I have been vaguely aware of this unusual and beloved midwestern IDM/post-rock trio for years, but figured they were probably too conventionally likable for my taste. As it turns out, I was only half-right: KILN are indeed quite fond of straightforward mid-tempo grooves and lovely melodies, but they masterfully balance those poppier tendencies with quite a lot of inspired textural layering and other experimentally minded enhancements. I guess the lesson here is that some great projects have a brilliant vision, but there are also some equally great ones that simply excel in the execution of a more modest vision. KILN are mostly the latter and they are often quite brilliant at what they do, which is why their 2020 return after a seven-year hiatus was greeted with so much enthusiasm despite working in stylistic realm that is no longer particularly in vogue. This latest release is "a digital-only adjunct EP" of pieces recorded at the same time as last year's Astral Welder that "weave syncopated patterns into immersive environments of lost memory and electrified nowness." I was very surprised to learn that Tungsten is arguably comprised of pieces that did not make the cut for the band's triumphant return full-length, as there are some killer songs here that would unquestionably improve just about any album that they landed on. Maybe these songs just needed a bit more tweaking before they were ready to be unveiled. In any case, I hereby decree that 2021 is the year of electrified nowness and that I am now an enthusiastic KILN fan.
The opening "Drala Ultra" shares a lot of common ground with great dub-techno, as it prominently features some warm and stammering synth swells, but the other elements of the piece (gurgling bass and a slow-motion breakbeat) are considerably more muscular and in-your-face than anything I would expect from a classic Chain Reaction album. While it is certainly an enjoyable piece, it is instantly eclipsed by the following "North Bar Lake," which gorgeously brings together a swirl of sun-dappled pedal steel melodies with dreamily fluttering flutes and a great shuffling groove. It strikes an absolutely sublime balance of gentle swaying psychedelia, strong hooks, crunching physicality, and propulsive forward motion with nary a misstep in sight. The trio also display real knack for more intuitive touches like deftly manipulating dynamics and avoiding any needless clutter, which is a set of skills that can be a rarity outside the realm of top-tier techno and hip-hop producers. Remarkably, KILN somehow manage to pack this modest six-song release with at least two other gems that scale similar heights. The most immediately gratifying of the two is "Argon Pedestrian," which feels like a rubbery, blurting, and lurchingly funky strain of futuristic fusion enhanced with skittering cymbals and a host of subtly hallucinatory touches. It took me a bit longer to warm to simmering and weirdly anthemic-feeling "Bvlb," but the gurgling groove steadily intensifies to a wonderfully stilted, slow-motion funkiness that is hard to resist. As for the remaining pieces, their only flaw is that they are merely less substantial. Aside from a few notable exceptions like People Like Us, there are not a lot of artists that can reliably balance fun, catchiness, and psych-damaged experimentation in a winning way, so it is welcome and refreshing to discover that this threesome is out to help fill that yawning void in such expert fashion. This is a wonderful EP.
Samples can be found here.