 |
|
Szkieve, "Ekranoplanes"
Ant-Zen
This concept mini-CD accurately represents its subject, massiveplane/boat hybrids known as ekranoplanes, in sound. Dmitri Della Faille(Szkieve)'s passion for his material is evident on this 22 minutehomage to, and study of, these anomalies of Russian scientifictechnology. The opening "Le Songe de R.E.A." evokes an ominous mood,conjuring up images of the metal beast preparing for take off. Sharp,shrill electronic tones and analog synthesizer miasma cut through thesounds of slowly chiming bells. "Le S.M. 2P" focuses on whirring andchugging sounds that recall those made by an engine working to keep thelarge entity afloat or aflight. The cycling rhythmic patterns andsteady moaning tones of "Le K.M." mimic the steady flight of thevehicle soaring through the air as a plane. "L'Orlyonok" gathers thevarious strands presented in the shorter tracks into a piece that seemsto be a musical response to the other tracks. This is the only trackthat features beats and a melodic theme running through it. "Le Lun"perfectly captures the feeling of a plane that was once steadily flyingat a fixed altitude suddenly dropping as it prepares for landing. Forthe first three of its four and a half minutes the persistent sound ofthe vessel sailing through the sky is realized by the sound of oneloud, all-encompassing drone. As the sound fades out gradually duringthe last minute it reveals layers of engine hum and the pitter patterof various working parts. In creating such a vivid aural description ofhis subject, Della Faille presents a full experience in a short amountof time. Although this is a 3" CD, the tracks don't feel incomplete.Instead, Ekranoplanesis the musical equivalent of a short film, and is successful on severallevels. As a tribute, it forms enough of a picture to be directlyconnected to the subject, yet it allows the listener enough space toplace the story in any setting the imagination can invent.
This concept mini-CD accurately represents its subject, massiveplane/boat hybrids known as ekranoplanes, in sound. Dmitri Della Faille(Szkieve)'s passion for his material is evident on this 22 minutehomage to, and study of, these anomalies of Russian scientifictechnology. The opening "Le Songe de R.E.A." evokes an ominous mood,conjuring up images of the metal beast preparing for take off. Sharp,shrill electronic tones and analog synthesizer miasma cut through thesounds of slowly chiming bells. "Le S.M. 2P" focuses on whirring andchugging sounds that recall those made by an engine working to keep thelarge entity afloat or aflight. The cycling rhythmic patterns andsteady moaning tones of "Le K.M." mimic the steady flight of thevehicle soaring through the air as a plane. "L'Orlyonok" gathers thevarious strands presented in the shorter tracks into a piece that seemsto be a musical response to the other tracks. This is the only trackthat features beats and a melodic theme running through it. "Le Lun"perfectly captures the feeling of a plane that was once steadily flyingat a fixed altitude suddenly dropping as it prepares for landing. Forthe first three of its four and a half minutes the persistent sound ofthe vessel sailing through the sky is realized by the sound of oneloud, all-encompassing drone. As the sound fades out gradually duringthe last minute it reveals layers of engine hum and the pitter patterof various working parts. In creating such a vivid aural description ofhis subject, Della Faille presents a full experience in a short amountof time. Although this is a 3" CD, the tracks don't feel incomplete.Instead, Ekranoplanesis the musical equivalent of a short film, and is successful on severallevels. As a tribute, it forms enough of a picture to be directlyconnected to the subject, yet it allows the listener enough space toplace the story in any setting the imagination can invent.samples:
Pit er Pat
Starting in 2004, the trio of Pit er Pat—Rob Doran, Fay Davis-Jeffers and Butchy Fuego—have been releasing music on a number of different labels, including their latest full-length on Chicago's Thrill Jockey. Their brand of music has drawn comparisons to Blonde Redhead, Soft Machine and Slapp Happy, among others.
