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Andrew Chalk, "Fall in the Wake of a Flawless Landscape"
Three Poplars
It's been about five years since Andrew Chalk released his last solo effort, Over the Edges.His newest album comes as a vinyl-only release in an edition of 600copies and not only does it look excellent (the sleeve artwork and the little flourishes on the record itself are gorgeous), but it sounds absolutely majestic. Split into two side-long pieces, Fall in the Wake of a Flawless Landscape carries with it the same foreboding energy that 1999's Over the Edgeshad, but it also resonates a ubiquitous calm that feels something likefloating on ocean waves. Chalk's drones stay consistent throughout,relenting only to reveal more ominous tones under the dominant ring anddrag of some timeless organ. The blurred images of the cover bring tomind a haunted spectre traversing some dark plain covered in tallgrasses and of unbearable size; no matter how far that figure travels,the disqueting feeling of infinity is always present. Anxiety dominatesthe album, but so does a sense of privacy. Throughout, I imagine myselfas this fictional pilgrim caught up in some endless search and, at thesame time, that long and lonely feeling opens up some kind of innerpeace, as though I am happy being alone and lost. So far as the soundgoes, Chalk's compositional skills are unbeatable. Whenever the soundsbecome too ghastly or alarming, Chalk shifts gears and somehow invertsthem into striking and monumental sounds of great beauty. Strings buzz,organs disintegrate, and whales bellow their songs over this landscape,all in a harmony that defies any easy explanation. This is what Chalkdoes best though: defy easy anything. Fall in the Wake...occupies several emotional and atmospheric worlds at once: the denseand open, the terrifying and the awesome, and the contradictorypositions of both quiet and loud. It's a difficult middle ground thatChalk finds and weaves into music and it's a difficult middle groundthat few others can accomplish. This release has me anxiously awaitingthe next Mirror album and has put me in the unenviable position ofwanting more solo Chalk music: five years between albums is too long towait.
It's been about five years since Andrew Chalk released his last solo effort, Over the Edges.His newest album comes as a vinyl-only release in an edition of 600copies and not only does it look excellent (the sleeve artwork and the little flourishes on the record itself are gorgeous), but it sounds absolutely majestic. Split into two side-long pieces, Fall in the Wake of a Flawless Landscape carries with it the same foreboding energy that 1999's Over the Edgeshad, but it also resonates a ubiquitous calm that feels something likefloating on ocean waves. Chalk's drones stay consistent throughout,relenting only to reveal more ominous tones under the dominant ring anddrag of some timeless organ. The blurred images of the cover bring tomind a haunted spectre traversing some dark plain covered in tallgrasses and of unbearable size; no matter how far that figure travels,the disqueting feeling of infinity is always present. Anxiety dominatesthe album, but so does a sense of privacy. Throughout, I imagine myselfas this fictional pilgrim caught up in some endless search and, at thesame time, that long and lonely feeling opens up some kind of innerpeace, as though I am happy being alone and lost. So far as the soundgoes, Chalk's compositional skills are unbeatable. Whenever the soundsbecome too ghastly or alarming, Chalk shifts gears and somehow invertsthem into striking and monumental sounds of great beauty. Strings buzz,organs disintegrate, and whales bellow their songs over this landscape,all in a harmony that defies any easy explanation. This is what Chalkdoes best though: defy easy anything. Fall in the Wake...occupies several emotional and atmospheric worlds at once: the denseand open, the terrifying and the awesome, and the contradictorypositions of both quiet and loud. It's a difficult middle ground thatChalk finds and weaves into music and it's a difficult middle groundthat few others can accomplish. This release has me anxiously awaitingthe next Mirror album and has put me in the unenviable position ofwanting more solo Chalk music: five years between albums is too long towait.
