- Administrator
- Albums and Singles
![](/../../../brain/images/vibracathedralgravity.jpg)
samples:
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/osymysointro.jpg)
samples:
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/mirransoundtrack.jpg)
Part 1, "Muerte" starts of where Ennio Morricone left, but with todays instrumentation.
Part 2, "Tot" gives an impression of a quiet death in the pool or somewher else underwater.
Part 3, "Death" seems to desribe the mental death of working in theindustrial production line. And the machines go on followoing their ownlogic and rules.
Part 4? "Hal?l" treats death in a warzone; shattering glass, fallingbombs and permanent explosions compress for an nearly rhythmic piece.
Part 5? "Dod" concludes this summary of death with a 15 minutesledgehammer destroying dreams and hopes into a psychological wasteland.
The title is slightly misleading, as expectations of harsh noise,skulls, crosses and bones are not fullified. But still they—or in thiscase Joe Raimond on his own—achieve a very interesting realization ofthe theme showing different aspects and avoiding usual shock values orextremes.
samples:
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/bellesebastianstorytelling.jpg)
samples:
Read More
- John Regan
- Albums and Singles
![](/../../../brain/images/boombipdoseonecircle.jpg)
Although originally on Mush, home of the fantastic So-Called Artists,it has just been released in Europe by Leaf. Being a fan of all thingsAnticon, I picked it up last year. Unsurprisingly, like everything onAnticon, it's great. It's also seriously weird. I mean if cLOUDEADweren't really hip-hop, then compared to this they were Run DMC. Thiscrazy amalgam of street noise, chanting, spoken word, droning and,occasionally, beats and rhymes is some of the least hip-hop hip-hopI've ever heard. The rhymes can be sung, spoken, whispered or rattledoff at speed. They're often incomprehensible, when they aren't they'reoften nonsensical. (At first anyway.) The backing can range from Lostin Space style 'space sounds' to heavy fucked up beats over the courseof only one song. The whole package, which at first just bewilders,improves with each and every listen (I must be up to listen 20 atleast). The Anticon collective are true trailblazers, reshaping hip-hopas they go, and surely trumping the Def Jux crew as the underground'sposterboys. As Dose says on 'Questions over Coffee', "I'm no leader, Ijust can't see myself following you". It's great to be around toexperience this, even if I am paying crazy import prices for everythingelse on Anticon and Mush.
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/biosphereshenzhou.jpg)
samples:
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/lunaromantica.jpg)
samples:
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/cinematicorchestraeveryday.jpg)
samples:
Read More
- Administrator
- Albums and Singles
Richard Hell is beyond many things. Reproach and comparison are two such things. Leader of the Voidods, poet, bass player, and a man many call one of the founders of the punk movement, Hell has released very little music for a man of his acclaim and stature. In fact, he's reportedly only been in a studio once in the last 17 years. Luckily, the music he has released is so fantastic that it lasts, so much that any new music might pale in comparison. Add this one to the stack of record you must own.Matador
"Time" is actually part re-release/part never released live and studio material, and it shows how much of an influence Hell and the Voidods have had on other bands, as well as a distinct style that cannot be denied. The first CD, labelled "R.I.P.", is a re-release of a cassette only retrospective - Hell's self-proclaimed epitaph - released on ROIR. It adds three songs, one being the title track, and features some near classics. It opens with 'Love Comes in Spurts', a well-known track, immortalized in "Pump Up the Volume" with Christian Slater (it plays while he humps the wedding dress on the couch). After that, it never lets up. Song after song crackles to life, sometimes in the form of an all-out assault, sometimes as a slower and lower skip. The production values aren't that great, the performances a little far from perfect. But it's amazing nontheless. By the time you reach the Dylan cover 'Going Going Gone', you're in awe. Good. It gets better. The second CD, "Live", starts with, in Hell's own words, "one of the most aggressive sets we ever played." Aggressive due to the band's strife on the tour leading up to that point, and good for them. The audience would never have complained. The last four tracks are from a second live show at CBGB where Elvis Costello joins them for two tracks. Nothing short of incredible, electric, and highly influential. "Time" is two CDs of amazing music: Richard Hell has a legacy, and it is captured brilliantly on this release. Get it without delay.
 
samples:
 
 
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/electrocommando1.jpg)
samples:
- Anthony Rother - PSI CITY
- Studio - In the Studio
- Anthony Rother - Don't Stop the Beat
Read More
- Administrator
- Albums and Singles
![](/../../../brain/images/soulcenter3.jpg)
samples:
Read More