re-composed into the arrangements, their acoustic origins rendered uncanny. In short, Atlas is road trip music for the subconscious. With repeated listens, it is a record that can leave a deep sensorial impression on the listener, akin to walking at dusk in a dark forest. Its humor and sharp focus would dispel any notions of sentimentality. Completely distinct from the rest of Halo's catalog, Atlas is an album that thrives in the quietest places, rejecting bombast and embracing awe. Fitting that it's the debut release on her new recording label, whose slogan parallels the mood and atmosphere of the album: Awe is something you feel when confronted with forces beyond your control: nature, the cosmos, chaos human error, hallucinations.

 

PRICE: $31.50

CAT #: AX 113LP

FILE UNDER: JAZZ

Titled Vernacular, the debut album by Blake Reyes is personally overseen by Jeff Mills, and is part of the Axis Jazz collection. This confirms the eclecticism and versatility of both Axis and Blake Reyes, through harmony and rhythm, cultural influences, and the right touch of fusion: characteristics that have always defined jazz. The album was recorded in three different cities (Bologna, Milan, and Rome), with Jeff Mills present during all recording and mixing sessions. Particularly in Milan, work was done at the Officine Meccaniche studios, where Duke Ellington, Quincy Jones, and many others have recorded. Vernacular is an album that draws from jazz, Detroit techno and funk. It evokes operatic work due to its aspiration to create strong emotional intensity. The album features a blend of acoustic instruments such as acoustic bass, acoustic and electronic guitars, and the Steinway & Sons Grand Piano -- the same Duke Ellington played in 1963 when he recorded The Symphonic Ellington album -- alongside electronic instruments including drum machines and Roland synths. The musical references can primarily be found in Jeff Mills and his Millsart project, and more broadly in the works of composers like Bruno Nicolai, Piero Umiliani, Piero Piccioni, Brian Bennett, John Cameron, and even Raymond Scott. Producer, DJ, and sound designer Blake Reyes (born Luca Vertulli) divides his time between Milan and Ibiza. His productions consistently focus on the sounds and emotions derived from tapes, samplers, drum machines, and analog synthesizers. His mixes are broadcasted on stations such as Ibiza Global Radio, Ibiza Sonica, Radio Raheem, and Ol? Radio.

 

PRICE: $20.00

CAT #: BAL 031CD

FILE UNDER: ELECTRONIC

Created over the span of two years, Balance 032 marks a creative high point in the career of Madrid-based artist Henry Saiz, and this marks his third appearance for the hallowed compilation series. Spread over an expansive three discs, it has given him the space to curate a truly stunning odyssey of creative expression -- one influenced by everything from AI to his recent ADHD diagnosis. As ever, he has gone above and beyond to ensure that the mix is crammed full of exclusive, unreleased material, both from himself and many of his favorite producers and collaborators, from unknowns through to household names. Created in Ableton, which he uses for his DJ sets due to its unlimited creative functionality and precision, the mix makes great use of many effects, layerings, and production techniques to enhance the beautiful sounds that lie within. A deep and spacey feel early on with plenty of dubby touches gives way to meatier sounds, psychedelic tones woven into the heavier rhythms as the tempos gradually creep upwards and elements of trance abound through a flurry of Saiz exclusives. A grandstand finish is guaranteed by way of his incredible chugging-based rework of Moonlight Wolves' "Mantra," the light dreamy beauty of Henry Saiz and Somfay's "To Steal a Star from The Night," and the intense synth overload of H. Haze's "La Fuerza." A perfect end to a truly remarkable body of work. Featuring Hal Incandenza, Efferent, RQS, Eloy, True ZeroX, Guillermo Med?n, Robert Feltman, R.I.P Bestia, Romina (ARG), Karmon, R?yksopp, Genius of Time, Milio, Bostro Pesopeo, Wil Mancia, , Brassica, Eden Burns, Rollin & Josh Wetherington, Fr?mme, Marshall White, Miss Melera, Damabiah, Gonzalo Aranda, Space Dimension Controller, Imalgi, Moonlight Wolves, Big Zen, Wa Wu We, NVSBL, Kris Omen, Voiski, Aurora Halal, Adwer, Polygonia, NorB & juSt b, and Planetary Assault Systems.

 

PRICE: $38.50

CAT #: BAL 031LP

FILE UNDER: ELECTRONIC

Triple LP version. Created over the span of two years, Balance 032 marks a creative high point in the career of Madrid-based artist Henry Saiz, and this marks his third appearance for the hallowed compilation series. Spread over an expansive three discs, it has given him the space to curate a truly stunning odyssey of creative expression -- one influenced by everything from AI to his recent ADHD diagnosis. As ever, he has gone above and beyond to ensure that the mix is crammed full of exclusive, unreleased material, both from himself and many of his favorite producers and collaborators, from unknowns through to household names. Created in Ableton, which he uses for his DJ sets due to its unlimited creative functionality and precision, the mix makes great use of many effects, layerings, and production techniques to enhance the beautiful sounds that lie within. A deep and spacey feel early on with plenty of dubby touches gives way to meatier sounds, psychedelic tones woven into the heavier rhythms as the tempos gradually creep upwards and elements of trance abound through a flurry of Saiz exclusives. A grandstand finish is guaranteed by way of his incredible chugging-based rework of Moonlight Wolves' "Mantra," the light dreamy beauty of Henry Saiz and Somfay's "To Steal a Star from The Night," and the intense synth overload of H. Haze's "La Fuerza." A perfect end to a truly remarkable body of work. Featuring Hal Incandenza, Efferent, RQS, Eloy, True ZeroX, Guillermo Med?n, Robert Feltman, R.I.P Bestia, Romina (ARG), Karmon, R?yksopp, Genius of Time, Milio, Bostro Pesopeo, Wil Mancia, , Brassica, Eden Burns, Rollin & Josh Wetherington, Fr?mme, Marshall White, Miss Melera, Damabiah, Gonzalo Aranda, Space Dimension Controller, Imalgi, Moonlight Wolves, Big Zen, Wa Wu We, NVSBL, Kris Omen, Voiski, Aurora Halal, Adwer, Polygonia, NorB & juSt b, and Planetary Assault Systems.

 

PRICE: $29.50

CAT #: BT 117LP

FILE UNDER: EXPERIMENTAL

Black Truffle announces The Mountains Pass, a major new work from Olivia Block. A key player in Chicago's vibrant experimental music scene since the late 1990s, Block has developed an extensive body of work grounded in a personalized, at times emotive approach to the studio-based practices of the musique concr?te tradition, while also encompassing improvisation, orchestral pieces, sound installations, and a sustained engagement with the piano. On The Mountains Pass, recorded by Greg Norman at Steve Albini's Electrical Audio and meticulously edited and constructed over the course of three years, Block pushes into new terrain, introducing her singing voice and drums played by Jon Mueller into flowing assemblages that move seamlessly from ruminative organ tones and fragmented piano airs to explosions of sizzling synths and thundering percussion. Like many of Block's past works, which include, for example, a sculptural installation using the sound of oyster beds, The Mountains Pass draws inspiration from nature and the animal world. Time spent in a particular mountain range in Northern New Mexico informs this suite of pieces, whose lyrics and titles refer particularly to animal life in the area. The music sometimes suggests the great outer-limits works of '70s Italian prog figures like Franco Battiato or Arturo Stalteri in the languorous drift of synthesizer, organ, and piano tones and the meticulous yet organic flow of its construction. Block's crystalline voice and rich piano chords at times call up the restrained chamber songs of Janet Sherbourne, but fragmented and threaded through passages of woozy pitch-bent keyboards, hypnotic distant thuds, tinkling bells, and searing distorted synth tones. On "f2754," the freedom of the roaming wolf surges through dense layers of rapid keyboard attacks and long organ tones over a propulsive drum performance straight out of Animal Magnetism-era Arnold Dreyblatt. This distinctive sound world is then reencountered in a darkened mirror image in the uneasy, metallic shimmer of the closing "Ungulates," named in reference to a heard of elk roaming through the mountains. Like Battiato's Clic or Gastr del Sol's Upgrade & Afterlife, The Mountains Pass inhabits the underexplored terrain where the beauty of song coexists with a radical formal openness, illuminating the deep musicality and warmth that have been present in Block's work all along.

 

PRICE: $26.00

CAT #: BB 039LP

FILE UNDER: ROCK

2024 restock; LP version. The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster already having recorded two albums with him under the name of Harmonia. 1976 saw the duo looking for new musical forms. More than any other Cluster album, Sowiesoso represents the utopian vision of Hans-Joachim Roedelius and Dieter Mobius, its mellow transparency evoking the landscape of the Weser Uplands where the two musicians lived at the time. Sowiesoso is not the work of fanatic dreamers who have fled the metropolis, but the reward for their tenacious search for a new musical language. The LP's seven cuts were recorded in their own studio with modest equipment -- a four-track tape machine, two Revox A77 stereo tape-decks and a simple 8-channel mixer. Cluster were thus completely independent, able to work where and when they wanted, at their own pace. With no guest musicians, sound engineers or producers to accommodate, Cluster thrived on their new-found autonomous freedom. Sowiesoso captures them at the peak of their creative development, with the limited range of recording equipment enhancing the clarity of their vision, allowing them to concentrate on the music without drifting into narcissistic muso territory. Minimalist, yet neither formulaic nor automated, the album is a rhythmic tapestry of otherworldly electronic and acoustic elements -- relaxed, organic and gentle ambience. This could only be Cluster music; its harmonies reaffirm the quality of song, in spite of eluding song structure as such.

 

PRICE: $33.00

CAT #: CARLP 232LP

FILE UNDER: ELECTRONIC

30 years after the release of the self-titled debut album, Electric Orange is now finally being pressed on vinyl. The double LP comes on 180g heavyweight, orange-marbled vinyl, housed in a gatefold sleeve. Dirk Jan Muller has had an interest in '70s German underground music since 1988 and his passion for bands such as Amon D??l, Tangerine Dream, Nektar, Neu, and Can resulted in his collection synthesizers, keyboards, amps and various pieces of '70s musical equipment.

 

PRICE: $11.50

CAT #: SAUNA 080CS

FILE UNDER: EXPERIMENTAL

Melbourne/Naarm-based musician and curator Rama Parwata, known for being the backbone drummer in bands such as Kilat, Whitehorse, and Rinuwat, releases his second major solo album titled Ceases on Cassauna/Important Records. Parwata's gripping new electro-acoustic work is a sonic exploration within the realms of post-free-jazz and experimental electronics. At its core, Ceases navigates the liminal spaces between rhythm and noise, structure and chaos. The album traverses a vast emotional and conceptual landscape, touching upon themes of impermanence, transformation, and the cyclical nature of existence. At the forefront of the album is Parwata's emotive compositional and performative approach, which serves as both anchor and catalyst for the album's journey. The percussion performance is cymbal heavy accompanied by deeply meditative drones and slow-moving melodies. The wash of sound touches on a spiritualism akin to Coltrane's "A Love Supreme Part 4: Psalm," albeit with a modern electronic vision ? la Tim Hecker. With a keen sense of textural intricacy Parwata favors the emotional expression of electro-acoustic composition, weaving complex poly-textures that ebb and flow with hypnotic, prayer-like intensity. Each performative gesture creates a visceral immediacy that draws the listener deeper into the celestial, otherworldly sonic framework. The diverse array of electronic elements, meticulously crafted and seamlessly integrated into the fabric of the album are a testament of Parwata's capacity for acousmatic composition. From pulsating synthesizers to glitched-out samples, the electronic timbres in Ceases serve as both sonic embellishments and structural foundations, blurring the boundaries between organic and synthetic, acoustic and digital. Honing in on the electronics, a listener could be convinced they were hearing anything from spiritual-jazz, '90s rave, dungeon synth or doom. Through judicious composition, Parwata imbues each sound with a sense of transcendental allure and paints a soundworld that has a distinct "outerness." At times the narrative is pointedly bleak but over a few passages the sonic language often bends toward rejuvenation; finding respite in cadence. The title itself suggests a sense of cessation, of endings and beginnings intertwined -- a motif that reverberates throughout the album.

 

PRICE: $26.00

CAT #: CORTIZONA 024LP

FILE UNDER: EXPERIMENTAL

After her stunning and well acclaimed debut album For Trainspotters Only Ann Eysermans now releases Moonlight Shadoh, a tribute to her dog Shadoh. A record on which she explores the bond between herself and her faithful canine friend, Shadoh, through an extraordinary musical odyssey. Ann Eysermans masterfully weaves together a tapestry of field recordings, candy-like harmonies, and Shadoh's distinctive houndly expressions, creating otherworldly compositions that transcend genres which include recorded and integrated snarling feedback sounds. From the hauntingly beautiful melodies to the experimental sonic landscapes, every track tells a story that resonates deep within your soul. Feel the heartbeat of Shadoh as his barks, whimpers and playful antics merge seamlessly with Ann's soothing vocals, harp and viola da gamba. These evocative arrangements will transport you to a realm where the bond between human and dog is translated into an aural spectrum swaying between desolate harp sounds, recollecting the eerie Jandek spirit lacing with doomy, and catchy as hell, new beat vibes. Moonlight Shadoh is an exceptional journey blending acoustic instruments, phonic melancholy, analogue tape footage of Ann's personal sound archive and audio poetry. RIYL: Jandek, Claire Rousay, Andy Stott, William Bassinski, Kali Malone, Mica Levi.

 

PRICE: $26.00

CAT #: RR 001LP

FILE UNDER: ROCK

2024 repress. Co-released with Root Records. Following his debut EP En clair-obscur and a series of singles earlier this year cementing his place as a rising name in the world of cinematic soul and funk, Hamburg's finest cinematic soul artist The Offline announces his debut album La couleur de la mer. Reminiscent of film scores from the '60s and '70s, The Offline worked with co-producer Tim Liztenberger to channel the influence of film composers such as Francois de Roubaix and Brian Bennet, creating his own soundtrack on La couleur de la mer. Inducing images of manorial, fog-swept villas at the sea's edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. Experimenting with themes and atypical song structures, the music moves from dramatic cues to fragile romanticism. It incorporates psychedelic spaciness, retro soul and hip-hop sensibilities informed by The Offline's extensive record collection and crate-digger status. The Offline came to life when composer and photographer Felix Mu?ller travelled the Atlantic coastline in the south of France with his analogue camera, capturing beach life on film. After coming back to Hamburg, he started writing songs as the sonic counterpart to the analogue visuals. His Debut EP En Clair-Obscur includes five tracks that capture the essence of his journey and the feeling of a cool summer soundtrack.

 

PRICE: $25.00

CAT #: DC 128LP

FILE UNDER: ROCK

Repressed; 2024 vinyl reissue. Blue color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored through 2014 over another five Ghost LPs, as well as the further explorations to the present day of leader Masaki Batoh, as a solo artist and with The Silence, Damon & Naomi, Helena Espvall, and most recently, nehan. The first three Ghost titles (Ghost, Second Time Around, and Temple Stone) were originally released by P.S.F. on CD in 1990, 1992 and 1994, respectively, radiating enigma and energy in palpable waves with their original sound. After the acclaim that greeted Drag City's 1996 US release of Lama Rabi Rabi, the label quickly reissued all three on vinyl -- and they quickly went out of print! At which point, Ghost had Snuffbox Immanence and Free Tibet ready to go. And then, Hypnotic Underworld. And then, and then... Now, it's been 25 years since they were last offered on vinyl. In the twenty-year sweep of Ghost history, these first three releases qualify as primitive early Ghost -- sort of like a German Os Mutantes (or perhaps a Brazilian Amon D??l). The subterranean presence of a diversity of progressive/avant classic rock influences (Pink Floyd, Incredible String Band, Captain Beefheart, Scott Walker, Led Zeppelin, Popol Vuh, Third Ear Band, to name but a few) provokes further synthesis, making for an entirely new meditation on the traditional order of psychedelic music. The first two studio albums, each one an iteration of Ghost's unique lysergic folk music, were followed by the monolithic 'live in various places' happening of Temple Stone, which raised the trippiness levels considerably."

 

PRICE: $25.00

CAT #: DC 129LP

FILE UNDER: ROCK

Repressed; 2024 vinyl reissue. Green color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored through 2014 over another five Ghost LPs, as well as the further explorations to the present day of leader Masaki Batoh, as a solo artist and with The Silence, Damon & Naomi, Helena Espvall, and most recently, nehan. The first three Ghost titles (Ghost, Second Time Around, and Temple Stone) were originally released by P.S.F. on CD in 1990, 1992 and 1994, respectively, radiating enigma and energy in palpable waves with their original sound. After the acclaim that greeted Drag City's 1996 US release of Lama Rabi Rabi, the label quickly reissued all three on vinyl -- and they quickly went out of print! At which point, Ghost had Snuffbox Immanence and Free Tibet ready to go. And then, Hypnotic Underworld. And then, and then... Now, it's been 25 years since they were last offered on vinyl. In the twenty-year sweep of Ghost history, these first three releases qualify as primitive early Ghost -- sort of like a German Os Mutantes (or perhaps a Brazilian Amon D??l). The subterranean presence of a diversity of progressive/avant classic rock influences (Pink Floyd, Incredible String Band, Captain Beefheart, Scott Walker, Led Zeppelin, Popol Vuh, Third Ear Band, to name but a few) provokes further synthesis, making for an entirely new meditation on the traditional order of psychedelic music. The first two studio albums, each one an iteration of Ghost's unique lysergic folk music, were followed by the monolithic 'live in various places' happening of Temple Stone, which raised the trippiness levels considerably."

 

PRICE: $31.00

CAT #: DC 262LP

FILE UNDER: ROCK

"Happy 20th birthday to Family Album, the third recording of Faun Fables and the first one released on Drag City. These songs belong to sons and daughters, entwined and orphaned, domesticated and feral; to all the family vines unraveling from a ball of yarn. In this family album, runaways graze the wild together, a mother finds her courage playing the piano, dogs become thieves and wolves, and a son is taken too soon. Fourteen-year-old nymphs sit dangerously at the crossroads, a younger brother tries to find his place, packs of girls defeat fear with a march, and the nightly adventures of the household mouse are spied upon."

 

PRICE: $31.00

CAT #: DC 274LP

FILE UNDER: ROCK

"Mother Twilight is the second Faun Fables album. It has since been noted by Scottish author R.J. Stewart as a work containing true artifacts of the oral underworld tradition. Dawn and Nils made a hand-assembled first pressing and peddled it to nearly every bar and rural hall across North America from 2001 to 2003. Drag City reissued the CD in 2004. Things are glowing outside, enough to bring any sun worshiper in for the night. But you must remain outside and begin walking. It'll prepare you for the night, which otherwise comes as a chilling surprise. If you pay attention this time, maybe you'll understand why you're becoming invisible. When your memory began, it wasn't startling, wasn't a mistake. It came out of an old, dark and familiar thing, like a storyteller, like Twilight."

 

PRICE: $13.50

CAT #: DC 869CD

FILE UNDER: ROCK

"With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spiderwebs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County -- a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together -- forming connection and exchange out of thought and expression -- no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived. In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later -- like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them. Time is Glass is made of that kind of time. Alone time. Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again."

 

PRICE: $20.00

CAT #: DC 869LP

FILE UNDER: ROCK

LP version. "With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spiderwebs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County -- a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together -- forming connection and exchange out of thought and expression -- no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived. In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later -- like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them. Time is Glass is made of that kind of time. Alone time. Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again."

 

PRICE: $20.00

CAT #: DC 917LP

FILE UNDER: EXPERIMENTAL

"Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling, and Andreas Werliin) for over a decade?--?and both Johan and Andreas played on Oren's Live Hubris as well. Oren and Johan began music-making together back in the early aughts?--?but it wasn't until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses; now, it's time for the 'dreaded follow up album.' What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get P?l Dybwik to do some well-distinctive cover art, and once more, call it a record. Ghosted II has a definitively fresh quality radiating throughout it. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get together?--?a further recombination of elements, a new expedition through alternative angles. There's always more, and incredibly, it's all improvised, with next-to-nothing prepared going in and minimal overdubs after they've laid things down. As noted, these guys balance their music improbably between a relaxed feel and a nervy resolve, as each member holds down their corner in an open sound field. Making Ghosted II, the band found that there's a different kind of tension making something for an established project rather than the kind one feels making something for the first time?-- and they used this new variety, as before, as a kind of fuel?--driving their terse minimalism fruitfully through the process of succumbing to and then transcending guilty pleasures. Finding fresh territory in funk sketches, jazzy heads, ambient pastorals and droning soundtrack pieces, Ambarchi, Berthling and Werliin compellingly haunt a mad variety of spaces."

 

PRICE: $16.00

CAT #: DUST 120CD

FILE UNDER: ELECTRONIC

In the enigmatic realm of electronic music, The Black Dog stands as a visionary act, responsible for crafting, among other things, the mesmerizing album Silenced. Notably, this release marks a significant milestone in the band's evolution, being the first album from the new line-up and their collaboration with the fledgling label Dust Science. Defying industry norms, The Black Dog embodies a DIY ethos. Their artistic journey remains steadfast, with a commitment to originality and creative freedom, unfettered by the limitations imposed by the commercial music industry. The record label Dust Science takes pride in championing The Black Dog's musical prowess, with its first release being the band's four-track EP Bite Thee Back. However, this EP was only a prototype for the revitalized collective, eventually leading to the composition of Silenced, which followed soon after. This creative period denotes a fresh start for The Black Dog, a testament to their resilience and a commitment to evolving their sound. The resulting album represents a new beginning, celebrating and transcending the echoes of the past. It redefines the band's sonic landscape and establishes a distinct musical narrative that resonates with dedicated followers and newcomers alike.

 

PRICE: $32.00

CAT #: EFFICIENT 031LP

FILE UNDER: ROCK

Double LP version. A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord savior. Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honors the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realized her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead's hair-raising gospel, howling into infinite space, and Goldrust's stripped back garden hymn. Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy's lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on "Lowlands." Reaching the furthest corners, Someone Like Me secures the inaugural license of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley's bedroom pop earworm melds peacefully into Charlie Webster's synthesized reverie. Meanwhile, Hollywood's John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg. Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon's figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland. Also featuring The Bob Hughes Band, Jon Betmead, Robison Kaplan Ltd., and Ritchie Tierney. Original recordings range from 1966 to 1990.

 

PRICE: $14.00

CAT #: ENV 012EP

FILE UNDER: ELECTRONIC

2024 repress. Morgan Geist's cult classic Super. Originally released in summer 2001, the record is an ode to New York City and many of the producer's most vital influences. With live strings from the Kelley Polar Quartet and plenty of disco DNA, it's no mystery that this was made by half of Metro Area (and released just months before their underground classic "Miura"). Remastered and cut by the award-winning Matt Colton of Alchemy Mastering.

 

PRICE: $18.00

CAT #: ENV 014R-EP

FILE UNDER: ELECTRONIC

2024 restock. Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So, this time around, the label is doing something a bit different. To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3, and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released. Metro Area 4 is the duo's first 12" EP, originally released in 2001.

 

PRICE: $18.00

CAT #: EMP 026EP

FILE UNDER: ELECTRONIC

Underground Resistance member James Pennington A.K.A. Suburban Knight has his first night strike on EPM with Winds of Fear. Pennington is known for being one of the producers on the Inner City hit single "Big Fun," as well as his own solo productions for Transmat with "The Art of Stalking" and numerous tracks on UR, most notably the Nocturbulous Behavior and By Night EPs. Fellow past UR members and Detroit legends in their own right, Robert Hood and Eddie Fowlkes step up to edit this masterpiece.

 

PRICE: $21.50

CAT #: ESK 667030

FILE UNDER: ELECTRONIC

Next Wave Acid Punx DEUX is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Next Wave Acid Punx DEUX features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb, and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento, and Years of Denial. Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, DEUX is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you'll hear it in and the artists you'll find on those stages. Featuring Mary M??r, Sad Lovers & Giants, Cabaret Voltaire, Clan Of Xymox, In Sotto Voce, Psyche, Propaganda, DAF, Vicious Pink, Book Of Love, Absolute Body Control, Boytronic, The KVB, Cardinal & Nun, Jennifer Touch, Matrixxman, Years Of Denial, Silver Tears, Essaie Pas, Aili x Transistorcake, Dina Summer, Patriarchy, Maelstrom & Louisahhh, Dame Area, Kris Baha, Desire, Blind Delon, I Hate Models, Poison Point, Roe Deers, Mariana Salda?a, Silent Servant, J.W.B. Hits The Beat, Hungry Boys, Autumns, Buzz Kull, Soft Crash, Dame Bonnet & Mufti, Ultra Sunn, Neu-Romancer, EVA, Andi vs Randolph & Mortimer, Zanias, The Hacker, and Paradox Obscur.

 

PRICE: $33.00

CAT #: ESK 667033

FILE UNDER: ELECTRONIC

Double LP version. Chapter 1. Next Wave Acid Punx DEUX is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Next Wave Acid Punx DEUX features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb, and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento, and Years of Denial. Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, DEUX is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you'll hear it in and the artists you'll find on those stages. Featuring Mary M??r, Sad Lovers & Giants, Cabaret Voltaire, Clan Of Xymox, In Sotto Voce, Psyche, Propaganda, DAF, Vicious Pink, Book Of Love, Absolute Body Control, Boytronic, The KVB, Cardinal & Nun, Jennifer Touch, Matrixxman, Years Of Denial, Silver Tears, Essaie Pas, Aili x Transistorcake, Dina Summer, Patriarchy, Maelstrom & Louisahhh, Dame Area, Kris Baha, Desire, Blind Delon, I Hate Models, Poison Point, Roe Deers, Mariana Salda?a, Silent Servant, J.W.B. Hits The Beat, Hungry Boys, Autumns, Buzz Kull, Soft Crash, Dame Bonnet & Mufti, Ultra Sunn, Neu-Romancer, EVA, Andi vs Randolph & Mortimer, Zanias, The Hacker, and Paradox Obscur.

 

PRICE: $33.00

CAT #: ESK 667035

FILE UNDER: ELECTRONIC

Double LP version. Chapter 2. Next Wave Acid Punx DEUX is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Next Wave Acid Punx DEUX features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb, and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento, and Years of Denial. Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, DEUX is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you'll hear it in and the artists you'll find on those stages. Featuring Mary M??r, Sad Lovers & Giants, Cabaret Voltaire, Clan Of Xymox, In Sotto Voce, Psyche, Propaganda, DAF, Vicious Pink, Book Of Love, Absolute Body Control, Boytronic, The KVB, Cardinal & Nun, Jennifer Touch, Matrixxman, Years Of Denial, Silver Tears, Essaie Pas, Aili x Transistorcake, Dina Summer, Patriarchy, Maelstrom & Louisahhh, Dame Area, Kris Baha, Desire, Blind Delon, I Hate Models, Poison Point, Roe Deers, Mariana Salda?a, Silent Servant, J.W.B. Hits The Beat, Hungry Boys, Autumns, Buzz Kull, Soft Crash, Dame Bonnet & Mufti, Ultra Sunn, Neu-Romancer, EVA, Andi vs Randolph & Mortimer, Zanias, The Hacker, and Paradox Obscur.

 

PRICE: $15.50

CAT #: FARACD 006CD

FILE UNDER: ROCK

After a ten-year hiatus, the Swedish country band Bourbon Boys announces that their brand-new album Forever Rebels will be out on Faravid Recordings. Forever Rebels is the third album in the band's discography, and is preceded by Shotguns, Trucks & Cattle (2013) and Hail to the Chief (2013). The band has previously been awarded two Swedish Gold Awards; for the singles "Hillbilly Heart" (Shotguns, Trucks & Cattle) and "Taxman" (Hail to the Chief). Forever Rebels delivers a classic guitar-driven country sound with influences taken from, among others, seventies outlaw legends and rocking country from the later decades. The album offers ripping chickien pickin' guitars and steady trainbeats -- but also low-key ballads with lyrics that tell about broken lives, an unforgiving nature, and indomitable love. Each of the tracks can be linked to a moment in the daily life on the countryside, written with words deeply rooted in a hard-working rebel heart, with love for family, the animals and freedom.

 

PRICE: $26.00

CAT #: FARALP 006LP

FILE UNDER: ROCK

LP version. After a ten-year hiatus, the Swedish country band Bourbon Boys announces that their brand-new album Forever Rebels will be out on Faravid Recordings. Forever Rebels is the third album in the band's discography, and is preceded by Shotguns, Trucks & Cattle (2013) and Hail to the Chief (2013). The band has previously been awarded two Swedish Gold Awards; for the singles "Hillbilly Heart" (Shotguns, Trucks & Cattle) and "Taxman" (Hail to the Chief). Forever Rebels delivers a classic guitar-driven country sound with influences taken from, among others, seventies outlaw legends and rocking country from the later decades. The album offers ripping chickien pickin' guitars and steady trainbeats -- but also low-key ballads with lyrics that tell about broken lives, an unforgiving nature, and indomitable love. Each of the tracks can be linked to a moment in the daily life on the countryside, written with words deeply rooted in a hard-working rebel heart, with love for family, the animals and freedom.

 

PRICE: $24.00

CAT #: FF 476EP

FILE UNDER: ROCK

2024 restock. Limited French fan club release. Picture disc. Includes "Transmission" and "Novelty".

 

PRICE: $14.50

CAT #: FRAGILE 015CD

FILE UNDER: ELECTRONIC

Wolfgang Tillmans' latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable beats. Tillmans' voice, whether growling and confrontational or tender and stripped down, maintains its prominence throughout, serving as the album's core. Also featuring FRAGILE.

 

PRICE: $15.50

CAT #: GB 150CD

FILE UNDER: WORLD

Sahrawi singer-songwriter activist Aziza Brahim's fifth album Mawja ("wave" in Hassaniya Arabic) is fashioned from a simple but powerful foundational palette: Saharan and Iberian percussion entwining with stately guitars and warm, enveloping bass. Co-produced by Brahim with long-time collaborator Guillem Aguilar, the record from her oeuvre that Mawja most sonically resembles is her revered and graceful debut Soutak (GB 009LP, 2014). That noted, there is a confident eclecticism found here, an expansive take on her vision that even includes a drum pattern inspired by the Clash. Brahim's voice, as always, is a wellspring of deep and resonant emotions. The yearning for homeland. The struggle for freedom. The love for one's elders. The unfurling of time. Waves of history, waves of sound. Mawja.

 

PRICE: $28.00

CAT #: GB 150LP

FILE UNDER: WORLD

LP version. Sahrawi singer-songwriter activist Aziza Brahim's fifth album Mawja ("wave" in Hassaniya Arabic) is fashioned from a simple but powerful foundational palette: Saharan and Iberian percussion entwining with stately guitars and warm, enveloping bass. Co-produced by Brahim with long-time collaborator Guillem Aguilar, the record from her oeuvre that Mawja most sonically resembles is her revered and graceful debut Soutak (GB 009LP, 2014). That noted, there is a confident eclecticism found here, an expansive take on her vision that even includes a drum pattern inspired by the Clash. Brahim's voice, as always, is a wellspring of deep and resonant emotions. The yearning for homeland. The struggle for freedom. The love for one's elders. The unfurling of time. Waves of history, waves of sound. Mawja.

 

PRICE: $15.50

CAT #: GB 154CD

FILE UNDER: WORLD

According to Avalanche Kaito drummer Benjamin Chaval, their music comes from "a sound, a sample, a desire, a feeling, or simply a lack of something." And their second album, Talitakum, is the result of a process, where "the whole" is, indeed, "expressed in every part," whatever the provenance. To begin with, the band gigged as much as they could in 2021, the guitarist Nicco Gitto having replaced bassist Arnaud Paquotte, their fiery, mercurial shows becoming "a laboratory" in their own right. 2023 brought two creative residencies; where eight new pieces were sketched out. In July of that year the "aural puzzle" was recorded by Vincent Poujol at the Gam studio in the Belgian Ardennes. In contrast to what went before, there were no plans to rely on live recording, and overdubs were used extensively. Even so, the tracks were still very fresh, sometimes even non-existent: the track "Tanvusse" began in the studio as a sample first heard in Niger. Other tracks like "Lago" were brought to rehearsal as thoughtforms in the singer Kaito Winse's head. Later, Benjamin Chaval assembled, arranged and further produced a body of work "that had to be tamed and reinvented" in concert. First impressions are driven by the different fusions thrown up between polyrhythms and polyphony: a notion of the constant reassembling of various musical building blocks. The opener "Borgo" has a dissonant tone to it. Two minutes in and it's by no means certain who will win out in this musical tug of war between voice, beat and instruments. All elements seem to burn themselves out eventually, living off the warmth of the energy created by their fight in a long meditative tail out. The tracks on the album are informed by Kaito Winse's voice and his use of a traditional flute and mouth bow. All three elements work, sometimes in tandem, as wider ciphers for communication, or "emotive" forms of mystification that inspire and unsettle. Throughout, Winse demonstrates what untapped powers listeners command, bodily; if only they knew how to use them. Alongside Winse, Nico Gitto (guitar) and Benjamin Chaval (drums, synths and electronics) work like mechanics, adding and updating elements to suit.

 

PRICE: $28.00

CAT #: GB 154LP

FILE UNDER: WORLD

LP version. According to Avalanche Kaito drummer Benjamin Chaval, their music comes from "a sound, a sample, a desire, a feeling, or simply a lack of something." And their second album, Talitakum, is the result of a process, where "the whole" is, indeed, "expressed in every part," whatever the provenance. To begin with, the band gigged as much as they could in 2021, the guitarist Nicco Gitto having replaced bassist Arnaud Paquotte, their fiery, mercurial shows becoming "a laboratory" in their own right. 2023 brought two creative residencies; where eight new pieces were sketched out. In July of that year the "aural puzzle" was recorded by Vincent Poujol at the Gam studio in the Belgian Ardennes. In contrast to what went before, there were no plans to rely on live recording, and overdubs were used extensively. Even so, the tracks were still very fresh, sometimes even non-existent: the track "Tanvusse" began in the studio as a sample first heard in Niger. Other tracks like "Lago" were brought to rehearsal as thoughtforms in the singer Kaito Winse's head. Later, Benjamin Chaval assembled, arranged and further produced a body of work "that had to be tamed and reinvented" in concert. First impressions are driven by the different fusions thrown up between polyrhythms and polyphony: a notion of the constant reassembling of various musical building blocks. The opener "Borgo" has a dissonant tone to it. Two minutes in and it's by no means certain who will win out in this musical tug of war between voice, beat and instruments. All elements seem to burn themselves out eventually, living off the warmth of the energy created by their fight in a long meditative tail out. The tracks on the album are informed by Kaito Winse's voice and his use of a traditional flute and mouth bow. All three elements work, sometimes in tandem, as wider ciphers for communication, or "emotive" forms of mystification that inspire and unsettle. Throughout, Winse demonstrates what untapped powers listeners command, bodily; if only they knew how to use them. Alongside Winse, Nico Gitto (guitar) and Benjamin Chaval (drums, synths and electronics) work like mechanics, adding and updating elements to suit.

 

PRICE: $15.50

CAT #: GB 156CD

FILE UNDER: ELECTRONIC

Glitterbeat Presents Ana Lua Caiano's Vou Ficar Neste Quadrado. Ana Lua Caiano's debut album melds rural Portuguese music traditions with layered vocals, synthesizers, insistent beats and field recordings. Her music is visceral and tightly focused pulling from a rich mosaic of influences that includes traditional group singing, musique concrete, songwriters from Portugal's '70s revolutionary period and electronic icons like Bjork and Laurie Anderson. Hailing from Lisbon's fertile musical underground, Caiano's music -- and its international reception -- are moving forward quickly. Her lauded recent performances at Eurosonic and Transmusicales certainly attest to that, as do the laser sharp emotions and highly individual sonics of her much anticipated first album: Vou Ficar Neste Quadrado ("I Shall Stay in This Square"). It's electronic music. Utterly contemporary. Pulsing, glitchy, atmospheric and beat driven but with roots deep in the traditional Portuguese music her parents listened to when she was a child. "They had a lot of cassettes that they'd play," she recalls. "I loved to mimic and I'd imitate the singers. I took it in by osmosis, I suppose, and the elements are still there in what I do." Since she began her sonic experiments during lockdown, Caiano has been relentlessly pushing the borders of her music. It is of course a process that already began when she first imitated traditional singers or took her first piano lesson. It is a process that's led her to the road she's on now, one where tradition and electronics walk side by side. "I think it's quite experimental," she says, affirming that her music emphasizes the restless and evolutionary. "I believe traditional music evolves with the world -- nowadays you can make traditional music with a computer or talk about themes that weren't relevant or didn't exist in the past. Traditional music is always evolving." Travelling forward fast and sure, Ana Lua Caiano is definitely not stuck in a square. Featuring Essence Voices.

 

PRICE: $28.00

CAT #: GB 156LP

FILE UNDER: ELECTRONIC

LP version. Glitterbeat Presents Ana Lua Caiano's Vou Ficar Neste Quadrado. Ana Lua Caiano's debut album melds rural Portuguese music traditions with layered vocals, synthesizers, insistent beats and field recordings. Her music is visceral and tightly focused pulling from a rich mosaic of influences that includes traditional group singing, musique concrete, songwriters from Portugal's '70s revolutionary period and electronic icons like Bjork and Laurie Anderson. Hailing from Lisbon's fertile musical underground, Caiano's music -- and its international reception -- are moving forward quickly. Her lauded recent performances at Eurosonic and Transmusicales certainly attest to that, as do the laser sharp emotions and highly individual sonics of her much anticipated first album: Vou Ficar Neste Quadrado ("I Shall Stay in This Square"). It's electronic music. Utterly contemporary. Pulsing, glitchy, atmospheric and beat driven but with roots deep in the traditional Portuguese music her parents listened to when she was a child. "They had a lot of cassettes that they'd play," she recalls. "I loved to mimic and I'd imitate the singers. I took it in by osmosis, I suppose, and the elements are still there in what I do." Since she began her sonic experiments during lockdown, Caiano has been relentlessly pushing the borders of her music. It is of course a process that already began when she first imitated traditional singers or took her first piano lesson. It is a process that's led her to the road she's on now, one where tradition and electronics walk side by side. "I think it's quite experimental," she says, affirming that her music emphasizes the restless and evolutionary. "I believe traditional music evolves with the world -- nowadays you can make traditional music with a computer or talk about themes that weren't relevant or didn't exist in the past. Traditional music is always evolving." Travelling forward fast and sure, Ana Lua Caiano is definitely not stuck in a square. Featuring Essence Voices.

 

PRICE: $35.50

CAT #: HC 079LP

FILE UNDER: WORLD

Double LP version. Hot Casa Records present Togo Soul 2, selected rare Togolese recordings from 1974 to 1989. A treasure-trove of rare and unusual recordings mostly recorded in Lom? during the '70s and '80s. A fusion of traditional voodoo chants, raw soul and even electro funk. Finding these tracks and their rights holders hasn't become any easier even after few trips all over this west African country bordered by Ghana, Benin, and Burkina Faso. After eight years, Hot Casa Records, with the kind help of Roger Damawuzan, decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country's recording history included international stars like Akofa Akoussah, Gregoire Lawani, and Roger Damawuzan. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse, the music scene in Togo was at the time even if the political context influenced their creation. Many of the original albums these tracks are taken from high prices online due to their rarity and so with great pleasure Hot Casa present a selection here that evokes a golden boomtime in Togolese music history. Includes biographies and rare photos. Remastered by Frank Merritt. Includes 32-page booklet. Also featuring Ali Bawa, Napo De Mi Amor, Alognon Degbevi & Les V?t?rans Jazz, Mamo Lagbema, Koffi Ottytana Bebli, Deg Dos, Tomede Ehue, Mawuli Decker, Palete Wawa, and Agboti.

 

PRICE: $27.50

CAT #: IMPREC 524LP

FILE UNDER: ELECTRONIC

"The general theme of the composition is the idea of sounds which travel. During a tram ride from the city up to the hills with an old tram I discovered not only stunning views of the surrounding landscape but as well a special soundscape. Wearing a custom-made induction headphones, I could hear the normally hidden electromagnetic fields of the tram, which were so impressive and musical to me that I immediately decided to base my piece for Trondheim Voices on this discovery. As a start, a series of pure vocal recordings were produced by Trondheim Voices while listening to a choice of electromagnetic tram sounds and following score instructions. This material was mixed in my Berlin studio and afterward was played back through a multi-loudspeaker setup into the room of the Elisabeth Church in Berlin and was instantaneously recorded. The emerged recording was played back and recorded again. The process of playing back the previous recording was repeated numerous times, generating numerous 're-recordings,' until the voices sounded aethereal and abstract. The last one of these recordings became the very beginning of the "Stroms?nger" piece. Part A is based on the electromagnetic sounds of the waiting tram and previously recorded voices. The singers come on stage and start to sing together with their recorded part which slowly fades out while the live singing takes over: a kind of choral for electrical tram waves and voices. Part B is based on the actual tram ride with strong and intense electromagnetic sounds. The single recordings were treated electronically and were divided into six channels. Each singer has chosen one of these files and improvises with the magnetic sounds as a soloist or in duos or trios. Part C is based on the itinerary of the tram ride to Lian, where a pilgrim's path starts. The names of the single stops, which have very beautiful and poetic names, are performed together as a kind of "sound poetry." The singers walk around on stage and/or can choose special positions for their performance. The recording of the word "Lian," the final stop, was recorded beforehand and played back and re-recorded several times in the open Norwegian landscape near the final tram stop. The voices slowly disappear and fade out." --Christina Kubisch, 2024

 

PRICE: $31.00

CAT #: INT 30041LP

FILE UNDER: EXPERIMENTAL

Restocked. "2024 re-release. The renowned and widely acclaimed music label Intuition, well known since the 1980s, is proud to announce the release of its most important and successful back-catalogue titles on vinyl under the name 'Intuition Master Series'. The American trumpeter and multi-instrumentalist Jon Hassell (March 22, 1937-June 26, 2021) was an international legend despite never having managed a popular breakthrough. Hassell was a musical visionary and pioneer, one who was inspired by ambient sounds and new music. He appreciated the music of avant-gardists such as Stockhausen, in whose Cologne school he also studied. He came into contact with Terry Riley and his minimalistic music early on and played on his first albums. Hassell was also a musically driven person, someone who had to get to the bottom of styles. Thus, he was intensively involved with Far Eastern, but especially Indian music. Using the ingredients he learned, he created a completely new way of playing on and with the trumpet. He created language-like modulated air currents flowing through the instrument to produce seemingly alien, microtonal sounds. He combined this technique with ethnic polyrhythms, electronic alienation, soundscapes and jazz to create his own style, which he called 'Fourth World'. With this kind of music, he significantly influenced numerous emerging styles such as world music, nujazz or ambient. It is no mistake to say that without Hassell's ideas, these types of music would have taken a very different course. Hassell's influence on the music world cannot be overestimated, even if he himself was always unimpressed by the praise. 'It's the invisible things that buzz around us. You just have to bring them to light and make them visible.' In a tried and tested association with Brian Eno (as producer), his first completely live-recorded album was released at that time. The individual pieces, which were recorded in Paris, Vancouver, Hamburg and Brussels, reflect the special atmosphere that made every (rare) Jon Hassell concert something extraordinary. Intuition's 1987 The Surgeon of the Nightsky Restores Dead Things by the Power of Sound is undoubtedly one of his best works."

 

PRICE: $19.00

CAT #: JL 013LP

FILE UNDER: WORLD

2024 repress. "The infamous and legendary Jah Life in Dub LP, finally released. Originally slated for release in late '80/early '81, this was to be Jah Life's first dub LP, featuring all exclusive mixes to now-classic Barrington Levy tunes. For one reason or another, the LP was never released. To confuse matters, a couple years later, some of the unused jackets were given to Germain to house an untitled dub LP of his productions. Naturally, we needed to rectify this situation. So here it is, finally released 34 years later! Featuring ten killer dubs to Barrington Levy tunes, ALL MIXED BY SCIENTIST AT KING TUBBY'S. Six out of the ten tracks are previously unreleased mixes, including a dub to the song 'Jah Life' which has never been available anywhere before. As an added bonus, the first pressing of this LP will come housed in the original jackets from 1980, which features killer artwork by Oneil Nanco."

 

PRICE: $19.00

CAT #: JL 027LP

FILE UNDER: WORLD

2024 repress. "Totally killer previously unreleased dub companion LP to Flick Wilson's School Days LP. Jah Life was no slacker when it came to mixing dubs, and sat in with Scientist at King Tubby's for the mixing of many of the classic Junjo/Radics/Scientist albums. But more importantly, they also mixed a ton load of dubs for Jah Life himself, many of which, like this album, remain unreleased... until now! Nine out of ten tracks from the Flick Wilson album are dubbed here, and one track from the Wayne Jarrett's What's Wrong With the Youths album. Classic Scientist 1980-style mixing, nothing else like it, hard stuff. Cover features a fantastic previously unseen photo from Beth Lesser."

 

PRICE: $31.00

CAT #: LION 138LP

FILE UNDER: ROCK

2024 repress. "In the spring of 1969, 49th Parallel had a hit in with 'Twilight Woman,' a lovely song that sounds like a poppier version of what bands like Tomorrow were doing in England. That success led to the release of 49th Parallel's only album. All hyperbole aside, it is easily one of the top Canadian rock albums of the psychedelic era. The album is strong throughout from the pulsating psychedelia of 'Lazerander Filchy' and the ultra-strange '(The) Magician,' the shimmering beauty of 'Twilight Woman,' to the quintessential slashing guitars punk edginess of 'Now That I'm a Man' and '(Come On Little Child &) Talk To Me.'" First official vinyl reissue since its original release in 1969. Comes with color insert that includes band history and photos.

 

PRICE: $24.00

CAT #: LION 189LP

FILE UNDER: ROCK

2024 repress. "Ultra-rare rehearsal sessions from 1969 by this South African heavy psych/acid rock band, mastered from a tape transfer -- and yet still doom-laden, dark, heavy, and as messy as can be, in all the right ways. Influences from heavy bands of the time, such as Black Sabbath, Deep Purple and Steppenwolf are noticeable, with proto-doom and psych/funk undercurrents. Do you like fuzz guitar? You're going to hear it screaming and wailing and building to epic tidal waves and crashes, the kinds of astonishing guitar cascades not heard since you cued up the best of all available live Jimi Hendrix recordings. Highly recommended for fans of psychedelic obscurities and hard rock from the 1960s and early 1970s. Cover art by NYC-based artist Nate Harris."

 

PRICE: $11.50

CAT #: LCD 1903CD

FILE UNDER: CLASSICAL

2024 restock on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordion; Panaiotis - processing and mixing.

 

PRICE: $11.50

CAT #: LCD 3001CD

FILE UNDER: CLASSICAL

2024 restock. Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multi-phonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from eight to sixteen tracks of material.

 

PRICE: $17.50

CAT #: MPM 014EP

FILE UNDER: ELECTRONIC

2024 repress; the latest release in the Perpetual Masters series, which sees the M-Plant catalog being remastered and re-released, is the classic The Greatest Dancer. A disco-styled techno track which was originally released on M-Plant in 2001 with a live version of the title track from Motor City, Detroit. This remastered version is accompanied with a new disco-styled techno track called "Dancer."

 

PRICE: $17.50

CAT #: MPM 019EP

FILE UNDER: ELECTRONIC

2024 repress. Robert Hood celebrates the 20th anniversary of his M-Plant label with a sequence of EPs featuring classic M-Plant releases and rarities remixed and re-edited, a compilation bringing Hood's huge body of work together. Kicking off the EP releases, UK techno stalwart Mark Broom delivers these exceptional edits of "Untitled 1" from Hood's series Moveable Parts and "One Touch" from the Minimal Nation album. Mark Broom's edit of "Untitled 1" adds even further depth and a dirty funk feeling to this hypnotic dancefloor killer. His edit of "One Touch" plays with the bass and chops up the beats to intensify this dark mover.

 

PRICE: $17.50

CAT #: MPM 021EP

FILE UNDER: ELECTRONIC

2024 repress; Robert Hood is back with new edits of "Protein Valve," originally released on M-Plant in 1994, the year of the label's inception. "Protein Valve" helped set the standard for his M-Plant label becoming synonymous with a stripped-down, tough and rhythmic raw sound that many artists still try to emulate. The original Protein Valve EP is a classic in the annals of techno, which still gets played today and sounds as fresh as it did some 20 years ago. Nevertheless, Robert Hood takes an introspective look back and delivers these three incredible new edits! Focusing on the bass elements, these fresh versions keep the M-Plant ethos at their core.

 

PRICE: $17.50

CAT #: MPM 027EP

FILE UNDER: ELECTRONIC

2024 repress. M-Plant delivers a first taste of Floorplan's this highly anticipated release with two tracks from the album, the bumping house groove of "Music" and the disco rotations of "Tell You No Lie". Floorplan is already well known as Robert Hood's house, disco, funk and gospel outlet, which this year evolves into a family affair with co-production alongside his daughter, Lyric.

 

PRICE: $22.00

CAT #: MIG 110CD

FILE UNDER: ELECTRONIC

"La Vie Electronique first was released as a strictly limited 50 CD-Box and later it was released in chronological order in three-CD-sets including some material never released before. This second set contains pieces, which have been recorded between 1972 and 1975. Is it wrong if I state that Klaus was the first who dared to use noise (as in 'Electric Love-Affair': a lot of noise and buzz) as stylistic device? The four tracks 'Nightwind', 'Minuet', 'Signs of Dawn', and 'Land der leeren H?user' are from a collaboration in the year 1973 between Klaus and a friend at this time, Hans-J?rg Stahlschmidt. These titles were played and recorded at 'delta acustic' studio in 1973. The proposed group name for Klaus' and Hans-J?rgs collaboration changed between 'Tau', 'Tao', and 'Timewind'(!) Also, a deal with a German record company had already been made, but for reasons unknown today, the album never came out. The music sounds like early 'new age', but of course this definition wasn't known then. Klaus very own keyboard playing style is already identifiable. Klaus mostly plays the organ, and both played also guitars and bass guitar. The whispering voice on 'Signs of Dawn' is Klaus. The singing voice on 'Land der leeren H?user' is not Klaus. The three shorter titles are the original titles as given on the tape box. In 1973, same more 'avant-garde' music was done by Klaus, for the radio play Das Gro?e ldentifikationsspiel (The Big Garne of ldentification), a science-fiction thriller by Alfred Behrens, it won the award: Preis der Kriegsblinden Deutschlands, and since then it has been regularly repeated on German radio. The tape box says: 'Ballett Titanensee', and it dates from about 1973."

 

PRICE: $32.00

CAT #: MIG 1400CD

FILE UNDER: ELECTRONIC

"Complex re-release of the most remarkable and worldwide sought after series The Dark Side Of The Moog by German electronic pioneers Klaus Schulze and Pete Namlook (aka Peter Kuhlmann) in three slip lid boxsets, each with five CDs, incl. bonus material and new linernotes. The third box contains Vol. 9 to Vol. 11 and two bonus CDs. The relationship between Klaus and Pete and the exchange of ideas was unorthodox from the beginning of their co-operation, in that they rarely met personally. The most remarkable contacts they had were outside of their studios, for instance their concert of April 1999 at the Jazz Festival in Hamburg, which was released as an edited version on Dark Side Of The Moog, Vol. 8 (will be released in the second Boxset) -- the interplay and chemistry between them is clearly evident, and it becomes even clearer on the un-edited version of the concert (which will be released as bonus CS on the third boxset). The influence Namlook had on Klaus's music in the middle of the nineties should not be taken lightly, because although Klaus dearly loved those early-analog elements from his own music, they had become, to an extent, lost. It was Pete who fortified him to go back to the analogue charm of his early albums and it was Pete who supported him in the modification of his analog instruments, leading finally to the epoch-making Schulze album from 1996 -- Are You Sequenced?. And so, a legendary series of recordings was born. Dark Side Of The Moog grew more or less unplanned to a sprawling, stately-sized series of eleven volumes recorded between 1994 and 2008, only ending with the early, tragic death of Pete on November 8th 2012."

 

PRICE: $21.00

CAT #: MIG 1530CD

FILE UNDER: ELECTRONIC

"Re-release of the originally 1974 released Klaus Schulze-classic album Timewind, incl. generous bonus and a 16-page booklet. Evolving slowly but deliberately over the course of each album side, Timewind has been deemed an electronic version of an Indian raga. It resembles in many ways a longer variation of the third track from Tangerine Dream's classic 1974 album Phaedra, 'Movements of a Visionary', but it remains a transitional work somewhere between the krautrock of Schulze's earlier output and the Berlin School character of his following efforts. The intention of Timewind was to invoke a timeless state in the listener. Both track titles are references to the nineteenth-century composer Richard Wagner, Bayreuth is the Bavarian town where Wagner had an opera house built for the first performance of his massive Ring Cycle. Wahnfried is the name of Wagner's home in Bayreuth in the grounds of which he was buried in 1883. It is also a pen-name used by Schulze himself."

 

PRICE: $18.00

CAT #: MIG 1640CD

FILE UNDER: ELECTRONIC

"Years before even the first movie adaptation of Dune was made, Klaus Schulze already turned his love for the book into a breathtaking album. Dune is one of Schulze's most important albums, featuring two long-form compositions. The second track features Arthur Brown on vocals and Wolfgang Tiepold on cello. The track 'Dune' perfectly encapsulates the vast landscapes of the desert planet, while 'Shadows of Ignorance' captures the religious intrigue of the story, thanks to the interpretation of one of Schulze's poems by Arthur Brown. Re-release in a stylish digipack with enhanced booklet, including detailed liner notes and photos. Featuring 23-minute bonus track."

 

PRICE: $18.00

CAT #: MIG 2580CD

FILE UNDER: ROCK

"More than 50 million records sold, LP productions in Hungarian, German and English, tours and festival appearances throughout Europe and Japan, at least 50 cover versions or adaptations of the world hit 'Gy?ngyhaj? l?ny' -- Omega are Hungary's number one rock export. In 2022, the band will be celebrating its 60th stage anniversary, making it one of the longest-serving rock formations in the world. On St. Nicholas Day, December 06, 2021, singer and founding member J?nos K?bor passed away due to the coronavirus. Now the Omega albums from the well-known and successful Bacillus era will be rereleased originally and completely on CD, vinyl and digitally. After a few trips into symphonic and psychedelic rock realms, Omega presented themselves on III, released at the end of 1974, again more down to earth: Nine crisp hard rock tracks, only one exceeding the four-minute mark. For this album, Peter Hauke, still producer, and Omega not only used current material, but also included songs that had already been recorded in the Hungarian original in 1969: 'Stormy Fire' and 'Spanish Guitar'. In order to attract a broader audience, the songs had been pared down, instrumental soloing was reduced. In order to attract a broader audience, the songs had been pared down, instrumental soloing was reduced. Although Omega had always flirted with progressive stylistic means since their turn to psychedelic rock in 1969, this time they kept their hands off intricate arrangements. Instead, they turned towards the zeitgeist by including rather blunt rock tunes like 'Stormy Fire', 'Go On The Spree' and 'Fancy Jeep' in the list, which could also please a glam rock fan and passionate consumer of single hits by bands like The Sweet and Slade. The series with re-releases of Omega from the catalog of the rock label Bacillus will continue."

 

PRICE: $30.00

CAT #: MIG 3031LP

FILE UNDER: ROCK

"My Solid Ground were a German progressive rock band active in the 1970s. This obscure krautrock album called My Solid Ground from 1971 has long been considered a classic of the genre. The first track, the 13-minute 'Dirty Yellow Mist', certainly lives up to its reputation as the group embark on a dark space rock journey. It sounds like a mixture of psychedelic rock and progressive rock. With lots of long keyboard tones, a crunchy guitar riff, some acid guitar sounds and distorted chanting as well as some wordless vocals in higher pitches. 'That's You' has enough energy to pass for proto-punk, and the chorus of 'Do you wanna die' doesn't detract from this impression. The song 'The Executioner' is a dark piece that alternates between echoing vocals and intense guitar solos. The songs on the album are characterized by catchy melodies, experimental sounds and lyrical lyrics. If you are a fan of progressive rock or enjoy discovering new music, My Solid Ground could be an interesting choice for you."

 

PRICE: $18.00

CAT #: MIG 3042CD

FILE UNDER: ROCK

"Weed were an up-and-coming Krautrock band from Bielefeld, Germany, known for their unique blend of psychedelic rock and catchy melodies. Their only album Weed, originally released in 1971, featured Uriah Heep organist Ken Hensley as guest musician, playing under the pseudonym 'Ken Lesley'. Weed is a collection of energetic songs with powerful guitar riffs, driving beats and catchy lyrics. An album that inspires with its versatility and distinctive sound. If you're looking for some new music to get you going and inspire you, then the album Weed by the band Weed is definitely worth a listen!"

 

PRICE: $25.00

CAT #: MR 329LP

FILE UNDER: ROCK

2024 restock. LP version with a 12-page full-color booklet with extensive notes and unseen photos. "With only six singles released between 1965 and 1966, and from an apparently remote place such as Lima, Peru, Los Saicos created a raw, wild and visceral sound, the Southern Hemisphere equivalent of the garage rock that was coming out of the U.S. Northwest at the same time. Theirs is the same DNA shared by The Sonics, The Cramps and Black Lips. This release compiles all their recordings and tells their amazing story. This snarling maelstrom of nihilism was cut in Lima when the rest of the world was wetting itself over The Beatles, direct links to both The Stooges and The Cramps here and several more equally-enthralling combos. The latter spawned several generations of individuals who would dig deep to previously (mostly) unheard seams of music and other forms of culture that have since become part of the mainstream fabric. Another strong case of the same kind of happenstance to my mind is that which preceded the much-vaunted 'punk' explosion of the '70s." --Lindsay Hutton

 

PRICE: $15.50

CAT #: RGCV 2023CD

FILE UNDER: ROCK

In 2005, an 18-year-old Raphael Gimenes left the sunny shores of Brazil behind, embarking on a journey to a distant and wintry land. "Dinamarca," the Portuguese name for Denmark, became his new home, where he has lived for almost two decades. Today, he presents his third album, a deep exploration of his life in Scandinavia. Rather than being a nationalistic tribute, Dinamarca tells chapters from Gimenes' life story as a Brazilian living in the northern corners of the world. The melodies of blackbirds, the dances of red deer, and the whispers of ancient oaks form the backdrop for his musical stories. Gimenes skillfully turns the power of love into harmonies, dedicating songs to both his companion and his closest friends. The album's orchestration includes Gimenes' vocals and the resonant chords of his classical guitar. Accompanying him throughout the album are Jan Kadereit's multilayered percussion, and Lucas Delacroix's bass synth, who also plays the electric guitar at times. The music further unfolds with the nuances of a string quartet, and a brass quintet, both recorded in the tropical highlands of Minas Gerais. Other guest musicians feature on individual songs, such as pianist Sebastian Macchi, flautist Flavia Huarachi, cellist Lucas Almeida, and singers Gaby Echevarria, Cecilia Pahl, and Cris Ferro. Gimenes has garnered acclaim and accolades across continents. The music within Dinamarca delves deep into the soul of a man who embraced a new land with open arms, while staying true to his roots. It unites elements from Gimenes' prior works, embarking on a journey across new musical horizons. The result is music that transcends borders, weaving itself into an intricately beautiful tapestry -- a soul that has learned to harmonize with two worlds.

 

PRICE: $29.50

CAT #: RGCVV 2024LP

FILE UNDER: ROCK

LP version. In 2005, an 18-year-old Raphael Gimenes left the sunny shores of Brazil behind, embarking on a journey to a distant and wintry land. "Dinamarca," the Portuguese name for Denmark, became his new home, where he has lived for almost two decades. Today, he presents his third album, a deep exploration of his life in Scandinavia. Rather than being a nationalistic tribute, Dinamarca tells chapters from Gimenes' life story as a Brazilian living in the northern corners of the world. The melodies of blackbirds, the dances of red deer, and the whispers of ancient oaks form the backdrop for his musical stories. Gimenes skillfully turns the power of love into harmonies, dedicating songs to both his companion and his closest friends. The album's orchestration includes Gimenes' vocals and the resonant chords of his classical guitar. Accompanying him throughout the album are Jan Kadereit's multilayered percussion, and Lucas Delacroix's bass synth, who also plays the electric guitar at times. The music further unfolds with the nuances of a string quartet, and a brass quintet, both recorded in the tropical highlands of Minas Gerais. Other guest musicians feature on individual songs, such as pianist Sebastian Macchi, flautist Flavia Huarachi, cellist Lucas Almeida, and singers Gaby Echevarria, Cecilia Pahl, and Cris Ferro. Gimenes has garnered acclaim and accolades across continents. The music within Dinamarca delves deep into the soul of a man who embraced a new land with open arms, while staying true to his roots. It unites elements from Gimenes' prior works, embarking on a journey across new musical horizons. The result is music that transcends borders, weaving itself into an intricately beautiful tapestry -- a soul that has learned to harmonize with two worlds.

 

PRICE: $39.50

CAT #: POTOMAK 254751

FILE UNDER: ROCK

Double LP version. Einst?rzende Neubauten present their new album Rampen (apm: alien pop music). Since the band was founded on April 1, 1980, Einst?rzende Neubauten have been shifting the parameters of mainstream and subculture to make the inaudible audible -- perhaps the unheard as well. This experimental field research, spanning more than four decades, is now entering the next stage. In its 44th year of existence, the band is going back to its roots while redefining itself. It's a change in self-image, for which the Berlin quintet plus one has created its own genre -- alien pop music.

 

PRICE: $20.50

CAT #: POTOMAK 254752

FILE UNDER: ROCK

Einst?rzende Neubauten present their new album Rampen (apm: alien pop music). Since the band was founded on April 1, 1980, Einst?rzende Neubauten have been shifting the parameters of mainstream and subculture to make the inaudible audible -- perhaps the unheard as well. This experimental field research, spanning more than four decades, is now entering the next stage. In its 44th year of existence, the band is going back to its roots while redefining itself. It's a change in self-image, for which the Berlin quintet plus one has created its own genre -- alien pop music.

 

PRICE: $14.50

CAT #: PPCD 005CD

FILE UNDER: JAZZ

"Grand Canyon: the trip of a lifetime. You're locked in beauty, the memories of the limestone, the secrets of the mountains. When you approach them, you have the distinct impression that you're facing castles, monasteries, cities; but they suddenly disappear, like fantastical dreams, illusions, or mirages. You become a traveler in the land of dreams and Fata Morgana. It's a place, where only Silence speaks. And it was this Silence that inspired me to compose Melancholy." --Zbigniew Preisner

 

PRICE: $27.00

CAT #: RMVL 022EP

FILE UNDER: HIPHOP

Limited orange vinyl. King Tee aligns producer DJ Pooh on this Bass EP consisting of tracks recorded in 1987. They're joined by The Compton Posse that includes the late Mixmaster Spade and J-Ro from Tha Alkaholiks. This EP sharpens the skillful wordplay King Tee made famous on his debut album Act A Fool. From song to song, this EP has a superior sheen, a tightness and cohesiveness between rhyme and music.

 

PRICE: $14.50

CAT #: RCD 2235CD

FILE UNDER: ROCK

After a solid run of five studio albums and two double live albums, Psychedelic Backfire I and II, (both 2019), Elephant9 had taken their groovy mix of high energy rock and power jazz as far as they could. In this respect their previous album Arrival of The New Elders (2021) came as a welcome and most timely addition to their recorded output. More varied, mature and reflective, they were as groovy as ever, but more structured and less jam oriented. Mythical River is molded much in the same way and a natural follow-up, with six stellar new compositions by keyboard maestro St?le Storl?kken, bookended by two short cosmic snippets. From the hypnotic and magical to the razor sharp and polyrhythmic, this is yet another strong group effort from a trio on top of their game. Comparisons have been made with bands dating as far back as the sixties, but with Arrival of The New Elders and Mythical River, Elephant9 appear as a thoroughly contemporary, timeless and even futuristic sounding band. Mythical River was recorded and mixed by previous Dungen producer Mattias Glav?. St?le started his musical journey in Veslefrekk with Jarle Vespestad and Arve Henriksen in the '90s, soon morphing into Supersilent with Helge Sten on board. He?s also a member of Hedvig Mollestad Weejuns, M?ster!, and Humcrush, and have collaborated with a number of artists, most notably Motorpsycho. Nikolai is also a member of Bigbang, Needlepoint, and Band of Gold, and have appeared on a couple of hundred records. The same goes for Torstein, an associate member of numerous bands ranging from pop and soul to free jazz. But Elephant9 has always been their special baby.

 

PRICE: $15.50

CAT #: SDBAN 017CD

FILE UNDER: SOUNDTRACK

Sdban Records, the renowned independent groove and jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, announces the release of its latest compilation album, The Belgian Soundtrack: A Musical Connection of Belgium with Cinema. Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies. Curated by the passionate duo Robin Broos and Tom "P?l?" Peeters, known for their profound appreciation of obscure soundtracks, The Belgian Soundtrack showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films. What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. The outcome of their explorations is The Belgian Soundtrack, a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection. Featuring Vladimir Cosma, Salix Alba, Louis Marischal, Martial Solal, Roger Mor?s, Bert Paige, Pieter Verlinden, Henri Seroka, Rocco Granata, Krzysztof Komeda, Quincy Jones, Roger Mor?s, Alessandro Alessandroni, Fran?ois de Roubaix, Jean Marie Bigman, and Alain Pierre.

 

PRICE: $28.50

CAT #: SDBAN 017LP

FILE UNDER: SOUNDTRACK

LP version. Sdban Records, the renowned independent groove and jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, announces the release of its latest compilation album, The Belgian Soundtrack: A Musical Connection of Belgium with Cinema. Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies. Curated by the passionate duo Robin Broos and Tom "P?l?" Peeters, known for their profound appreciation of obscure soundtracks, The Belgian Soundtrack showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films. What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. The outcome of their explorations is The Belgian Soundtrack, a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection. Featuring Vladimir Cosma, Salix Alba, Louis Marischal, Martial Solal, Roger Mor?s, Bert Paige, Pieter Verlinden, Henri Seroka, Rocco Granata, Krzysztof Komeda, Quincy Jones, Roger Mor?s, Alessandro Alessandroni, Fran?ois de Roubaix, Jean Marie Bigman, and Alain Pierre.

 

PRICE: $24.00

CAT #: SDBANSEL 002LP

FILE UNDER: SOUNDTRACK

SDBAN Records presents reissues of several installments of the legendary library series A Special Radio - TV Record on vinyl. These were originally released on Belgian imprint Selection Records between 1976 and 1981. However, Selection No. 20 is a new addition to the series although it originally came out in 1978. Selection No. 20 is the soundtrack to the 1978 Belgian cult movie In Kluis, directed by Jan Gruyaert. On his quest for the perfect soundtrack to translate the emotions and images shown in his movie, the director found the ideal partner in Belgian composer, arranger, pianist and keyboardist Koen De Bruyne (1946-1977). De Bruyne recorded the music in Dan Lacksman's studio but tragically passed away a few weeks after the sessions. Hence these are the last ever compositions by the illustrious Koen De Bruyne, brother of celebrated singer and songwriter Kris De Bruyne. Koen had his own, unfortunately short, stint in the field of pop, jazz, fusion and funk in the 1970s. He rose to the scene as a wanted session and live musician for local heroes such as Johan Verminnen, Will Tura, Ferre Grignard, Mad Unity, Black Blood, and his brother Kris. The vinyl reissue of the In Kluis soundtrack continues the legacy of the Selection Records' series, and will certainly make the heart of many vinyl lovers skip a beat.

 

PRICE: $28.00

CAT #: SDBANSEL 003LP

FILE UNDER: JAZZ

SDBAN Records continues its reissues of the legendary library series A Special Radio -TV Record with Selection 23, releasing a variety of notable tracks from the '70s library label together on a physical compilation for the first time. With this release, the label continues the vinyl reissues of the Belgian imprint Selection Records, featuring tracks originally released between 1976 and 1981. Essentially, the tracks take you through a cinematic musical landscape where funk and soul merge with a hint of jazz, always evoking a sense of familiarity. One name that immediately springs to mind is Ren?Costy. From this virtuoso and insatiable artist, the compilation Expectancy was previously released. With "Strange Dream" and "Crystal Waltz," he shows once again that he was not only a versatile composer but also a curious jazz cat. With "Space Shuttle Jazz," pianist and harmonica Jacques Siroul shows his fascination for synthesizers. Which, as a composer, earned him an unofficial title as an expert in music on demand. This, and much more, make Selection 23 a must-have for fans of previous compilations like Beat Action, Funky Chicken, and Funky Chimes! Also featuring Bob Porter, Jordan Stevy, Stern Selection, and Leonard D Messina.

 

PRICE: $30.50

CAT #: STAR 57221LP

FILE UNDER: ROCK

Fireside's third album, a follow up to Do Not Tailgate (1997). A Startracks 30-year anniversary special. Limited Edition 300 copies in three color splatter vinyl.

 

PRICE: $19.00

CAT #: TRCD 1483CD

FILE UNDER: WORLD

"Ranking Trevor has been largely ignored by the archivists, a peculiar oversight, as the DJ was a major force in the sound systems on both sides of the Atlantic during the roots age. Most of his recordings remain infuriatingly out of print, and his singles and albums, now with hefty price tags attached, are much sought after by collectors."

 

PRICE: $19.00

CAT #: TRCD 1485CD

FILE UNDER: WORLD

"Inspired by the legendary Jamaican DJ, U-Roy, Huford Brown began his career DJing on the Silver Bullet Sound System in the early-'70s. Dubbing himself U-Brown, his impassioned, half-rapped vocals bore an uncanny resemblance to his hero. In 1976 he scored a hit with 'Starsky and Hutch,' which led to a series of albums produced by Bunny Lee."

 

PRICE: $15.50

CAT #: GB 153CD

FILE UNDER: ROCK

Following her thrilling 2022 duo EP with Iggy Pop (The Dictator) Belgian composer/musician Catherine Graindorge returns with a luminous ensemble album. Instrumental and vocal songs of life, love and death. Inspired by mythologies and elegies from the Greeks to the Beats. Over the years, Catherine Graindorge has worked with an incredible cast of collaborators, including Iggy Pop, Nick Cave, Hugo Race, and producer John Parish (PJ Harvey). But for Songs for the Dead she wanted a small, tight ensemble, so she called on regular collaborators Simon Ho on keyboards, and bassist Pascal Humbert (16 Horsepower, Lilium, D?troit) who both know her and her music well. Best known as the vocalist with And Also the Trees, Jones's voice gives the lines gravity, a delivery between singing and speaking. "I recorded demos of the music I'd written and sent them to him," Graindorge recalls, "then he returned them with his ideas for the words. He understood what I was looking for." Things coalesced quickly, and by the time they went into the studio "almost everything was written, so we didn't need to discuss much. We took six days to record the album, then another five to complete the mixing." All the mixing was analogue, Graindorge explains because "it's warmer, and it makes more sense to me with my instruments and the way I write, acoustically on violin and viola. More like baroque music, in a way." Songs for the Dead is quite deliberately an album that gives space for the imagination, "where people can come and go in the music," Graindorge says. And there's plenty to explore in the stories of Orpheus and Eurydice and Ginsberg's dream meeting with Joan Burroughs. Myths ancient and modern. Legends and stories. "I like to tell a story," she says. "I come from theatre, and I'm also an actor. These are narratives, questions and answers that relate and connect to each other."

 

PRICE: $28.00

CAT #: GB 153LP

FILE UNDER: ROCK

LP version. Following her thrilling 2022 duo EP with Iggy Pop (The Dictator) Belgian composer/musician Catherine Graindorge returns with a luminous ensemble album. Instrumental and vocal songs of life, love and death. Inspired by mythologies and elegies from the Greeks to the Beats. Over the years, Catherine Graindorge has worked with an incredible cast of collaborators, including Iggy Pop, Nick Cave, Hugo Race, and producer John Parish (PJ Harvey). But for Songs for the Dead she wanted a small, tight ensemble, so she called on regular collaborators Simon Ho on keyboards, and bassist Pascal Humbert (16 Horsepower, Lilium, D?troit) who both know her and her music well. Best known as the vocalist with And Also the Trees, Jones's voice gives the lines gravity, a delivery between singing and speaking. "I recorded demos of the music I'd written and sent them to him," Graindorge recalls, "then he returned them with his ideas for the words. He understood what I was looking for." Things coalesced quickly, and by the time they went into the studio "almost everything was written, so we didn't need to discuss much. We took six days to record the album, then another five to complete the mixing." All the mixing was analogue, Graindorge explains because "it's warmer, and it makes more sense to me with my instruments and the way I write, acoustically on violin and viola. More like baroque music, in a way." Songs for the Dead is quite deliberately an album that gives space for the imagination, "where people can come and go in the music," Graindorge says. And there's plenty to explore in the stories of Orpheus and Eurydice and Ginsberg's dream meeting with Joan Burroughs. Myths ancient and modern. Legends and stories. "I like to tell a story," she says. "I come from theatre, and I'm also an actor. These are narratives, questions and answers that relate and connect to each other."

 

PRICE: $16.50

CAT #: TR 513CD

FILE UNDER: ELECTRONIC

BMX Bandits are back with their twelfth studio album, their most musically ambitious so far -- Dreamers On The Run. An album dedicated to all the outsiders out there. BMX Bandits were formed in the Scottish ex industrial town of Bellshill in 1985 by Duglas T Stewart and Sean Dickson. When Sean left to concentrate on his other band The Soup Dragons so began BMX Bandits, not as a conventional band of the same four or five faces but as an ever-growing extended musical family which has included members of The Vaselines, The Pastels, The Pearlfishers, and Teenage Fanclub over the years. In 2014 Duglas formulated the idea for a new BMX Bandits album that would be called Dreamers on the Run, about living in two worlds; the world of dreams and of music while trying to survive the real world. The album was mastered by Duglas' original partner in crime Sean Dickson, now known as Hifi Sean and features guest appearances by giants of the International Pop Underground Jowe Head and Calvin Johnson. Musically there are nods to Womack and Womack, classic Motown vocal groups and Todd Rundgren. It features a classic soul-tinged pop string arrangement and a killer guitar solo. For "The Things You Threw Away" Duglas worked with New York based musician and arranger Jay Jay Lozano who leads the group Adventures in Rhythm. Duglas knew Jay Jay was a fellow fan of classic American musicals of the past and old romantic songs from the 1930s by writers like Hoagy Carmichael, Ray Noble, and Frank Churchill.

 

PRICE: $26.00

CAT #: TR 513LP

FILE UNDER: ELECTRONIC

LP version. BMX Bandits are back with their twelfth studio album, their most musically ambitious so far -- Dreamers On The Run. An album dedicated to all the outsiders out there. BMX Bandits were formed in the Scottish ex industrial town of Bellshill in 1985 by Duglas T Stewart and Sean Dickson. When Sean left to concentrate on his other band The Soup Dragons so began BMX Bandits, not as a conventional band of the same four or five faces but as an ever-growing extended musical family which has included members of The Vaselines, The Pastels, The Pearlfishers, and Teenage Fanclub over the years. In 2014 Duglas formulated the idea for a new BMX Bandits album that would be called Dreamers on the Run, about living in two worlds; the world of dreams and of music while trying to survive the real world. The album was mastered by Duglas' original partner in crime Sean Dickson, now known as Hifi Sean and features guest appearances by giants of the International Pop Underground Jowe Head and Calvin Johnson. Musically there are nods to Womack and Womack, classic Motown vocal groups and Todd Rundgren. It features a classic soul-tinged pop string arrangement and a killer guitar solo. For "The Things You Threw Away" Duglas worked with New York based musician and arranger Jay Jay Lozano who leads the group Adventures in Rhythm. Duglas knew Jay Jay was a fellow fan of classic American musicals of the past and old romantic songs from the 1930s by writers like Hoagy Carmichael, Ray Noble, and Frank Churchill.

 

PRICE: $33.00

CAT #: TR 513X-LP

FILE UNDER: ELECTRONIC

LP version. Includes 7". BMX Bandits are back with their twelfth studio album, their most musically ambitious so far -- Dreamers On The Run. An album dedicated to all the outsiders out there. BMX Bandits were formed in the Scottish ex industrial town of Bellshill in 1985 by Duglas T Stewart and Sean Dickson. When Sean left to concentrate on his other band The Soup Dragons so began BMX Bandits, not as a conventional band of the same four or five faces but as an ever-growing extended musical family which has included members of The Vaselines, The Pastels, The Pearlfishers, and Teenage Fanclub over the years. In 2014 Duglas formulated the idea for a new BMX Bandits album that would be called Dreamers on the Run, about living in two worlds; the world of dreams and of music while trying to survive the real world. The album was mastered by Duglas' original partner in crime Sean Dickson, now known as Hifi Sean and features guest appearances by giants of the International Pop Underground Jowe Head and Calvin Johnson. Musically there are nods to Womack and Womack, classic Motown vocal groups and Todd Rundgren. It features a classic soul-tinged pop string arrangement and a killer guitar solo. For "The Things You Threw Away" Duglas worked with New York based musician and arranger Jay Jay Lozano who leads the group Adventures in Rhythm. Duglas knew Jay Jay was a fellow fan of classic American musicals of the past and old romantic songs from the 1930s by writers like Hoagy Carmichael, Ray Noble, and Frank Churchill.

 

PRICE: $25.00

CAT #: TDP 54073LP

FILE UNDER: ROCK

2024 restock. Trading Places present a reissue of Gilli Smyth's Mother, originally released in 1978. The London-born vocalist and former Sorbonne lecturer Gilli Smyth became known as the "space whisperer" for the poems she performed in Gong, formed in Paris in 1967 with her Australian-born partner, Daevid Allen of Soft Machine, with whom she also performed. Debut solo album Mother, released by French label Charly in 1978, featured her breathy suppositions on motherhood, the cosmic lifeforce, and the powers of Mother Earth, cut with fellow Gong members such as bassist Christian Trisch, saxophonist Didier Malherbe, drummer Pip Pyle, and Allen himself, as well as their children. A must for all Gong fans! Licensed by Cherry Red. 180 gram vinyl.

 

PRICE: $38.50

CAT #: TRXA 30YRS

FILE UNDER: ELECTRONIC

Curate your music collection with the year's most-wanted remixes. Elevate your mind and catalog with the definitive vision of Robert Armani's timeless bestsellers. This double vinyl boasts new levels of techno. Discover never-before-seen versions of the Chicago legend's best hits of all times. We have a plethora of artists as Mark Broom with a banger, Alexander Johansson & Mattias Fridell, Ken Ishii, amazing Misstress Barbara, Van Czar with a rework of three-in-one tracks, Spanish crew featuring Cristian Varela, Paco Osuna, and Jesus Ria?o, Belgian classic DJ Bountyhunter, Miss Mana, and Waffensupermarkt. These brand-new gems have been carefully selected and the artists involved wanted to pay a deserved tribute to Armani's career.

 

PRICE: $29.50

CAT #: VIA 007LP

FILE UNDER: ELECTRONIC

French chanson, noise, echoes of music from faraway and long ago, modified radio transistors and other old electronic gear, French song, noisemakers, rumors of ancient and distant music, handmade instruments, modified transistor radios and other old electronic objects, B?gayer is looking for a gesture for those without folklore, for the offspring of this culture of lack, born as much from the twilight of popular habitus as from noisemakers' howling, from village squares as from the swarming of digital streams, for an unprecedented kind of rapsod-aliens. The culture of lack can be seen as a cruel joy, an opportunity for communion between the staggering interpretation of ancient gestures and present-day attempts to construct unique variations and overflows. In this way, each stuttering chant seeks to be a restless and joyful object, whose obstinacy and cruel simplicity offer themselves as manifest objects of agitation, as distances to be encountered, as studies that look towards us. ?voh? B?gue moves towards an open, highly improvised composition, somewhere between the patterns of Morton Feldman, the Nigerian Ogene orchestral bands, the post-punk pleas of New York no-wave, the laughing insolence of northern Italian folk music, the ritual yodelling of the monks of Java, contemporary poetry, and improvised music.

 

PRICE: $20.00

CAT #: VP 4242CD

FILE UNDER: WORLD

"The Cool Operator gathers together 28 sure shots from Delroy Wilson blending the very best of his all-conquering hit run of 45s for Bunny 'Striker' Lee 'longside a handful of crucial cuts produced by Channel One and Federal. The hits featured her like 'Better Must Come,' 'I'm Still Waiting,' 'It's Shame' are among the defining released of this golden age of reggae music. Delroy, immortalized by the Clash in their 'White Man in Hammersmith Palais' had a long successful run of hit recordings with 'Striker' and the best of them are included on this one essential package."

 

PRICE: $29.00

CAT #: VP 4242LP

FILE UNDER: WORLD

Double LP version. "The Cool Operator gathers together 28 sure shots from Delroy Wilson blending the very best of his all-conquering hit run of 45s for Bunny 'Striker' Lee 'longside a handful of crucial cuts produced by Channel One and Federal. The hits featured her like 'Better Must Come,' 'I'm Still Waiting,' 'It's Shame' are among the defining released of this golden age of reggae music. Delroy, immortalized by the Clash in their 'White Man in Hammersmith Palais' had a long successful run of hit recordings with 'Striker' and the best of them are included on this one essential package."

 

PRICE: $27.00

CAT #: VPRL 4248LP

FILE UNDER: WORLD

"Extremely sought-after and long out of print heavyweight early '80s reggae and dancehall from one of the genre's greatest voices, Don Carlos. Backed by The Aggrovators and produced by Bunny 'Striker' Lee. Recorded at Channel One and King Tubby's and mixed at Harry J's. Remastered with liner notes and color inner sleeve with rare photos."

 

PRICE: $28.50

CAT #: WERF 213LP

FILE UNDER: JAZZ

Brussels-based power trio Don Kapot present their rousing new album I Love Tempo via W.E.R.F. Records. A lifeboat of free jazz, Afrobeat and krautpunk sailed by Giotis Damianidis (bass), Viktor Perdieus (baritone saxophone) and Jakob Warmenbol (drums), the album follows the release of their critically acclaimed 2022 album Un Peu Live recorded with Dutch multi-instrumentalist, vocalist and composer Fulco Ottervanger, and described by Bandcamp Daily as a "very fun mix of modern jazz and krautrock." Don Kapot strike hard with their fourth album, mixed and co-produced by Greg Saunier (Deerhoof). Using a wide range of instruments, they evolve their sound into a solid complex rhythmic wave, shaken by demented samples and punk attitude. From the vibrant, pounding rhythms of opening track "Me Pig" to the off-kilter, whimsical beats of "Macarona" and "Terryble," Don Kapot integrate new instruments and sounds into their repertoire, including keyboards and sampling. The groove remains a central element to the sound as the trio deliver a palpable blend of high tension and joyous energy where genres are demolished. Elsewhere, the funk-heavy "Bernadette" allows the magical, freestyle sax work of Perdieus to take center stage while "Don Be No" is an urgent, flippant blast of vigor and zest before the album title track "I Love Tempo" is an exhilarating and hypnotic journey that combines the freedom and verve of free jazz with the trance-like zeal of artists such as Tony Allen, Fela Kuti, and Kologbo.

 

PRICE: $44.50

CAT #: WRJ 013LTD-LP

FILE UNDER: JAZZ

Double LP. We Release Jazz announces an exciting new body of work by Joseph Deenmamode aka Mo Kolours. A catalog of critically acclaimed records, including his self-titled debut (2014), Texture Like Like Sun (2015), 2018 album Inner Symbols and three companion EPs, established Deenmamode as a prodigious musician and vocalist. The tracks on Original Flow have been constructed from sessions, improvisations and soundbites captured around the world; collecting contributions from musicians including Deenamode's brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Original Flow is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

 

PRICE: $15.50

CAT #: WRWTFWW 041EP

FILE UNDER: ELECTRONIC

2024 restock. WRWTFWW Records announce the official reissue of Grauzone's essential 1981 maxi single with timeless classic "Eisb?r", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band's formation. "Ich m?chte ein Eisb?r sein?" written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Tr?ssel, and Claudine Chirac (on saxophone), "Eisb?r" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from -- the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track? "FILM 2" is the ultimate B-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience. The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence -- simple, stylish, and just right. At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisb?r maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone's music -- wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff. Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label. Grauzone and WRWTFWW will continue to collaborate on the band's 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before. Sourced from the original reels; cut at 45rpm; Includes iconic artwork on a 350gsm sleeve.

 

PRICE: $39.50

CAT #: WRWTFWW 083LP

FILE UNDER: ELECTRONIC

Double LP version. WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes. With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label. Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono/YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics. Immerse yourself now.