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04 January 2004

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Albums and Singles

Cenotaph Audio

Guignol is French for "puppet," and the word is often used to connote aclassical theater form involving large marionettes enacting heroic orcomic tales. It's a name that perfectly describes the music on Angela, David & The Great Neapolitan Road Issue,which is vaguely theatrical, strangely comic, and largely informed byan odd concept involving French instrumentation and dadaist lyricaltactics. Lest we forget, surrealism as an aesthetic, theatrical andliterary movement began in France in the early 1900's, and Guignol'smusic, though modern, seems a bit stuck in this time and place, perhapsbecause it was recorded over a summer in the French countryside. Thegroup is comprised of Jeremy Barnes (of Bablicon), Aaron Moore andLaurence Coleman (both from Volcano The Bear). Assisting on a fewtracks is Aaron Moore's VTB and Songs of Norway cohort Nick Mott, andKorena Pang. It's a mysterious little enigma of an album, seeming atonce intimate and detached. Much of the album seems primitivelyrecorded and loosely improvised, but the beauty and intimacy of Moore'svocals on the opening track "Of Houses and Canals" recalls thefragility of Robert Wyatt's on Rock Bottom. The lyrics aredisjointed and surreal, bringing to mind the spaced-out whimsicality ofsolo Syd Barrett. Much of the instrumentation is minimal, withclattering percussion and warm organ tones. Its idiosyncrasies arebeguiling, and much of the album washes over like a gentle afternoonhallucination. Even the occasional areas of tension and noise seemoddly pastoral. Jeremy Barnes brings with him that same intuition forseemingly accidental psychedelia that has made every Bablicon album soengaging. "Angela and David" and "Discover Guignol's Band" are the sametrack, repeated twice, one after the other, and as strange as thatsounds, it seems rather charming in context. The spare production andcarefully chosen instrumentation lends many of the tracks theatmosphere of medieval France, enhancing the music's anachronistictendencies. Though its charms are ephemeral, Guignol's album is anenticing ambiguity.

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04 January 2004

Administrator

Albums and Singles

Temporary Residence

There's nothing more refreshing than being deceived by music. I thoughtit was going to be an electronic-fueled record of funked up rhythms andsome glitched guitar; but it, like a chameleon, slowly changed intoother creatures. There are only two musicians in this band and thereare no overdubs or machines that makes all the fabulous noises. Chromeis a live album of bone-annihilating rhythms, sharp and preciseplaying, and spaced out jams that would make Can and Neu! quite proud."Look, You're On TV" and "Cold Sweat Part XVI" start the album out withsome snappy drum chops and drugged-up guitar playing that fallssomewhere between firmly psychedelic and absolutely jarring. Whatfollows gyrates between cavernous soundscapes and mathematicallydesigned metal screams. It's in the middle, where the drums sound likea steam engine chugging down the line and the strings hum like massivebells, that Nice Nice is most captivating. Sure, there are a widevariety of sounds here and it's amazing that just two guys are capableof doing it all in a live environment, but they both have a knack formelody and rhythmic tension that make jam sessions like "Nein" and "OnNeon" so unrelentingly beautiful. Where Nice Nice stick closest totheir melody and their sense of beauty, they succeed the most. That'snot to say it isn't fun as hell to have my head beat into my shouldersby their wild changes in style, but their ability to craft narcoticmelodies and hypnotic rhythms (see "We Go Towards," especially) standout as their best trait. That being said, Chrome comes awayfeeling like an amazing treat. There's a variety of music here thatfits together well as a record; it's a cohesive experience withoutfeeling dull or repetitive and yet it manages to move between sonicallyopposite poles. If two people can make such a variety of music on thesame record without sounding too scattered, it leaves me wondering whatall these other duos are doing with their silly guitar solos andamateurish rhythmic capabilities.

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04 January 2004

Taylor McLaren

Albums and Singles

P-Vine

Genre names obviously come to stand for different things over time,usually by becoming broader and broader as they go. What happens,though, when they start to encompass sounds that are pretty muchantithetical to their own roots? It's hard to know what to make of Mostfor exactly that reason: this bunch of 40-something musicians is waytoo good at playing its instruments to really carry the amateur charmof old punk rock, but it can also belt out throat-shredding bulldozersongs like "Shikaku" (from their self-titled first album) on a moment'snotice. Curiously, now that they're specifically identifying theirmusic as "punk," key and tempo changes and other conspicuous signs ofcapable musicianship have started creeping into the works, and thereare even a couple of choruses on Most Mostthat could have been lifted from a Blondie album. (Now that I thinkabout it, that probably says something about how Most fits under thepunk umbrella, too.) The results of my distracted first listening keeptelling me to say that Most Most is a mellower affair than itspredecessor, but it really isn't: it just isn't compressed to hell andmastered at the same ear-splitting levels. Phew manages to rip it upfar better than she ever did as a star of the '70s Japanese punk scene;twenty-five years on, she's given up the dorky beret while keeping thehowling just enough under control that she doesn't sound like an agingmember of some therapeutic drum circle. She's far deadlier and morefocused than Debbie Harry now, and while she'll never exude death likePatti Smith always has, Most have become more than just impressive...they're almost inspiring now.

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04 January 2004

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Albums and Singles

Crippled Intellect Productions

Strange that Z'EV, probably the most recognizeable name in theavant-garde solo-percussionist ranks, with a relatively extensivestring of records behind him, felt the need, in 2003, to release a 3"disc of live recordings from 1993. If nothing else, Live 1993is a lovingly recorded document, captured by friend, collaborator andbrilliant musician in his own right, Fast Forward, at the PerformingGarage New York City. The disc is two tracks, each featuring Z'EVbeating on a variety of objects, ranging from sheets of metal to whatsound like large industrial canisters. Both pieces are dominated byringing metallic hits, with the drummer's complex overlays creating anequally elaborate lattice of quivering drones, the negative spacesurrounding each action nicely accented and enlivened. Z'EV's skills asa polyrhythmist and a composer are apparent here, as on all hisreleases; each track is a concise and expertly controlled example ofhis unique tribal-industrial sound. For a solo performance, thefocused, hypnotic effect achieved is very impressive; however, I see noreason why this music couldn't have been left in the heads of those inattendance. In the context of Z'EV's output thus far, this disc isbeyond inessential; as a 3" disc, it is not long enough to successfullyapproximate the live experience, something that, for an artist likethis, is nearly impossible anyway. New listeners could do better withone of Z'EV's many studio full-lengths, chances to see him workingnon-percussive instruments into his always-interesting sonic palette.

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04 January 2004

Taylor McLaren

Albums and Singles

Stones Throw

This is one of those albums that is bound to prompt a zillion reviewsthat tell the big story of its history: how it was recorded over tenyears ago, how the artist (in this case, the MC, Charizma) died beforeit could be released, and how a friend (the DJ and label founder,Peanut Butter Wolf) eventually put it out as a memorial. It's a nicestory, and there's really no way around it, because there's no otherway of explaining the sound: Big Shots sounds old, and The Arsenio Hall Showcan almost be heard bleeding out of the speakers when it's on, which isa good thing, because it conjures up warm memories of the time rightbefore most rap got stupid. There's no gun-waving or bitch-slappinggoing on here; instead, there's a photo of the title big shots eatingcookies in someone's kitchen, and the lyrics match it. Charizmapractically sits you down on the front steps of his house to tell youabout all of the amazing -stuff- he's seen: ice cream trucks, theneighbourhood drug-dealer getting what's coming to him, the datingscene...! (Yes, an MC that goes out on dates!) Ten years on, the worlddoesn't seem nearly as friendly as it did, and albums as wide-eyed andenthusiastic as I Wish My Brother George Was Here are in shortsupply, making this bright, kind-hearted tribute to a good friend allthe more timely; the fact that the deckwork is fun and the vocals aredeft (Charizma got around the fact that "Explicit Lyrics" stickersstill meant something in '92 by cutting his own curses off mid-wordwithout breaking flow) just seems like a bonus.

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PS: There are plenty of other samples at the Stones Throw site.
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04 January 2004

Administrator

Albums and Singles

Troum's final part in their Tjukurrpa series comes with its own warning right in the title. Those familiar (and fond of) the powerful drones this German duo is famed for might be taken aback by the prominence of both rhythms and pulsations all over the record.Transgredient

From the opening "Ignis Sacer," the percussion takes the center stage, with a harsh and abrasive loop. Throughout the disc, the rhythmic loops get decreasingly harsh, lending more to the open drones the group is known for. Like the first two in the trilogy, part three was recorded over a period of time, which may account for somewhat of an uneven sound between tracks in comparison to last year's Siquan.

The firt two tracks go on painfully long and are sadly lacking in a depth I have come to expect from Troum due to a sound that is primarily in mono. By track three, "Saiwala," the rhythms have become less piercing but provided by pounding drums in a very Non/Death In June vein. However, at least Boyd and Doug knew how to end a song quickly (at this time the tracks are going on way too long).

It isn't until the fourth song, "W√°ian / Moys," that the music truly connects with me by the inclusion of faint vocals by a girl named Nina and a motioned progression that is quite the opposite from the somewhat painful first three tracks. It's at this point a good stereo separation also takes place. Slight pitch bends and thunderous echoes are hypnotic and warmly welcomed. Time seems to stand completely frozen.

True melodic movement comes through in the haunting follower "Reigen Taumelnder Geister," the reverse rhythms of "Wheaio," and mystical moonlit midnight music of "Airpeins." Perhaps some of the Eastern themes present could be a nod to Muslimgauze or Rapoon, or the group is getting ready to score an epic. Either way, for a disc whose opening half I completely hated, it surprisingly goes out fantastically well.

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04 January 2004

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Albums and Singles

Hushush

There is a point where sound collages become something else. Dronesstop being merely drones and the cinematic passing of sounds build intoan architecture without shape or form. Christina Sealey, Richard Oddie,and Mark Spybey have consecrated the air about my ears and formedaround it a liquid curtain of sudden memories and vague communicationsfrom the mystical side of dreams. SOSisn't a drone record and it isn't just a collage of sounds, it feelsmore like a movie meant to convey some central ideas. Drowning bells,all-knowing monks, and the enchantment of sirens act as a thematicmarker by which ventures into the unknown take place. The sounds arenever reduced to a pure humming, nor are there any moments where theflooding of sound meshes into an unidentifiable mass. Sounds act asindividual instruments; whether it's the beat of a heart or therotation of blades on an enormous fan, there's always a sense ofgeneral organization between sounds. The group isn't afraid to includefamiliar sounds in their landscape of the strange. Everything fromdistorted radio signals and the cold delivery of a news anchor's voiceto what might be a digeridoo can be found somewhere in the haze ofsonic manipulation. Melodies unfold for small portions of time andrhythm can be picked out of certain pieces, but nothing on SOSrelies on either. I'm incredibly taken by this disc because I find itto be more than impossible to catergorize. Noise, drone, ambient, blah,blah, blah; none of it fits this disc in any way conceivable. Callingit a sound collage ignores the precise way the sequence of tracksplayed with my head and provided at least an illusion of structure andinsight. I wouldn't say this is something drastically new or unique;considering Spybey's long history with sound, I doubt that there aren'tsome familiar themes or ideas at work here, but the entire recordsounds and feels fresh. It deserves and, by way of mystical suggestion,demands repeat listens.

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04 January 2004

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Albums and Singles

Infrasound

No doubt in response to the reception of last year's Tasheyana Compost, Infrasound has reissued USAISAMONSTER's previous two vinyl releases on a single disc. Anyone pleased with Compost'smuddy conglomerate of duo-blasted noise rock and prog-metal will feelequally at home in the arms of this beast, the lager-soaked pilgrim toits successor's war-weary Cherokee. The slick guitar chops are stillthere, each song still a many-armed mini-epic, but Citizenspreserves every piece of fudged riffage, every rhythmic stumble, andevery indulgent stomp-a-long bit, imbuing each with uncorruptedconviction, a metalhead's glee. It's not that these early releases showthe group in crude or undeveloped form (they are tighter than ever), oreven that their newer full-length represents a "softening" of theirsound; Citizens merely proves that these guys were thrashing tothe SST catalog long before they discovered Hawkwind. The disc offersthe more accurate and more thrilling picture of a band whose reputationhas rightfully developed around a blaring, overblown live event. Theguitars are a little less likely to dip into the angular jazz-istpatterns scattered throughout Compost, preferring close-croppedriffs and assaulting repetition, breakdowns occurring only when thetension and release of the figures buckles under the speed of eachsong. Songs themselves cater less to the wayward theatrics of thesucceeding album, and while some acoustic troubadouring does crop up,these songs (especially those from 2001's Citizens of the Universe)are more like spliced chains of 2-min. thrash anthems, worked togetherwith the occasional staggered metallic breather. I feel comfortablesaying that if Compost was not your air-drums record of the year, this surely will be. For all of its force, Citizens stays fun throughout and should be welcomed by new fans who were dismayed to find the original records unavailable.

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04 January 2004

Administrator

Albums and Singles

Infrasound

Rising from the brittle crust of the same Northeastern coast thatbirthed labelmates USAISAMONSTER, Eloe Omoe is a duo of considerablyless refinement. While their aesthetic is likely to find support in theRuins/Lightning Bolt camp, the band comes off sounding so elementalthat I worry they have compromised themselves by cutting a record atall. This 12", their first release, contains five live tracks: meresnippets or little windows into what seem less like a few scatteredshows between '99 and '01 than random stops along an un-halting,nomadic traversal of New England, powered by a vaguely primitiveimpulse, unseen, unknown, and nearly lost on these recordings. Themusic is a tumbling, thoroughly abstract mess of effected bass rumble,draped with drum parts that descend, deconstruct, and fall apart toinvisible cues. All five pieces sound improvised, the two playersrarely coming together for anything "thematic" to emerge; the onlyclear indications that they are not playing in different rooms are afew abrupt stops and a unified effort to keep the songs in a kind ofperpetual collapse. The recording is understandably of poor quality,and, while bands like Lightning Bolt and USAISAMONSTER might haverigorous structures or goofy posturing to compensate, Eloe Omoe suffersmore openly. Theirs is really more of a jazzist take on the noise rockgame, and as such, the music's visceral, performative nature becomes alarge part of its appeal, lost on such a recording. Again, fans of agrassroots noise aesthetic will appreciate the record, Sam Rowell'ssqualling bass in particular, though I'd be interested to see how alittle studio tweaking would effect the group's sound, for better orworse.

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not available (hint to labels who send vinyl: include CD-Rs so we can make samples easier

01 January 2004

Administrator

Albums and Singles

So we tried a new way of doing things for the 7th year in a row! Actually, we think this is probably closest to accurate so far. Every entry got scored according to how readers voted. The score went up higher the more positive the reaction was and went down the more negative. Winners in the Band of the Year, Label of the Year, and Best New Artist categories were awarded due to cumulative scores and not voted for directly. Additionally, the Lifetime Achievement recognition was chosen exclusively by the Brain Staff.

Unfortunately, as is with all readers polls, everything eventually turns into a popularity contest. Rather than scrap it all in frustration, we keep the polls going from year to year. It presents a snapshot to look back and reflect upon to see what people were listening to and paying attention to at this time. It is by no means a measure of talent or greatness, nor is it even an accurate account of taste or opinion, as people will have a tendency to vote favorably/against an artist they like/dislike regardless if they've heard the record or not. Comments are included from the staff in each category. Thanks to everybody who honestly participated.

album of the year

Fennesz, "Venice"
Devendra Banhart, "Rejoicing in the Hands"
Sonic Youth, "Sonic Nurse"
Coil, "Black Antlers"
Animal Collective, "Sung Tongs"
Devendra Banhart, "Nino Rojo"
Einst?zende Neubauten, "Perpetuum Mobile"
Tom Waits, "Real Gone"
Pan Sonic, "Kesto"
Bj?k, "Medulla"
Pan•American, "Quiet City"
The Dead Texan, "The Dead Texan"
Coil, "ANS"
Joanna Newsom, "The Milk-Eyed Mender"
Nurse With Wound, "Angry Eelectric Finger (Spitch'cock One)"
Nick Cave and the Bad Seeds, "Abattoir Blues/The Lyre of Orpheus"
Brian Wilson, "Smile"
MíQ, "Summer Make Good"
Wolf Eyes, "Burned Mind"
The Legendary Pink Dots, "The Whispering Wall"
Black Dice, "Creature Comforts"
Nurse With Wound, "Shipwreck Radio Volume One: Seven Sonic Structures from Utvaer"
The Arcade Fire, "Funeral"
Stereolab, "Margerine Eclipse"
Ghost, "Hypnotic Underworld"
Comets On Fire, "Blue Cathedral"
Michael Gira, "I Am Singing to You from My Room"
Xiu Xiu, "Fabulous Muscles"
The Legendary Pink Dots, "Poppy Variations"
Sunn O))), "White2"
Sufjan Stevens, "Seven Swans"
Squarepusher, "Ultravisitor"
Deerhoof, "Milk Man"
Le Fly Pan Am, "N'ecoutez Pas"
Clouddead, "Ten"
Skinny Puppy, "The Greater Wrong of the Right"
Iron & Wine, "Our Endless Numbered Days"
Tim Hecker, "Mirages"
Liars, "They Were Wrong, So We Drowned"
!!!, "Louden Up Now"
Madvillain, "Madvillainy"
Acid Mothers Temple, "Mantra of Love"
Mouse On Mars, "Radical Connector"
The Soft Pink Truth, "Do You Want New Wave Or Do You Want the Soft Pink Truth?"
Tortoise, "It's All Around You"
Loscil, "First Narrows"
Boredoms, "Seadrum/House of Sun"
Faust Vs. Dälek, "Derbe Respect, Alder"
Mono, "Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined"
TV on the Radio, "Desperate Youth, Bloodthirsty Babes"

Comments
Pan Sonic's Kesto is an ambitious piece of work that deconstructs everything about Pan Sonic into four distinct discs so that you don't have to! - Matthew Jeanes

Absolutely amazing rock albums like Ghost's Hypnotic Underworld and Comets on Fire's Blue Cathedral languish at number 25 and 26 while I can't shake the feeling that it's become a bit of knee-jerk reaction to list albums by veterans like Sonic Youth, Neubauten, Tom Waits, Nick Cave and Bjork in these year-end lists, whether or not people really think their recent albums were really up to par. - Jonathan Dean

ANS cost like $80. People didn't buy it. Hell, I'd venture to say that people who bought it didn't even listen to it! - Gary Suarez

Everybody thinks Sufjan Stevens' next album is going to be another state, but I wouldn't be surprised if Six Geese were to follow Seven Swans. - Jon Whitney

It's strange that the Boredoms masterpiece Seadrum/House of Sun is at #47, while Sonic Youth is at #3. I see Boredoms as a forward-thinking, constantly evolving, futuristic unit. I am baffled year after year as Sonic Youth consistently places in the top five (or better) of certain adventurous magazines year end lists. Without denying them credit for their past achievements, and while recognizing that their current work does have merit, it hardly seems to me that, with all of the exciting music being created, Sonic Youth post-1990 is making the best albums of the year, every year. - Jim Siegel

I knew it; names have a strange way of carrying so-so music to undeserved streams of acclaim. The Fennesz record is a prime example of this. !!!, Devendra Banhart, and Pan American all released amazing records this year, but I suppose the names aren't quite large enough at this time to appeal to people still aching for something "different" and "experimental." - Lucas Schleicher

Madvilliany is one of the best hip hop releases in recent history. MF Doom and Madlib had never collaborated before, and I don't even know if they had met prior to writing and recording the album. That's f'n amazing. MF Doom's bizarre lyrical couplets and slick obscure references almost steal the show had it not been for the (here it is) finest instrumentals ever done courtesy of Madlib. Hip hop finally becomes high art? Yes, I would contend I felt (as my art teacher used to say) "the evocation of the sublime." Record of the year. Danger Mouse deserves at least a nod or maybe a high five for the Grey Album. I can't stand Jay-Z, so to not only find his played raps tolerable but enjoyable speaks volumes for the music Danger Mouse was able to come up with. And he did it with the unlikeliest of source materials - a frickin BEATLES album??! He basically set himself up for utter failure and came through like the Red Sox. Hands down the coolest contraband of the year too (next to Canadian Viagra, of course). - Chris Roberts

single/ep of the year

Animal Collective, "Who Could Win a Rabbit?"
Devendra Banhart, "Little Yellow Spider"
Four Tet, "My Angel Rocks Back and Forth"
Wolf Eyes, "Stabbed In the Face"
Nick Cave and the Bad Seeds, "There She Goes My Beautiful World / Breathless"
Antony and the Johnsons, "The Lake"
Black Dice, "Miles of Smiles"
Joanna Newsom, "Sprout and the Bean"
Clouddead, "Dead Dogs Two"
Thee Silver Mountain Reveries, "Pretty Little Lightning Paw"
Keith Fullerton Whitman, "Antithesis"
Bj?k, "Who Is It?"
Throbbing Gristle, "TG Now"
Squarepusher, "Square Window"
MíQ, "Nightly Cares"
Squarepusher, "Venus No. 17"
Sigur Ros, "Ba Ba Ti Ki Di Do"
Thighpaulsandra, "Rape Scene"
!!!, "Pardon My Freedom"
Nick Cave and the Bad Seeds, "Nature Boy"
Interpol, "Slow Hands"
Mouse On Mars, "Wipe That Sound"
Liars, "There's Always Room on the Broom"
LCD Soundsystem, "Yeah"
Nurse With Wound, "Having Fun With the Prince of Darkness"

Comments
What a relief it was to see TG Now make it into the Top 25 in this category! Throbbing Gristle's reunion was truly impressive, as was their restraint with disseminating this new material. Though some people might have groaned over the exclusivity of this EP, these intimate recordings demanded an audience that would not simply listen passively. These dissonant four songs, much like their early work, were not meant for mass consumption by trend whores (*cough* Coil fans *cough*) and one-upping music geeks. Anyone who has spent some time with this release has been exposed to a rare experience, with four legends returning to the studio and coming together after spending years apart making very different music. TG Now is a return to form as well as a dramatic update, essentially raising the proverbial bar to a point where many musicians would do best to avoid this release rather than attempt to top it. - Gary Suarez

It's hard to believe everybody who voted for this winner actually own a 7" only release. It's also hard to believe it beat out the mindblowing TG Now, 27's jaw-dropping Let the Light In, and a Four Tet single that comes with his entire collection of music videos on an accompanying DVD! Additionally, none of Battles's three fantastic EPs cracked the top 25 but mind you, they will surely be on everybodys lists this time next year once you-know-who has released their album and made them even more buzzworthy. Then you'll be recalling me saying this just like I said about Sigur Ros, Dresden Dolls, and !!!, but did you listen then? No. - Jon Whitney

Can Dirty Water get an honorable mention? - Chris Roberts

best various artist compilation

"Kompilation" (Kranky)"
"Kompakt 100" (Kompakt)"
"Golden Apples of the Sun" (Bastet)"
"Broken-Hearted Dragonflies: Insect Electronica From Southeast Asia" (Sublime Frequencies)"
"Cambodian Cassette Archives Khmer Folk and Pop Music, Vol. 1" (Sublime Frequencies)"
"Radio India: The Eternal Dream of Sound" (Sublime Frequencies)"
"Split Series 9-16" (Fat Cat)"
"Compilation 2" (DFA)"
"Thank You" (Temporary Residence)"
"Left of the Dial: Dispatches From the '80s Underground" (Rhino)"
"Matador At Fifteen" (Matador)"
"Haunted Weather" (Staubgold)"
"Old Enough To Know Better: 15 Years of Merge" (Merge)"
"Song of the Silent Land" (Constellation)"
"Shockout Vol. 1" (Shockout)"
"Moog Movie Soundtrack" (Hollywood)"
"Death's Last Life's Breath" (Beta-Lactam Ring)"
"Shotgun Wedding Vol 3: Kid606 Vs. Cex" (Violent Turd)"
"Children of Mu" (Planet µ)"
"Manhunt Soundtrack" (Rephlex)"
"Speicher Cd 2" (Kompakt Extra)"
"Amunition" (Planet µ)"
"Neurot Recordings I" (Neurot)"
"Rock Action Presents Vol. 1" (Rock Action)"
"Zen Rmx" (Ninja Tune)"

Comments
Kranky set a standard this year that all other record labels are going to have to try and measure up to. The compilation itself was gorgeous, cheap, and full of some of the best music to grace any recorded format. I won't argue against Mute or any other label on the lists, but this year belonged to Kranky in my mind. - Luke Schleicher

Maybe not the most impressive musically, but as for unexpected and historically important you couldn't go wrong with Stones Throw's The Third Unheard. Who knew that an urban musical genre that dominates popular music today had roots in suburban 1979 Connecticut? I didn't. - Chris Roberts

It's nice to see a kompilation of current music beating out some (stellar) compilations of archive material and newly re-discovered oddities. It brings hope for the new year that a label such as Kranky is still releasing challenging contemporary music. The Charalambides reissue program, the addition of Greg Davis to the roster, consistently rewarding releases by Keith Fullerton Whitman and the wonderfully difficult music of Brent Gutzeit all show that Kranky has moved bravely forward into the new millenium. It gives me a renewed sense of faith in listeners to see that these developments have been recognized and rewarded. - Jim Siegel

Kwite a koincidence that the number one and two spots on the kompilation kountdown were both taken by kute misspellings of kommon words. Daft kunts. - Jonathan Dean

reissue/vault/collection album of the year

Can, "Tago Mago"
Can, "Ege Bamyasi"
Nurse With Wound, "Soliloquoy for Lilith"
Brian Eno, "Ambient 1: Music for Airports"
Brian Eno, "Here Come the Warm Jets"
Current 93, "Thunder Perfect Mind"
Einst?zende Neubauten, "Tabula Rasa"
Can, "Monster Movie"
Brian Eno, "Ambient 4: On Land"
Brian Eno, "Taking Tiger Mountain (By Strategy)"
Brian Eno, "Discreet Music"
William Basinski, "Disintegration Loops 1-4"
Nurse With Wound, "She and Me Fall Together In Free Death"
Pavement, "Crooked Rain Crooked Rain - La's Desert Origins"
The Legendary Pink Dots, "9 Lives to Wonder"
Low, "A Lifetime of Temporary Relief"
Antony and the Johnsons, "Antony and the Johnsons"
Can, "Soundtracks"
Einst?zende Neubauten, "Kalte Sterne: Early Recordings"
Slowdive, "Catch the Breeze"
Current 93, "Sixsixsix: Sicksicksick"
The Clash, "London Calling 25th Anniversary"
Glenn Branca, "The Ascension"
Six Organs of Admittance, "The Manifestation"
Brian Eno, "Ambient 2: The Plateaux of Mirror"

Comments
Tago Mago is a fantastic record. Perhaps in my top 20 favorite records of all time, but once again, I wonder if this many people have actually heard the reissue and can honestly compare the SA CD to the original version. Big time efforts like the Virgin Prunes reissue campaign didn't even crack the top 25 and Low put out an astounding 3xCD/1xDVD (double sided even) set and that doesn't crack the top 15. The Deathprod box and the Squirrel Bait box are criminally underrepresented. Maybe it's time to re-expand this category for boxed/multiple sets. - Jon Whitney

When are we going to get a remastered Tonight's the Night? Instead Neil Young gives us a half-baked, unnecessary Greatest Hits release? Please. The world is in dire need of a Tonight's the Night Sessions boxed set. A mere repackaged CD wouldn't do the album justice. Next summer, maybe? Maybe I'm getting swept up in all the media hype, but Nirvana's With the Lights Out has all the trappings of an essential compilation, if a wee bit sprawling. Especially for those who couldn't find/afford all the Outcesticide releases... even if it did help fund the constant trainwreck that is CL. - Chris Roberts

I'm happy to see that Slowdive still has a place in people's hearts. Unlike so much other "shoegazer" music from the early 1990s, Slowdive's three albums still sound wonderful to me today. Their final LP, Pygmalion, is a massively underappreciated avant-whatever classic. It presents the work of a group obviously unconcerned with remaining true to genre rules. It's too bad they didn't explore this direction further. Hopefully the interest that this compilation stirs up will encourage someone to reissue the long out-of-print Pygmalion. - Jim Siegel

It would have been nice to posthumously honor Arthur Russell—a guy who spent most of his short life toiling away in obscurity, quietly influencing a generation of artists. I find it disheartening he wasn't able to crack the top 25, in a year that three superlative reissues of his uniquely ingenious music were released. - Jonathan Dean

label of the year

Mute
Kranky
Young God
Fat Cat
Sub Pop
Touch
Warp
Drag City
Touch and Go
DFA
Important
Threshold House
Matador
Alien8
Nonesuch
Thrill Jockey
Constellation
Domino
One Little Indian
Anti
Beta-Lactam Ring
Durtro/Jnana
Ipecac
Sonig
Merge

Comments
It was a very ambitious year for Mute with tons of amazing reissues and some good new albums too. Now where's that Nitzer Ebb collection you've been promising? - Jon Whitney

For the most part, Mute had an impressive year, especially on the reissue front with double disc sets from Richard Kirk / Sandoz and Suicide. With the label's continued commitment to quality acts like Diamanda Galas, Einsturzende Neubauten, and Pan Sonic, we can forgive its misguided attempts with the far-less talented Client, Miss Kittin, and M83. - Gary Suarez

Call me a one trick pony, but you can't deny Stones Throw's contributions this year. Best hip hop release in recent memory (Madvillian), Gary Wilson's first new record since the 1970s, a vitally important compilation (the Connecticut hip hop V/A) on top of their other releases AND the funk/soul rereleases on Now Again, the label's rereleasing machine aka subsidiary. Not to mention the DVD that they put out in the Fall. It made me say "holla." - Chris Roberts

Excuse me, Touch and Warp in the top 10 of the year? Touch records has become the ultimate namecheck label for boring beard strokers, and I seriously doubt anyone actually listens to 99% of their output before shelving it next to the other releases on their CD rack. And I shouldn't have to say anything about the embarassing Warp roster. This was truly their worst year in a run of bad years for the label. - Jonathan Dean

artist of the year

Devendra Banhart
Coil
Nurse With Wound
Nick Cave and the Bad Seeds
Animal Collective
MíQ
Squarepusher
Wolf Eyes
!!!
Bj?k
Acid Mothers Temple
Liars
The Hafler Trio
The Legendary Pink Dots
Joanna Newsom
Fennesz
Black Dice
Sonic Youth
Clouddead
Einst?zende Neubauten
Mouse On Mars
Tom Waits
Keith Fullerton Whitman
Pan Sonic
Madvillain

Comments
Two full-length releases, a couple singles, endless touring, and an army of completely freakish insane fans who could rival the creepiness of Bjork or Godspeed nutters. It's a well-earned recognition for Devendra, a talented individual and a great guy. - Jon Whitney

best new artist
Joanna Newsom

Comments
One of Newsom's main strengths may be that she polarizes opinion. She is either loved or hated. She produces a strong reaction in listeners, for better or for worse. From seeing her perform live I gathered that she is a genuine artist, translating the world as she sees it into sound. While many "outsider" artists seem to operate by a set of unwritten conduct laws for weirdos, Newsom seems to be simply blessed with a unique voice and talent to boot. - Jim Siegel

2004 wasn't a huge year for new bands/artists. Looking at the list of newbies, many of them have histories in other groups. Battles had three stellar EPs; Autistic Daughters and Trapist were birthed from the incestuous blood that spawned Dean Roberts and Radian; The Dead Texan's debut was pleasing for fans of Badalamenti and Stars of the Lid; and Arcade Fire are just a glorified recycling of Pulp's music with the tone deaf (but oh so hip) vocal style a'la Interpol. Rachel Goswell of Slowdive/Mojave 3 finally released her long anticipated debut and Fridge's Adem stepped up to the microphone, churned out an impressive debut album, few singles, assembled a tight group, and toured like a madman. - Jon Whitney

lifetime achievement
John Peel

The year of 2004 was full of a number of significant losses. From the passing of friends like John Balance, the passing of a distributor and financier of a number of our favorite groups, and ending with the most catastrophic loss in modern history. This year's Lifetime Achievement recognition was debated with the Brain Staff and in the end, it wasn't given to a musician at all, but to somebody who has truly had a full lifetime of achievement.

Comments
I used to go to record shops when I was young and naive and wonder why so many artists had CDs called "The Peel Sessions." Years later I grew to know the influence the man who was responsible for these recordings had on not just those artists, but music in general. He was a legend, and another reminder that there have been losses. - Rob Devlin

The first time I stumbled upon the name John Peel was during my adolescence in a random gift shop. There were two cassettes with greyish silver packaging, each featuring a different New Order session, 1981 and 1982 respectively. The eight memorable songs on these tapes opened me up to that formative period in the life of a band struggling with the suicide of their former singer and friend. Much like Pink Floyd's work post-Syd Barrett, this reverent music evoked the essence of their former collaborator while inching towards a unique new direction. Though not every Peel Session was as remarkable as these, it's hard to argue against John Peel's significance in modern music. - Gary Suarez

Since I live on the other side of the Atlantic, I can't say that I was a regular Peel listener. Aside from a couple of tapes sent to me by pen-pals back in the 80s and listening to the online feed a few times in recent years, I never heard much of his program. But ever since I bought my first Peel Sessions record (Gary Numan & Tubeway Army, I think it was), I've recognized his influence on the music that I loved. I can only hope that I have even a fraction of the passion he had for music when I reach 65. - Greg Clow

I can't even name one American radio DJ. Does Rick Dees count? These days, DJs are recruited from the stand up comedy circuit and from pools of failed actors, jugglers, magicians, and faceless entertainers. Music is programmed by corporations being bought by the labels or by enthusiastic but under-prepared college students who are the target of just as much payola. But from the time I was 14, I knew the name John Peel and knew that those silver and black cassettes meant new music, weird music, damaged music, and dangerous music. Nearly everything I got into in my formative years can be traced back to a Peel Session. Peel set an uncompromising standard for major market radio programming that will surely—sadly, never be duplicated. - Matthew Jeanes

Theres a serious problem with radio in the entire "free" world, and it's effecting the music industry globally. There are plenty of people all over the world including much of our readers, all of our staff, and most of the people at other publications who keep in touch with new music who would make fantastic DJs. However, DJs don't get to choose music any more - the job of choosing music is up to "programmers" who listen to what industry people say much more than they listen to music itself. John Peel could easily have been the last true DJ for a major radio station. Bringing in guests to perform special sets, always shopping the record stores, never easily satisfied with the drivel that most labels release in excess. Take this as a note to all the replacable so-and-sos in the big major markets who bow to the major machine: you will never be a fraction of a percent as important as John Peel was. - Jon Whitney

01 January 2004

Administrator

Albums and Singles

Album of the Year

Mogwai, 'Happy Songs For Happy People'
Matmos, 'The Civil War'
Angels Of Light, 'Everything Is Good Here/Please Come Home'
Cat Power, 'You Are Free'
Do Make Say Think, 'Winter Hymn, Country Hymn, Secret Hymn'
Manitoba, 'Up In Flames'
The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band With Choir, 'This Is Our Punk-Rock, Thee Rusted Satellites Gather + Sing'
Broadcast, 'Haha Sound'
Autechre, 'Draft 7.30'
Radiohead, 'Hail To The Thief'
Prefuse 73, 'One Word Extinguisher'
Explosions In The Sky, 'The Earth Is Not A Cold Dead Place'
Four Tet, 'Rounds'
Lightning Bolt, 'Wonderful Rainbow'
Outkast, 'Speakerbox/Love Below'
M83, 'Dead Cities, Red Seas & Lost Ghosts'
Devandra Banhart, 'Oh Me Oh My'
Supersilent, 'Supersilent 6'
Soft Pink Truth, 'Do You Party?'
Bardo Pond, 'On The Ellipse'
Fennesz, 'Live In Japan'
Thighpaulsandra, 'Double Vulgar'
The Postal Service, 'Give Up'
Nurse With Wound, 'She And Me Fall Together In Free Death'
Massive Attack, '100th Window'
Killing Joke, 'Killing Joke'
The Books, 'The Lemon Of Pink'
The Rapture, 'Echoes'
David Sylvian, 'Blemish'
Matt Elliott, 'The Mess We Made'

STAFF PICK: Manitoba, 'Up in Flames'

[comment: Jon, I'll give you one crisp dollar to make Whitehouse #1 - Gary Suarez

Cat Power: Fourth best album, and number one worst concert experience of my life. - Jonathan Dean]

single of the year

!!!, 'Me and Guiliani Down by the Schoolyard'
Outkast, 'Hey Ya'
Coil, 'The Restitution of Decayed Intelligence'
Sigur Ros, 'Untitled #1'
Low, 'Murderer'
Broadcast, 'Pendulum'
TV On the Radio, 'Young Liars'
Yo La Tengo, 'Today is the Day'
Current 93, 'Hypnagogue'
Venetian Snares, 'Find Candace'
Stereolab, 'Instant O in the Universe'
The Postal Service, 'Such Great Heights'
Flaming Lips, 'Fight Test'
Iron and Wine, 'The Sea & the Rhythm'
LFO, 'Freak'
Prefuse 73, 'Extinguished: Outtakes'
Black Dice, 'Cone Toaster'
The White Stripes, 'Seven Nation Army'
Arab Strap, 'Shy Retirer'
Kid 606, 'The Illness'
Current 93/Antony, 'Live at St Olave's Church, London 2002'
The Hafler Trio, 'A Small Child Dreams of Voiding the Plague'
Xiu Xiu / Jim Yoshii Pile-Up, 'Insound Tour Support EP'
Lali Puna, 'Left Handed'
Chris Clark, 'Ceramics Is the Bomb'
DJ Shadow, 'gdmfsob'
Boom Bip, 'From Left to Right'
Manual, 'Isares'
The Sea and Cake, 'Glass'
Asa Chang and Junray, 'Tse Gi Ne Pu'

STAFF PICK: Sigur Ros, 'Untitled #1'

[comment: I find it pretty damn funny that a limited edition Coil 10"" of which only 500 were made available to the public would make it into the top 3 in this category. How can this be? Either (A) everyone who bought this voted for it, (B) lots of people downloaded it off SoulSeek, or (C) we've got a lot of bullshitters here. - Gary Suarez]

compilation (single artist)

Wire, 'Send'
Stereolab, 'ABC Music'
Spiritualized, 'Complete Works vol. 1'
Mouse On Mars, 'Rost Pocks'
Acid Mothers Temple, 'Magical Power from Mars'
Cabaret Voltaire, 'The Original Sound of Sheffield '77 '82'
Plaid, 'Parts in the Post'
Guided by Voices, 'Human Amusements at Hourly Rates'
Hood, 'Singles Compiled'
Ride, 'Waves'
The Clash, 'essential clash'
Skinny Puppy, 'Back & Forth vol. 6'
Hood, 'Compilations'
Laika, 'Lost In Space'
William Basinski, 'Melancholia'
The Clean, 'Anthology'
Dresden Dolls, 'A is for Accident'
Rhythm & Sound, 'w/ the artists'
The Fall, 'The War Against Intelligence - The Fontana Years '
Kevin Blechdom, 'Bitches Without Britches'

STAFF PICK: Cabaret Voltaire, 'The Original Sound of Sheffield '77 '82'

[comment: Skinny Puppy need to quit releasing overpriced archival jam sessions and record a new album. Put up or shut up. - Matthew Jeanes]

compilation (various artists)

26 Mixes for Cash
An Anthology of Noise & Electronic Music Vol.2 (1936-2003)
Rough Trade Post Punk
20 years of Dischord
Lost in Translation soundtrack
DFA Volume 1
New York No Wave
Total 5
The Wire Tapper Volume 10
New York Noise
Wanna Buy A Craprak?
Branches and Routes - a FatCat Records compilation
It's Fan-Dabi-Dozi
Mutant Disco
Ladytron's Softcore Jukebox
555 records compilation of 55 artists
Open Up And Say !&@*$
Sonig.ilation
The Neptunes present Clones
2 CD's & MP3's

STAFF PICK: Lost in Translation soundtrack

[comment: Lost in Translation was only remarkable as the return of Kevin Shields, and that's more than enough. - Rob Devlin

Considering the film was little more than an opportunity to put Tokyo skycam shots in front of shoegaze, I guess this makes sense. - Andrew Culler]

boxed set

Coil live
Miles Davis: Complete Jack Johnson Sessions
Wire 20th Anniversary Boxed Set
Nurse With Wound, 'Soliloquy for Lilith'
Johnny Cash 'Unearthed'
Talking Heads, 'Once in a Lifetime'
New Order - Retro
Cabaret Voltaire, 'Methodology'
Guided By Voices - Hardcore UFOs
Merzbow: Timehunter (4 x 3CD)'
Rhys Chatham - An Angel Moves Too Fast To See
Duran Duran singles 1981-1985
Buzzcocks, 'Inventory'
Ennio Morricone, 'Io'
Tangerine Dream, 'The Bootleg Box Set 1'
James Chance - Irresistable Impulse
Bright Eyes, 'Vinyl Box'
Trojan 35th Anniversary Box Set 68-03
Mot√∂rhead, 'Stone Deaf Forever'
Hawkwind, 'Epoch'

STAFF PICK: Nurse With Wound, 'Soliloquy for Lilith'

[comment: At +$200 something tells me a ton of people voted for this who didn't actually have it. - Jon Whitney]

record cover

Venetian Snares - Find Candace
Angels Of Light - Everything Is Good Here
Cex, 'Being Ridden'
Lightning Bolt, 'Wonderful Rainbow'
Autechre: Draft 7.30
Set Fire To Flames, Telegraphs In Negative / Mouths Trapped In Static
Microphones: Mt. Eerie
Sigur Ros - Song #1
M83 - Dead Cities, Red Seas, And Lost Ghosts
Matmos - Civil War
Xiu Xiu - A Promise
Nurse With Wound - She And Me Fall Together In Free Death
Peaches - Fatherfucker
Do Make Say Think - Winter Hymn Country Hymn Secret Hymn
Mogwai, 'Happy Songs For Happy People'
Current 93 - Hypnagogue
Dresden Dolls - Dresden Dolls
Four Tet, 'Rounds'
Acid Mothers Temple: Magical Power From Mars
Plaid - Spokes
Soft Pink Truth - Do You Party?
Thighpaulsandra - Double Vulgar
Explosions In The Sky - The Earth Is Not A Cold Dead Place
Mirror Eye Of The Storm
Nurse With Wound - Solliloquy For Lilith
Pulseprogramming 'Tulsa For One Second'
Songs:Ohia 'Electric Magnolia Co.'
Sun City Girls - God Is My Solar System / Superpower
Aereogramme - Sleep And Release
Manitoba - Up In Flames

STAFF PICK: Venetian Snares - Find Candace

[comment: Trevor Brown's mysogynistic, quasi-kiddie porn cover art seems to be a perennial favorite, and Xiu Xiu's seedy, disturbing low-rent porno photo cover exhibiting a naked Thai youth is not far behind. Thighpaulsandra's ""Double Vulgar"", which contained images of male nudity and necrophilia fantasy, also made the list. It seems that the Brain readership includes its fair share of twisted perverts. - Jonathan Dean]

remix/reissue

Mouse on Mars, 'Glam'
Pavement - Slanted + Enchanted
Television - Marquee Moon
Swans - Children Of God / World Of Skin
Current 93, 'Thunder Perfect Mind'
Nurse with Wound, 'Salt Marie Celeste'
Animal Collective 'Spirit They're Gone Spirit They've Vanished/Danse Manatee'
Swans - Forever Burned (Burning World)
23 Skidoo - The Culling is Coming
Can, 'Out of Reach'
Neil Young - On the Beach
Meat Beat Manifesto, 'STSRMX'
Charalambides - Unknown Spin
The Stooges 'The Stooges' & 'Funhouse' (vinyl)
Mirror, 'Eye of the Storm'

STAFF PICK: 23 Skidoo - The Culling is Coming

[comment: Yes, but have you actually heard 'Out of Reach'? - Jon Whitney]

biggest disappointment

Autechre: Draft 7.30
Kraftwerk, 'Tour de France Soundtracks'
Radiohead 'Hail To The Thief'
Zwan, 'Mary Star of the Sea'
Do Make Say Think - Winter Hymn Country Hymn Secret Hymn
Explosions In The Sky - The Earth Is Not A Cold Dead Place
Coil, 'The Restitution of Decayed Intelligence'
Chicks on Speed '99¬¢'
Erlend √òye, 'Unrest'
Tricky, 'Vulnerable'

STAFF PICK: Liz Phair, 'Liz Phair'

[comment: Hot Hey, Liz's kid's gotta eat. If you didn't catch yourself in the shower mumbling along with that corporate, focus-group manicured chorus then I call you a dirty liar. Take 'em for all their worth, Liz, and consider it back pay for Exile. - Michael Patrick Brady]

fave new act of the year

The Dresden Dolls
Colder
TV on the Radio
The Soft Pink Truth
The Postal Service
Monopot
Exploding Hearts
Growing
Devandra Banhart
Asa Chang and Junray

STAFF PICK: The Dresden Dolls

[comment: The Dresden Dolls' are an achievement in concept and vision, well crafted and designed to impress with their heavy presence both live and on stage. TV on the Radio's brilliant mash up of gritty art squalls and soaring, soul-spiked vocals were immediate and stunning. Of course, I have a soft spot for Exploding Hearts who were just having so much damn fun and left us with a crisp revival of powerful pop. Soft Pink Truth... I mean, I could go on and on but I'll end by saying that the bite sample in 'Promofunk' had me grinning for days. - Michael Patrick Brady]

fave live band/event

Coil
Acid Mothers Temple
Out Hud/!!!
Mogwai
The Ex
Black Dice
Explosions in the Sky
Do Make Say Think
Wire
Broadcast

STAFF PICK: Out Hud/!!!

[comment: Amazing that Coil won this category, even though the (debatably) complete lineup only performed ONCE the entire year. I can't imagine that the scaled-back Sleazy and Thighpaulsandra line-up was better than Wire, Black Dice or Out Hud/!!!. - Jonathan Dean]

most overrated

Dresden Dolls
50 Cent
Coil
Outkast
Peaches
Radiohead
Goldfrapp
Animal Collective
Coldplay
Sigur Ros
The Yeah Yeah Yeahs
Four Tet
The Postal Service
The Rapture
Belle and Sebastian
Fennesz
Eminem
The White Stripes
autechre
Black rebel Motorcycle Club

STAFF PICK: 50 Cent

[comment: Best New Band -and- Most Overrated. Looks like 2004 will be a big year for Dresden Dolls. Check your TRL listings. - Jon Whitney]

producer/engineer

Steve Albini (Nina Nastasia, Songs: Ohia, Sonna, Scout Niblett, Frames, Disrhythmia)
DFA (The Juan MacLean, Black Dice, LCD Soundsystem, The Rapture, Radio 4)
Jim O'Rourke (Loose Fur, Mirror, Alan Licht)
Colin Potter (Nurse With Wound, Ora)
El-P (Aesop Rock, Majesticons, Murs)
Timbaland (Bubba Sparxxx, Missy Elliott, Magoo)
The Neptunes (Busta Rhymes, Juntin Timberlake, Jay-Z, Pharrell, Sean Paul)
John McEntire (The Sea and Cake, Brokeback, Neil Haggerty, The Pastels)
Dave Fridmann (Flaming Lips, Delgados, Longwave)
Dave Newfeld (Broken Social Scene)
Micheal Gira (Larsen)
RJD2 (Aceyalone, Cage, Massive Attack)
alan sparhawk (rivulets, pale horse and rider)
Bill Laswell (Lori Carson, Fred Frith, Pharaoh Sanders, Sly & Robbie)
Scott Heren (Erlend √òye, Via Tania, Prefuse 73)
Adam Kasper (Cat Power, Pearl Jam)
MF Doom (king geedorah, mf doom instrumentals vol 3/4)
Andrew Weatherall (Beth Orton, Radioactive Man, Primal Scream)
Dan The Automator (Cheap Trick, Kid Koala, Blue Man Group)
John Zorn (Sachi Hayasaka)

STAFF PICK: DFA (The Juan MacLean, Black Dice, LCD Soundsystem, The Rapture, Radio 4)

[comment: If the Britney/DFA collab wasn't left off 'In the Zone,' they would have edged Albini. - Michael Patrick Brady]

record label

Kranky
Warp
Constellation
Fat Cat
Morr Music
Alien8
DFA
Anticon
Beta-lactam Ring Records
Ipecac
K
United Dairies
Tigerbeat6
Young God
Domino
Matador
Mego
Sup Pop
Secretly Canadian
Drag City

STAFF PICK: Tigerbeat6

[comment: Kranky? I love Kranky, and I'm not going to go as far as insulting the general readership's intelligence, but I don't think people are paying attention. Note that not one Kranky release placed in the top 30 this year! People who claim to like them would probably enjoy the couple releases put out recently. Do people actually read these reviews? - Jon Whitney

Warp at #2? OK, now I know that NONE of you are paying attention to my reviews. Sheesh. Go back to your record collections and pull out the oldest Warp release you own and tell me honestly that anything that came from that label in 2003 came close to that excellence. Go on. I double fucking dog dare you. - Gary Suarez

Other than the !!! 12"", Warp had one of their weakest years yet. Req? Chris Clark? Plaid remixes? Does that spell ""best"" to you? - Jonathan Dean

It's settled then, people won't be able to vote for this category next year and the winner will be awarded by scoring points in the poll with their actual releases. - Jon Whitney]

music video (short)

Johnny Cash, 'Hurt'
Outkast, 'Hey Ya!'
Radiohead, 'There There'
Sigur Ros, 'Untitled #1'
Mogwai, 'Hunted By a Freak'
Missy Elliott, 'Pass That Dutch'
Matmos, 'Stars and Stripes Forever'
queens of the stone age, 'go with the flow'
White Stripes, 'Seven Nation Army '
Four Tet, 'She Moves She'
LFO, 'Freak'
the white stripes, 'the hardest button to button'
cat power 'he war'
Keith Fullerton Whitman, 'Modena'
The Soft Pink Truth, 'Promofunk'
broken social scene, 'stars and sons'
Kid 606, 'The Illness'
Junior Senior, 'Move Your Feet'
Laibach, 'Tanz mit Laibach'
Manitoba, 'Jacknuggeted'

STAFF PICK: Sigur Ros, 'Untitled #1'

[comment: As much as I loved the Sigur Ros 'Untitled #1' video, nothing this year beat the poignant look back at Johnny Cash's life and infamy that was the 'Hurt' video. That was the sort of piece that could only exist and have the impact it did because of the length and depth of Cash's career. It seems impossible to think that there are any artists working now that will accomplish so much over such a long period of time again to warrant a similar tribute. - Matthew Jeanes]

lifetime achievement award
Wire

[comment: Bravery, integrity, absolute courage and energy, and more ideas and concepts than 15 rock bands have in their lucid wet dreams. - Rob Devlin

Seeing them in NYC this year, the vibrant boys and girls in the mosh pit right up front were probably not even wiping their own ass when Wire split up a SECOND time. This says a lot about Wire's power and the power of incredible music that's not made by pretty young people who are marketed to youth weaned from Barney and Power Rangers and mall rock. - Jon Whitney

Wire is still managing to be relevant and influentual, making strides in their sound and execution and proving that great bands never die. A wonderful precendent that has inspired other brilliant bands like Mission of Burma to give it another go. From then to now, a solid body of work. - Michael Patrick Brady

Who's Wire? - Gary Suarez]

tv show

The Simpsons
The Daily Show
South Park
Six Feet Under
The Sopranos
Aqua Teen Hunger Force
Queer Eye for the Straight Guy
Curb Your Enthusiasm
Late Night with Conan O' Brian
CSI
The Office
24
That 70s Show
Sealab 2021
Scrubs

STAFF PICK: The Daily Show

[comment: Wanda finds a turd in the back seat. It doesn't get much better than that. - Jon Whitney]

DVD release

24 Hour Party People
The Work of Director Chris Cunningham
Bowling for Columbine
Sigur Ros, 'Untitled #1'
Simpsons (Season 3)
Incredible String Band, 'Be Glad for the Song Has No Ending'
Sun Ra, 'Space is the Place'
Family Guy
Lord of the Rings : The Two Towers (Special Edition)
The Work of Director Spike Jonze
Can DVD
Bjork, 'Live @ Royal Festival Hall DVD'
Nick Cave and the Bad Seeds, 'God is in the House'
Roger & Me
24
Futurama (Season 2)
Strangers With Candy Season 2
Indiana Jones Trilogy
Punch Drunk Love
Texas Chainsaw Massacre special edition

STAFF PICK: The Work of Director Chris Cunningham

[comment: Am I the only one who is sick of trying to be convinced by Factory that Happy Mondays are anything but complete and utter shite? - Jon Whitney]

fave website (non-brainwashed)
(brainwashed can't win -every- year now....)

pitchforkmedia.com
allmusic.com
theonion.com
google.com
fakejazz.com
IMDB.com
homestarrunner.com
epitonic.com
guardian.co.uk
dustedmagazine.com
bbc.co.uk
stylusmagazine.com
friendster.com
craigslist.com
absorb.org
fark.com
disinfo.org
deoxy.org
weeklyworldnews.com
SomethingAwful.com

STAFF PICK: homestarrunner.com

[comment: I'm suprised Friendster didn't rank in the most annoying trend - Michael Patrick Brady]

most annoying trend

Bush administration antics/coverups
80s revivalism/nostalgia/cocaine/girls cutting the collars off their shirts
American Idol
60's garage rock revival
Cell Phones in Rude Places (movie theaters, cars, concerts, anuses) w/ annoying ringtones +/or digital cameras
Bad white rappers and dull, overrated producers being labelled 'underground hip hop'
Atkins Diet
Boboism (Volkswagens/ipods/starbucks, that whole 'crap for white people to spend money on' thing)
Electroclash
Metrosexuality/Trendy Homosexuality (Queer Eye, Supreme Court ruling on sodomy, Trent Lott, Marriage Protection Week, Episcopalian gay priest)
New York City - this isn't 1977
SUVs
""Support the Troops"" translated as ""Shut Up and Obey""
Reality TV game shows
Emo music/fashions (dark frame glasses)
Michael Moore's Guilty White Liberal politics
Conervative Media Control/Liars
French bashing & Freedom Fries
illegal invasions of virtually defenseless third world countries
Right Wing Politics