Remember Tricky? Theformer music media darling amicably parted ways withPolygram/Island/Def Jam in 1999 and now calls Epitaph branch Anti homealongside Tom Waits and Merle Haggard. Mission accomplished? This UK EP(also due out February 6th in the States) gives us a little over 16minutes with 3 new songs and 1 previously unreleased old one.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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Slammin' mutherfuckingballsy-ass shit. This debut CD release is probably the most excitedI've been about a new rock-genred band in as long as I can remember.The energy is fierce, the music is fast, funky and full of wakka wakkaguitars, crazy effects, beefy bass chops, electronic and organic drums,wild cheering, hoards of percussion and a splash of horns. 
Barrelling forward with releases, John Hughes' Hefty Records has boldly issued a series of stellar limited edition 12" singles.
From Morr Music inGermany comes a wonderful offering of many of their fine artists. Don'tlet the title fool you, there's nothing to do with the former Smithslead singer on here. In the last few years, the electronic instrumentalrock hybrid scene in Germany has grown exponentially from what once wasonly a handful of acts who used to share loads of members. Collectedhere are some of the more prominent groups like The Notwist, Arovane,Lali Puna, Flowchart and the Tied & Tickled Trio. Disc one featuresfourteen new and exclusive cuts while disc two features fourteenincestuous remixes of many of the first disc's artists trading mixeswith others. Solvent remixes Kevin & Paul, Schneider TM remixesMicha Archer & Ms John Soda, while Kandis and the Tied &Tickled Trio remix each other. This provides a great introduction toMorr, which appears to be sort of taking off where Kitty-Yo decided toleave off when they pursued trashy cash cow kitch like Peaches andGonzales. Kudos to Morr for keeping the artwork alive.
In an almostanti-post-kraut movement, Ladomat (who gave us the compilation 'L'ageD'or' earlier this year) has unleashed a two-disc compilation of theirown, showcasing their artists like Sand 11, Egoexpress and CommercialBreakup. Flying in the face of the instrumental movements (like theMorr comp exposed), these groups are clearly pop-minded. The groupssing (frequently in English) and bring a jovial bounce and step totheir brand of futurism without going completely off the deep end intosomething that would wear thin after the novelty is gone. Germans canrock as they proved earlier this year, now they're telling the worldthat Germans can smile and make fun artistic music without beingstereotypically overly serious stiffs or churning out disposablecartoon techno.
The disc starts off verypromising. The rhythms are sexy and the music is rich in texture.Driving beats set the disc in motion from the start, but all of the funsoon begins to fade. What spoils the disc for me is when a guestvocalist either raps or sings. The rap is never interesting enough tohold my attention and the lyrics are rather embarassing to listen to.It's almost as if Red Snapper use vocals as a crutch for songs theyfeel need a better lead instrument, but when they keep them out, theintensity of the music grows to epic proportions. Going forward on thedisc, Red Snapper do however make some choices to keep other tracksinstrumental. A very nice option for tracks like the album closer,"They're Hanging Me Tonight," a wonderful play of overprocessed drums,guitars crying backwards and drone-like string samples.
From Tonschacht inCologne, Germany comes this heavy slate, cleverly disguised as a 7"single. I honestly don't think I own a 7" record pressed this thick.Anyhow the three tracks which compose this single bring together bothHrvatski's technical expertise of precision electro-meddling and afondness for outside sources laying down constant voices to be carriedthrough with each composition. Keith Fullerton-Whitman makes songs andsomething like this is a tease to his fans out there waiting foranother full-lengther from the boy. Look for a remix project due outsometime in January. The single's limited to 500 numbered copies buthas seemingly had an easy time making the distribution outside ofGermany.
With every new song thatcomes from this team of people named Jess out in Ohio, my interestgrows. Jessica Bailiff and Jesse Edwards have been collaborating ontracks following last year's full-length from Bailiff on Kranky, 'Hourof the Trace.' The result has been quite expansive for only a handfulof tunes - Bailiff has almost come out of hiding behind the guitardistortion for singles and compilation appearances, but on this single,more electronic space is being explored. Both sides of this limited 10"single average around ten minutes, each being two songs which flow intoeach other without distinct traditional breaks. Looking at the titles,the impression I get is that this release might actually be tributal innature, "Maybe Tomorrow" on the first side is a spacious interplay ofechoed voice, guitar wash and drum machine, "Amethyst Depression" isn'ta Coil tribute but is instrumental, beat-less, pretty and sweet. Sidetwo opens with a looping guitar riff which could have easily beenlifted off of the first godspeed record. "Rene?" is the first time Ithink I've heard Jesse sing himself and the song is rounded out with adrum machine sounding loop which eerily doesn't sound like it's loopingcorrectly. Rounding out the end of the side is "Your Sounds MakePatterns in My Eyes (for SOTL)," which is undoubtedly a nod to Stars ofthe Lid. Unfortunately it's all too short and the gorgeous soundscapeof that gem lasts around two minutes. If we saw the two expand on this,make it a full 20 minutes long and include it on the next JessicaBailiff full-lengther, that release is bound to become a classic.
According to a coupleparagraphs' worth fcof nonsense in the liner notes, "The Wolves'Hollow" is some kind of concept album involving wolves from outerspace. I honestly couldn't see the connection with the wolves, exceptfor samples of wolves howling, snarling, or squealing every now andthen.
My loyalties are somewhattoward the album, with my pathetic excuse for the album being how oftenare we (AMC/Eitzel fans) going to have an AMC tribute album come downthe track? One could take the view that something is better thannothing. However, that sort of argument grows sour very quickly. Wouldyou rather have the shoddy film "Man On The Moon" or would you ratherhave no Andy Kaufman biopic at all? This kind of question irks me whenit comes to entertainment; I'm guessing that a real answer is hard tofind.
