As the ambitious (and essential) reissue program by Die Stadt approaches conclusion, Tietchens' final release for Esplendor Geometrico's label, and last release of the 1980s, gets the expanded treatment. Heavily steeped in rhythmic loops and metallic reverb, it clearly shows the mark of his industrial period, but also of the abstract direction to come.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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This EP is a taste of what to expect on their new album devoted to the theme of telepathy and psychic phenomena. I do not know whether Matmos actually buys the parapsychological theories that inspire the music but, like any of their conceptual experiments, they use the source material to think about their music in new ways. Some of it sounds undeniably like Matmos, but, as usual, they push themselves into novel situations with a long, complex vocal work which lines up with the peculiar subject matter perfectly.
As far as Natural Snow Buildings-related albums go, this sprawling reissue ranks as a pretty monumental and eagerly anticipated event.  Originally released in a crazily limited edition of only 22, this 2008 triple-album is one of the band's most ambitious, yet rarely heard, statements.  Given Mehdi and Solange's tireless evolution over the years, Night Coercion understandably lacks the sophistication and song-craft of their current work, but mostly compensates for those shortcomings with a potent mixture of primal power and sheer massiveness.
Ged Gengras has been a somewhat ubiquitous and integral figure in the LA music scene for the last several years, contributing his varied talents to artists as disparate as LA Vampires, Pocahaunted, and Sun Araw.  However, I did not know that he had a solo "modular techno" project and had I known, I probably would not have been terribly inclined to seek it out.  Consequently, I was completely blindsided by the massive and wonderful 20-minute opening song on this, his debut full-length.  The other two songs do not quite reach the same heights, but it does not matter much, as "Spontaneous Generation" is almost enough of a must-hear instant classic to carry the whole album.
Keith Rowe and Christian Wolff have been playing together since 1968, when Wolff first performed with AMM in the UK. Their history together goes back further, a part of the turbulent musical and political eddies set in motion by the New York School and Cornelius Cardew in the late 1950s and early ‘60s. But this performance, recorded live at NYC’s The Stone as part of Jon Abbey’s AMPLIFY 2011 festival, marks their first recorded appearance as a duo. It’s an inspired pairing. Together they produce quiet, sharp, and surprisingly gorgeous music that exemplifies the still radical ideas they started exploring over 40 years ago.
P16.D4 might not be an overly obscure name for those knowledgeable of the nascent industrial/experimental/noise scene of the early 1980s, but P16.D4 has not been as venerated as many contemporaries either. Monotype has jumped upon the opportunity to give this project the lavish retrospective release it deserves, and Passagen is just that: a deluxe six disc compilation of the band's output, with bonus tracks, and an additional DVD of mostly unseen videos and performance recordings.
With this split vinyl EP marking the final release of the late Hydra Head label, it almost seems fitting that it is the work of two artists who have embraced their own independence throughout their prolific careers. It also stands as a monument to change and evolution, with Justin Broadrick's re-embracing of his harsher past put alongside Dominick Fernow's recent surprising turn towards melody and ambience.
This CD consists of 16 HipHop tracks made by 5-10 year old children from Amber Charter Grade School in East Harlem, New York City. The children write and improvise their own raps, play their own instruments, and program their own drum machine beats. They named their own groups and created the cover art for the CD. So why is this album credited to a middle-aged white guy named Dave Soldier?
After a night of hard drinking, I discovered by chance that Leaving Songs represents the mid-life hangover, figuratively as well as literally. As my thinning hair turns noticeably greyer, the frank subject matter the Tindersticks frontman presents here hits home like a brick hurled through the window.
"Part of the 'Atom Series', a series of limited vinyl only releases by AtomicRecordings favourite new artists from around the globe" informs the website. Atomic Recordingsis a Belgium label, The Remote Viewer is a Leeds UK band formed by 2 ex-members of Hoodwho also used to record as The Famous Boyfriend. The music is 4 instrumentals that areelectronic and slightly somber in tone, kind of like an early morning/late night ISAN. AtomicRecordings was also associated with 'In The Fishtank', the series that released the collaborationbetween The Ex & Tortoise, and a Guvner disc as well. 'In The Fishtank' captures exclusiveAmsterdam recording sessions by touring bands. 'In The Fishtank' is run by their dutchdistribution company 'De Konkurrent' with Atomic Recordings taking care of the vinyl. TheRemote Viewer also have a new 12" out on Domino Records as part of their resusitated 'Series500' 12" line.
