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Bill Laswell, "Version 2 Version"
ROIR
Focus and cocentration are absolutely essential to this album. Withoutthose two features, all of these songs would've probably turned outlike the ones on Aftermathematics Instrumental.The ingredients on this record are simple, though: heavy and wavingbass melodies, steady percussion, and a just hint of the sexual. Anoverwhelming sense of dark, seductive power hovers over Version 2 Versionthe instant the bass drops on "Dystopia" and it only intensifies until"Night City" and "System Malfunction" close the record up. The music isfairly inconspicuous so far as dub is concerned, but the atmoshphericsthat Laswell and company manage to pull out of their instruments areastounding. "Babylon Site" not only struts along as though it wereuntouchable and utterly of another world, it also rings and pulses withthe soul of ease and promiscuity. The sexual references can't behelped; I half expect that this album was recorded in a dark and dampbasement to the images of lusty encounter. Hi-hats chirp and stutterwith the silk playing of electric guitars and classic dub sounds.There's enough reverb and echo on most of these songs to send any soberlistener into a realm of cosmic light shows and slow motion existence.The gritty sounds that are coaxed out of the instruments and the almosttoo pure stream of sound effects make an otherwise typical dub recordsound exceptional. There's nothing but pure, throbbing tones on thisrecord with occaisional use of a bouncing keyboard or a guitar moaningitself to death. The sparse use of tabla rhythms and vocal effects helpkeep the mood of the record unpredictable. When "Night City" and itsspazzed out rhythm section blew up at the end of "Babylon Site," I wasthoroughly surprised. I'm not talking about a huge jump stylistically,but Laswell tweaked the mood just enough to keep me listening throughthe record. The sci-fi closer is a gem of groove production. "SystemMalfunction" rolls along like a steam train powered by the heart andsoul of reggae and hot summer nights. Instead of trying to do athousand things at once and make every song significantly differentfrom one another, Laswell has kept things tight and uniform. The resultis an album a hundred times better than the last one I listened to fromhim.
Focus and cocentration are absolutely essential to this album. Withoutthose two features, all of these songs would've probably turned outlike the ones on Aftermathematics Instrumental.The ingredients on this record are simple, though: heavy and wavingbass melodies, steady percussion, and a just hint of the sexual. Anoverwhelming sense of dark, seductive power hovers over Version 2 Versionthe instant the bass drops on "Dystopia" and it only intensifies until"Night City" and "System Malfunction" close the record up. The music isfairly inconspicuous so far as dub is concerned, but the atmoshphericsthat Laswell and company manage to pull out of their instruments areastounding. "Babylon Site" not only struts along as though it wereuntouchable and utterly of another world, it also rings and pulses withthe soul of ease and promiscuity. The sexual references can't behelped; I half expect that this album was recorded in a dark and dampbasement to the images of lusty encounter. Hi-hats chirp and stutterwith the silk playing of electric guitars and classic dub sounds.There's enough reverb and echo on most of these songs to send any soberlistener into a realm of cosmic light shows and slow motion existence.The gritty sounds that are coaxed out of the instruments and the almosttoo pure stream of sound effects make an otherwise typical dub recordsound exceptional. There's nothing but pure, throbbing tones on thisrecord with occaisional use of a bouncing keyboard or a guitar moaningitself to death. The sparse use of tabla rhythms and vocal effects helpkeep the mood of the record unpredictable. When "Night City" and itsspazzed out rhythm section blew up at the end of "Babylon Site," I wasthoroughly surprised. I'm not talking about a huge jump stylistically,but Laswell tweaked the mood just enough to keep me listening throughthe record. The sci-fi closer is a gem of groove production. "SystemMalfunction" rolls along like a steam train powered by the heart andsoul of reggae and hot summer nights. Instead of trying to do athousand things at once and make every song significantly differentfrom one another, Laswell has kept things tight and uniform. The resultis an album a hundred times better than the last one I listened to fromhim.
