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Asmus Tietchens and Vidna Obmana, "The Shifts Recyclings"
Soleilmoon
Asmus Tietchens and Vidna Obmana have been collaborating on "recycling"projects since 1995, using each other's work to build uniquetransformations. For this 2 CD set, they have turned their attentionsto a third party. I've never heard Shifts, but I have enjoyed Frans deWaard's other minimalist ventures as Quest and as a member of Beequeen.For "The Shifts Recyclings," Tietchens and Obmana use de Waard'sambient guitar material, and lay out their interpretations across adisc apiece. The two have produced beautiful and strikingly differentresults - it's hard to imagine that these sounds came from the samesource. Tietchens cranks up his electron microscope and focuses oncrackling ice, eyeless subterranean creatures, and earth drones. Thereis a fantastic variety of organic sounds here that hold few hints ofthe source material or the method by which they were created.Tietchens' pieces really seem to occur naturally out of nowhere, andconjure up mental images of strange phenomena. Vidna Obmana's disc is arevelation for me. I don't remember hearing anything of Obmana'sbefore, and didn't know what to expect. While Tietchens' disc exploresthe caves, Obmana's wafts through the upper atmosphere. His first threepieces focus on sublime drones and dramatic crescendoes that build upmightily then subside into a metallic haze. I am somewhat reminded ofCristoph Heemann and Stuart Dempster, but this material seems to havemore of a foundation in classical archetypes. Epic themes seem to behinted, but get lost in the shimmering undulations of sound. The hazeevaporates during the last half of the disc, revealing mournful musicalpassages. The guitar has been forged into a baroque orchestra of brassand strings that strains out a beautiful dirge. "The Shifts Recyclings"is an excellent collaboration, and illuminates the strengths of allthree involved. I'd be interested to hear their interpretations ofless-ambient source material in future "recyclings."
Asmus Tietchens and Vidna Obmana have been collaborating on "recycling"projects since 1995, using each other's work to build uniquetransformations. For this 2 CD set, they have turned their attentionsto a third party. I've never heard Shifts, but I have enjoyed Frans deWaard's other minimalist ventures as Quest and as a member of Beequeen.For "The Shifts Recyclings," Tietchens and Obmana use de Waard'sambient guitar material, and lay out their interpretations across adisc apiece. The two have produced beautiful and strikingly differentresults - it's hard to imagine that these sounds came from the samesource. Tietchens cranks up his electron microscope and focuses oncrackling ice, eyeless subterranean creatures, and earth drones. Thereis a fantastic variety of organic sounds here that hold few hints ofthe source material or the method by which they were created.Tietchens' pieces really seem to occur naturally out of nowhere, andconjure up mental images of strange phenomena. Vidna Obmana's disc is arevelation for me. I don't remember hearing anything of Obmana'sbefore, and didn't know what to expect. While Tietchens' disc exploresthe caves, Obmana's wafts through the upper atmosphere. His first threepieces focus on sublime drones and dramatic crescendoes that build upmightily then subside into a metallic haze. I am somewhat reminded ofCristoph Heemann and Stuart Dempster, but this material seems to havemore of a foundation in classical archetypes. Epic themes seem to behinted, but get lost in the shimmering undulations of sound. The hazeevaporates during the last half of the disc, revealing mournful musicalpassages. The guitar has been forged into a baroque orchestra of brassand strings that strains out a beautiful dirge. "The Shifts Recyclings"is an excellent collaboration, and illuminates the strengths of allthree involved. I'd be interested to hear their interpretations ofless-ambient source material in future "recyclings."
samples:
- Asmus Tietchens - T2BS1 3
- Asmus Tietchens - T2BS1 5
- Vidna Obmana - I
- Vidna Obmana - III (reprise)
