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PRICE: $25.00

CAT #: ABERRANT 006LP

FILE UNDER: ROCK

2023 restock. Following the incredible (and successful) compilation Taiwan Disco, the master minds behind Aberrant Records present this delicious record. Subtitled Disco Divas, Funky Queens and Psych Ladies from Asia from the 70s to the Early 90s you don't have to take a wild guess to figure out what you'll find here, a treasure trove filled with exotic jewels from Thailand, Taiwan, Malaysia, Singapore, Hong Kong, Indonesia, and South Korea, from Asian funk to psych-tinged awesomeness, disco madness and much more. Features Chailai & Sawanee, Chantana Kittiyapan, Lei Si Si, Ding Dai, Yasmin, Wong Foong Foong, XYZ, Fatimah Razak, Chen Qiong Mei, Sum Sum & Pan Pan, Grace Simon, and Hit Girls.

 

PRICE: $25.00

CAT #: AMEL 728LP

FILE UNDER: ELECTRONIC

Producer Tom Thiel has worked in the medium of electronic music since the 1980s and has been active in the musical epicenter of Berlin since 1987. With the Sun Electric Duo, he was already at the forefront of live/"real-time." Though not everyone becomes exceptional on the basis of "veteran" status alone, Thiel's latest work shows that he has made good on one of the main promises held out by electronic music and sound synthesis: namely, that it would also provide unexpected, novel, highly individualized syntheses of different attitudes, atmospheres, and affects. This is happily the case with Thiel's new Arjunamusic release, his first full solo outing since his eponymous 2011 album (STRIKE 125CD, 2011): it's a series of colorful, self-contained vignettes that are perceptibly drawn from an eclectic pool of personal experiences and insights. Like similarly successful musical projects, Thiel's Album utilizes all of the above strengths to craft a rewarding listen in its own right, but also to spark curiosity about what other as-of-yet unrealized fusions may be waiting ahead.

 

PRICE: $15.50

CAT #: AWK 005EP

FILE UNDER: ELECTRONIC

It's been a hot moment, so Awkwardly can't wait to finally announce the next EP, A Hack Is A Foul by Dadan Karambolo. Safe to say he's been on our radar for a while, so we're mighty excited to welcome the Wroclaw-based producer. After a strong debut release on his co-owned SPLOT imprint, an equally solid LP on Regime Brigade as well as contributions to various compilations, Dadan is back with his signature moody, bass-bin shaking sound. Hitting the sweet spot somewhere between dubstep, grime, breaks and ambient techno, these four tracks provide a somber yet seductive quality that invite the listener to get lost in a hazy amalgamation of stylistic elements. Rest assured, this combination of low end and rhythm heavy explorations contains the right formula to cause some damage on the dance floor.

 

PRICE: $26.00

CAT #: BALMAT 008LP

FILE UNDER: ELECTRONIC

Together, JD Walsh and Jeff Crompton are Anagrams, and their debut album Blue Voices might initially seem like a departure from Balmat's habitually electronic terrain. It's not ambient music, but it's also not not ambient music, at least to listeners in the right frame of mind. On Blue Voices, Crompton plays alto and tenor saxophone, clarinet, electric piano, and organ; Walsh lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color. Across the album's 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois' pedal steel; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue.

 

PRICE: $28.00

CAT #: BTR 085LP

FILE UNDER: WORLD

The cosmic force that is Brighton's Wax Machine return with The Sky Unfurls, The Dance Goes On, a new album of lush, ambient and psych-toned folk that expands and unfurls across nine blissed out tracks, with Brazilian-born, Italian/English-raised Lau Ro continuing their personal journey with psychedelics and recently found obsession with water that has been heightened by a long overdue trip to Brazil. Teaming up once more with the London based, globally-looking imprint Batov Records, Wax Machine journey beyond the psych-folk universe, tapping into more ambient, classical, and world-folk sounds. Led by songwriter and singer Lau Ro, the recording sessions for The Sky Unfurls, The Dance Goes On gave space to the musicians involved to express themselves, in part searching for the sense of freedom and organic looseness found on the records of Alabaster Deplume and Don Cherry. Recorded in their own studio, Lau Ro was joined by Ozzy Moysey, Adam Campbell, Isobel Jones, and Toma Sapir, with Marwyn Grace and Ella Russell involved for the choir parts. However Wax Machine very much remains a personal journey for Lau Ro, a vehicle for them, as their music always has been, to explore and connect with themselves and the outside world, as they continue to do so on The Sky Unfurls; The Dance Goes On.

 

PRICE: $31.50

CAT #: BEWITH 055LP

FILE UNDER: ROCK

2023 repress. Be With Records presents a reissue of Logg's self-titled LP, originally issued on Salsoul Records in 1981. The undisputed Godfather of boogie, Leroy Burgess' Logg project is his masterpiece. Logg is one of the greatest albums of the post-disco era; it's one of Be With's favorite-ever LPs and so it's a complete honor to be reissuing it. With all the touchstones of Burgess's finest work -- breezy grooves, undulating synths, funk-drenched bass, and life-affirming lyrics -- delivered with gospel-derived vocals and harmonies, it's a record to uplift both body and spirit. Already a cult soul figure as lead singer of Black Ivory, Burgess cut his teeth as arranger, vocalist, and songwriter with producer Patrick Adams on essential late-'70s projects like Phreek and Dazzle. He went on to define the essence of "boogie": the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed the cool boogie of Burgess has the disco bounce, just more laid back. All six tracks here could have been stand-alone hits; indeed, some of them were. But together they are also an incredibly cohesive album. In short, it's a thrilling showcase for Burgess' finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass. Opener "(You've Got) That Something" is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of "Dancing Into The Stars" -- married to percolating synth and airtight drums -- showcases the chemistry between Burgess and the rhythm section. The fusion of funk and gospel-influenced harmonies which propels "Something Else" is remarkable: deep, joyous, and bouncy. Infamously mixed by Larry Levan, "I Know You Will" is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. "Lay It On The Line" radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer "Sweet To Me" is a chilled-out gem of profound soulful elegance. Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, MCDE and Harvey Sutherland have also cited it as an influence. This reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves. Mastered by Simon Francis, cut by Pete Norman with reproduced artwork, this is a reissue that does justice to this classic LP. 180 gram pressing.

 

PRICE: $29.00

CAT #: BEWITH 092LP

FILE UNDER: ROCK

2023 restock. They say: "Contemporary scores for visual effect." Be With Records say: "Synth-heavy, low-slung space-funk masterpiece." The creator of the romping tunes that became the iconic themes to the BBC's Grandstand program and their televised Wimbledon Tennis Championship coverage, Keith Mansfield was perhaps KPM's most prolific artist from the mid-1960s right the way through the 1980s. As well as the sort of pop orchestral sound that is all over these classic library records, he could also turn his hand to raw, edgy rock and funk. Quentin Tarantino has included some of Keith's work on the soundtracks to Kill Bill and Grindhouse (2007). Mansfield's Vivid Underscores from 1977 is a sample freak's wet dream. "High Velocity" sets the tone with its aggressive horns, wah-wah guitars, funky baseline and wobbly synth refrain. "Crash Course" -- Stetsasonic horn refrain? Beautiful -- jazzy chase-funk, amazing warm keys, percussion, and funky horns -- all action. The more restrained "Matter Of Urgency" is an utterly amazing, brass-heavy underscore. The grandiose, uplifting "Dawn Of Aquarius" still sounds like the future with its tense, thundering drums, killer bassline and swirling synths. Version II loses the drums and percussion but is no less startling. "Staying Power" closes the first side with a relentless, pounding groove. "Trucking Company" is a pacey, synth-and-string masterpiece and its accompanying parts mess with the formula to great effect. "Hot Cargo" and "Espionage" are both tense spy-funk themes par excellence. "Interplay" is a quiet killer, with flutes over a glistening piano refrain just waiting to be looped. "Omen" is a mini-drama masterpiece, one only Mansfield could create. Even though it is a mix of short themes in-and-amongst longer, full-length tracks, Vivid Underscores is still thoroughly listenable from start to finish. Original analog tapes remastered for vinyl by Simon Francis. 180 gram vinyl.

 

PRICE: $31.50

CAT #: BEWITH 135LP

FILE UNDER: ELECTRONIC

Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super slow and super heavy library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's varied throughout, but all absolutely fantastic. Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in two of his best-loved guises -- Sammy Burdson and Norman Candler -- as well as a couple of fine offerings from Antonio Campo. The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

 

PRICE: $31.50

CAT #: BEWITH 136LP

FILE UNDER: ELECTRONIC

Sven Torstenson's notorious Drugs is a loopdigga's fever dream, bursting with breaks for days and featuring possibly the most iconic cover of all library music's cult classics. First released in 1980, it's now a hyper-rare and seriously sought-after electronic album full of experimental soundscapes and samples just waiting to be flipped. It's both terrifying and terrifyingly good. So much so, it's been brilliantly sampled by Kendrick Lamar and Chance The Rapper. The audio for Drugs has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

 

PRICE: $15.50

CAT #: BEC 5612754

FILE UNDER: WORLD

Boom Boom is the follow up of 2015's Traité de guitarres triolectiques à l'usage des portugaises ensablées. Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote and performed another album together. 12 new songs, written by Pascal Comelade & Lionel Liminana. Featuring solo guitarists long-time friends of Pascal Comelade: Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté, and Lalo Lopez.

 

PRICE: $28.50

CAT #: BEC 5612755

FILE UNDER: WORLD

LP version. Boom Boom is the follow up of 2015's Traité de guitarres triolectiques à l'usage des portugaises ensablées. Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote and performed another album together. 12 new songs, written by Pascal Comelade & Lionel Liminana. Featuring solo guitarists long-time friends of Pascal Comelade: Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté, and Lalo Lopez.

 

PRICE: $15.50

CAT #: BEC 5612896

FILE UNDER: ROCK

Patrice Bart Williams, also known as Patrice, is a singer, composer, producer and director from Germany and Sierra Leone. In 20 years, he has released a dozen albums. His music is a blend of reggae, soul, punk, folk and hip-hop. He settled in Jamaica in 2020 and decided to build a studio in the middle of the forest. This atypical location became a meeting place for artists and inspired Patrice to explore new territory. Patrice returns in 2023 with a new album entitled 9, marked by rebirth and the symbolism of the color blue. This album is the result of seven years' work, a veritable introspection into the depths of his emotions. "I was born on the 9th, the day my grandfather passed away. The notion of rebirth has always been present in my life, from my very first day. For my ninth studio album, I took the time to withdraw, to rebuild myself. The last seven years have been devoted to self-discovery, and it's this inner journey that has given life to this album." --Patrice

 

PRICE: $28.50

CAT #: BEC 5612897

FILE UNDER: ROCK

LP version. Patrice Bart Williams, also known as Patrice, is a singer, composer, producer and director from Germany and Sierra Leone. In 20 years, he has released a dozen albums. His music is a blend of reggae, soul, punk, folk and hip-hop. He settled in Jamaica in 2020 and decided to build a studio in the middle of the forest. This atypical location became a meeting place for artists and inspired Patrice to explore new territory. Patrice returns in 2023 with a new album entitled 9, marked by rebirth and the symbolism of the color blue. This album is the result of seven years' work, a veritable introspection into the depths of his emotions. "I was born on the 9th, the day my grandfather passed away. The notion of rebirth has always been present in my life, from my very first day. For my ninth studio album, I took the time to withdraw, to rebuild myself. The last seven years have been devoted to self-discovery, and it's this inner journey that has given life to this album." --Patrice

 

PRICE: $28.50

CAT #: BONF 022LP

FILE UNDER: ROCK

Remastered and fully licensed. An underrated acid folk masterpiece brought to you by the classic couple Terry (guitar, mandolin, banjo) and Gay Woods (vocals), who formed the band after departing from the very influential British combo Steeleye Span. They recorded their debut album in 1971 on the small indie label Greenwich Gramophone Company. Think about the holy magic of the Irish folk scene alongside some essential progressive rock scores.

 

PRICE: $16.00

CAT #: BJR 089CD

FILE UNDER: WORLD

Ndox Electrique results from the collaboration between François R. Cambuzat, Gianna Greco (also known for their work with Ifriqiyya Electrique), and the n'doëp community in Senegal. The project originated from the duo's quest to trace the origins of North African rituals, which led them to the Lebu community in Cap-Vert, an isolated region at Africa's westernmost point. The album seamlessly blends the duo's electronically-infused avant-rock with the intense, ritualistic vocal chants and rhythmic percussion of the n'doëp community. It serves as a captivating bridge between these two musical worlds, capturing the essence of this cross-cultural collaboration. The text also highlights the challenges of merging Western rock and experimental influences with the sensibilities of their Senegalese collaborators, ultimately resulting in a unique and powerful musical experience. Ndox Electrique transcends cultural boundaries, immersing listeners in the enchanting sounds and mystical narratives of Western Africa.

 

PRICE: $24.00

CAT #: CRR 1139LP

FILE UNDER: ROCK

2023 repress. "An essential time capsule of Townes Van Zandt acoustic performances. A re-imagined collection available on vinyl for the first time in the USA. Includes classic Townes Van Zandt songs, 'If I Needed You', 'Pancho & Lefty', 'Waiting Round To Die', and 'I'll Be Here in The Morning', (duet with Barb Donovan). Include digital download containing bonus interview tracks with KUT's Larry Monroe. From the liner notes by Harold Eggers Jr.: 'These recordings are as close to the bone of Townes as you can get. They give the listener a very unique and detailed insight into and overview of his songwriting, music, and life as no other. Townes often made light of the dark, living in the shadows more than not. This album and Townes spoken words (bonus tracks) are significant because Townes personally chose each track, and in his own words revealed the private person and singer/songwriter/artist he was. These recordings and spoken words were very important to Townes for the world to hear his music and life story as he lived it, as told from the man himself.'"

 

PRICE: $21.00

CAT #: DKR 213LP

FILE UNDER: WORLD

2023 repress. "Ivan 'Lloydie Slim' Smith is one of the unsung movers and shakers of 1970s reggae. Slim worked for a time as both in-studio producer & record promoter for Bunny Lee and Channel 1, the two biggest and most significant producers of the 1970s. At the same time, he quietly built his own catalog and released a relatively small but very high quality-barrage of his own productions. These were released across many different labels, both his own and some belonging to his friends and collaborators. Slim moved to New York at the end of the '70s, and continued producing into the 1990s. We have issued some of his work before, but now we present the first ever compilation of Slim's work, featuring his most classic tunes, all taken from master tapes for proper sound, and in a lovely two-sided hand silkscreened jacket. Watch this site, because there's much more to come, released & unreleased, from the Record Smith himself!"

 

PRICE: $34.00

CAT #: DKR 216LP

FILE UNDER: WORLD

Restocked. "24 track double LP in gatefold jacket. LP1 is vocals, LP2 is dubs/versions. LP1 features one previously unreleased track. Jacket features extensive liner notes and many never-before-seen photos and flyers of both groups. Some tracks are reissued from the master tapes for the first time." "... we put together this 2LP collecting the vocals & dubs of nearly all of Creole's output and likewise nearly all of the music of the first iteration of Chinafrica (see our 12" single releases from both groups for the rest). For the record, Chinafrica went on to make some more great music in the 1990's, which is not included here. Also, we went deep into the band members' archives to dig out as many photos and flyers as we could for the jacket, accompanied by a detailed rundown of their histories and musical output. Creole and Chinafrica each created a small but fantastic body of music that does a rare thing. Much of the music on this album successfully blends elements of different genres of music in an interesting way. It's firmly planted in reggae, but straddles the borders of soul, funk and rock in brilliant, complimentary moves. I dare say in Jamaican music, you will be hard pressed to find an easy comparison to the music of these two groups. Please enjoy this collection of Wayne Chin and the guys' unique and uncompromising vision of reggae music, much as we have enjoyed realizing it and shining a long overdue spotlight on their history and creativity. A sincere thanks to Wayne Chin and all the members of Creole and Chinafrica who indulged me and enthusiastically took part in one of my dream projects, it's a honor to finally present this release." --RB/DKR

 

PRICE: $21.00

CAT #: DKR 268LP

FILE UNDER: WORLD

2023 repress. "You know we had to do it, so here's the near companion dub album to our recent Roots from the Record Smith compilation. This LP features the B-side dub versions from the original 45's of almost all the tracks from the vocal comp, nearly all taken from master tapes. For the curious and studious, here's a breakdown of the deviations from the vocal LP. Track A3, the dub version to 'Heading For the Mountain', is a previously unreleased mix, in that it does not contain the explosion sound fx heard on the original 45 -- these fx were added during the master cutting for the original 45 and are not on the master tape! Likewise, the original dub to Black Oney's 'Jah Jah Send the Parson', titled 'Version Stormy Weather' with storm sound FX was done the same way, and that version has been added here in place of a version to I Roy's 'Look a Boom.' Our previous reissue of the Black Oney single contained a raw rhythm cut and not this dub version with FX. Lastly, in place of a version for the Heptones 'Tripe Girl' (sadly no version of the Heptones or I Roy was ever released!), we've added the version to Black Oney's 'Festival '75', as found only on the impossibly rare original blank 45 release. Our previous issue of that one was backed with the Prince Far I cut on the same rhythm. A final note, the last track on this album is the dub to Ronnie Davis' 'Power of Love', titled 'King Tubby's In Fine Stile', and widely recognized as one of the King's all-time best mixes. If you don't know, get to know. This one alone is worth the price of admission." Comes in green or orange print.

 

PRICE: $17.00

CAT #: DIS 110LP

FILE UNDER: ROCK

2023 repress. Fugazi's fifth studio album from 1998. This is the 2009 reissue, remastered from the original source tapes. Includes a full-color printed inner sleeve and MP3 download coupon.

 

PRICE: $17.00

CAT #: DIS 130LP

FILE UNDER: ROCK

2023 repress. "The Argument is the sixth studio album from Fugazi released on October 16, 2001 through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. Upon release it was met with critical and commercial success. It was the band's last release (simultaneously with Furniture) before going on indefinite hiatus in 2003, until the release of First Demo over thirteen years later."

 

PRICE: $17.00

CAT #: DIS 174LP

FILE UNDER: ROCK

"This 2023 repress is on Metallic Silver vinyl. These ten songs were recorded and mixed by Craig Bowen at Baltimore's A.C.R. Studios but never released. After the session the band decided to continue writing new songs. Six of these songs were re-recorded at Inner Eat Studios and released on Necrophones, while four others remained unreleased, until now. Originally released in 2012. Featuring Daniel Higgs (vocals), Asa Osborne (guitar), Nathan Bell (bass), and Mitchell Feldstein (drums)."

 

PRICE: $27.00

CAT #: DC 886LP

FILE UNDER: ROCK

"These two early cassette-only titles from the renowned guitar improviser Tashi Dorji were released a decade ago -- this reissue marks their debut on vinyl." "Guitar Improvisation and Tashi Dorji are the first physical releases of my guitar improvisations. They were put out by a small local, now defunct, label called Headway Recording in 2012 and 2013. The friends who ran the label had heard some of my guitar music and reached out to me about doing a cassette release. Guitar Improvisations was really my first recording of improvisation -- in a semi-studio setting at my friend's basement space. It really was a formative time for me because it felt like everything opened, as far as the possibilities of what music-making meant. Like improvisation walked in and then there was a volcanic eruption . . . The self-titled session was recorded at a nice studio at the local university here in Asheville. I had some friends that were studying music there and had access to studio time. This session focused more on extended/prepared guitar ideas. My interest in percussive elements of sounds, timbre, harmonics, and dynamics plays a lot in this recording." --Tashi Dorji, 2023

 

PRICE: $27.00

CAT #: DC 887LP

FILE UNDER: ROCK

"These two early cassette-only titles from the renowned guitar improviser Tashi Dorji were released a decade ago -- this reissue marks their debut on vinyl." "Guitar Improvisation and Tashi Dorji are the first physical releases of my guitar improvisations. They were put out by a small local, now defunct, label called Headway Recording in 2012 and 2013. The friends who ran the label had heard some of my guitar music and reached out to me about doing a cassette release. Guitar Improvisations was really my first recording of improvisation -- in a semi-studio setting at my friend's basement space. It really was a formative time for me because it felt like everything opened, as far as the possibilities of what music-making meant. Like improvisation walked in and then there was a volcanic eruption . . . The self-titled session was recorded at a nice studio at the local university here in Asheville. I had some friends that were studying music there and had access to studio time. This session focused more on extended/prepared guitar ideas. My interest in percussive elements of sounds, timbre, harmonics, and dynamics plays a lot in this recording." --Tashi Dorji, 2023

 

PRICE: $44.00

CAT #: MTE 076-77LP

FILE UNDER: JAZZ

2023 repress!! "Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet, is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA's Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 & 2021 by Bryce Gonzales, Mondays at The Enfield Tennis Academy is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, & patience & grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album & first live album, Mondays at The Enfield Tennis Academy belongs in the lineage of such canonical live double albums recorded on the West Coast as Lee Morgan's Live at the Lighthouse, Miles Davis' In Person Friday & Saturday Night at the Blackhawk, San Francisco & Black Beauty, & John Coltrane's Live in Seattle. While the IVtet sometimes plays standards &, including on this recording, original compositions, it is as previously stated largely a free improv group -- just not in the genre meaning of the term. The music is more free composition than free improvisation, more blending than discordant. It's tensile, yet spacious & relaxed. Clearly all four musicians have spent significant time in the planetary system known as jazz, but relationships to other musics, across many scenes & eras -- dub & Dilla, primary source psychedelia, ambient & drone -- suffuse the proceedings. Listening to playbacks Parker remarked, humorously & not, 'we sound like the Byrds' (to certain ears, the Clarence White-era Byrds, who really stretched it). A fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly & fluently in & out of lead & supportive roles. Building on the communicative pathways they've established in Parker's -- The New Breed -- project, Parker & Johnson maintain a constant dialogue of lead & support. Their sampled & looped phrases move continuously thru the music, layered & alive, adding depth & texture & pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time. The stop/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker's beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums & shakers -- as distinctive a sonic signature as we have in contemporary acoustic drumming -- bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness & humility with which she navigates the bass position both ground & lift upward the egalitarian group sound. As the IVtet's grooves flow & clip, loop & repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony & intuition, deep focus & freedom. For all its varied sonic personality, Mondays at The Enfield Tennis Academy scans immediately & unmistakably as music coming from Jeff Parker's unique sound world. Generous in spirit, trenchant & disciplined in execution, Parker's music has an earned respect for itself & for its place in history that transmutes through the musical event into the listener. Many moods & shapes of heart & mind will find utility & hope in a music that combines the autonomy & the community we collectively long to see take hold in our world, in substance & in staying power. On the personal tip, this was always my favorite gig to hit, a lifeline of the eremite records Santa Barbara years. Mondays southbound on the 101, driving away from tasks & screens & illness, an hour later ordering a double tequila neat at the bar with the band three feet away, knowing i was in good hands, knowing it would be back around on another Monday. To encounter life at scales beyond the human body is the collective dance of music & the beholding of its beauty, together." --Michael Ehlers & Zac Brenner Pressed on premium audiophile-quality 120 gram vinyl at RTI from Kevin Gray/Cohearent Audio lacquers. Mastered by Joe Lizzi, Triple Point Records, Queens, NY. First eremite edition of 1799 copies.

 

PRICE: $16.00

CAT #: ESPDISK 4084CD

FILE UNDER: JAZZ

Look at those players Alon Nechushtan brought together for this gig! The late, great Roy Campbell; reed masters Daniel Carter and Sabir Mateen; mayor of the NYC avant-jazz scene William Parker; versatile drummer Federico Ughi. Then listen: they all live up to their reputations. And then there's Nechushtan himself, born in Tel Aviv and long a thriving presence in New York as both composer and improviser. This concert happened at a time of considerable ferment on the NYC scene, with established virtuosi meeting the next generation -- often, as was the case this night, in Brooklyn and specifically Williamsburg venues, of which Zebulon was one of the greatest supporters of the improvisation scene documented so well in Cisco Bradley's recent book The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront.

 

PRICE: $23.00

CAT #: FP 80365LP

FILE UNDER: ROCK

"Fat Possum presents R.L. Burnside's First Recordings on vinyl. Originally released in 2003. These astounding recordings started R.L. Burnside's career. The intensity of these songs foretells well the power of his great records to come. The songs on First Recordings capture Burnside at his home in 1968, when he was farming for a living and only playing for family and friends. R.L. Burnside is one of the most important figures in modern blues. Whether it's playing live, stripped down acoustic, electronica, electronica remixes or raw electric, R.L. music is the definition of Hill Country Blues."

 

PRICE: $25.50

CAT #: FTR 738LP

FILE UNDER: ROCK

"One of the first things you notice about Dennis Tyfus is that his lips are too small for his mouth. This becomes especially obvious if you go out to eat with him late at night in Antwerp. He has to really grease up whatever sausage he chooses with a lot of mayonnaise in order to slide it through the taut sphincter that guards his mouthly cavern. This physical fact has made Dennis's speaking voice a thing of horror for many years, but we have only just realized he is able to sing pretty well through this tiny aperture. Indeed, if you are not watching closely, you might think he was actually able to open his mouth as wide a typical human. Which he is not. So it is all the more remarkable that the vocals he creates inside Jeugdbrand (a Flemish slang term for 'lips as of a pony') have a faux full-throated magnificence to them. But this is only one of the great surprises of this new record. Those who have not heard Jeugdbrand's brilliant debut, Siamese Dream (Team) will be shocked... to discover how utterly musical Dennis's new duo with drummer/etc-ist Jeroen Stevens actually sounds. Tyfus is one of his generation's most aggressively polymathic tricksters. The vast majority of his projects are... 'a slap in the face of public taste.' But there is something genuine and generous about the music on Smile. It's not not-weird, but the twisted pairings of vocals with percussion, piano, organ and recorder are not off-putting in the least. The vocals show touches of various Folkways Ethnic Library titles, but manage to create a wily and mysterious cloud of sound art, with which the skeletal musical arrangements play beautifully. Jeroen's instrumental inventions are as blasted as Dennis's in their own way. Stevens is probably best known for the insane De Stoeltjes project, on which he covers the entirety of the first Stooges album playing three chairs! But he has done jillions of things, including a quartet with Eric Thielemans, and Chris Corsano whose set is still being drooled over in the Low Countries. But in the context of Jeugdbrand, he is the man who sets the scene in which his partner's canary is allowed to warble." --Byron Coley, 2023

 

PRICE: $11.50

CAT #: FTR 751CD

FILE UNDER: ROCK

"First off, there will be an LP of this coming along, but as with Wednesday Knudsen's solo material, the analog manufacturing process is slower than the digital one. In the meantime, here's a CD for play in cars and kitchens everywhere. Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy that parallel's Neil's early work. I have come to think of Valley of Spaces as a collaborative effort between Dan and his partner, Amy Moon, but this album often feels much more like Dan's solo effort. Amy definitely shows up in spots, but I miss the weird edge she brings to everything she does. I mean, there's a reason she was one of the first people Chris Corsano picked when he was putting together the original Ecstatic Yod crew back in the '90s -- her off-kilter perspective adds depth and subtle strangeness to her entire oeuvre. The same is often true of Dan as well (he was in Impractical Cockpit, after all), but That's Understanding has a purist hippie quality that owes karmic debts to the waves and hills of Santa Cruz, where Villages was based for the Plague Years (the years during which this music was written and recorded.) Most of Villages's avant proclivities are put on-hold this time. And whether or not that was the plan, this decision provides a folky balm for the last few lost years. Amy, Caleb Mulkerin (Big Blood), Don Godwin (Impractical Cockpit), and others -- especially violinist Kaethe Hostetter -- add to the gentle vibes that abound on this album. It's a set of music that bears up to many repeated spins. A very charming slice, for sure." --Byron Coley, 2023

 

PRICE: $25.00

CAT #: KWEST 1967LP

FILE UNDER: ROCK

Limited restock. "Interstellar Overdrive" is an instrumental composition written in 1966 and is on Pink Floyd's 1967 debut album, The Piper at the Gates of Dawn, clocking in at almost ten minutes in length. "Interstellar Overdrive" was one of the first psychedelic instrumental improvisations ever recorded by a rock band. It was seen as Pink Floyd's first foray into space rock. It has also been described as an experimental and psychedelic as well as an example of proto-prog. Waters once called the song "an abstract piece". Not connected to pop music, a long improvisatory quality. The stereo version of the song has an organ moving from speaker to speaker, the effect is not on the mono version of the song, where it gains extra organ and guitar sounds, in fact the organ is very prominent during the first minute of the mono version-along with some special effects-but inaudible in the stereo mix. You will find both mono and stereo versions off the LP plus a rare edit (French only released at the time) and a long freak out version that clocks in at 16:49.

 

PRICE: $16.50

CAT #: GUESS 074CD

FILE UNDER: WORLD

One the Holy Grails of South American heavy progressive rock, originally released in 1973 by this Bolivian band. Influenced by hard-rock giants like Uriah Heep or Deep Purple, Wara (whose name translates to "Light of the Star" in the Aymara language) also added touches of their own Bolivian heritage to the mix, resulting in a pioneering work of fusion between prog/psych rock and Andean folklore. Raw fuzz-wah guitar, organ, occasional violin and flute, heavy drumming, passionate Spanish vocals a la Ian Gilan -- El Inca was originally pressed on black vinyl with very few copies on transparent green vinyl. Both editions are virtually impossible to find now. To celebrate the 50th anniversary of this legendary album, Guerssen's reissue comes with remastered sound. Original artwork in gatefold sleeve, plus insert with liner notes, photos, and download card.

 

PRICE: $31.50

CAT #: GUESS 222LP

FILE UNDER: WORLD

LP version. One the Holy Grails of South American heavy progressive rock, originally released in 1973 by this Bolivian band. Influenced by hard-rock giants like Uriah Heep or Deep Purple, Wara (whose name translates to "Light of the Star" in the Aymara language) also added touches of their own Bolivian heritage to the mix, resulting in a pioneering work of fusion between prog/psych rock and Andean folklore. Raw fuzz-wah guitar, organ, occasional violin and flute, heavy drumming, passionate Spanish vocals a la Ian Gilan -- El Inca was originally pressed on black vinyl with very few copies on transparent green vinyl. Both editions are virtually impossible to find now. To celebrate the 50th anniversary of this legendary album, Guerssen's reissue comes with remastered sound. Original artwork in gatefold sleeve, plus insert with liner notes, photos, and download card.

 

PRICE: $31.50

CAT #: GUESS 228LP

FILE UNDER: ROCK

UK psych-folk private press mega-rarity, originally released in 1975. Jack With A Feather was the first vinyl album (after the private cassette only release of Rowdy Dowdy Day) by Spriguns Of Tolgus, just before they shortened their name to Spriguns and signed to Decca, recording two classic progressive folk-rock albums. Recorded in a cottage in the middle of nowhere, the album offers mostly traditional songs with charming homemade atmosphere, psychedelic touches, male/female vocals (by Mandy Morton), acoustic/electric guitars, mandolin, dulcimer, and fiddle. One of the tracks, "Seamus The Showman", originally written by Tim Hart of Steeleye Span (future Spriguns producer), landed the band a deal with Decca Records. First ever official vinyl reissue. Original artwork in hard cardboard sleeve plus OBI. Sourced from the original master tapes. Includes insert with liner notes by Mandy Morton and photos.

 

PRICE: $31.50

CAT #: GUESS 229LP

FILE UNDER: ROCK

Originally released as a private cassette only release in 1974, this is the debut album of progressive folk-rock band Spriguns. Homemade, charming folk-rock with the lovely voice of Mandy Morton, 12-string guitars, dulcimer, mandolin, and fiddle. Fabulous covers of "Let No Man Steal Your Thyme", "Matty Groves" and more. Formed in the early '70s, Spriguns of Tolgus evolved from the folk duo of Mandy & Mike Morton and the scene centered around their Anchor Folk Club in Cambridge. In 1974, the band (Mike and Mandy plus Rick Thomas and Chris Russon) decided to produce a recording to raise funds for new equipment. Using a small tape recorder and mixing desk, Rowdy Dowdy Day was recorded live in the dining room at the band's rented house. A small number of cassettes were produced and subsequently sold at the Anchor Folk Club. With the original cassette impossible to find now, Guerssen is glad to present a new vinyl edition. First ever vinyl release with original artwork in hard cardboard sleeve. Remastered from the original master tapes. Includes insert with liner notes by Mandy Morton and photos.

 

PRICE: $31.50

CAT #: GUESS 234LP

FILE UNDER: ROCK

Beyond rare private press album from 1974, a fantastic mix of progressive rock with acid-folk, spaced-out psychedelia and cool conceptual / soundtrack vibe. Pete Fine is a virtuoso acoustic and electric guitarist and also a self-taught composer and orchestrator. After playing with psychedelic hard-rock trio FLOW in the early '70s in New York, Pete, influenced by classical composers like Anton Bruckner, started to focus on his 12-string guitar, composing music in a symphonic style. On A Day Of Crystalline Thought was his first solo album, self-released in 1974 as a private, home-made edition of 100 copies, now impossible to find. It was recorded using classical/rock musicians plus a chamber orchestra from Harlem. It features 12-string guitars, electric guitars, timpani, string sections, French horns, flute, piano, organ, drums with early digital delays, female vocal harmonies. Includes digital download card.

 

PRICE: $9.50

CAT #: R 002CD

FILE UNDER: ROCK

The accompanying 24-page booklet includes many rare photos and an exhaustive session discography by Claus Röhnisch. A collection for Coasters and early rock and roll aficionados! The Coasters had the benefit of recording in the best studios, backed by the best musicians and produced by the top producers of their generation, Leiber and Stoller. Naturally, they were required to run through as many takes of each song as was necessary to satisfy the exacting demands of their mentors. Luckily for us, many of these alternate takes have survived. Mono was the standard recording format until the late 1960s, but many of the big selling artists also recorded alternate versions specifically for the stereo market, which was targeted to the discerning adult listener. Disc one features all the alternate stereo versions of Coasters songs that were issued at the time on album and subsequently on CD. Disc two takes you deep into the heart of Coasters sessions with composite tracks which combine studio chatter together with the finest moments from various different takes. This disc contains several outtakes which have until now been unavailable anywhere and gives an invaluable insight into the genesis of many well-loved tracks and also into the character and working practice of the Coasters and of their producers Jerry Leiber and Mike Stoller.

 

PRICE: $9.50

CAT #: R 015CD

FILE UNDER: ROCK

No artist works in a vacuum. Young men of their time, passionate music lovers who in their formative years had access to an unprecedented range of pop music thanks to Brian Epstein's NEMS record shop, Lennon, McCartney, and Harrison listened, borrowed and reshaped quite an array of tracks, processing these borrowings into their own unmistakable sound. Named after their first publishing company, this CD, with accompanying booklet, sheds light on the Beatles' creative process. Listen to these tracks and see how some of the best loved songs in pop music were formed. Featuring The Memphis Group, Marvin Gaye, Fats Waller, Bob Dylan, Nat King Cole, The Greek Three, Bo Diddley, Chuck Berry, The Two Leslies, Noble Sissle, Jimmie Grier, Rosie And The Originals, Pee Wee Crayton, Johnnie Ray, The Miracles, Charlie Byrd, Buddy Holly, Little Richard, Ray Charles, Barrett Strong, Ketty Lester, The Greenbriar Boys, The Chiffons, Fernando Corena, Rob Steinberg, Johann Sebastian, Ludwig van B, Glenn Gould, and William Walton.

 

PRICE: $19.00

CAT #: IOT 087CD

FILE UNDER: ELECTRONIC

Azu Tiwaline presents her second full length LP The Fifth Dream. Released again through her beloved partnership with I.O.T Records, The Fifth Dream finds Azu painting an expansive vision towards unified multitudes, mercurial realities, and abundant inner sanctums. Where her first album Draw Me a Silence was a loving ode to her family and upbringing in the form of an elegant diptych, The Fifth Dream is the enactment of actualizing her roots into new routes, taking her multifaceted identity into new means of communication towards herself, the world, and the cosmic unknowns that surround her. This is music that gives back as much as the listener wants to give themselves unto it -- detailed and layered, orbiting a steady core as ethereal swirls and intonations of the natural world embrace us warmly within a spellbinding journey. Eight of the album's nine tracks feature a deep level of collaboration from innovative Franco-Iranian percussionist Cinna Peyghamy. Cinna's use of Tombak, the principal drum of Iranian music throughout time, is beautifully sonorous -- channeling the passion of centuries of Southwest Asian rhythm and expression into his own personalized flourishes, with Azu adding her own electrifying frequencies and undiluted artistic freedom to their shared interplay. This profoundly communicative diasporic essence is transmuted between Azu and Cinna, their expression, and the listener. Both are music lovers, intimately connected to their respected Iranian and Tunisian cultures -- concurrently acknowledging the wisdom of their resonant pasts, while proudly bringing the sounds of their heritage into the present and future. The Fifth Dream embodies a cosmic anodyne for those feeling caught in between life's abyssal in-betweens, whilst aiming for a consonant awareness of where our home truly lies in the swells of life's spiritual maelstrom. This dream belongs at once to none and to many, that of a common language unified in concentric depth -- finding beauty in all aspects of our world, and ultimately, within oneself.

 

PRICE: $43.50

CAT #: IOT 087LP

FILE UNDER: ELECTRONIC

Double LP version. Azu Tiwaline presents her second full length LP The Fifth Dream. Released again through her beloved partnership with I.O.T Records, The Fifth Dream finds Azu painting an expansive vision towards unified multitudes, mercurial realities, and abundant inner sanctums. Where her first album Draw Me a Silence was a loving ode to her family and upbringing in the form of an elegant diptych, The Fifth Dream is the enactment of actualizing her roots into new routes, taking her multifaceted identity into new means of communication towards herself, the world, and the cosmic unknowns that surround her. This is music that gives back as much as the listener wants to give themselves unto it -- detailed and layered, orbiting a steady core as ethereal swirls and intonations of the natural world embrace us warmly within a spellbinding journey. Eight of the album's nine tracks feature a deep level of collaboration from innovative Franco-Iranian percussionist Cinna Peyghamy. Cinna's use of Tombak, the principal drum of Iranian music throughout time, is beautifully sonorous -- channeling the passion of centuries of Southwest Asian rhythm and expression into his own personalized flourishes, with Azu adding her own electrifying frequencies and undiluted artistic freedom to their shared interplay. This profoundly communicative diasporic essence is transmuted between Azu and Cinna, their expression, and the listener. Both are music lovers, intimately connected to their respected Iranian and Tunisian cultures -- concurrently acknowledging the wisdom of their resonant pasts, while proudly bringing the sounds of their heritage into the present and future. The Fifth Dream embodies a cosmic anodyne for those feeling caught in between life's abyssal in-betweens, whilst aiming for a consonant awareness of where our home truly lies in the swells of life's spiritual maelstrom. This dream belongs at once to none and to many, that of a common language unified in concentric depth -- finding beauty in all aspects of our world, and ultimately, within oneself.

 

PRICE: $24.00

CAT #: KALITA 011LP

FILE UNDER: WORLD

Kalita presents the first ever reissue of Papa Yankson's highly sought-after 1989 disco-infused highlife masterpiece Party Time. Showcasing the late Ghanaian superstar at his very best, Party Time encapsulates the blending of deep, rhythmic West African highlife with synthesizers and electronic styles that had exploded during the decade. Now, thirty-five years after initial release, and with original copies having reached grail status on the second-hand collector's scene, Kalita brings this phenomenal record back to life, with extensive liner notes detailing Papa Yankson's musical career. A recipient of the Grand Medal of Ghana for his contribution to Ghanaian music, Papa Yankson was a key member of C.K. Mann's Carousel Seven outfit during the 1970s, releasing joint albums together on the infamous Essiebons label to great success. However, it was at the end of the following decade that Papa released Party Time, highlighting his forward-thinking musical style with its numerous hypnotic and driving up-tempo disco-soaked highlife cuts. Originally released in a small run on the short-lived Marriot Promotion label, the album features the standouts "Wonma Yenko Po" and "Mumumde," each showcasing deep highlife melodies, heavy drum patterns and phenomenal horn performances from the ingenious Sammy Lartey Jr on saxophone and Nana Asare on trumpet to boot. With original copies selling for eye-watering amounts on the rare occasion that they come up for sale, the time is ripe for Kalita to celebrate this true Ghanaian '80s grail, accompanied by liner notes and never-before-seen contemporary photos of Papa Yankson.

 

PRICE: $23.50

CAT #: KINDER 016LP

FILE UNDER: ELECTRONIC

New York-based label Kindergarten Records presents Ayesha's debut album, Rhythm is Memory -- ten boundary-pushing tracks, a shape-shifting percussive journey with electric moments. While intended for maximum dancefloor impact, Ayesha's first LP is also conceptually thought-provoking and playful, exploring how bodies store and channel creative knowledge. This debut LP represents a significant step-up for both the artist and the imprint, as they strive harmoniously towards a shared goal: delivering a sonic experience full of colorful, otherworldly bass-fueled expansion. Rhythm is Memory captures Ayesha's signature love for driving techno and organic percussion, while at moments veering into newer electro territory while keeping it psychedelic, spacious, dubby, and always playful. This feels intuitively right for a producer at a crossroads in her career. All tracks intricately weave together pulsing drum grooves, slinky synths, nuanced melodies, and delightfully unexpected twists. No single genre can do justice to describing this project as Ayesha delicately nods to many, reveling in the spaces between. Undoubtedly, across A and B sides, Rhythm is Memory imparts the joy of sonic experimentation to listeners and dancers. Ayesha invites us into her creative process and its steady evolution -- rooted in many days and nights of exploration, reflection, and repetition. To mark this impressive milestone in their catalog, Kindergarten Records is proud to return to pressing vinyl after a hiatus since 2020, recognizing the significance of putting out a physical release to behold such a moment in both the label's and the artist's trajectory.

 

PRICE: $24.00

CAT #: GG 449CD

FILE UNDER: ROCK

"The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identities were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform. Sam's Enchanted Evening is a theatrical performance by Randy Rose, lead singer of The Residents. It was performed between October 2011 and March 2012 in Berkeley, California and New York City. Rose's only companion on stage was long-time Residents collaborator Joshua Raoul Brody on piano. A one-man cabaret performance consisting largely of re-interpreted renditions of popular songs from the mid-to-late 20th century, interpreted by Rose in the guise of 'Sam the Stranger,' it was the first Residents-related performance piece to be credited to an individual member of the group."

 

PRICE: $19.00

CAT #: GG 450CD

FILE UNDER: JAZZ

"Impetus Group is Dirk Serries' big band formation. The band name naturally refers to the Latin meaning: urgency, driving force, but even more spiritually to the moving language and strength of each musician in the ensemble to realize this free improvisational music. Impetus group is also a tribute to the improvisation scene of the sixties and seventies, more specifically the London scene led by guitarist Derek Bailey with his Company group. The album title describes exactly what the music brings to the listener. Intense pointillism in sound -- moving rapidly or introspectively from one theme to another, musicians challenging themselves and each other. London based saxophonist Colin Webster is known for working from extreme sonic palettes -- from minimal to maximal, constantly pushing boundaries. Equipped with a razor-sharp, punk spirit, and ferocious technique, Webster has established himself as a unique voice on the European avant-garde scene, regularly collaborating with many of the key figures in improvised and experimental music. Dirk Serries is hardly your average improvising musician. He is a master of texture, a skill which he's been able to forge and refine for more than 30 years (as vidnaObmana, Fear Falls Burning, Microphonics). Martina Verhoeven has been working on the development of her own abstract photographic style for more than 15 years now. Now she's fully dedicated to the piano, establishing herself as a unique and fierceful performer on the keys. Teun Verbruggen first picked up the drums by the age of eight. His search for a personal touch and wanting to explore all possibilities of playing drums, his lack of boundaries and trying to find fresh sounds in collective improvisation made him work with countless bands and musicians. Tom Jackson is a proficient clarinetist active in modern classical music and free improvisation."

 

PRICE: $19.00

CAT #: GG 454CD

FILE UNDER: ROCK

"A surprise solo album by Renaldo M. Called They Blessed The Body Breadcrumbed it is a 13-track collection of original songs, most of which were started during the period Renaldo & The Loaf were not together. It features guest musicians Nolan Cook, Mike Howlett, and Frank Pahl. With some very extended gaps in between, it has taken over 30 years to complete but is finally done! Renaldo M. aka Brian Poole is half of British eccentric avant-garde group Renaldo & The Loaf. They are an English musical duo active since the late 1970s, consisting of a pathologist (David Janssen or Ted the Loaf) and an architect (Brian Poole or Renaldo Malpractice). By their own assertion, they achieved their unique sound in part by striving to get unnatural synthesizer-like sounds using only what instruments they had available (acoustic ones). To that end they routinely used muffled and de-tuned instruments, and, often to striking effect, tape loops and manipulation. In 2018 they played their first ever live show at Klang 25 in Vienna, documented on the album Long Time Coming. In 2016 the group recorded a brand-new album entitled Gurdy Hurding. David Janssen aka Ted the Loaf has released some solo albums under the name The Darkening Scale and as a duo called The Tapeworm Vessel. Renaldo M. has so far contributed vocals to many songs by other artists, but this is his first album as a solo artist. It was recorded over a period of 30 years and is now finally available in finished form."

 

PRICE: $19.00

CAT #: GG 455CD

FILE UNDER: EXPERIMENTAL

"Philip Sanderson first started releasing music as part of Storm Bugs in the late 1970s as captured on the A Safe Substitute CD. He also set up his own Snatch Tapes cassette label releasing music by David Jackman and Alien Brains amongst others. Reviews in The Wire magazine of the instrumental tracks described them as being akin to 'a boiling vat of electronic music that occasionally sounds like the work of a mad scientist,' whilst the songs have a 'flavor of what Kevin Ayers might cook up if he were alive and forced to work with the Residents.' Philip has also released music under the names of Claire Thomas & Susan Vezey, Ice Yacht, Maids Of The Marsh, and Vote Police. In summer 2023, Philip played one of his very rare concerts at the Klang 30 festival in Vienna, Austria. This album presents the music played at the gig, plus music that was influenced by or created in Vienna while his stay."

 

PRICE: $24.00

CAT #: KRANK 176LP

FILE UNDER: ROCK

2023 repress; LP version. "The third full-length release for Portland, Oregon-based Liz Harris. Harris might have achieved a significant fan base thanks to the whispering, near-ambient vocal crusades of her debut album Way Their Crept and its follow-up Wide, but those with a careful ear would have heard slightly more trapped beneath her fuzzy chain of effects. Dragging A Dead Deer Up A Hill marks a departure of sorts for Liz, which sees her turn down the fuzz boxes which caged (and to some degree defined) her sound and allows her voice to ring out above everything else. It is an album steeped in the world of dream-pop and far from shying away from the reference, Liz has instead grabbed on with both hands, creating an album's worth of perfect, left-field pop songs. Using delicate song structures which are at once both familiar and somehow alien, her vocals cry out hauntingly over stripped-down guitar lines and looped environmental recordings. These are the future soundtracks to love, despair and ultimately, hope." "This remarkable album is actually what I personally always wanted 4AD records to sound like, only they never quite delivered the hazy pleasures their beautiful sleeve art promised." --Pitchfork (8.2)

 

PRICE: $24.00

CAT #: KRANK 177LP

FILE UNDER: ROCK

2023 repress; LP version. "When I was a teenager the wreckage of a sailboat washed up on the shore of Agate Beach. The remains of the vessel weren't removed for several days. I walked down with my father to peer inside the boat cabin. Maps, coffee cups, and clothing were strewn around inside. I remember looking only briefly, wilted by the feeling that I was violating some remnant of this man's presence by witnessing the evidence of its failure. Later I read a story about him in the paper. It was impossible to know what had happened. The boat had never crashed or capsized. He had simply slipped off somehow, and the boat, like a riderless horse, eventually came back home. The Man Who Died in His Boat is an album of unreleased songs recorded alongside the Dragging a Dead Deer Up a Hill album."

 

PRICE: $24.00

CAT #: KRANK 189LP

FILE UNDER: ROCK

2023 repress. LP version. "'Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Ze dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. I'm still surprised by what I wound up with. It was the first time I'd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track, Sony stereo mic and an upright piano. When I wasn't recording songs I was hiking several miles to the beach. The path wound through the ruins of several old estates and a small village. The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.' -- Liz Harris"

 

PRICE: $24.00

CAT #: KRANK 233LP

FILE UNDER: ROCK

2023 repress; LP version. "The 12th full-length by Pacific Northwest artist Liz Harris aka Grouper is a collection of songs spanning fifteen years. She characterizes Shade as an album about respite, and the coast, poetically and literally. How one frames themselves in a landscape, how in turn it frames themselves; memories and experiences carried forward mapping a connection to place -- 'an ode to blue / what lives in shade.' Songs touch on loss, flaws, hiding places, love. Deep connections to the Bay Area, and the North Coast, with its unique moods of solitude, beauty, and isolation -- a place described and transformed by the chaos and power of rivermouth, wild maritime storms, columns of mist that rise up unexpectedly on the road at night. Portions were recorded on Mount Tamalpais during a self-made residency years back, other pieces made longer ago in Portland, while the rest were tracked during more recent sessions in Astoria. Throughout, Harris threads a hidden radiant language of voice, disquiet, and guitar, framed by open space and the sense of being far away -- 'Echoing a lighthouse, burying the faults of being human / Into things that we project upon the sky at night.'"

 

PRICE: $28.50

CAT #: LANR 033LP

FILE UNDER: WORLD

Fully licensed, 140g vinyl. A wonderful collection of early seventies recordings produced by Alton Ellis himself. High-impact reggae tunes with a great horn section. Alton Nehemiah Ellis (1 September 1938 - 10 October 2008) was a Jamaican singer-songwriter. One of the innovators of rocksteady, he was given the informal title "Godfather of Rocksteady". In 2006, he was inducted into the International Reggae And World Music Awards Hall Of Fame.

 

PRICE: $31.50

CAT #: LANR 038LP

FILE UNDER: WORLD

Fully licensed, 140g vinyl. Re-issued for the very first time on vinyl -- in more than 40 years -- here's the third album by the cultish Jamaican band Morwells. Backed by such reggae luminaries as Sly & Robbie, Errol "Flabba" Holt, Tommy McCook, Ansel Collins, Earl "Chinna" Smith, and others, this is a true gem meant to last! The group was formed by Maurice Wellington and his Trenchtown's childhood friend Eric Lamont, joined around 1975 by Lousi Davis and by Errol "Flabba" Holt. The group split up in 1980.

 

PRICE: $37.50

CAT #: MAR 073LP

FILE UNDER: JAZZ

300 MPH is the debut album by Namaz. It was originally released in 1981 by the German group led by guitarist Werner Goos. Jazz fusion at its best with a Latin-Brazilian touch. 180 gram vinyl. Includes OBI and digital download card.

 

PRICE: $37.50

CAT #: MAR 082LP

FILE UNDER: WORLD

Stunning private press album from 1981 by Minas Gerais singer-songwriter. Fernando Oly is a musician who was part of Lô Borges' band and took part in the recording of the album Via Láctea in 1979. He placed one of his compositions among the album's tracks: "Chuva na Montanha," whose original version was also included on Tempo Prá Tudo. 180 gram vinyl. Includes OBI as well as replica of the original insert and download card.

 

PRICE: $37.50

CAT #: MAR 092LP

FILE UNDER: JAZZ

Space Trip is a cult record released in 1973 on the legendary Amigo catalog, the longest-running independent label in Sweden. This amazing spiritual jazz-funk/fusion LP was very hard to find. Finally available again, fully licensed and remastered, with original artwork. This album is a killer one in its entirety, with no fillers. Some of the best spiritual jazz on record! 180g vinyl with hard cardboard cover and OBI.

 

PRICE: $18.00

CAT #: MJC 129006CD

FILE UNDER: JAZZ

Love Should Never End is the second album in trio by legendary Italian jazz pianist Mario Rusca for Mono Jazz. In comparison with Monochrome Blues, we find Maxx Furian on drums and -- on bass -- the long time associated Riccardo Fioravanti. In the liner notes penned by Corrado Beldì, patron of Novara Jazz, Mario Rusca says: "Everything has come out naturally -- we have included some compositions I deeply love, one by Kenny Drew, one by Benny Golson, and 'Strollin'' by Horace Silver, then some originals I have written for this album like 'Mr. Rik,' 'Love Should Never End,' and 'Wait For Me In The Sky,' two standard like 'I Fall In Love Too Easily' and 'There Is No Greater Love.' We have recorded the whole album in one day and everything went simply perfect." Love Should Never End is an album in which this extraordinary trio delivers extremely expressive jazz music, with Rusca extraordinary pianism supported by a pulsating rhythm section. This is a sublime work destined to please the long-standing jazz passionate appreciating the blues origins of this music and at the same time it can be a perfect tool for those newcomers approaching jazz.

 

PRICE: $25.00

CAT #: MR 256LP

FILE UNDER: ROCK

2023 repress; 2003 release. Jeffrey Lee Pierce -- reggae enthusiast, heroin addict, and former president of the Blondie fan club -- suffered a lonely, depressing death on March 31st, 1996 of a brain hemorrhage, after untold years of drug use and alcoholism. Why this event mattered much to anyone lay in a fantastic record his band, The Gun Club, recorded 16 years earlier: the masterful Fire Of Love. A visionary and fierce moment in time when The Gun Club took the raw, dripping meat of shopworn delta blues and infused it with the energy and fire of the LA punk rock scene. Inspired by bands like X, Television and the Cramps, he met Kid Congo Powers (who later played with Nick Cave and Cramps) and they formed the Creeping Ritual in 1979, soon to be renamed The Gun Club. Pierce was already a notorious drunk, exhibitionist, poet and fanboy. The Gun Club were quickly a dangerous new spoke on the spinning wheel of dynamic LA alt-culture. By 1980, Jeffrey Lee had moved into a deep reverence for Mississippi delta blues. The Gun Club paid more than passing homage: they wholeheartedly swiped complete riffs, words and attitude from the masters. Pierce participated in the great blues singer tradition by cobbling together distinct lines from other people's songs to create new ones. Snatches of Blind Willie Johnson, Blind Lemon Jefferson and Robert Johnson can be heard throughout this debut LP -- released in 1981 on Slash's Ruby Records. What makes Fire Of Love such a brilliant listen long after its time is that this blatant homage to the blues was amplified, energized and kicked into overdrive -- in a new style that combined the ghostliness of the original model with a FAST, unwound and supremely energetic beat. The engineering feats of Pat Burnette contributed to that sound: he wielded his Quad-Teck studios like a weapon, and mastered some of the greatest sides in LA music history (such as Germs' GI). Pure fullness of sound and the raw hot throb of records that were made to stand the test of time. From the immensely dark and aggressive sexuality of "Sex Beat," Gun Club's most recognizable number, to the fetishistic salute to fellow traveler Poison Ivy of The Cramps in "For The Love Of Ivy," including the hellfire classic "She's Like Heroin To Me," a 2:33 masterpiece in which everything comes together; Fire Of Love is pure perfection. It stands among the greatest classics of rock history, and shows the genius of the great Jeffrey, whose haunted singing has never been replaced. It proved out to be one of the most influential records of the '80s, with countless musicians declaring their love for the Club.

 

PRICE: $38.00

CAT #: MOV 1907COL-LP

FILE UNDER: ROCK

"Death Walks Behind You is the second studio album by British rock band Atomic Rooster. It is commonly thought of as the archetypal Atomic Rooster album, recorded by the 'classic' line-up of Vincent Crane, John Du Cann and Paul Hammond. It is, critically and commercially, their most successful album and often hailed as a classic of the progressive rock genre. It also produced the hit single 'Tomorrow Night,' which became one of the band's best-known songs. The album's cover features the William Blake monotype Nebuchadnezzar. The title track was covered in 1992 by Paradise Lost, in 2000 by Bigelf (on their album Money Machine) and in 2012 by Swedish death metal band NonExist. Death Walks Behind You is available as a limited edition of 1000 individually numbered copies on crystal clear and black marbled vinyl, housed in a gatefold sleeve."

 

PRICE: $57.00

CAT #: SR 001LP

FILE UNDER: ROCK

"Sides A and B at La Cave, Cleveland, April 30, 1968. Side C: Cover states this comes from 4rth Fret, Philly Jan. 1970 (2nd Fret, Philadelphia, January 1970) but actually Boston Tea Party, December 12, 1968. Side D at Boston Tea Party, March 15, 1969." Gatefold sleeve.

 

PRICE: $22.00

CAT #: ORGM 2285LP

FILE UNDER: JAZZ

"Flesh and Bones is the latest release from drummer, composer, and poet William Hooker. The album marks his third full length effort for Org Music, following Big Moon (2021) and Symphonie of Flowers (2019). Hooker has also referred to the new work as his 'Black Lives Suite,' a multi-disciplinary event which uses music and poetry to address the social issues of the times. Recorded at NYU Steinhart Studios, the recording features fellow New York based players Ras Moshe, Charles Burnham, On Davis, Hilliard Greene, and Luke Stewart. After more than 70 releases as a leader and nearly five decades into his career, William Hooker has solidified his reputation as one of the most unique composers and drummers of his generation, and he continues to explore new territory. Flesh and Bones was mastered by Dave Gardner, and features liner notes from Hooker himself."

 

PRICE: $31.50

CAT #: OSR 101LP

FILE UNDER: ROCK

Previously unreleased heavy acid-rock/proto-prog album from 1972. Asgard (initially known as Osgoode, named after the street where Blue Cheer had their headquarters) was a San Francisco band featuring ace guitar player Bob Hardy (a veteran of many Bay Area bands since the early '60s) and Jake "Gelon" Lau (Gideon & Power, Mary McCreary, Tribe) on electric violin and vocals. This is their lost album, registered at Roy Chen Recorders in 1972, now released for the first time. For Asgard features nine original tracks, perfectly recorded and played, dominated by Bob Hardy's outstanding fuzzy lead guitar and the cool touch of Gelon's Lau electrified violin that recalls UK prog-psych bands like the similar named Asgærd or High Tide at times. Hard to believe that such a pro-recorded, top-quality album like this was never released at the time. After playing a celebrated free concert at the Provo Park in Berkeley alongside bands like Mother Cat and Summerhill, the band slowly disintegrated. Download card includes one studio track from the same album sessions plus three raw rehearsal tracks.

 

PRICE: $23.50

CAT #: OUTS 007LP

FILE UNDER: ROCK

Everybody with a deep knowledge in R&B is confident with the essence of live P-Funk: the costumes, the stagecraft, the dozen-plus musicians. Alongside Sun Ra Arkestra this was pure Afro-futurism, longtime before it was current language. The so called coming of the Mothership took place in this 1977 live, during the life changing P.Funk Earth Tour. Anyone who's seen footage of the band at their prime can't overstate the greatness of their spectacle.

 

PRICE: $15.00

CAT #: PAL 076CD

FILE UNDER: EXPERIMENTAL

Since exploding on the improvised music scene a couple of years ago Tennessee native Zoh Amba has found herself engaging with an ever-widening group of collaborators as she tours across the US and Europe. She's forged some enduring partnerships, working regularly with drummer Chris Corsano, bassist Thomas Morgan, and pianist Micah Thomas, among others, but one of the deep pleasures of improvised music is when a first-time meeting produces sparks. Indeed, that's certainly the case with The Flower School, which bottles some serious lightning. In March of 2023, Amba and Corsano had finished up a duo tour of the west coast with an explosive performance in San Francisco. The next day the duo entered the studio with guitarist Bill Orcutt -- a trusted collaborator of the drummer stretching back a decade. It was the first time Orcutt and Amba had ever played together, but it sure doesn't seem that way. Although Amba has often recorded a bunch of tune-oriented albums for Tzadik, she's a free improviser at heart, and this trio arguably provides the most effective, elastic context for her playing yet. Yet what's most astonishing about The Flower School is how it elevates and transforms the playing of all three participants. It appears that there was more than enough trust in the room to allow each player to push-and-pull. Anyone who pays attention already knows that Orcutt and Corsano are mercurial figures, perpetually adapting, adjusting, and challenging one another. Inviting a third person to the party could threaten a slowly cultivated balance, but in this case the addition only heightened various dichotomies: soft vs. loud, bruising vs. tender, furious vs. lyric. Much has been made of Amba's debt to the free jazz of 1960s, particularly the way her vibrato-drenched tone dips into valley of sacred music, but here she carves out a space that's entirely hers. On tracks like "The Morning Light Has Flooded My Eyes" and "What Emptiness Do You Gaze Upon!" she reveals a meticulously sharpened gift for motific improvisation, taking a single phrase and chiseling away it until she's discovered every possible permutation, all the while driven by the feverish energy and empathy of her cohorts. This group also displays Orcutt's masterful support skills, as he often takes a single chord or two, letting them float in mutate in the background or splintering them into patient, reserved arpeggios that ripple alongside Corsano's circular sculptures and the saxophonist's edgy blowing. Two of the album's five tracks are duets between Orcutt and Amba. The collection is bisected by "Sweet One," a delicate lattice formed by Orcutt's tremulous electric guitar arpeggios and Amba's spike acoustic pointillism that basks in its own leisurely beauty for a couple of restorative minutes, while the album closer "Moon Showed But No You" is a searingly beautiful ballad where the guitarist unspools clusters of notes somewhere between vintage Loren Mazzacane Connor and a distorted kalimba, while Amba puts an upwardly arcing melodic line through its paces, finding new wrinkles at every turn.

 

PRICE: $44.50

CAT #: PERL 135LP

FILE UNDER: ELECTRONIC

Ricardo Villalobos first album Alcachofa from 2003. Originally released by Playhouse as a 3x12" record set, the re-release adds a fourth 12", the "Alcachofa Tools."

 

PRICE: $25.50

CAT #: PHS 042LP

FILE UNDER: ROCK

2023 restock; LP version. Pharaway Sounds present a reissue of El Turronero's New Hondo, originally released on Belter in 1980. There were two labels in Spain during the '70s which were essential to understand the birth of the rumba-flamenco-pop genre: Belter and Discophon. Thanks to the work of adventurous in-house producers and sound engineers like Josep Llobell, Joan Barcons and Lauren Postigo, funk, rock, disco and jazz arrangements were incorporated to recordings of folkloric flamenco singers and rumba bands. The result was explosive and the Spanish market was flooded with "gipsy-rock" or "rumba pop" 45s and LPs, some of them highly sought-after today by international DJs looking for exotic beats. New Hondo is an otherworldly mix of cosmic disco, funk, boogie, and traditional flamenco styles by Spanish "cantaor" El Turronero. New Hondo features the legendary Josep Llobell (Oliver's Planet, Enterprise) at the controls. Including "Las Penas" and more. Remastered sound from the master tapes; Includes insert with photos and liner notes by Txarly Brown (Achilifunk). "A flamenco singer with pedigree like El Turronero lost in Studio 54 on a hangover day" --Txarly Brown.

 

PRICE: $67.50

CAT #: POUMPET 001LP

FILE UNDER: ELECTRONIC

LB aka LABAT reflects on the back catalogue of his Poumpet Records imprint with a special gatefold triple LP release. Since the launch of Poumpet Records back in February of 2022, French producer, DJ and live-act LB aka LABAT has steadily unveiled a series of singles from himself and remixes from the likes of KiNK, X Club, Partiboi69, Sally C, and KETTAMA, all of which feature on this special vinyl issue spread out across three records in a gatefold package. The vinyl release also coincides with LB aka LABAT's All Night Long tour which sees him travelling across Europe with dates in France, Belgium, Portugal, Switzerland, the UK and Scotland.

 

PRICE: $19.00

CAT #: PP 093EP

FILE UNDER: ELECTRONIC

John Heaven of Mainline Magic Orchestra fame delivers hot, 48-degrees-Celsius, sweat dripping shit, all in one minimal house record.

 

PRICE: $27.00

CAT #: PP 094LP

FILE UNDER: ELECTRONIC

Nice Girl presents the highly anticipated follow up to Ipsum. Two years have passed since Ipsum was released, back then the wild 15-track-long ride has been paraphrased as "mind boggling, tongue in cheek, spiritual and danceable" by RA. Ruby's second album titled UPP is more lighthearted compared to its predecessor as she moves away from the somewhat darker, earthy tones of Ipsum to create a fun, quirky, bleepy and fast universe where pitched vocals meet breakbeats and cosmic melodies. The album includes features by Eden Burns as well as Michael Kime, who as it happens is Ruby's father.

 

PRICE: $18.00

CAT #: PP 095EP

FILE UNDER: ELECTRONIC

Wolfram and Josh Ludlow take you to the disco on Yo Yo Disco.

 

PRICE: $24.50

CAT #: RM 4210LP

FILE UNDER: EXPERIMENTAL

"I'm not really sure when I first heard Beatriz Ferreyra's music. My best guess would be in the early to mid-2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn't until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realize the incredible focus, generosity and vision that Beatriz has maintained across her life in sound. Beatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra's use of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward. UFO Forest + collects together works from both her practices in tape-based music and also computer-based works. The pieces featured here epitomize her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here lies the proof." --Lawrence English

 

PRICE: $24.50

CAT #: RM 4217LP

FILE UNDER: EXPERIMENTAL

"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia's Eugene Carchesio and the UK's Adam Betts is one such unexpected presentation. A couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene's particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added. At almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We'd first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher. The reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly. Somehow, watching Adam lug those weights made me think he'd be the perfect candidate to work with Eugene on this project. To my delight, he agreed. What results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It's also a record of careful listening and generous exploration. It's not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you." -- Lawrence English

 

PRICE: $16.00

CAT #: RB 124EP

FILE UNDER: ELECTRONIC

Swapping BPM for GPM (Goosebumps per minute), Dusky's Life Signs Vol.3 is made from the heart to nourish the soul. to a long-overdue journey to the uncharted territories of Planet Dusky. Completing their triptych for Running Back with four tracks, one of the UK's most dependable duos shows once again how to connect fun with functionality and funk with efficiency. From the jacking rhythms of early Chicago to the emotive qualities of Detroit and the fever pitch aesthetics of the UK sounds of the '90s or the studies of the contemporary scene, it includes the right choice for each taste and need. Dusky, but not rusty.

 

PRICE: $16.00

CAT #: SAT 060EP

FILE UNDER: ELECTRONIC

Sean La'Brooy is an Australian producer and composer currently based in New York, who's work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La'Brooy has hooked up with the Scissor and Thread label to put out Merchant -- five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. "Snow Storm" starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. "Cargo" is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. "Pilot" is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. "Storage" too features a guest -- New York based drummer Leo Yucht -- who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is "Helipad," a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.

 

PRICE: $17.50

CAT #: NWT 2009EP

FILE UNDER: ELECTRONIC

Sonor Music Editions is presenting under our New Tape label Mark Saddlemire's debut release Sound-In-The-Round, that draws a deep inspiration from the golden era of Italian library and soundtrack music. Something akin to the legendary prog-rock ensemble Goblin and the avant-garde composer Giuliano Sorgini, but with plenty of grooveness. Mark Saddlemire is a multi-instrumentalist, composer, and producer from Philadelphia, passionate about creating instrumental compositions from a blend of acoustical and electronic sounds using analog techniques. An electrical engineer by trade, he's customized and repaired much of the vintage gear used for his recordings -- his studio is a collection of unique and rare analog instruments from the 1960s to the 1980s.

 

PRICE: $28.00

CAT #: FFL 070LP

FILE UNDER: JAZZ

2023 restock. Souffle Continu Records present a reissue of Ted Curson's Pop Wine, originally released in 1971. Originally from Philadelphia, invited to New York by Miles Davis, playing at Antibes in 1960 with Charles Mingus and Eric Dolphy, here is trumpeter Ted Curson in 1971... in Paris. With him, a legendary trio: Georges Arvanitas (piano), Jacky Samson (double bass) and Charles Saudrais (drums). A new transatlantic alliance in the service of jazz of all kinds: classic, modal, fusion and even free... Pop Wine is -- between Coltrane and Miles with a nod to roots in the club the Caveau de la Huchette -- an explosive cocktail but which leaves no stains! In 1960, trumpeter Ted Curson played with Charles Mingus and Eric Dolphy on stage at the Antibes jazz festival. Eleven years later he was in Paris to record one of the gems of his discography, with a hard-hitting French trio: Georges Arvanitas (piano), Jacky Samson (double bass) and Charles Saudrais (drums). Arvanitas was also someone who had travelled widely. Originally from Marseille, he had accompanied visiting American musicians in Paris before moving to the States. It was when he came back that the charismatic trio was created with Samson and Saudrais and who recorded, in 1970 on Futura, the unforgettable In Concert and then, the following year, Pop Wine with Ted Curson. Pop Wine: don't be fooled into thinking you are going to hear jazz musicians trying to play pop after uncorking too many bottles. For, although the album occasionally tends toward fusion, it is first and foremost a wonderful jazz recording; and a recording with enough fizz to make your head spin. There are five tracks in total: "Quartier Latin" is reminiscent a little of Olé Coltrane (Curson, like the saxophonist, is originally from Philadelphia), "Flip Top" where the trumpet and piano play out a chase scene through the streets of Paris, Pop Wine where funk and cool jazz meet on the barricades of black and white, "L.S.D. Takes A Holiday" which breaks out in a style close to free jazz, and finally "Lonely One", with the impression that ends this unclassifiable album. Unclassifiable, unless we decide to elevate Pop Wine to the rank of a great vintage. Carefully remastered from the master tapes. Licensed from Futura / Marge. 180 gram vinyl.

 

PRICE: $23.50

CAT #: SOW 046LP

FILE UNDER: JAZZ

Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader -- bassist Doug Watkins -- died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey's Jazz Messengers, and the Horace Silver Quintet. Imagination! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of cello -- and oboe on some numbers -- makes the date stand out a bit from the usual hard bop sessions of the period and straight-ahead jazz fans will want to get this.

 

PRICE: $45.50

CAT #: SVT 334LP

FILE UNDER: ELECTRONIC

With Trip to Sanity, Berlin-based producer, DJ, live performer, and Stil vor Talent label head Oliver Koletzki presents a milestone in his 36-year long musical career and his 18-year tenure at the top of global electronic nightlife -- his tenth studio album. The album's title, Trip to Sanity -- a reference to the classic German children's story of the little dragon "Tabaluga" -- reflects Oliver's own path as a DJ within the world of club culture. In South Africa, Oliver wrote most of Trip to Sanity in the winter, then flashed out and finalized the tracks in his studio at Kreuzberg's Holzmarkt. Within the last 18 months a collection of complex and varied songs formed, which, typical for Oliver's collaborative approach, were often created in cooperation with musicians like techno-pop legend Fritz Kalkbrenner, Burning Man chance encounter Talmirage, scene friends Andhim, Hidden Empire, Oliver Klostermann, and Niko Schwind, or the exceptional voices Natascha Polké, Malou, LOLY, and Marlena Dae. The result is a rollercoaster ride through a diverse spectrum of dance music, effortlessly held together by Koletzki's unmistakable sound signature and his intrinsic sense for the exact tension between hedonistic dancefloor focus and poppy earworm impact.

 

PRICE: $18.00

CAT #: BARN 089EP

FILE UNDER: ELECTRONIC

A very special autumnal presentation from FaltyDL and Studio Barnhus, in the form of a perfect little slab of 12" vinyl, exhibiting the love for the classic house sound that burns within the hearts of the prolific New York producer as well as the Swedish dance music powerhouse. In particular, "Our House Is Barnhus" honors and updates the deeper side of the French touch -- think Pépé Bradock and early St. Germain -- fully displaying the state-of-the-art production skills and emotional depth always present in Drew Lustman's music. Known for his shapeshifting sound, FaltyDL has been releasing explorative electronic music for over a decade, switching his sound up intuitively across six albums, remixes for The xx and Mount Kimbie, executive production credits for Mykki Blanco, and a multitude of singles and EPs, including two previous Studio Barnhus editions in 2021 and 2019.

 

PRICE: $30.50

CAT #: BARN 092LP

FILE UNDER: EXPERIMENTAL

DreamySpaceyBlue is a new Bella Boo album, written and produced early 2023 when dark times demanded love, healing, and forgiveness. Cozed-up, self-therapeutic winter-spring studio sessions resulted in Bella's most virtuoso work yet -- a collection of dazzling, emotive recordings full of bright notes, deep vibrations and that signature "Boo mood." The album marks a distinctive step forward in Bella's sound: An amalgamation of the etheric sounds on her 2019 debut album Once Upon A Passion (BARN 067LP, 2023) and the ruff and rugged dance tracks on her recent Looney Talks EP (BARN 086EP, 2023). DreamySpaceyBlue features appearances by a number of Bella's closest confidants in life and music. The album artwork, designed by good friend Lowe Steiner, portrays her daughter Bozi, who in her turn shot Bella's last album cover -- a fitting full-circle arrangement for an album rooted in collaboration, intimacy and love.

 

PRICE: $23.50

CAT #: PICI 017LP

FILE UNDER: ROCK

2023 repress; LP version. In the wake of Young Marble Giants' breakup, two camps were created, with Stuart Moxham taking the band's minimalist, geometric play to extremes and Alison Statton adding more warmth and feeling to the same basic template and creating something stunning but based in popular forms. Those two opposing -- almost knee-jerk -- means of forging new paths away from one of music's most astonishingly unique debuts both happened to include Stuart's brother -- Alison's former boyfriend -- Phil Moxham. Without a real template to guide him, Stuart's new form of music -- as The Gist -- was widely regarded as wildly uneven. Stuart admits that he didn't know which way to go, so in perverse style, he decided to take all directions at once. The Gist's original discography stood at a scant 18 songs, but only seven featured Stuart's own voice, often in heavily processed and oddly mixed form. So, while The Gist's label, Rough Trade, had the widest array of unique voices in popular music, Stuart buried his own voice. Sales disappointed. The Gist were dropped. A decade later, starting with a critical reevaluation of The Gist's sole album, Embrace The Herd (1982), in an issue of Mojo, the tide begin to turn. Ambience in pop music had enjoyed a cult following from Eno on, but the non-linear structure of many of The Gist's songs had certain parallels with the rise of artists such as Aphex Twin and Seefeel. One song from the era was covered by Etienne Daho in France. The Gist's story could have been different. Recent discovery of a trove of unreleased songs, versions, and demos showed that Stuart had ample material on a par with his YMG work, sometimes in rough demo form, but often in five or six complete, entirely different arrangements. With the 2017 album of unreleased material by The Gist, Holding Pattern (PICI 009CD/LP, 2017), a new audience discovered the band and the release sold out quickly. Interior Windows adds 13 new performances or alternate versions to the band's catalog, and does the service of finally making both sides of The Gist's first 7" 45 (recorded at the same session as the final YMG single) available again, along with their contribution to the Rough Trade/NME classic compilation C81, and in keeping with The Gist's tradition, at least one song on which Stuart does not appear.

 

PRICE: $33.00

CAT #: TON 017LP

FILE UNDER: ELECTRONIC

Opening Soon is a culinary buddy movie with a background of gourmet grooves where body tricks at the turntables have been replaced by acrobatic pizza tricks. This album from Jean Tonique and Mi Man is a real tomato concentrate and ingredients cleverly dosed which abound in suave and feel-good tracks. 11 tracks that act as the perfect soundtrack to accompany the dolce vita 2.0 of this great musical duo (between Mario Bros and Cheech & Chong). A tasty and pop cuisine that gives pride of place to a nostalgia that gathers behind the tiled counter or on the dancefloor. Tonique continues to demonstrate a knowledge all in funk and finesse. He is accompanied by Man, who brings his sweetness and harmony. They combine their strength on this project initiated with the title "Day & Night" and its languorous disco tinged with rhodes and percussions with Salsoul accents. Lightness and nonchalance for a songwriting full of coolness and analogical charisma boosted by a Moog which invokes the best of the '70/'80s.

 

PRICE: $20.00

CAT #: TPR 128LP

FILE UNDER: ROCK

"Quickly gaining ground on Jake Robertson as Australia's most prolific artist, Ishka Edmeades (Satanic Togas, Set-Top Box, RRC, Gee Tee, Remote Control, Mainframe) is back with the debut LP as Tee Vee Repairmann. Sharp edged, hook heavy punk with a generous helping of glammy power pop. This is a sure fire hit parade. Co-released by our friends Computer Human Records in Australia."

 

PRICE: $28.50

CAT #: VAMPI 174LP

FILE UNDER: WORLD

2023 repress. "A La Memoria Del Muerto is Fruko Y Sus Tesos's second album, released in 1972, and features exclusively the soaring and soulful vocals of Cali native Edulfamid Molina Díaz, aka 'Píper Pimienta', Fruko's previous vocalist Humberto 'Huango' González having left after the first album Tesura (1970). The record is a mix of spirited cover versions and authentically Nuyorican-sounding originals with a Colombian twist. . . . Produced and engineered by Fruko's uncle Mario "Pachanga" Rincón, the album has an uncompromisingly stark, hard sound that is appealing to today's collectors of 'salsa brava' just as it was impactful on the Colombian scene when it was made at the beginning of the 1970s. Unlike the first Tesos album, with a two trumpet line-up and fairly simple arrangements, this more mature recording added another trumpet and two trombones for a more robust brass attack. Additionally, instead of basic salsa, there are many different rhythms - guaguancó, bomba, plena, oriza, bolero, cha-cha-chá, descarga and Latin soul. Though Fruko's sound at this stage wore its New York, Havana and San Juan sources on its sleeve - Willie Colón, Javier Vázquez, Richie Ray -, at the same time the album has a uniquely Colombian approach to these influences with the bounciness of coastal music like cumbia being felt throughout. The title song is a 'guaguan-plena' version of Dominica Y Su Conjunto's original 'Acuyuye' hit of the same name from a decade earlier. Following that is Fruko's take on Cuban pianist Javier Vazquez's driving salsa dura anthem 'Mi Verdadero Son'. . . . The side finishes out with more cover versions: the double-entendre 'La Fruta Bomba' by Cuban trovador Maximiliano "Bimbi" Sánchez Y Su Trío Oriental and the fiery rumba gitana 'Achilipu'. . . . Side B kicks off with one of Fruko's favorite Afro-Cuban artists, the conguero and Santería singer Silvestre Méndez, with 'A Bailar Oriza'. After a wild descarga (jam session) track, we are treated to a fun pair of cover tunes: Johnny Zamot's 'Bomba Africana' and the old Afro-centric chestnut by folkloric Cuban rumbero Alberto Zayas, 'Baho Kende'. . . . The record finishes off with another Fruko original written with his Discos Fuentes colleague Isaac Villanueva. . . . This reissue features as a bonus the Latin soul track 'Tihuanaco' (a cover of Peruvian pianist Alfredito Linares), which appeared on the US edition of the LP." --Pablo Yglesias, aka DJ Bongohead

 

PRICE: $25.00

CAT #: MRSSS 523LP

FILE UNDER: ROCK

Limited 2023 restock. By the early summer of 1979 the Bad Brains were already tearing up Washington D.C. They were armed with a tape they made at rehearsal, a real rugged thing, and were looking for people to play it to. The Slickee Boys heard it and suggested the band go out to record these songs at the fledgling Inner Ear Studios in Arlington, VA. What you are holding in your hands is the band's first full-length session of any kind in a recording studio. At that time, Inner Ear was Don Zientara's basement. Don had a four-track Teac 1/4" tape deck and a small drum booth to one side of the basement. Doc and Darryl set up in the main space while Earl somehow got himself into the "closet" with his drum kit. HR was in the backyard with the vocal mic (you can hear Don's son speaking to HR between tracks along with some crickets, too) and Don was set up in the kitchen upstairs. This day everything was just right and the band played straight through their live set of that time including "Black Dots" and "Pay to Cum," songs that were just too fast to ever be performed live to the band's satisfaction. The set on this record represents all of the band's songs, their first month's output, starting with the first song the band ever wrote, "Don't Need It." As is true with all four-track recordings, some decisions were made "going to tape," most notable is the eerie reverb on the drums, and these choices are forever a part of the mix. Formed as Mind Power a year earlier, it wasn't until their early vocalist Sid McCray showed up at Darryl's apartment in SE D.C. with his records and safety pins that the band transformed itself into the progressive punk outfit now known as Bad Brains. They were one dose Dead Boys topped off with a couple of shots of The Damned mixed with the Sex Pistols and The Clash. All the material on this record was written while the band lived together in a house on Bayway in Maryland. Doc had acquired the house from the manager of the Rustler Steak House where he had been working. HR and Darryl got jobs there as well, though they didn't last and ended up washing cars at the dealership down the street. Earl was washing clothes at the community hospital. Doc then got a job for himself and HR at Atlantic Research and Development, a bomb factory that manufactured Stinger and MX missiles. Darryl, without a driver's license, would pick them up from there at midnight and take them to rehearsal at the Bayway house. They lived at that house for about six months from late 1978 to mid-1979. They left after playing a series of basement shows at parties they threw. Sid would get on stage and start the set singing "Regulator." His girlfriend Tally would run on stage, tackle him and knock him off the stage and HR would then take the mic for the rest of the show. It wasn't long before Sid left the singing completely to HR and all of his sonorous vocalizations and lyricism. Needless to say, the house got a bit trashed and when they vacated Darryl moved in with Sid and everyone else moved back in with their parents. The next step was their first club shows; at the Atlantis (later named the 9:30 Club) and Madam's Organ (in Adams Morgan, MO with the Yippies and Youth Against Racism), conquering the D.C. punk/new wave scene with their sonic onslaught and clever musical curves. It was at this point that this record was made. Darryl got thrown out into the street by the bouncers after the band opened for The Damned at the Bayou, resulting in the band being banned from the club. With the Atlantis in reconstruction and the Bayou now off-limits, the possibilities in D.C. were shrinking for the band. New York had CBGB's, Max's Kansas City, Tier 3, 2 + 2, A7, Hurrahs, The Eighties, The Pep lounge and squats. The scene was jumping so the band headed off to NYC for the first time. They never looked back. On 180 gram vinyl with a full-color innersleeve.

 

PRICE: $28.00

CAT #: VL 990212LP

FILE UNDER: ROCK

2023 repress. Vinyl Lovers present a reissue of Os Mutantes' Mutantes, originally released in 1969. One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder Por Ai") and ("Dois Mil E Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here. Bottle green vinyl.

 

PRICE: $28.00

CAT #: VL 990380LP

FILE UNDER: ROCK

2023 repress. Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better-known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, A Divina Comedia Ou Ando Meio Desligado, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK. White vinyl.

 

PRICE: $39.50

CAT #: ZEL 009LP

FILE UNDER: WORLD

Zel Zele announces the first-time vinyl issue of Turkish improv band ZeN's iconic album Bak?rköy Ak?l Hastanesi'nde. Performed live in Istanbul's Bak?rköy Psychiatric Hospital for an audience of patients, doctors and visitors, this exceptional recording offers an entrancing blend of krautrock, psychedelic and free anatolian sounds. Perhaps one of the most unusual albums of Turkey's underground music history, Bak?rköy Ak?l Hastanesi'nde is a testament to improvisation in its purest form. Originally released in 1999 in cassette and CD, this co-release with Ada Müzik brings the album back into the spotlight.