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ASMUS TIETCHENS / JON MUELLER "7 St√úcke"
Auf Abwegen
Asmus Tietchens collaborated with American drummer Jon Mueller for thistrip to the studio, which translates as "7 Pieces." You can recognizethe drum sounds in the first few pieces on the CD, but by the thirdpiece the percussion has either been manipulated beyond recognition byTietchens, or else Mueller is not drumming anymore—maybe he is makingthose sounds of objects being dragged and scraped across a surface?It's hard to tell, but it may a pleasant journey through all sevenpieces for those who enjoy musique concrète. It's difficult listeningfor the rest of us—I was even getting bored part way through, but bylistening all the way to the end, I found sound enjoyable parts,especially pieces 5 through 7. I'm also extremely fond of theoccasional "buzz-pop" noise—it's clearly the sound of a patch cablebeing disconnected, with the quick "it's not grounded" buzz soundfollowed by the "pop" of disconnection. What might be regarded byothers as a mistake that should be edited out, is instead consideredpart of the sound manipulation.
Asmus Tietchens collaborated with American drummer Jon Mueller for thistrip to the studio, which translates as "7 Pieces." You can recognizethe drum sounds in the first few pieces on the CD, but by the thirdpiece the percussion has either been manipulated beyond recognition byTietchens, or else Mueller is not drumming anymore—maybe he is makingthose sounds of objects being dragged and scraped across a surface?It's hard to tell, but it may a pleasant journey through all sevenpieces for those who enjoy musique concrète. It's difficult listeningfor the rest of us—I was even getting bored part way through, but bylistening all the way to the end, I found sound enjoyable parts,especially pieces 5 through 7. I'm also extremely fond of theoccasional "buzz-pop" noise—it's clearly the sound of a patch cablebeing disconnected, with the quick "it's not grounded" buzz soundfollowed by the "pop" of disconnection. What might be regarded byothers as a mistake that should be edited out, is instead consideredpart of the sound manipulation.
