News & Events

 

PRICE: $26.00

CAT #: ACRSLP 1632LP

FILE UNDER: ROCK

"Gene Vincent was an iconic figure in the history of rock 'n' roll, if only for his iconic landmark hit in 1956 with the self-penned Be-Bop-A-Lula, which remains one of the great rockabilly records of its time. It has become one of the most recorded rock 'n' roll songs of all and has been a standard in the repertoire of bands all over the world ever since. Performing with his band The Blue Caps, his moody image of a leather-clad bad boy with distinctive quiffed hair, the mystique being heightened by walking with a pronounced limp -- the result of a motor-cycle accident in 1955 -- made him a popular figure in rock 'n' roll films and tours on both sides of the Atlantic. He was at least as popular in the UK, if not more, as the USA, influencing as he did not only rockers like Cliff Richard and Johnny Kidd, but also The Beatles. This 18-track LP celebrates his legacy by bringing together his most beloved A and B sides from his massive debut hit 'Be-Bop-A-Lula' through to his more up-tempo, twist inspired re-recording of the hit in 1962. Along the way we hear classics such as 'Race With The Devil,' 'Blue Jean Bop,' 'Git It' (featuring Eddie Cochran on backing vocals), 'Wild Cat,' 'Jezebel,' and 'Lucky Star.' So sit back and unleash the Wildcat."

 

PRICE: $36.50

CAT #: BEWITH 061LP

FILE UNDER: ROCK

2024 repress; LP version. 140 gram vinyl; gatefold sleeve; includes 16-page insert with photos and liner notes. For the first time since its inception in 1983, Steve Hiett's elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett's transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York. A career devotee of Brian Wilson's groundbreaking harmonies, Hiett shot The Beach Boys for Rolling Stone -- as well as The Doors, Miles Davis, and Jimi Hendrix -- while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire. In 1982, representatives from Tokyo's Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7" of original music into the back of the exhibition catalogue, Hiett laid down "Blue Beach - Welcome To Your Beach" in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers, and Steely Dan hired-gun, Elliot Randall. Once dispatched, there were requests for him to fly to Tokyo to record; it wasn't until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar, and retreated to his hotel room to start writing. Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders -- one of Japan's most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper, and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of "Roll Over Beethoven", Santo & Johnny's "Sleep Walk" and the 1967 Eddie Floyd soul hit, "Never Found A Girl". Produced in coordination between Be With Records, Efficient Space and the artist, this definitive reissue is restored from original masters; extensive liner notes penned by Mikey IQ Jones.

 

PRICE: $42.00

CAT #: BT 029LP

FILE UNDER: EXPERIMENTAL

2024 repress. Hotel Record is the second release from the duo/couple of crys cole and Oren Ambarchi, following on from Sonja Henies vei 31 (PLANAM 031LP, 2014). Where their debut recording presented a disquieting portrait of the erotic dimension of romantic intimacy, the follow-up continues to explore the pair's simultaneously musical and romantic relationship in a more subtle fashion, presenting four long-form pieces that touch on the variety of forms the life of this couple takes: as a musical duo, as a pair of travelers to exotic locations, as opponents in a game of cards... Each of the double LP's four sides presents a distinct sound-world, yet each manages to attain the same suspended, half-sleeping feeling, outlining a space where improbable combinations of the electronic and the acoustic, of extreme closeness and amorphous distance, occurring with the gentle insistence of a dream. The opening "Call Myself" calmly unfolds a fabric of long tones from electronic organ and guitar, combining the sliding, aleatoric effects of classic David Behrman with a more hands-on feel. Over the top of this slowly shifting tonal bed, cole's voice mutters unintelligibly into a Buchla synth, teasing the listener by suggesting a meaning that remains always out of the ear's reach. "Francis Debacle (Uno)" builds on the foundations of a heavily amplified session of the titular card game, overlaying vocal murmurs and exhalations and mysterious room-sounds to create an impossible aural environment. On "Burrata", a palette of vintage 1980s digital synthesizer sounds combined with guitars create an irregular texture of lush chords and bubbling melodic details, into which cole's voice processed by a vocoder, is interwoven, reading fragments of romantic correspondence. Finally, on "Pad Phet Gob", field recordings made in Thailand become an ambiguously acoustic/electronic rainforest, eventually giving way to a mysterious, wavering electronic tone-field punctuated by sibilant, popping mouth-sounds. Carving out an intimate and human sonic space across a diverse array of compositional approaches, sound sources, fidelities, and textures, Hotel Record is the latest dispatch from the continuing explorations of a unique duo. Ambarchi and cole reimagine electro-acoustic music, not simply as "abstract" sound, but as a diary, a love poem, a dream. Comes in deluxe gatefold sleeve with photography by crys cole and LP design via Stephen O'Malley; Mastered and cut by Rashad Becker at Dubplates & Mastering.

 

PRICE: $25.00

CAT #: BT 051LP

FILE UNDER: EXPERIMENTAL

2024 repress. Black Truffle present In Real Life, the latest in a flurry of releases from Berlin-based guitarist and composer Julia Reidy. Having drawn acclaim for solo performances on 12-string acoustic guitar that bridge microtonality, "American primitive" stylings, and classic minimalism, Reidy's recent releases have utilized an increasingly broad sonic palette, fleshing out guitar-based composition with electronics, field recordings, and -- most strikingly -- heavily auto-tuned vocals. On In Real Life, Reidy pushes one step further, crafting an epic LP-length suite that moves from abstracted song to lush electronics and explorations in contemporary musique concrete. Beginning with a passage of eerie electronics and creaking percussive interjections, Reidy's heavily auto-tuned voice quickly takes center stage. Surrounded by explosions of electric guitar and synthesized arpeggios, the auto-tuned voice delivers a melancholic ode, bringing together poetic images to reflect on the instability of experience and mutability of identity in a contemporary world saturated by digital technology. This concern with the unsettled relationship between the physical and digital is reflected musically by the constantly shifts in emphasis between Reidy's physically demanding guitar-picking and the various forms of synthesis deployed. Similarly, the dynamic imagery of cutting, shattering, and "racing streams" present in Reidy's lyrics also serves to characterize the structure of In Real Life, which ceaselessly shifts between distinct episodes. The song-based opening, long sequences of frenetic 12-string guitar shadowed and eventually overtaken by synth tones, passages of delicate chiming harmonics, electro-acoustic cut-ups -- each flows seamlessly into the next, often recurring throughout the record's duration, which lingers over interstitial moments between these episodes. Artwork by Suze Whaites; LP design by Lasse Marhaug. Mixed and mastered by Joe Talia at Good Mixture, Tokyo. Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin.

 

PRICE: $42.00

CAT #: CLV 010LP

FILE UNDER: SOUNDTRACK

After The Legend of Kaspar Hauser, directed by Davide Manulli, Vitalic is once again putting his music to moving images with Disco Boy by Giacomo Abbruzzese (awarded a Silver Bear at the 2023 Berlinale). Electronic, intense and navigating between a variety of different atmospheres, the soundtrack -- much like the film it accompanies -- is full of promise and mystery. "The Swamps," "La Guerre" and "Helicopter" are reminiscent of the intense, dark and foreboding productions of Thomas Bangalter for "Irreversible" by director Gaspar No?. In contrast, "Winter is Coming" and "Lost Time" are places of melancholy and sweetness where all bass has completely disappeared. As for the eponymous theme for the film, Disco Boy, it pays true electronic homage to the sound of disco. The retro-futurist soundtrack to Disco Boy oscillates between devastating kick drums, moist ambient and dreamlike swathes. Vitalic has created uncharted sonic landscapes that invite us on a voyage of initiation and self-discovery.

 

PRICE: $30.00

CAT #: CC 007LP

FILE UNDER: ROCK

2024 repress. "During the 1990s, Shizuka self-released a series of four cassettes, barely heard by anyone outside of their inner circle. Culling together live recordings and home demos, these served as companions to the scant amount of proper Shizuka releases at the time (including the recently reissued Heavenly Persona). Concentric Circles is now presents the third and most anomalous cassette from Shizuka, simply titled III, on vinyl for the first time in an edition of 500 copies. Formed by guitarist and singer Shizuka Miura, alongside husband Maki Miura, who'd previously played with both Les Rallizes D?nud?s and Fushitsusha, the group known as Shizuka started in the early '90s with Jun Kosugi (also of Fushitsusha) on drums, and a revolving cast of bass players, including J.J. Junko, whose sole recorded appearance with the band is here on III. Devoid of any of their trademark noise and bombast, III feel distinct from their studio and live albums of the era, largely due to its fragility; haunted and spare, the songs revolve around Shizuka Miura's gentle, unforced sighs, and Maki's flickering, flinty guitar. The first side of the album features four songs which will be well-known to Shizuka fans from previous recordings, but the drastically understated renditions here are particularly moving for their quietude and intimacy. The second half of III consists of a side-long duo session, just Shizuka and Maki Miura together at home, circling around the simplest two-chord motif for twenty minutes, Shizuka singing the most heavenly melody, strung through the sky of this lengthy improvisation. It's an astonishingly beautiful performance, one that stills time through its becalmed repetition, pointing towards the endless forever. In this respect, it feels like an ultimate extension of Opal's early recordings, Big Star's third or even Galaxie 500's quietest moments. III lifts the darkness away, allowing for a softer, more-gentle Shizuka to shine through, bringing with it a side to the band that most never knew existed. A lovely discovery if there ever was one."

 

PRICE: $24.00

CAT #: DE 319LP

FILE UNDER: ROCK

"Bay Area post-punk outfit Topographies deliver their sophomore LP, Interior Spring, via Dark Entries. Formed in 2018 in San Francisco by Justin Oronos, Jeremie Ruest, and Gray Tolhurst, Topographies link the icy riffs and gloomy atmosphere of early coldwave with the textural depth and warmth of classic shoegaze, emerging with a style that's both contemporary and timeless. On Interior Spring, Topographies explore themes of guilt, inherited trauma, and recovery. The meaning of its title is triplicate: a submerged river carrying hope, an anxiously wound clock, and a season where wildflowers bloom on the graves of the past. While the work of Tolhurst's father -- Laurence Tolhurst from The Cure -- provides a clear influence, Topographies expertly channel acts like Asylum Party or The Chameleons on anthemic pearls like 'Night Sea' and 'Chain of Days.' Tolhurst's lyrics draw on his own experience in recovery from substance abuse to examine the cycle of use and hopelessness that characterizes addiction. Through these ten songs, the group hopes to present the idea that freedom is not an escape but an embrace of the quotidian beauty of human life."

 

PRICE: $25.00

CAT #: STEP 004LP

FILE UNDER: ROCK

2024 repress. Deluxe gatefold vinyl edition. "With a book of lyrics and artwork, updated by Vashti herself. This vinyl reissue of Vashti Bunyan's lone 1970 solo release features contributions from British folk royalty including members of Fairport Convention and preeminent producer Joe Boyd." "Vashti Bunyan's lone 1970 solo release features contributions from British folk royalty including members of Fairport Convention and preeminent producer Joe Boyd. Vashti was recently heard singing alongside Devendra Banhart on the title track of Rejoicing In The Hands. The songs were written over two summers and one winter of travelling. After a chance meeting that winter with Derroll Adams (noted Woody Guthrie era folksinger and banjo player) who told her not to 'hide her light under a bushel,' Vashti took the songs of her journey to Joe Boyd. A year later he recorded Just Another Diamond Day, inviting Robin Williamson of the Incredible String Band, and Dave Swarbrick and Simon Nicol (who also played on Nick Drake's records) from Fairport Convention to accompany Vashti on some tracks. The album was released late in 1970 to little attention. The music was abandoned by the singer in favor of further horse journeys and complete obscurity. However, over the years all the recordings have succeeded in finding their own way to the notice of music collectors. The master tape of the album lay in a London warehouse for thirty years before being unwisely taken across the city in an underground train and getting wet in a raging thunderstorm, but has survived almost intact. The four additional on this edition are from well traveled old vinyl, acetate demos, and home recorded tape." -- Paul Lambden.

 

PRICE: $25.00

CAT #: DC 127LP

FILE UNDER: ROCK

[sold out] 2024 vinyl reissue. Green color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored through 2014 over another five Ghost LPs, as well as the further explorations to the present day of leader Masaki Batoh, as a solo artist and with The Silence, Damon & Naomi, Helena Espvall, and most recently, nehan. The first three Ghost titles (Ghost, Second Time Around, and Temple Stone) were originally released by P.S.F. on CD in 1990, 1992 and 1994, respectively, radiating enigma and energy in palpable waves with their original sound. After the acclaim that greeted Drag City's 1996 US release of Lama Rabi Rabi, the label quickly reissued all three on vinyl -- and they quickly went out of print! At which point, Ghost had Snuffbox Immanence and Free Tibet ready to go. And then, Hypnotic Underworld. And then, and then... Now, it's been 25 years since they were last offered on vinyl. In the twenty-year sweep of Ghost history, these first three releases qualify as primitive early Ghost -- sort of like a German Os Mutantes (or perhaps a Brazilian Amon D??l). The subterranean presence of a diversity of progressive/avant classic rock influences (Pink Floyd, Incredible String Band, Captain Beefheart, Scott Walker, Led Zeppelin, Popol Vuh, Third Ear Band, to name but a few) provokes further synthesis, making for an entirely new meditation on the traditional order of psychedelic music. The first two studio albums, each one an iteration of Ghost's unique lysergic folk music, were followed by the monolithic 'live in various places' happening of Temple Stone, which raised the trippiness levels considerably."

 

PRICE: $25.00

CAT #: DC 128LP

FILE UNDER: ROCK

[sold out] 2024 vinyl reissue. Blue color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored through 2014 over another five Ghost LPs, as well as the further explorations to the present day of leader Masaki Batoh, as a solo artist and with The Silence, Damon & Naomi, Helena Espvall, and most recently, nehan. The first three Ghost titles (Ghost, Second Time Around, and Temple Stone) were originally released by P.S.F. on CD in 1990, 1992 and 1994, respectively, radiating enigma and energy in palpable waves with their original sound. After the acclaim that greeted Drag City's 1996 US release of Lama Rabi Rabi, the label quickly reissued all three on vinyl -- and they quickly went out of print! At which point, Ghost had Snuffbox Immanence and Free Tibet ready to go. And then, Hypnotic Underworld. And then, and then... Now, it's been 25 years since they were last offered on vinyl. In the twenty-year sweep of Ghost history, these first three releases qualify as primitive early Ghost -- sort of like a German Os Mutantes (or perhaps a Brazilian Amon D??l). The subterranean presence of a diversity of progressive/avant classic rock influences (Pink Floyd, Incredible String Band, Captain Beefheart, Scott Walker, Led Zeppelin, Popol Vuh, Third Ear Band, to name but a few) provokes further synthesis, making for an entirely new meditation on the traditional order of psychedelic music. The first two studio albums, each one an iteration of Ghost's unique lysergic folk music, were followed by the monolithic 'live in various places' happening of Temple Stone, which raised the trippiness levels considerably."

 

PRICE: $25.00

CAT #: DC 129LP

FILE UNDER: ROCK

[sold out] 2024 vinyl reissue. Green color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored through 2014 over another five Ghost LPs, as well as the further explorations to the present day of leader Masaki Batoh, as a solo artist and with The Silence, Damon & Naomi, Helena Espvall, and most recently, nehan. The first three Ghost titles (Ghost, Second Time Around, and Temple Stone) were originally released by P.S.F. on CD in 1990, 1992 and 1994, respectively, radiating enigma and energy in palpable waves with their original sound. After the acclaim that greeted Drag City's 1996 US release of Lama Rabi Rabi, the label quickly reissued all three on vinyl -- and they quickly went out of print! At which point, Ghost had Snuffbox Immanence and Free Tibet ready to go. And then, Hypnotic Underworld. And then, and then... Now, it's been 25 years since they were last offered on vinyl. In the twenty-year sweep of Ghost history, these first three releases qualify as primitive early Ghost -- sort of like a German Os Mutantes (or perhaps a Brazilian Amon D??l). The subterranean presence of a diversity of progressive/avant classic rock influences (Pink Floyd, Incredible String Band, Captain Beefheart, Scott Walker, Led Zeppelin, Popol Vuh, Third Ear Band, to name but a few) provokes further synthesis, making for an entirely new meditation on the traditional order of psychedelic music. The first two studio albums, each one an iteration of Ghost's unique lysergic folk music, were followed by the monolithic 'live in various places' happening of Temple Stone, which raised the trippiness levels considerably."

 

PRICE: $13.50

CAT #: DC 874CD

FILE UNDER: ROCK

"Over the course of her career, spanning three-plus decades, Laetitia Sadier has never shied away from the hard topics, or stopped advocating for the possibility of self-determination and emancipation in the face of the powers that be, conscious or unconscious. This is an essential part of the foundation she co-built with Stereolab, showcasing her spiritual, scientific and sociopolitical inquiries. She's continued this process with Monade and under her own name and as a writer/singer/musician whose every album acts as a report on her journey of the self through time, space and the collective. On Rooting For Love, the report is set alight by the heat of a turbulent world, collapsing institutions and Laetitia's fully engaged process of expression as well as orchestration. The musical arrangements help to embody the layers of the issue, as with 'Who + What''s combination of organ, synths, guitar, bass, trombone, drum programming, vibraphone and zither, all working along intricate paths of chord and tempo changes. Leading from the inside is the implacable presence of Laetitia Sadier, herself interacting with a vocal assembly of men and women billed as The Choir. The regular reappearance of The Choir throughout Rooting For Love is a reminder of this music being one of a people in critical mass, in addition to an evolution that continues to deepen the rich harmonic fields in which Laetitia plays. The melodic funk of bassist Xavi Mu?oz leads a Chic-adjacent slink to the occasional dance floor vibes and no-wave rockouts, while Hannes Plattemier and Emma Mario take turns in mixing the tracks and informing the far reaches of the material, with vibes, additional drum programming and synths alongside a talented cast of players and singers from Laetita's Source Ensemble and beyond. As with the cover image of the winter tree mirrored by the word patterns of Rooting For Love, Laetitia maintains that how we heal the world that's coming, and what we make of it, will be a co-creation. Alongside her collaboration with Modern Cosmology, last year's incredible What Will You Grow Now?, as well as her continued tours with a reformed Stereolab, Rooting For Love finds Laetitia back in the world, once again urging all our grounded inner alignment and heart power to make us better equipped for creating what's to come."

 

PRICE: $24.00

CAT #: DC 874LP

FILE UNDER: ROCK

LP version. "Over the course of her career, spanning three-plus decades, Laetitia Sadier has never shied away from the hard topics, or stopped advocating for the possibility of self-determination and emancipation in the face of the powers that be, conscious or unconscious. This is an essential part of the foundation she co-built with Stereolab, showcasing her spiritual, scientific and sociopolitical inquiries. She's continued this process with Monade and under her own name and as a writer/singer/musician whose every album acts as a report on her journey of the self through time, space and the collective. On Rooting For Love, the report is set alight by the heat of a turbulent world, collapsing institutions and Laetitia's fully engaged process of expression as well as orchestration. The musical arrangements help to embody the layers of the issue, as with 'Who + What''s combination of organ, synths, guitar, bass, trombone, drum programming, vibraphone and zither, all working along intricate paths of chord and tempo changes. Leading from the inside is the implacable presence of Laetitia Sadier, herself interacting with a vocal assembly of men and women billed as The Choir. The regular reappearance of The Choir throughout Rooting For Love is a reminder of this music being one of a people in critical mass, in addition to an evolution that continues to deepen the rich harmonic fields in which Laetitia plays. The melodic funk of bassist Xavi Mu?oz leads a Chic-adjacent slink to the occasional dance floor vibes and no-wave rockouts, while Hannes Plattemier and Emma Mario take turns in mixing the tracks and informing the far reaches of the material, with vibes, additional drum programming and synths alongside a talented cast of players and singers from Laetita's Source Ensemble and beyond. As with the cover image of the winter tree mirrored by the word patterns of Rooting For Love, Laetitia maintains that how we heal the world that's coming, and what we make of it, will be a co-creation. Alongside her collaboration with Modern Cosmology, last year's incredible What Will You Grow Now?, as well as her continued tours with a reformed Stereolab, Rooting For Love finds Laetitia back in the world, once again urging all our grounded inner alignment and heart power to make us better equipped for creating what's to come."

 

PRICE: $23.50

CAT #: BEC 5613418

FILE UNDER: SOUNDTRACK

Daaaaaali is the new movie from Quentin Dupieux (aka Mr Oizo). This is the original soundtrack by Thomas Bangalter. Two-track, limited edition black 10'' EP. Includes poster.

 

PRICE: $51.50

CAT #: EX 030LP

FILE UNDER: ELECTRONIC

Philipp Roller produced his album, Sommer 97, back in 1996 during his student days in his small home studio. Drawing inspiration from acts like Kraftwerk, Orbital, various artists on Warp Records, and computer game music, Roller crafted a unique sonic experience. Initially released on cassette, the album was unveiled to an intimate audience at K?nstlerhaus Stuttgart in February 1997. Following the initial release, Roller had the opportunity to sign with a small British label. Unfortunately, circumstances led to the label's dissolution before the record could see the light of day. Despite efforts to secure a new label, Sommer 97 remained confined to DAT tapes and hard drives for years. Fast forward to 2020 when Michael K?bler and Daniel Varga (Rework) joined forces to establish EXLOVE Records. Recognizing the album's potential, they decided to bring Sommer 97 out of obscurity and into the world. Philipp Roller, now residing in Berlin and working as a freelance interface designer for music software, has had an illustrious past creating a lot of music not only on his own but even for fashion shows, art and image films, and contributing ideas to Rework's debut track "Anyway I Know You" on Playhouse. In August 2021, Roller released his first single, "Kiss & Tell / Roller Disco," on Exlove Records. Finally, after a remarkable 26-year journey, Roller's legendary Sommer 97 tape is released.

 

PRICE: $41.00

CAT #: EX 032LP

FILE UNDER: ELECTRONIC

After their successful collaboration with Get Physical Music, Rework returns with another new dancefloor pleasure release called "Sun," and the following album Cue It Back. Sinister synth effected stabs and minimal cold female vocal contributions are still part of their iconic sound. Rework's minimalist beat and pulsing synthwork still captures an internal glamour combined with cold and Jane Birkin type vocal contributions by various female artists. With a sonic template of their earlier Playhouse tracks, Rework shows their love to club music again on their own label Exlove Records.

 

PRICE: $44.50

CAT #: FLEE 005LP

FILE UNDER: WORLD

Flee's new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture and post-Soviet society, and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronicesque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, and Ben Wheeler. Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. Ulyap Songs: Beyond Circassian Tradition represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism. This publication reflects on a music phenomenon involving talented female and male musicians, performing in lively (and sometimes festive) social dynamics. It does so by revealing important songs of the repertoire on the one hand, inviting original artists to experiment with Ulyap songs on the other. Musically, the double LP consists of rare and unpublished archives as well as recordings made by FLEE, Ored Recordings, and Nikita Rasskazov over the last years in various locations of the Caucasus. These original celebrations and drinking songs performed by group of professional and amateur musicians alike have been used as a creative fabric by sonic sound artists and musicians. Also featuring Yura Nagoev, Elena Dokshokova, Damir Guagov, Jrjpej, G.A.M.S, and Vatannar.

 

PRICE: $32.00

CAT #: DGP 003LP

FILE UNDER: WORLD

Gladys Palmera introduces to you Loca Ilusion: Exciting Latin Sounds Compiled By Gladys Palmera, a unique compilation for its quality, selection, sound and taste. You will hardly find another compilation album like this one, where the best of Gladys Palmera's Colection is found and with the personal touch of Gladys herself, Alejandra Fierro Eleta. Here are different versions of well-known songs, surprising displays of vocal mastery, crazy jam sessions to immediately dance to, instrumentals full of virtuosity, gatherings of great music stars unnoticed until now and rare songs by artists who can only be found in Gladys Palmera?s archive. Gladys Palmera herself has spent hours and hours searching, listening to, choosing, selecting and refining each piece of music for all of us to enjoy. These are recordings from the '60s and '70s made in different cities in Latin America and with styles ranging from the most traditional Antillean folklore to mixes and combinations with jazz, swing, twist, exotic and bossa nova. Loca Ilusion: Exciting Latin Sounds Compiled by Glady Palmera is a production of Discos Gladys Palmera and a small sample of what is considered the best and biggest Afrolatin collection in the world. Featuring Orquesta Cimarron, Tongolote, Los Castro, Pepe Moreno y el Combo Los Bravos, Los Calvos, Chapuseaux y Damrion y su Conjunto, Eddie Cano & Jack Constanzo, Don Cunningham Quartet, Jesus Gomez y su Grupo, Tony Smith con Orquesta, Al Valdes y su Conjunto, and Moncho Le?a y Los Ases del Ritmo.

 

PRICE: $24.00

CAT #: GONE 198LP

FILE UNDER: ROCK

"Naarm/Melbourne, Australia has been churning out reliable punk rock since the likes of The Chosen Few and Rowland S. Howard were kicking about in the late '70s. Split System are a band that carry on this tradition into the 21st century. Cooked up behind the scenes in the COVID lockdowns, they seemingly came out of nowhere but sounded like they'd been slamming beers to Saints and Radio Birdman records together and playing gigs for many years. Their Vol. 2 is unmistakable Aussie high voltage proto-punk. In their short time on the scene they have demonstrated a knack for combining muscular street punk with classic rock hooks. Their debut album Vol. 1 and follow up 7" were described as ferocious and powerful records with amphetamine swagger. They're high energy and don't believe in muddy guitar tones. The band are in their element during their raw live shows. They have shared bills with the likes of Amyl & The Sniffers, Cosmic Psychos, Civic, Bad//Dreems, Hard-Ons, CLAMM, Cable Ties, and C.O.F.F.I.N.."

 

PRICE: $31.50

CAT #: GUESS 239LP

FILE UNDER: ROCK

Previously unreleased hard-psychedelic, acid-rock and folk-psych recordings,1973-75, by this West Coast trio formed by three versatile musicians: Bob Hardy (Asgard, Stow Lake), Tim Timmermanns (John Cipollina's Freelight, Craig Chaquico's band) and Chris Quinn. Well-crafted songs, superb musicianship, homemade feel, acid-fuzz guitar, flute -- truly a great discovery for fans of obscure psych. Limited, hand-numbered edition of 300 copies. Remastered from the original tapes. Insert with liner notes, photos, and download card.

 

PRICE: $31.50

CAT #: GUESS 246LP

FILE UNDER: ROCK

Regarded as one of the best European progressive rock albums from the '70s, the sole release by Belgian group Waterloo was originally released on the Vogue label in 1970. Entirely sung in English, First Battle is a blend of progressive rock, psychedelia and heavy prog with top guitar/organ, flute and obvious Jethro Tull influence but with something else really of their own, making a very special album. First officially reissued in 2017 and long out of print, Guerssen presents an improved reissue in hard cardboard sleeve with OBI and insert featuring liner notes and photos.

 

PRICE: $24.00

CAT #: HONEY 090LP

FILE UNDER: JAZZ

Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960, this album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

 

PRICE: $30.00

CAT #: IMP 228HLP

FILE UNDER: JAZZ

2024 restock. Exact repro. 180 gram virgin vinyl. Originally issued in 1971. Recorded at the Coltrane home studio, Dix Hills, New York on November 8, 1970. Alice Coltrane (harp, piano); Pharoah Sanders (soprano saxophone, perc); Charlie Haden (bass); Rashied Ali (drums); Cecil McBee (bass); Vishnu Wood (oud); Tulsi (tamboura); Majid Shabazz (bells, tambourine). "Swamiji is the first example I have seen in recent years of Universal Love or God in action. He expresses an impersonal love, which encompasses thousands of people. Anyone listening to this selection should try to envision himself floating on an ocean of Satchidanandaji's love, which is literally carrying countless devotees across the vicissitudes and stormy blasts of life to the other shore. 'Satchidananda' means knowledge, existence, bliss." --Alice Coltrane

 

PRICE: $25.00

CAT #: ITR 379LP

FILE UNDER: ROCK

"In 2022, Henry Rollins heard an early version of Dion Lunadon's sophomore album Beyond Everything. He said it sounded like something that should be on In The Red Records. In The Red Records agreed. Now ITR present the follow up, Systems Edge. Ten brand new original garage/punk rockers informed by the likes of Iggy, Thunders, and late '70s punk without sounding retro or by-the-numbers. This is seriously great stuff! Born in Auckland, New Zealand and now residing in New York City, Lunadon has played in various bands, most notably The D4 (who released two albums on the legendary Flying Nun label) and A Place To Bury Strangers."

 

PRICE: $23.50

CAT #: INCIENSO 026LP

FILE UNDER: ELECTRONIC

Jonny From Space is the moniker of Miami-based producer, DJ, and co-founder of Impacto, Jonathan Trujillo. After two EPs on Omnidisc and a few more self-released, Incienso presents his debut solo LP, back then I didn't but now I do. Loping drum loops, warbling synth lines, sun-streaked pads and voice amble into the depths of the humid world Jonny's music inhabits, where tempos shift and often float off into the ether altogether. In the words of JFS himself -- this album is "built 2 chill."

 

PRICE: $16.00

CAT #: IF 1090CD

FILE UNDER: SOUNDTRACK

A mesmerizing journey of electronic and classical elements for this year most awaited series D'Argent & De Sang is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as Room with a View (IF 1057LP, 2020) and Tohu Bohu (IF 1020LP, 2020), who won a C?sar for his first soundtrack for Fr?d?ric Farrucci's film La Nuit Venue in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's Les Olympiades. Initially entitled Tikkoun, the next CANAL+ original series D'Argent & De Sang is produced by Curiosa Films and directed by multi-C?sar winner Xavier Giannoli, with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolize the heterogeneity of the worlds that intersect in this story."

 

PRICE: $37.50

CAT #: IF 1090LP

FILE UNDER: SOUNDTRACK

LP version. A mesmerizing journey of electronic and classical elements for this year most awaited series D'Argent & De Sang is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as Room with a View (IF 1057LP, 2020) and Tohu Bohu (IF 1020LP, 2020), who won a C?sar for his first soundtrack for Fr?d?ric Farrucci's film La Nuit Venue in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's Les Olympiades. Initially entitled Tikkoun, the next CANAL+ original series D'Argent & De Sang is produced by Curiosa Films and directed by multi-C?sar winner Xavier Giannoli, with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolize the heterogeneity of the worlds that intersect in this story."

 

PRICE: $73.00

CAT #: IR 016LP

FILE UNDER: ROCK

2024 repress. "The astonishing Judee Sill was the first artist signed to David Geffen's Asylum Records, and Judee Sill the first album released on the label. Sill's music is intensely spiritual, redolent of both mysticism and divine imagery, yet grounded by great songwriting and a pure but powerful singing talent. Her songs impart incredible intimacy that is enhanced and not diminished by her sometimes complex string/orchestral arrangements (remarkably Sill arranged and conducted the strings/orchestra on her albums!). Sill's life was tragic personally and professionally. Her father and brother were killed when Sill was young, and her tempestuous relationship with her alcoholic (and remarried) mother resulted in her leaving home at 15. She committed robberies and began a battle she was destined to lose against drug addiction. When stardom didn't follow the critical acclaim of these two albums her career never recovered. Sill was dead in 1979 at just 35. The brevity of Judee's musical legacy is vastly outweighed by the emotional power in these two extraordinary albums. 180gram double 45s pressed at Gotta Groove. Old-style 'tip-on' gatefold jacket printed by Stoughton on heavy stock."

 

PRICE: $28.00

CAT #: KLD 005LP

FILE UNDER: ELECTRONIC

It's the kind of project that brings the old mad scientist clich? out for an airing, "It's insane, but it just might work." The insanity in this case being a motley cast that features Andy Moor (The Ex, Amsterdam), Desmond Denker (Cologne), Phanton (Cologne), Y?rke (D?sseldorf), Dubby King Knarf (Knarf Rell?m, Hamburg), Istari Lasterfahrer (Hamburg), and Begritty (Cologne) laying down their versions of tracks from the demento-a-go-go-electro-pop-rock-mono-mind known as Zea a.k.a. Arnold de Boer. This bastardised 12"-slab of wax has Zea sonically re-assessed, dissected and twisted inside out. And it had to happen, it had to be made. It's the punky pop intro of the song 'Staande ben ik vergeten wat ik dacht toen ik lag,' the Dutch translation of the first sentence of the song that provided the title for this collection of remixes.

 

PRICE: $28.50

CAT #: LR 349LP

FILE UNDER: ROCK

2024 repress. By the time this album was released, Antonio Carlos Jobim was already an international superstar. Having recently won a Grammy (1965) for "The Girl From Ipanema", by 1967 all the big name stars from up north were breaking down his door to work with the new "Gershwin of Brazil." In fact, Jobim had just finished working on an album with Frank Sinatra when he went into the studio to record this album. Recorded in 1967, Wave is actually one of the lesser known masterpieces of Brazilian music, and undoubtedly one of Jobim's greatest. Here Jobim and the great Claus Ogerman lead a top-flight cast on hidden classics like Batidinha, Triste and Wave.

 

PRICE: $37.50

CAT #: MAR 077LP

FILE UNDER: JAZZ

One of the greatest musicians in the history of Brazilian music. Conductor, composer, arranger, band leader and, without a doubt, one of Brazil's most brilliant sax and flute players. In 1968, Paulo Moura brought together a notable group from the country's jazz and instrumental music to record the album Mensagem. He walked between African rhythm and American and European avant-garde, transforming the Brazilian soul. Licensed by Halina Grynberg. LP deluxe edition, 180g vinyl. Features hard cardboard cover and obi. Download card included.

 

PRICE: $19.00

CAT #: MAR 089EP

FILE UNDER: ROCK

The '70s funky Northern soul masterpiece by New York-born soul singer Judy Freeman is reissued for the first time on 7". Ted Taylor was chronically unappreciated throughout his career. "Somebody's Always Trying" is a magnificent uptempo dance floor filler with a pounding rhythm, powerful drums, rocking horns and a great frantic, exasperated vocal.

 

PRICE: $37.50

CAT #: MAR 096LP

FILE UNDER: ROCK

A rare album, Fisher was originally released on the Nentu label in 1976. Think Grant Green meets Eddie Hazel. This LP has it all: gorgeous soul jazz, wahed-out fuzz rock, dirty, head-nodding funk rhythms. It's a monster psychedelic soul-funk instrumental album. This is less jazzy than the Third Cup and The Next One Hundred Years, released by Chicago's Cadet label and more cosmic psych funk across both sides and gets super exploratory and trippy. 180g vinyl in deluxe hard-cardboard sleeve cover with obi.

 

PRICE: $33.00

CAT #: MENT 005LP

FILE UNDER: ROCK

2024 restock; double LP version. The Nuggets (1972) of krautrock, Cologne Curiosities collects for the first time on vinyl, all the otherwise unpublished/un-reissued material that originally appeared on the three Unknown Deutschland - The Krautrock Archive CDs released on Virgin in 1996. These CD only releases were originally compiled by Trevor Manwaring (Paratactile, Impetus, Virgin, Harmonia Mundi) from tapes supplied to him by Toby Robinson. Toby, aka The Mad Twiddler, aka Genius P. Orridge, is well-known to krautrock collectors as one of a number of engineers working at Stockhausen's WDR and Dierks Studio in Cologne in the mid-1970s, where he assisted on recordings by many famous kraut bands such as Can, Birth Control, Mythos and Dzyan. The recordings included here were made between 1972 and 1976 using studios in and around Cologne, produced by Toby Robinson for his own amusement. Bands would come in for practice sessions, to record demos, and during slack periods, impromptu jams would happen. Most of these sessions were recorded by Toby, and they feature Toby himself plus a revolving cast of friends and musicians (some of them apparently big kraut names under pseudonym). Including lost-in-time bands/studio projects like Astral Army, Fuerrote, Spirulina and Baal among others, the music here ranges from killer proto-new wave kraut psych to wild space rock, proto-ambient electronic, dark psychedelia and raw kosmische sounds with lots of analog synths/Moog. It was during that time in Cologne, that Toby, along with Fluxus artist Robin Page, gave birth to the mysterious and controversial Pyramid label, for which these tracks were originally made for. 24-bit domain remaster from the original master tapes. Insert with detailed liner notes by Alan Freeman (Ultima Thule, The Crack In The Cosmic Egg (2007)). Also features: Chronos, Neil Andersen and Ten To Zen. RIYL: Pink Floyd, Gila, Cluster, Hawkwind, Ash Ra Tempel, Amon D??l II, Popol Vuh, Cosmic Jokers.

 

PRICE: $29.50

CAT #: MGART 614LP

FILE UNDER: ROCK

2024 restock. MG.ART announce the reissue of Join Inn as part three of the authorized 50th anniversary "A.R.T." re-edition series. Join Inn is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion Each side of the LP comprises one long track. In 1972, Ash Ra Tempel teamed up again with Klaus Schulze during the recording of Walter Wegm?ller's Tarot album, and after one of the recording sessions, Ash Ra Tempel members Enke, G?ttsching and Rosi, together with Klaus decided to "play it again" in a late-night session. This recording led to the birth of the Join Inn album, as well as two legendary last concerts in February 1973 in Paris and Cologne. Manuel G?ttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on "Freak n' Roll", that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away in 2022) played the drums and also Hartmut (the Hawk) Enke soon after quit the bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, it is considered a highlight of the Krautrock movement. Re-cut overseen by Manuel G?ttsching.Julian Cope's review from his book Krautrocksampler (1995): "'Freak'n'roll' fades in like it never started -- just was always there from the beginning of time, a dry wah-guitar free rock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel G?ttsching's guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it's the return of Klaus Schulze on drums which propels 'Freak'n'roll' to its height. No-one but Klaus has the ability to transcend rock n' roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. 'Freak'n'roll' is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called 'Jenseits (The Next World)', a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers' meeting with Timothy Leary..."

 

PRICE: $13.50

CAT #: M14 CD

FILE UNDER: ROCK

"After a two-decade interlude, Jim O'Rourke's Moikai returns with Spectral Evolution, a major new work by Rafael Toral. Making his name in the mid-1990s with influential guitar drone platters like Sound Mind Sound Body and Wave Field, Toral has never been one to rest on his laurels repeating his past glories. Since 2017, Toral's work has been entering a new phase, often still centered around the arsenal of self-built instruments developed in the Space Program, but with a renewed interest in the long tones and almost static textures of his earlier work; he has also, after more than a decade, returned to the electric guitar. Spectral Evolution is undoubtedly Toral's most sophisticated work to date, bringing together seemingly incompatible threads from his entire career into a powerful new synthesis, both wildly experimental and emotionally affecting. Toral manages the almost miraculous feat of having his self-built electronic instruments (which in the past he had seen as 'inadequate to play any music based on the Western system') play in tune. In an unexpected sidestep away from any of his previous work, the chord changes that underpin many of the episodes on Spectral Evolution are derived from classic jazz harmony, including takes on the archetypal Gershwin 'Rhythm changes' and Ellington?Strayhorn's 'Take the ?A' Train,' albeit slowed to such an extent that each chord becomes a kind of environment in its own right. Threading together twelve distinct episodes into a flowing whole, Spectral Evolution alternates moments of airy instrumental interplay with dense sonic mass, breaking up the pieces based on chord changes with ambient 'Spaces.' At points reduced to almost a whisper, at other moments Toral's electronics wail, squelch, and squeak like David Tudor's live-electronic rainforest. Similarly, his use of the guitar encompasses an enormous dynamic and textural range, from chiming chords to expansive drones, from crystal clarity to fuzzy grit: on the beautiful 'Your Goodbye,' his filtered, distorted soloing recalls Loren Connors in its emotive depth and wandering melodic sensibility. The product of three years of experimentation and recording, and synthesizing the insights of more than thirty years of musical research, Spectral Evolution is the quintessential album of guitar music from Rafael Toral."

 

PRICE: $23.00

CAT #: M14 LP

FILE UNDER: ELECTRONIC

LP version. "After a two-decade interlude, Jim O'Rourke's Moikai returns with Spectral Evolution, a major new work by Rafael Toral. Making his name in the mid-1990s with influential guitar drone platters like Sound Mind Sound Body and Wave Field, Toral has never been one to rest on his laurels repeating his past glories. Since 2017, Toral's work has been entering a new phase, often still centered around the arsenal of self-built instruments developed in the Space Program, but with a renewed interest in the long tones and almost static textures of his earlier work; he has also, after more than a decade, returned to the electric guitar. Spectral Evolution is undoubtedly Toral's most sophisticated work to date, bringing together seemingly incompatible threads from his entire career into a powerful new synthesis, both wildly experimental and emotionally affecting. Toral manages the almost miraculous feat of having his self-built electronic instruments (which in the past he had seen as 'inadequate to play any music based on the Western system') play in tune. In an unexpected sidestep away from any of his previous work, the chord changes that underpin many of the episodes on Spectral Evolution are derived from classic jazz harmony, including takes on the archetypal Gershwin 'Rhythm changes' and Ellington-Strayhorn's 'Take the ?A' Train,' albeit slowed to such an extent that each chord becomes a kind of environment in its own right. Threading together twelve distinct episodes into a flowing whole, Spectral Evolution alternates moments of airy instrumental interplay with dense sonic mass, breaking up the pieces based on chord changes with ambient 'Spaces.' At points reduced to almost a whisper, at other moments Toral's electronics wail, squelch, and squeak like David Tudor's live-electronic rainforest. Similarly, his use of the guitar encompasses an enormous dynamic and textural range, from chiming chords to expansive drones, from crystal clarity to fuzzy grit: on the beautiful 'Your Goodbye,' his filtered, distorted soloing recalls Loren Connors in its emotive depth and wandering melodic sensibility. The product of three years of experimentation and recording, and synthesizing the insights of more than thirty years of musical research, Spectral Evolution is the quintessential album of guitar music from Rafael Toral."

 

PRICE: $17.50

CAT #: NMR 013EP

FILE UNDER: ELECTRONIC

Roberta has been hard at work the last few years establishing her style of deep, smokey house music across a number of prominent labels as well as her own Night Moves imprint. On her newest release, however, she gives a little taste of some of the other sounds that are dear to her. Enlisting singer Fawziyya Heart to help, Roberta whips up an intoxicating mixture of uptempo neo-soul and broken beats that is sure to work the dancefloor as well as your emotions. Driven by snappy drums and thick Rhodes chords, the beat on "Take Our Time" acts as the perfect bed for Fawziyya's lyrics, calling for patience to prove that their relationship is right. On the flip Roberta dubs the track out, letting the sultry keyboard chords take the lead while the bass and drums twist into a rhythm that will have everybody winding their waists in the dance. This is another killer single from the Night Moves boss that will be sure to please her fanbase while also spreading her sound to a new audience.

 

PRICE: $37.50

CAT #: NOW 185LP

FILE UNDER: ELECTRONIC

Fakear needed to reinvent himself. To return to the essence of his project, with spontaneity and above all, honesty. Ten years after his first steps in the industry, Fakear now returns to his roots, without looking to the past with nostalgia or contempt; but rather by contemplating his past self with kindness. And this new wave got expressed in one word: Talisman (NOW 017LP), his last album that came out in February 2023. But such a comeback doesn't just completely stop after only one album -- even though it was particularly noteworthy to the media and the audience. And neither does the inspiration for Fakear. This is how Hypertalisman was born. Like the following of this rebirth and this new inspiration for Th?o. Like an extension of Talisman: a new dimension, a parallel universe. "Talisman was me returning to my roots. Hypertalisman is a window to the future." Also featuring OOGO and Kavya.

 

PRICE: $31.50

CAT #: OSR 093LP

FILE UNDER: ROCK

First official vinyl reissue of this sought-after psychedelic folk-rock/Americana/SSW album from 1976. Major Arcana was a group led by counter-culture Milwaukee icon Jim Spencer, featuring a revolving cast of musicians/collaborators. The core of the band was Jim Spencer (guitar, vocals), Randall Dubis (electric guitar), Michael Burdecki (bass, slide guitar), and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends/musicians like Sigmund Snopek III and Barry Patton among many others. Released on Jim Spencer's own private label (A Major Label, home also to Anonymous of Inside The Shadow fame), the album opens with the terrific psych-folk of "Western Wind" and closes with an acid-folk rendition of "Greensleeves." In between, you'll also find some blues rock, SSW ballads, and jazzy bits. File next to groups like Pearls Before Swine or Bermuda Triangle. Remastered sound with original artwork and front cover by underground comix legend Denis Kitchen. Includes reproduction of the original poster insert by comic book artist Peter Poplaski. New insert with liner notes by Jim Spencer's close friend/collaborator Barry Patton, with photos.

 

PRICE: $31.50

CAT #: PHS 076LP

FILE UNDER: ROCK

First ever reissue. Psychedelic Latin-funk holy grail from Nicaragua, 1974. Poder del Alma ("Soul Power") was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the '70s. All the members had already played an important role in the history of the Nica music/hippie scene in the 1960s. Among them is Rom?n Cerpas (previously on Bwana), Ren? "Chapo Dom?nguez (Los Rockets), and Edgar "El Gato" Aguilar. A few months after the Managua concert with Santana, Poder del Alma traveled to Guatemala to record their first long play for Dideca (Discos De Centroam?rica, S.A.) in just one week of recording sessions. Despite the low budget and precarious recording equipment, the band managed to obtain a powerful psychedelic/Afro/funk-rock sound full of electric guitar, heavy drums, hot, percussion, horns, Spanish male/female vocals -- featuring titles like "El Valle del Ayatimbo," "Ia-Taa Yo," and "Z?mbale." Remastered sound, with original artwork in gatefold sleeve. Four-page insert with liner notes, photos, and download card included.

 

PRICE: $31.50

CAT #: PHS 077LP

FILE UNDER: ROCK

Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought-after tracks like "Bacanal' 76," "Mimo" or the antiracist statement "La Conga de las Dos Razas." After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a new line-up. The result was a powerful album which is now one of the holy grails of Latin funk worldwide. First ever reissue, with remastered sound and original artwork. Includes four-page insert with liner notes, photos, and download card.

 

PRICE: $29.50

CAT #: POTOMAK 919821

FILE UNDER: ROCK

2024 repress; LP version. Einst?rzende Neubauten's Potomak label reissues their classic 1996 release, Ende Neu -- originally released on the Mute label, now reissued for the first time on vinyl. On this release, the quintessential scientists of the post-avant-garde abstain from focusing on listener disintegration tactics as they did on prior albums, but opt instead to hone their craftsmanship in new compositional areas. Some followers of their earlier material might object to the obvious and comparatively conventional song structure and style that is displayed on Ende Neu -- picking up a power tool to highlight a piece rather than centering the entire work around it, or leaving a stage before setting it ablaze -- but the destruction has already been performed, and here they erect a brave new anti-building of musical art. Exploring intricate processions of time and toying with melodious harmonies, this album reveals Blixa Bargeld and company maturing gracefully. The opening cut, "Was Ist Ist," is a furious, fast-paced slander of the greediness of mankind while simultaneously serving as a tongue-in-cheek remark on how absolute, scientific power overrules impossibility. From there, Ende Neu continues to musically rewrite the band's style, using familiar topics such as ethereal chaos ("Die Explosion Im Festspielhaus"), cosmic complacency ("The Garden"), revolt ("Installation N?.1"), and even a Kafka-esque piece, "Der Schacht Von Babel." This was the band's first release after the departure of founding band member Mark Chung, and it is obvious that the remaining members took the time to contribute to the void left by his departure. Ende Neu delivers a precision-fed matrix of audio-encrypted knowledge in a manner not like the chaotic Neubauten of the early '80s, but more strategic, and more mature. Dark, focused explosions, with theatrical strings and tightly-wound vocal structures. This reissue includes reworked artwork.

 

PRICE: $20.50

CAT #: PRINCESS 001EP

FILE UNDER: ELECTRONIC

Indulge in a delicious audiophile preview with this appetizer 12" from the upcoming 2024 compilation by Swiss DJ Princess P. This musical amuse-bouche offers a taste of her eclectic sound, in anticipation of her full, richly curated collection. Swiss DJ Princess P, known for her eclectic sound, has been a dynamic presence in the electronic scene since the '90s. From her early days exploring house music to working at Plattfon Records, she's honed a genre-defying style. Her sets, a blend of savory house with indie and techno, are renowned at clubs and festivals alike, showcasing her deep musical knowledge and innovative spirit. Featuring Atypic and Anaconda. Half speed cutting and mastering by Sidney Meyer at EBS Berlin Studios (formerly Deutsche Grammophon). Liner notes by Kirk Degiorgio.

 

PRICE: $17.50

CAT #: QUINTESSE 089EP

FILE UNDER: ELECTRONIC

The mysterious Black Fan is back! After his releases on Local Talk and Quintessentials, Black Fan is for sure one to watch in 2024. I Know -- I Am is his most mature work to date and shows his love for house and techno when it started. Black Fan has his roots in the good old rave and early house days and has many stories to tell. He was DJing at places like The Dance Factory, The Eclipse, Tolerance, plus more times at the now legendary Energy parties than he cares to remember, and has kept in love with house and techno ever since. Be ready for "I Know -- I Am," a proper New York/New Jersey styled house tune, or "Deep Rotation" and "TE2" -- raw, deep and Detrot-ish with a touch of UK techno.

 

PRICE: $22.00

CAT #: RSR 051LP

FILE UNDER: ELECTRONIC

"On this recording, Tongue Depressor and Austin Larkin have combined to record what they had been practicing on the road live across the US together. Henry Birdsey (TD) plays bagpipes and lap steel. Zach Rowden (TD) plays violin and tapes. Austin Larkin plays viola and sirens (which he himself constructed and are a story unto themselves). Soothing sounds give way to unsettling/unnerving feelings when the sirens find their way through meditative loops."

 

PRICE: $17.50

CAT #: RM 4223CD

FILE UNDER: ROCK

Remember hearing music while dreaming, fully confident that you'll be able to reconstruct it once awake? Music that, as it turns out, you were the sole witness. In retrospect, why ruin the experience by something so vulgar as hearing it a second time, much less having to share it? Now, David Grubbs and Liam Keenan have returned from the dark side of the pillow bearing Your Music Encountered in a Dream. How did they do it? They did it by meeting to record a series of electric guitar duets in Sydney just as summer was turning to fall. They did it because Grubbs was limber and uncharacteristically chill after a couple of weeks in Australia playing shows and not playing shows. Sydney resident Liam Keenan's comfort zone gravitates toward singing and songwriting under the moniker Meteor Infant, and on this session one genuinely senses an unabashed spirit of discovery. It's happening, it's really happening in these three generously scaled improvisations. Maybe The Necks -- as well as solo recordings by Tony Buck and Chris Abrahams -- count as unconscious reference points. From the juggling and interplay of pitches in isolation, to the ecstatic speaking-together of strings, to guitar music as electronic music, there's little in the way of searching for endings in this revelatory meeting. No hastening the dream's end. Hail the first encounter.

 

PRICE: $17.50

CAT #: RM 4233CD

FILE UNDER: ELECTRONIC

As Celer, Will Long and Danielle Baquet laid out a framework for extended exercises in ambience, texture and atmosphere. Their work, much of which was initially circulated through collectors, traders and fanatics, went on to become a blueprint for an approach to sound that was equal parts patient, generous and drifting. Cursory Asperses collects a unique set of shorter form works that typify the pairs interested in warmth and subtle density. Recorded between 2007 and 2008, it captures a culminate step -- an introduction to minute detail, revolved ideas, and fragile structural ideas. A truly unique offering that soaks deeply into their variations in sound. A note from Will Long: "Recorded in 2007 and 2008, Cursory Asperses was created with cassette tape recordings of water sounds from various rivers, streams, lakes, beaches, and pools, combined with direct to tape instrument recordings from synthesizers, an organ, cello, piano, and bowed instruments. Instead of traditionally mixing these, at the time we were interested in software, using free Mac OS Classic programs such as Audiosculpt and Soundhack. Before we had a DAW, before VSTs, we used non-realtime convolution processing through software, using the water recordings as an impulse for the instrument sounds. The instrument sounds were 'arranged' (by adding silence before, during, or after) in layered, visual swathes, to create an audio interpretation of the movement of water and waves, slowly evolving and shifting, for a meditation on deep and focused listening. Opposed to passivity, where sounds become lost in distant tones and layers upon layers are misinterpreted as single, meaningless tones. Or, it's just as meaningless as the passing of water, the flow of rivers -- the crashes of sparkling ocean waves, all those sounds that we recognize. The tones are unpolished, left in their fuzzy form, with the high noise crushed into the deep. Behind the swells, and under the depths is a longing, or a lack thereof. It's passing by, no different than it was years before."

 

PRICE: $18.00

CAT #: TEC9S3

FILE UNDER: ELECTRONIC

EVOLV is a visionary window into the mind of Dubfire, the journey of the "hybrid" being and its evolution. In October 2022, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to reinterpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off. The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave, and Luke Slater who have all given the original music in their own unique style. With a career spanning over three decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, RibCage (2007), Emissions (2007), Roadkill (2007) and the highly acclaimed Grindhouse (2009) remix from Radio Slave which led to a host of other notable projects over the years. Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld's Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire's debut solo artist album.

 

PRICE: $18.00

CAT #: TEC9S4

FILE UNDER: ELECTRONIC

EVOLV is a visionary window into the mind of Dubfire, the journey of the "hybrid" being and its evolution. In October 2022, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to reinterpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off. The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave, and Luke Slater who have all given the original music in their own unique style. With a career spanning over three decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, RibCage (2007), Emissions (2007), Roadkill (2007) and the highly acclaimed Grindhouse (2009) remix from Radio Slave which led to a host of other notable projects over the years. Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld's Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire's debut solo artist album.

 

PRICE: $22.00

CAT #: SN 026LP

FILE UNDER: ROCK

"I first became aware of Josephine when I was living in Chicago and doing solo songs weekly at The Hideout. Hearing her sing for the first time is a pleasantly shocking experience for anyone, and I was an arm's length away. She seemed very nervous. At one point she had to stop the song and asked if anyone had any water. I'm sure the presence of my bandmates and crew didn't help the nerves. I handed her a bottle of water. She gave a polite thank you and carried on with her songs. Later I heard she had a band with one of her friends from Old Town School of Folk Music (I don't know how true this is, this was just the word on the street). They were called Children's Hour... I don't recall how I ended up playing drums with them but I remember how I felt: it was like putting on a gas mask and getting clean oxygen. The environment I was in was so pocked and cancerous, Papa M and Children's Hour were my only life source... It was music I could understand. I could relate with the lyrics. At any rate, I gave the songs a simple pulse that stadium audiences could easily digest... Fast forward twenty years. The hard drive with the recording is long gone -- ancient, kaput, thousands of miles away in god knows what landfill. Andy, however, still has the rough mixes. Hearing them with new ears I realize what a magical moment was captured, a moment of youth. So I tried to clean up the mono mixes, make the best of them. When, lo and behold, Paul Oldham comes to the rescue with all the individual tracks, preserved and able to be summoned on 2020 hard drives. Long story short, I buff and polish the tracks to create easy-to-digest stems for mixing -- even ducking the instruments ever so slightly when the vocals come in. Sweetening them so that mixing will be naught but a skip in the park. Josephine and Andy travel to Nashville and transfer the digititus to simmering analog goodness and serve up delicious bowls of mixes. When I listen back, the only listening experience I can compare it to is Spiderland. It sounds like some young, forward-thinking, folks who are doing what they do best without any self-awareness... It's pure music. Now, when I need pure music most." --David Pajo, 2024

 

PRICE: $29.50

CAT #: STSLJN 407LP

FILE UNDER: EXPERIMENTAL

Limited restock. Recorded back in 1999, Half a Dove in New York, Half a Dove in Buenos Aires is the recorded debut of a NetCast improv between deep listening pioneer Pauline Oliveros and Argentinian free music trio Reynols -- a fascinating early example of the internet's capacity to foster remote creativity in-the-moment that deploys the slowest electronics, accordion, voice, trombone and computer sounds on a next level ritual drone incantation recorded in another era, but made for our time. As the story goes, Oliveros first met Reynols in the mid-90s at a Deep Listening workshop she held in their home city, Buenos Aires, where they impressed her with an improvised brass serenade. Years later, in 1999, they met again via NetCast -- a series of very early online live improvisations -- to explore the Internet's potential for collaborations between artists thousands of miles apart. Finally mixed down in 2021 and mastered by Helge Sten (aka Deathprod) after marinating in the archive for 22 years, the album resonates with the late, great Oliveros's legendary work in exploring alternate tunings, spatial dynamics and methods of intuitive performance -- a remarkable slab of omnidirectional drone bearing traces of Miguel Tomasin's vox and Oliveros' just-intoned accordion embedded in its cosmic roil. Broadcasting from fabled record shop The Thing in NYC, with Oliveros (accordion) joined by Jennifer McCoy (ICR), Kevin McCoy (computer processing), and Monique Buzzart? (trombone), and Reynols revolving Miguel Tomasin (electronics, subliminal voice, Alclorse drums), Rob Conlazo (electronics, leather gloves & e-gtr), and Anla Courtis (electronics, rubber foot & e-gtr) and dialing-in from Florida 943 in Buenos Aires, the results are an incredibly absorbing and consistently surprising testament to vanguard, experimental spirits prizing the internet's nascent, unprecedented ability to connect minds and art across continents, language barriers, and modalities. The album's first side, titled "Micro Macro Wind Dance", puts Oliveros's accordion under a microscope, enhancing it with lower case rumble and noise from Reynolds' arsenal. Shifting glacially over 22-minutes, Oliveros plays subtly and slowly at first, letting the accordion breathe in-and-out like a sleeping mythical beast, before she transitions to fluttering bird-like phrases by the end of the side. "Astral Netcast Pigeon" expands the dissonant drones to widescreen, submerging Oliveros's trills and drones beneath layers of dirt and grit. Time-altering music that's basically the perfect mid-point between Oliveros' deep listening practices and Reynols' wildly inspirational free-noise-drone freakouts. Liner notes by Pauline Oliveros. Design by Lasse Marhaug. Produced by Reynols, mastered by Helge Sten. Edition of 500.

 

PRICE: $17.50

CAT #: SOF 009EP

FILE UNDER: ELECTRONIC

KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ accapellas. Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it's a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.

 

PRICE: $31.50

CAT #: SOMM 084LP

FILE UNDER: ROCK

First ever vinyl release of the album recorded in 1969/70 by UK prog-psych band Misty. Including their terrific mod-psych Hot Cinnamon 45. A dazzling fusion of classically-inspired progressive rock and song-based psychedelic pop with an organ-based sound, in the vein of Procol Harum and The Nice. In October 1969, King Crimson released their debut In The Court Of The Crimson King, Pink Floyd unleashed Ummagumma, and Led Zeppelin put out their second LP. At the same time, Misty were in London's Regent Sound Studios recording what turned out to be the only album of their career with producer, Adrian Ibbetson, who had cut his teeth as an engineer working with everyone from the Beatles to the Equals. After only a handful of gigs, Misty signed a deal with Parlophone and began to gather momentum with the release of Hot Cinnamon. Although they received a lot of airplay, the single failed to chart and the band's hopes of releasing their debut album were dashed. Reluctantly, Misty went their separate ways and the Here Again master tapes sat gathering dust on a shelf until Gelardi came across the original acetate and decided it was time for the album to finally see the light of day. Bridging late psych and early prog, songs like "Life Has Just Begun," "Witness For The Resurrection," and the title track were played with a perfect mix of high-flying experimentation and virtuosic musicianship. Blurring the fine lines between rock, jazz, classical and chamber pop, Here Again is a transcendent kaleidoscope of color that is beyond definition. Featuring vintage styled artwork in hard cardboard sleeve. Remastered sound. Includes insert with liner notes by Dave Wells and photos.

 

PRICE: $31.50

CAT #: SOMM 086LP

FILE UNDER: ROCK

Originally released as a private press in 1978 (but sounding more akin to 1970), this is a terrific example of British hard-rock/heavy-prog in the same vein as Wishbone Ash or Thin Lizzy, dominated by killer twin guitar attacks. With roots in the West Yorkshire pub rock scene and led by ace guitar player Duncan McFarlane, Luigi Ana Da Boys recorded their first album, Feeling The Ceiling, at a local studio in Leeds. 1000 copies were self-released in a plain white sleeve with a single-sided credits insert, as the band didn't have the money for a picture sleeve. One of those copies ended up with John Peel, who raved about the band and played a couple of songs at his radio show. The band eventually folded, giving birth to the Duncan McFarlane Band but over the years, there have been some Luigi reunions locally. Featured in Hans Pokora's Record Collector Dreams book with four stars. With remastered sound, and including insert with liner notes, rare photos, and download card.

 

PRICE: $35.50

CAT #: S4R 004LP

FILE UNDER: ROCK

12 tracks, all great examples of real soul music, a mix of well-known classics, overlooked gems, and four songs that were never on vinyl before!"Whatever condition your condition is in, Soul4Real have huddled together a team of the finest soul physicians to make you feel good. We have scoured all the shelves in the soul pharmacy and discovered some potions that were only just through the trial stage. Just one listen to the brilliant Aretha, Gladys, Walter Jackson and the Purifys' tracks convinced us not to wait for FDA approval, so we took the plunge and shared them with the world on vinyl for the very first time. Recorded in 1968, Arthur Alexander's magnificent 'I Need You Baby' reached legendary status during the tape-swapping epidemic of the late '70s/early '80s. The first traces of Alexanderitus were linked back to a tape dispensed by a north London mod by the name of Randy Cozens, which went viral. Even today, the mere mention of the title to any of those C60-swap-survivors can cause severe heart palpitations. Down in Memphis, they tend to practice the holistic approach to heartaches. Southern folk understand it's about the voice and its natural healing powers, especially when it's being administered by the likes of the Soul Children and Shirley Brown, who instinctively inject the perfect amount of ache, warmth and emotion to hit just the right spot. May we prescribe at least two listens a day, taken with or without food. Helping with recovery we have included tracks by our care team Maxine Brown, Gil Scott-Heron and the Isleys, whose gentle grooves will help nurse you back onto the dance floor in record time. And finally, my personal favorite, Dr Johnnie Taylor. Frankly, it beats me how someone who delivers the lines 'she don't break no records when it comes to good looks' and 'she burns up the food when she cooks' to his girlfriend manages to avoid a trip to A&E. We decided such foolish bravery should be rewarded by having his picture on the album cover." --TATS

 

PRICE: $23.00

CAT #: SOW 005LP

FILE UNDER: JAZZ

2024 repress. Sowing Records present a reissue of Dorothy Ashby's debut album, The Jazz Harpist, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here, Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by AllMusic as her first and best album, period! Clear vinyl.

 

PRICE: $23.50

CAT #: SOW 013LP

FILE UNDER: JAZZ

2024 repress. Sowing Records present a reissue of Dorothy Ashby's Soft Winds: The Swinging Harp of Dorothy Ashby, originally released in 1961. Features female vibes player Terry Pollard. Comes with a version of The Skatalites' "Guns Of Navarone" which is a pretty surreal listening experience. Clear vinyl; edition of 300.From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was another Detroit girl, Terry Pollard. Terry's main instrument is the piano and she is one of the best in the country, bar none. She is also a pretty fair country vibraharpist and in this set, Miss Pollard plays vibes exclusively. With them is still another Detroiter, Herman Wright, who like Miss Pollard has worked with Terry Gibbs and Yusef Lateef, and who also served as Miss Ashby's regular bassist. (...) Completing the quartet is Jimmy Cobb, drummer for the Miles Davis group. During the proceedings, Cobb travels between brushes and sticks without upsetting the equilibrium of this essentially quiet set. There is wide range of material presented here, from blues like Benny Goodman's title number, 'Soft Winds', and Miss Ashby's 'With Strings Attached', to movie themes such as 'Laura', 'Wild Is the Wind', and 'Guns Of Navarone'. Then there are works by such superior writers of standards as Kurt Weill ('My Ship'); Gershwin ('The Man I Love' and 'Love Is Here To Stay')."

 

PRICE: $25.00

CAT #: ST 1044LP

FILE UNDER: ELECTRONIC

"Streamline presents OG23, the first in a series of projected new LPs by Chicago-based composer Kevin Drumm, famous for his string of great releases on labels such as Sonoris, Mego, Moikai, Thin Wrist etc. Ever unpredictable, Drumm this time takes the fellow time-traveler through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening. The appropriately mysterious looking cover was designed by Christoph Heemann. Who wants to find out where that submarine is going? Mastering by Jim O'Rourke."

 

PRICE: $29.50

CAT #: STUDIOMUL 008LP

FILE UNDER: ELECTRONIC

2024 repress; LP version. Studio Mule present a re-recording of Motohiko Hamase's Intaglio, recorded in Japan, 2018. Originally released in 1986. Currently the rediscovery of long-forgotten Japanese electronic, jazz, and new age music is at a peak like never before. Although many reissues have already hit record stores, the large, diverse musical culture of Japan still got some gems in store that are really missing. For example, the work of Japanese bass player, new age and ambient musician Motohiko Hamase. When the now 66-year old artist started to be a professional musician in the 1970s, he quickly gained success as a versed studio instrumentalist and started to be part of the great modern jazz Isao Suzuki Sextet where he played with legends like pianist Tsuyoshi Yamamoto or fusion guitar one-off-a-kind Kazumi Watanabe. He was also in the studio when legendary Japanese jazz records like Straight Ahead of Takao Uematsu (1977), Moritato For Osada of jazz singer Minami Yasuda (1978), or Moon Stone of synthesizer, piano, and organ wizard Mikio Masuda (1978) were recorded. In the 1980s Hamase began to slowly drift away from jazz and drowned his musical vision in new age, ambient, and experimental electronic spheres in which he incorporated his funky meditative way of playing the bass above airy sounds and arrangements. His first solo album Intaglio is not only a milestone of Japanese new age ambient, it is also a fresh sonic journey in jazz that does not sound like jazz at all. First issued by the Japanese label Shi Zen, the record had a decent success in Japan and by some overseas fans of music from the far east. With seven haunting, stylistically hard-to-pigeonhole compositions, Hamase drifts around new age worlds with howling wind sounds, gentle bass pickings, and discreet drums that mind remind listeners of the power of Japanese taiko percussions. Also, propulsive fourth-world-grooves call the tune and all compositions avoid a foreseeable structure. At large his albums seem to be improvised and yet are deeply composed. Music that works like shuffling through an imaginary sound library full of spiritual deepness, that even spreads, in its shaky moments, some profound relaxing moods. The release marks another highlight in Studio Mule's mission to excavate neglected Japanese music that somehow has more to offer in the present age than at the time of his original birth.

 

PRICE: $25.00

CAT #: SYST 137EP

FILE UNDER: ELECTRONIC

Compute 1 signifies a thrilling juncture in the German techno landscape -- a pioneering collaboration between Andr? Winter and Carlo Ruetz, two luminaries of the genre. This venture represents a masterful integration of their individual sonic signatures, creating a blend that is both unique and harmonious. Carlo Ruetz, celebrated for his vibrant tracks on acclaimed labels like Form and Senso Sounds, has enthralled audiences with his dynamic live performances, especially at Richie Hawtin's esteemed Enter Ibiza events. Andr? Winter, instrumental in defining the sound of Oliver Huntemann's Senso Sounds label, has recently dazzled the electronic music community with his remarkable remixes for icons such as Josh Wink, Placebo, DJ Hell, and DJ Rush. Compute I isn't merely a set of tracks; it inaugurates a series that honors the legacy of historical computer models, which laid the groundwork for the sophisticated methods used in today's contemporary and futuristic electronic music production. This collaboration is more than a showcase of the artists' prowess; it's a tribute to the evolution of electronic music, bridging its rich history with an exciting, forward-looking vision.

 

PRICE: $17.50

CAT #: RBTW 011EP

FILE UNDER: ELECTRONIC

When it rains, it pours! Which is a good thing, if the soil is dry. The second return of Tiger & Woods in almost no time falls on fertile ground. After DJs on Film has been eagerly embraced, they keep the ingredients, but change the dishes. Consummate and catchy, sweeping and simple DJ music with a penchant for hooks and hits. "Silly Little Games" (also featuring long-time collaborator 'Em) evokes the rescue of an unreleased Editainment reel with a hidden new beat feel. "Wild Stream" is the sort of shattered mirror ball that came out of Shake Shakiest studio and Claude Young would have needed two copies off, while "Fake U" and "Do It to Me" are eternal classics.

 

PRICE: $19.00

CAT #: TMR 045LP

FILE UNDER: ROCK

2024 repress. "Third Man Records' second full length reissue LP, The 5.6.7.8's self-titled album. This record is pressed on black vinyl and carries 14 tracks from the all-female, Japanese, super rock band."

 

PRICE: $10.00

CAT #: TMR 187EP

FILE UNDER: ROCK

2024 repress. "Released in 1956, 'Get Rhythm' is an upbeat number by Johnny Cash with positive lyrics speaking of a happy shoe-shine boy. While the song is classic, inimitable Cash, it would quickly become overshadowed by its B-side, 'I Walk the Line.' A peculiar song that changes key between each verse and has no chorus, 'I Walk the Line' would become the song Cash is best known for, a tale of pledged fidelity with lyrical undertones implying even deeper meaning. Rolling Stone magazine ranked the song at #30 in their 2004 list of the 500 greatest songs of all time."

 

PRICE: $10.00

CAT #: TMR 266EP

FILE UNDER: ROCK

2024 repress. "While largely overshadowed by the pop hits he crafted for Monument later in his career, Roy Orbison's work for Sun is deserving of praise. From the aching of 'Ooby Dooby' or the proto rockabilly of 'Go! Go! Go!' Roy's work here is solid and energetic enough that all of Texas should be proud. And if you can't shake it to 'Chicken Hearted' you need to check your pulse."

 

PRICE: $10.00

CAT #: TMR 307EP

FILE UNDER: ROCK

2024 repress. "The 7" Sun Records reissue version of the Grammy Nominated 2015 Record Store Day Exclusive 10" facsimile of Elvis Presley's first ever recording from 1953. Read more about this 'holy grail of rock-n-roll' in Jack White's Billboard cover story from 2015."

 

PRICE: $26.00

CAT #: TMR 375LP

FILE UNDER: ROCK

2024 repress. "The first-ever official release of The White Stripes Peel Sessions on two stuffed-to-the-brim discs. Capturing Jack and Meg at the precipice of international renown in the hubbub of 'White Blood Cells,' their two live sessions with famed BBC DJ John Peel are arguably the best document of the White Stripes at that time. Having been widely bootlegged since their initial broadcast in 2001, these recordings are enjoying their first authorized release in celebration of their 15-year anniversary."

 

PRICE: $13.00

CAT #: TMR 676CD

FILE UNDER: ROCK

2024 repress. "The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. But what if that simply... wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory. Would you believe that Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs 'Dirt' and 'Fun House'? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees."

 

PRICE: $26.00

CAT #: TMR 676LP

FILE UNDER: ROCK

2024 repress. 2020 release. "The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. But what if that simply...wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory. Would you believe that...Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs 'Dirt' and 'Fun House'? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees."

 

PRICE: $13.00

CAT #: TMR 778CD

FILE UNDER: ROCK

2002 release, 2023 repress. "Formed in 1992, Boris boldly explores their own vision of heavy music, where words like 'explosive' and 'thunderous' barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. This is the highly-requested, unbelievably-anticipated official vinyl and streaming release of Boris's 2002 album and first dive into the stoner rock idiom, originally released in Japan on CD only. Heavy Rocks (2002) is heavy, sure, but fuses sludge, noise, stoner rock and hardcore all together for a deeply bone-shaking and unforgettable trip. For fans of: Melvins, Kyuss, Fu Manchu, Boris.

 

PRICE: $34.00

CAT #: TMR 778LP

FILE UNDER: ROCK

LP version. 2002 release, 2023 repress. "Formed in 1992, Boris boldly explores their own vision of heavy music, where words like 'explosive' and 'thunderous' barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. This is the highly-requested, unbelievably-anticipated official vinyl and streaming release of Boris's 2002 album and first dive into the stoner rock idiom, originally released in Japan on CD only. Heavy Rocks (2002) is heavy, sure, but fuses sludge, noise, stoner rock and hardcore all together for a deeply bone-shaking and unforgettable trip. For fans of: Melvins, Kyuss, Fu Manchu, Boris.

 

PRICE: $37.00

CAT #: TMR 852LP

FILE UNDER: JAZZ

"Elvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time. Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones' incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it's removed from the jacket."

 

PRICE: $37.00

CAT #: TMR 853LP

FILE UNDER: JAZZ

"Recorded at GM Recording Studio, East Detroit, MI 1969 by Jim Bruzzese. Detroit has a long tradition of being the farm team for the Big Apple jazz big leagues, but just as important is the acknowledgement of local legends who left their mark on the city by staying put and releasing amazing music right in Detroit. Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City. Of note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as 'more of an orchestral-type effort than just a combo per se.' in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform."

 

PRICE: $26.00

CAT #: TMR 922LP

FILE UNDER: ROCK

"David Nance and the Mowed Sound, the first album by Nance to be released on Third Man Records, cuts deep. Memories sprout back, like the sounds of a great rock song blasting from the neighbor's truck as it revs away into the night. There is a definite connection to the past, but the swinging guitar boogie and snarled blues you might expect from Nance and company sounds leaner and completely hypnotic. What remains are ten tracks from a well-oiled group so rhythmically together that the songs on the album seem as connected as links in a chain."

 

PRICE: $26.00

CAT #: TMR 931LP

FILE UNDER: ROCK

"Playing Favorites is Sheer Mag's third full-length and first with Third Man Records. The band capitalize on a decade's worth of devotion to their own collective spirit -- a spirit refined in both the sweaty trenches of punk warehouses and the larger-than-life glamour of concert halls -- emerging with a dense work of gripping emotions, massive hooks, and masterfully constructed power-pop anthems. This is the record the Philadelphian rock and roll four-piece has always been destined to make."

 

PRICE: $14.50

CAT #: THRILL 570CD

FILE UNDER: ELECTRONIC

"The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to, avant production, from being a member of Tianzhuo, to Chen's performance-art series TRANCE, to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make 'heavy music.' Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats, and a soaring voice clawing its way towards absolution. Orchards of a Futile Heaven affirms The Body & Dis Fig's distinct and unified tastes as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the three have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty."

 

PRICE: $25.00

CAT #: THRILL 570LP

FILE UNDER: ELECTRONIC

LP version. "The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to, avant production, from being a member of Tianzhuo, to Chen's performance-art series TRANCE, to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make 'heavy music.' Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats, and a soaring voice clawing its way towards absolution. Orchards of a Futile Heaven affirms The Body & Dis Fig's distinct and unified tastes as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the three have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty."

 

PRICE: $27.00

CAT #: THRILL 570X-LP

FILE UNDER: ELECTRONIC

LP version. Clear vinyl. "The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to, avant production, from being a member of Tianzhuo, to Chen's performance-art series TRANCE, to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make 'heavy music.' Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats, and a soaring voice clawing its way towards absolution. Orchards of a Futile Heaven affirms The Body & Dis Fig's distinct and unified tastes as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the three have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty."

 

PRICE: $14.50

CAT #: THRILL 600CD

FILE UNDER: ELECTRONIC

"Maya Shenfeld's expansive, kaleidoscopic music is as illuminating as it is exquisite. Classically trained, Shenfeld has fast grown into one of contemporary music's most exciting, vital voices. Every aspect of her dazzling, multifaceted output interrogates the way we experience the world around us -- be it solo microtonal explorations, site-specific installations, or commissions for leading New Music ensembles. Shenfeld balances orchestral ambition and compositional rigor with the joy of noise, and granular detail. Under the Sun provides a daring expansion of that musical vision, a series of pieces exploring change and repetition, deep time and the ephemeral moment, equilibrium, and imminent threat. Composed and produced between a studio in Berlin and on-site at one of the world's deepest marble quarries in Portugal, the album's powerful sounds are a meditation on the natural world, wrestling with the looming threat of catastrophe and crisis, and the power of community and collaboration to enact change. The environment is more than just an abstract theme, it is interwoven into Under The Sun's very sonic DNA. Field recordings taken deep within the still-active quarry in Portugal were recorded, quite literally, under the scorching sun on one of the hottest days on record in the country. Shenfeld extracted sounds from this scarred, deeply mined landscape, and threaded these samples into rich arrangements of synthesizers and acoustic instruments. The atmospheres of Under the Sun evoke that push and pull through an eclectic and rich sonic palette, from the sacred sounds of the organ at St Matthew's Church to the ethereal voices of the Ritter Youthchoir conducted by Ann-Kristin Mayr. Reflections of her punk and electronic forays bubble up in a collaborative composition with Emptyset's James Ginzburg, summoning raw, primal energy."

 

PRICE: $25.00

CAT #: THRILL 600LP

FILE UNDER: ELECTRONIC

LP version. "Maya Shenfeld's expansive, kaleidoscopic music is as illuminating as it is exquisite. Classically trained, Shenfeld has fast grown into one of contemporary music's most exciting, vital voices. Every aspect of her dazzling, multifaceted output interrogates the way we experience the world around us -- be it solo microtonal explorations, site-specific installations, or commissions for leading New Music ensembles. Shenfeld balances orchestral ambition and compositional rigor with the joy of noise, and granular detail. Under the Sun provides a daring expansion of that musical vision, a series of pieces exploring change and repetition, deep time and the ephemeral moment, equilibrium, and imminent threat. Composed and produced between a studio in Berlin and on-site at one of the world's deepest marble quarries in Portugal, the album's powerful sounds are a meditation on the natural world, wrestling with the looming threat of catastrophe and crisis, and the power of community and collaboration to enact change. The environment is more than just an abstract theme, it is interwoven into Under The Sun's very sonic DNA. Field recordings taken deep within the still-active quarry in Portugal were recorded, quite literally, under the scorching sun on one of the hottest days on record in the country. Shenfeld extracted sounds from this scarred, deeply mined landscape, and threaded these samples into rich arrangements of synthesizers and acoustic instruments. The atmospheres of Under the Sun evoke that push and pull through an eclectic and rich sonic palette, from the sacred sounds of the organ at St Matthew's Church to the ethereal voices of the Ritter Youthchoir conducted by Ann-Kristin Mayr. Reflections of her punk and electronic forays bubble up in a collaborative composition with Emptyset's James Ginzburg, summoning raw, primal energy."

 

PRICE: $27.00

CAT #: THRILL 600X-LP

FILE UNDER: ELECTRONIC

LP version. Yellow color vinyl. "Maya Shenfeld's expansive, kaleidoscopic music is as illuminating as it is exquisite. Classically trained, Shenfeld has fast grown into one of contemporary music's most exciting, vital voices. Every aspect of her dazzling, multifaceted output interrogates the way we experience the world around us -- be it solo microtonal explorations, site-specific installations, or commissions for leading New Music ensembles. Shenfeld balances orchestral ambition and compositional rigor with the joy of noise, and granular detail. Under the Sun provides a daring expansion of that musical vision, a series of pieces exploring change and repetition, deep time and the ephemeral moment, equilibrium, and imminent threat. Composed and produced between a studio in Berlin and on-site at one of the world's deepest marble quarries in Portugal, the album's powerful sounds are a meditation on the natural world, wrestling with the looming threat of catastrophe and crisis, and the power of community and collaboration to enact change. The environment is more than just an abstract theme, it is interwoven into Under The Sun's very sonic DNA. Field recordings taken deep within the still-active quarry in Portugal were recorded, quite literally, under the scorching sun on one of the hottest days on record in the country. Shenfeld extracted sounds from this scarred, deeply mined landscape, and threaded these samples into rich arrangements of synthesizers and acoustic instruments. The atmospheres of Under the Sun evoke that push and pull through an eclectic and rich sonic palette, from the sacred sounds of the organ at St Matthew's Church to the ethereal voices of the Ritter Youthchoir conducted by Ann-Kristin Mayr. Reflections of her punk and electronic forays bubble up in a collaborative composition with Emptyset's James Ginzburg, summoning raw, primal energy."

 

PRICE: $14.50

CAT #: THRILL 602CD

FILE UNDER: ELECTRONIC

"The English duo Persher, Arthur Cayzer (Pariah) and Jamie Roberts (Blawan), take the same subversive, boundaryless approach to extreme music that underpins their electronic explorations. Their individual singles output are highly anticipated in the dance world in part because of their affinity expression beyond a trend. The debut album Sleep Well is ferocious and innovative. Cayzer and Roberts take a decidedly unconventional approach to writing, using the full potential of the studio in their exploration of extreme music. What sounds like a live band performance is more often than not an amalgam of many different sessions, the duo applying techniques from electronic music to heavier sonics. Recording in Roberts' studio at Funkhaus, the home of the former East German state-owned radio station, Cayzer would improvise long takes on guitar and bass, contorted and mutated by Robert's using his extensive modular setup to add weight and texture. This primordial ooze of raw sonics was then chopped up and reassembled into bristling hooks and corrosive atmospheres. The duo's playful, exuberant approach to music is evident in their absurdist themes and lyrics. Much of the album is inspired by 'really disgusting food.' 'Medieval Soup from the Milkbar' references the epically bad meal of gray, gruel-like soup, and seeps into the track's noxious slurry and stomach-churning riffs. 'Portable Aquarium' was born of a cup of herbal tea overflowing with foliage. Their playful and often self-deprecating sense of humor allows them to find inspiration in the smallest of life's events. Persher's Sleep Well provides a daring, revelatory expansion on heavy music's myriad mutations. The duo uses their production skills and their humor to embrace the powerful release they find in extreme. Persher's debut album exudes the sheer joy of making music unconstrained by genre boundaries, as gleefully weird as it is visceral and primal."

 

PRICE: $25.00

CAT #: THRILL 602LP

FILE UNDER: ELECTRONIC

LP version. "The English duo Persher, Arthur Cayzer (Pariah) and Jamie Roberts (Blawan), take the same subversive, boundaryless approach to extreme music that underpins their electronic explorations. Their individual singles output are highly anticipated in the dance world in part because of their affinity expression beyond a trend. The debut album Sleep Well is ferocious and innovative. Cayzer and Roberts take a decidedly unconventional approach to writing, using the full potential of the studio in their exploration of extreme music. What sounds like a live band performance is more often than not an amalgam of many different sessions, the duo applying techniques from electronic music to heavier sonics. Recording in Roberts' studio at Funkhaus, the home of the former East German state-owned radio station, Cayzer would improvise long takes on guitar and bass, contorted and mutated by Robert's using his extensive modular setup to add weight and texture. This primordial ooze of raw sonics was then chopped up and reassembled into bristling hooks and corrosive atmospheres. The duo's playful, exuberant approach to music is evident in their absurdist themes and lyrics. Much of the album is inspired by 'really disgusting food.' 'Medieval Soup from the Milkbar' references the epically bad meal of gray, gruel-like soup, and seeps into the track's noxious slurry and stomach-churning riffs. 'Portable Aquarium' was born of a cup of herbal tea overflowing with foliage. Their playful and often self-deprecating sense of humor allows them to find inspiration in the smallest of life's events. Persher's Sleep Well provides a daring, revelatory expansion on heavy music's myriad mutations. The duo uses their production skills and their humor to embrace the powerful release they find in extreme. Persher's debut album exudes the sheer joy of making music unconstrained by genre boundaries, as gleefully weird as it is visceral and primal."

 

PRICE: $27.00

CAT #: THRILL 602X-LP

FILE UNDER: ELECTRONIC

LP version. Pink color vinyl. "The English duo Persher, Arthur Cayzer (Pariah) and Jamie Roberts (Blawan), take the same subversive, boundaryless approach to extreme music that underpins their electronic explorations. Their individual singles output are highly anticipated in the dance world in part because of their affinity expression beyond a trend. The debut album Sleep Well is ferocious and innovative. Cayzer and Roberts take a decidedly unconventional approach to writing, using the full potential of the studio in their exploration of extreme music. What sounds like a live band performance is more often than not an amalgam of many different sessions, the duo applying techniques from electronic music to heavier sonics. Recording in Roberts' studio at Funkhaus, the home of the former East German state-owned radio station, Cayzer would improvise long takes on guitar and bass, contorted and mutated by Robert's using his extensive modular setup to add weight and texture. This primordial ooze of raw sonics was then chopped up and reassembled into bristling hooks and corrosive atmospheres. The duo's playful, exuberant approach to music is evident in their absurdist themes and lyrics. Much of the album is inspired by 'really disgusting food.' 'Medieval Soup from the Milkbar' references the epically bad meal of gray, gruel-like soup, and seeps into the track's noxious slurry and stomach-churning riffs. 'Portable Aquarium' was born of a cup of herbal tea overflowing with foliage. Their playful and often self-deprecating sense of humor allows them to find inspiration in the smallest of life's events. Persher's Sleep Well provides a daring, revelatory expansion on heavy music's myriad mutations. The duo uses their production skills and their humor to embrace the powerful release they find in extreme. Persher's debut album exudes the sheer joy of making music unconstrained by genre boundaries, as gleefully weird as it is visceral and primal."

 

PRICE: $33.00

CAT #: JBH 099LP

FILE UNDER: JAZZ

2024 limited restock. Released in 1969, this is probably the best modern British jazz LP of all time. A beguiling mix of East meets West rhythms, ideas and joy, repressed with an authentic flip back sleeve. A sax player hailing from the Jamaican Alpha School. A sublime guitarist from Mumbai. A tight quintet with special guests that include Norma Winstone on improvised wordless vocals. One session, 1969, at the very peak of British jazz invention and sound. This album is brilliant and addictive in so many ways. It really does not get batter. Miss this at your peril.

 

PRICE: $27.00

CAT #: TURBO 106RE-EP

FILE UNDER: ELECTRONIC

Turbo celebrates the 10th anniversary of Gesaffelstein's seminal work on the Montreal-based imprint with a long-awaited repress of all three EPs: Variations (TURBO 093RE-EP), Conspiracy Pt. 1 (TURBO 099RE-EP), and Conspiracy Pt. 2. Supremely confident, Gesaffelstein drops the M way down on the lead tracks, drawing out an even heavier sound than on his last records. The slower tempo brings tougher beats and even meaner synth sounds. Incredibly, he's found a way to make his now-familiar palette sound completely fresh again. More clearly than before, one can trace the development of an artist with a very refined musical agenda. "Viol" begins like the tuning of a modernist symphony, a brilliant aesthetic flourish before the track kicks off. "OPR" breaks down into a beautiful, futuristic synth-a-pella that recalls the best of Detroit techno, reminiscent of Dopplereffekt. Finally, on "Conspiracy Origins" -- the only track composed in standard club tempo -- tension builds and builds, waves of rising paranoia and driving rage run straight off a cliff. This is an outro with major attitude, inflected with violence and even contempt. He clearly knows exactly what the crowd wants, but has the good taste and restraint to only give them what he wants, which is, incidentally, what they need.

 

PRICE: $39.50

CAT #: VEYL 040LP

FILE UNDER: ELECTRONIC

Veyl welcomes back to the label one of the most essential and multi-dimensional producers today, Filmmaker. To date, the Colombian artist has delivered a plethora of revered releases from his breakout, The Love Market (2019), to his previous album on Veyl, Fictional Portrayals (2022). He consistently traverses genres from post-punk, EBM, synth wave and beyond to create a unique identity still firmly rooted in film culture. Now he returns with perhaps his most robust and powerful offering, Hollywood Cult. Comprised of 13 tracks, the album sees the producer elevate his sound to new levels, conjuring a world of haunting atmospheres and devious directions that take the listener through a journey of unparalleled proportions. Kicking off the album is the ritual-like "Secrecy," which builds tension before exploding into a synth-driven race against time and moving into the world that lies ahead. "Holy Wood" injects a heavy dose of body music for an infectious piece that bleeds perfectly in to the slow burning nostalgia of "Generational Trauma." Next, "Western Malice" picks the pace back up with its evil energy that feels fit for the best horror scenes before "Shocking Therapy" enters the picture with an exhilarating electro feel. Now in the depths of the journey, "Vessels Wine" continues the saga with a high intensity work that gives way to the stirring emotions of "Peacekeeper Ripper" and the raw, blood lust of "Criminal Rite." Now entering the final phases, "Spiritual Harvest" cleanses the palate before "Elite Dungeons" comes crashing in with a lo-fi feel that puts you deep underground. "Two Sets of Rules" charges back with twisted lines before "No Fetish Without Evil" unveils post-punk strings that puts you in a trance before "Hanging Finale" closes the release ultimately fading out into the abyss. Repeat listens will be necessary and the whole album feels like a soundtrack to a dark new world that is perfectly fitting for any Hollywood Cult.

 

PRICE: $21.50

CAT #: WG 099EP

FILE UNDER: ELECTRONIC

8Kays delivers an inspiring label debut on Watergate Records, as the artistic project of Ukrainian sound-producer and live act Iryna Shvydka reinforces why there's so much excitement surrounding her with the slick Falling Down EP. A collaborative rich EP, 8Kays links with Italian pair Glowal for the punchy "Matem?tica," that brings plenty of eerie minor key vibes to the dancefloor thanks to the vocal contribution from Brasilian singer Abr?o. "Falling Down" sees 8Kays team up with the Buenos Aires-based producer and live act Juan Hansen for a captivating slice of electronic prog lit up by Hansen's memorable vox and delicate strings. One for those special end-of-night moments. Dutch pair Colyn & Beswerda suit up "Falling Down" for a different occasion, adding a tougher backbone, while teasing out all the melodic flourishes to craft a remix that's functional and stunning in equal doses. Man-of-the moment Chris Avantgarde then ramps up the intensity to eleven adding his own re-rub that's everything listeners have come to love about the producer: bold, powerful and memorable. The EP ends with a terrific 8Kays solo cut, the luminescent "Lyra," a dreamy arpeggio-driven gem that closes out the work beautifully.

 

PRICE: $34.00

CAT #: WE 004LP

FILE UNDER: ROCK

2024 limited restock. In 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore's girlfriend, joined them both on their trip to W?mme to record what was to become this album, Sort Of, using Faust as their rhythm section. In honor of this album ?s 50th anniversary the album will get a nicely remastered reissue with the newly founded Week-End Records -- the festival's inhouse label who managed to get the band together for a final reunion shows in November of 2016 and Spring of 2017.

 

PRICE: $22.50

CAT #: YORE 049EP

FILE UNDER: ELECTRONIC

Welcome to a revisit of a true historic Chicago classic, originally by Frankie Knuckles, with Tears. The original release of Satoshi Tomiie, Robert Owens, and the godfather of house music, Frankie Knuckles, have all left an impression, and many can still recall reverence where they heard "Tears" for the first time. It's one of these house classics that everybody knows. Chicago's natives Elbert Philips & Andre Espeut contribute what they call "Loving Tribute," which is an homage to the original mix, which is nothing but magic. Andre's vocals create the perfect vibe, teamed up with a classic 303 Acid Dub, Tom Laroye on percussion and Prophet 5 Synthesizer, Shamrock Guitar on lead and rhythm guitar and Evans Tate on soprano sax -- each and every one speaks for itself and creates the atmosphere with high level musicality shining through all the way from beginning to end. Rounded up by remixes by Chicago's Andrew Emil and Grey Gray to solidify this project. Epic Chicago dreams and beyond, which is not to be missed. Only 300 copies limited and strictly no repress.