- Mark Weddle
- Albums and Singles
samples:
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- Daniel McKernan
- Albums and Singles
In a word: excellent! Funny, funky hip hop from one of the manymembers of the Wu-Tang Clan. For those with a not-so-uptight sense ofhumor, this album is really great - laughs from start to finish at thelewd and crude lyrics of Big Baby Jesus. ODB repeatedly displays hisinability to really sing, but does so in a very catchy way, along withthe accompaniment of various other flavorful backing vocalists. "Idon't have no trouble wit you fuckin' me - but I gotta little problemwit you not fuckin' me" is a rhyme in "Got Your Money" - a must for allwomanizer fans. It isn't all sexist humor, though; there is theoccasional drug and violence reference. Despite being one of TipperGore's worst nightmares, though, the album is unique in its genre -nice to own even for those who aren't normally into hip hop and/or theWu. Pretty much, if nothing else, this CD is a violent sleaze-fest ofpretentious dirtiness that makes you shake that ass.
samples:
- Cold Blooded
- Got Your money (feat. Kellis)
- I Can't Wait
- Recognize (feat. Chris Rock)
- Rollin Wit You
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- Alan Ezust and Julie Geanakakis
- Albums and Singles
Kate Messick, vocalistfrom Unto Ashes, appears with composer/lyricist James Babbo on thisalbum, and her full upfront vocals seem flatter and less textured thanon Moon Oppose Moon. The whole CD is rather spartan in its composition,featuring a guitar, some ambient synths, and almost no percussion. Thefantastic art-nouveau cover art belies the very simplistic andslow-tempoed droning vocals that persist in track after track -Messick's voice has it's own beauty although here it's relativelyunadorned and the melodies Babbo writes lack dimension and depth. Quitepleasing to the ear though.samples:
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- Alan Ezust and Julie Geanakakis
- Albums and Singles
Featuring a wide array ofexotic old and world instruments, fused with modern electronics andvocals in three different languages, Unto Ashes blends the renaissancefolk goth genres into a melange of pathos. Kit Messick's vocals arehauntingly sad on Teach Me How To Drown. Quid Vides begins as a verymellow chant and evolves into Arabic-Turkish dance. Michael Laird'svoice, reminiscent of Art Garfunkel, sounds so peaceful, and his songsare so pretty, yet rather incongruous when he sings about drowning andmisery, as in Scourge. Der letze Ritter sounds like early-period DeadCan Dance, featuring crashing percussion and hyperactive dulcimers. Thediscordant melodies and hand-drum in Conjuration to Lilith gives apagan ritual finale to the recording. Highly recommended. [ed note: To obtain the release, the best place would be at www.untoashes.com] samples:
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- Daniel McKernan
- Albums and Singles
From the first few notesof this CD, it is evident as to why Volcano the Bear is one of StevenStapleton's favorite new groups. With a very diverse instrumentation,ranging from distorted keyboards to horns to strings to live drums,this album whirls into extremely unpredictable directions. At onemoment it's harsh and almost nerve-irking; and at another it's soothingand beautiful. Some tracks feature vocals - a unique voice with a veryeerie feeling to it. The whole album really does drip with a sinkingemotion that you can't quite grasp - full of twists and turns thatleave the listener just plain dumbfounded.samples:
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- Mark Weddle
- Albums and Singles
David Coulter is a multiinstrumentalist who was a contributing member of the Pogues and TestDept., has played with Peter Hammill, The Kronos Quartet, Marc Ribot,Talvin Singh and Roger Eno among others and currently lectures atStratford-upon-Avon College. "INterVENTION" is his solo debut viaMichael Gira's (SWANS, The Angels of Light) Young God Records. Of the13 tracks found here, the majority were recorded between 1996-99 invarious European locations with several different guests, including:Marc Ribot, Steve Nieve (Elvis Costello) and Terry Edwards. To give youan idea of the extensive amount of instrumentation used, here is a listof *just* the stuff Coulter plays: jews harp, krar, soprano andbaritone sax, one-string fiddle, violin, accordion, terracotta pottsand paper, violectra, double bass, soprano saw, shaker, viola, variousdidjeridus, bowed bass, hand claps, guitar, and berimbau. Wow! Themusic is rather difficult to explain (which is good) ... textureddrones, percussive bits, unidentifiable/found sounds and a few spokenword passages and wailing vocal parts. The end result is full butuncluttered, experimentally minded meditations with an almost alien,organic/acoustic flavor throughout. The singing saw and guttural chantsfound in a few pieces took some getting used to but most of the albumis soothing rather than abrasive. And all of it is remarkably differentand interesting. Leave it to Gira to find and release something thiscool, hopefully a sign of things to come from Young God.samples:
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- Mark Weddle
- Albums and Singles
Richard H. Kirk is backonce again, this time resurrecting theElectronic Eye moniker for the first time in 5 years. It doesn't muchmatter which name Kirk uses ... Cabaret Voltaire, Sandoz, Sandoz inDub, Trafficante, Dark Magus, Nitrogen, Sweet Exorcist, Al Jabr, Agentswith False Memories, his given name, etc. ... you always have a generalidea of what to expect from his frequent output. Kirk has donevariations of the same thing for the past decade but he's so damn goodat it it never gets tiresome. He has figured out a way to basicallyremain static without stagnating. "Neurometrik" clocks in just shy of70 minutes with most tracks between 5 and 7 minutes in length. All theusual RHK elements are here: ambient synth textures (including somevery familiar sounds from 1993's "Virtual State"), dub effects, staticand noise, radio transmissions, speech and dialogue samples,ethnic/tribal/jazz samples and loops, massive techno beats and basslines ... a big, thick, danceable sonic soup that sounds asclaustrophobic and paranoid as Kirk is himself. The production is goodwith feedback and grit kept to a minimum and my God are there someabsolutely thumpin' tracks this time around. Yet another great one fromthe master. The 8 page insert displays more of Kirk's concern withtechnological and political oppression via his cryptic, blurred imagesand an adaptation of a letter about a 'financial new order' from theZapatista National Liberation Army of Mexico. Look for the new RichardH. Kirk album "Loopstatic" via Touch in March/April and, no doubt,several more discs throughout the year.samples:
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- Jon Whitney
- Albums and Singles
- Jon Whitney
- Albums and Singles
- Mark Robinson
- Albums and Singles
The first release onTricky's Durban Poison label, this album from English collective TheBaby Namboos expands the boundaries of trip-hop (a genre which hasbecome rather tired lately), presenting interesting pop songs, soulfulmelodies and just enough rap and reggae to keep you interested. Thisalbum actually suprised me with its quality, especially considering thepoor caliber of Tricky's last album. The actual music on Ancoats2zambiais actually more reminiscent of groups like Massive Attack (who've longbeen innovators in the trip-hop genre) than Tricky, although hisinfluence is evident. Comparisons aside, this album is pretty tight.Tracks like "Get Your Head Down", "Late Night Antics" and the titletrack are funky and have a slight reggae influence, whereas tracks like"Holy" and "Hard Times" are much more soulful. These more soulfultracks feature wonderful vocals by Auroraborealis, who sounds verysimilar to the various female singers Tricky (who does make a guestappearance on a few tracks) has used over the years. Her contributionprovides part of the same sort of juxtaposition between sung femalevocals and harsher raps that Tricky has thrived off of using for hisentire career. As a bonus, this disc includes two excellent remixes ofthe title track, one by Portishead's Geoff Barrow and the other byDillinja (whose origin I'm unsure about). Although this album is quitegood and an impressive debut, I wouldn't quite rank it up there withthe output of trip-hop innovators like Portishead and Massive Attack.samples:
- due soon
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- Marc Fallen
- Albums and Singles
Why review a Cure recordfor Brainwashed? Well, the powers that be have tried to make us believethat this latest record is a return to the good old days ofDisintegration or even Pornography, and I think a substantial part ofthe Brainwashed audience enjoyed moping to those records when they cameout about 10 and 20 years ago, respectively. However, don't letyourselves be fooled - it's nowhere close. Never believe marketingbabble, never listen to a man who still hasn't learned how to put onlipstick after 25 years of practice.Read More
