 |
|
BURNT FRIEDMAN & JAKI LIEBEZEIT, "SECRET RHYTHMS"
Nonplace
Two of Germany's renowned rhythmists unite. 'Secret Rhythms' is verymuch in line with Burnt Friedman's usual repertoire and Liebezeit'sbeats fit right in. So much so it's difficult to discern who does whatwhere. Not that it matters. Each of the 10 tracks fuses percussion,bass, keys, vibraphones by Copenhagen's Morten Grønvad and strains ofJosef Suchy's electric guitar into a gravity defying sort of ambientelectro jazz. Friedman foregoes samples, such as the many spoken onesfound on last year's 'Plays Love Songs', to keep the mix instrumentaland minimal but also very open and very comfortable. Track four beginsan all too brief dub deviation. "Shades of Soddin Orion" and"Rastafahndung" are stunning examples of what happens when Friedmanapplies his musical physics to, and thus redefines, dub. "Shades.." isthe album highlight, a gorgeous deep space journey of slippery bass andguitar notes and microscopic sound soup. The disc concludes with threeversions of "Obscured by 5" - short, Nonplace (Friedman's label) remixand 13 plus minute extended. The finale is the most satisfying with alengthy stretch of little more than gentle steel drums and the hustleand bustle of an unidentifiable inner city. Perhaps this is the secretrhythm Friedman and Liebezeit have found and wish to expose to the restof the world.
Two of Germany's renowned rhythmists unite. 'Secret Rhythms' is verymuch in line with Burnt Friedman's usual repertoire and Liebezeit'sbeats fit right in. So much so it's difficult to discern who does whatwhere. Not that it matters. Each of the 10 tracks fuses percussion,bass, keys, vibraphones by Copenhagen's Morten Grønvad and strains ofJosef Suchy's electric guitar into a gravity defying sort of ambientelectro jazz. Friedman foregoes samples, such as the many spoken onesfound on last year's 'Plays Love Songs', to keep the mix instrumentaland minimal but also very open and very comfortable. Track four beginsan all too brief dub deviation. "Shades of Soddin Orion" and"Rastafahndung" are stunning examples of what happens when Friedmanapplies his musical physics to, and thus redefines, dub. "Shades.." isthe album highlight, a gorgeous deep space journey of slippery bass andguitar notes and microscopic sound soup. The disc concludes with threeversions of "Obscured by 5" - short, Nonplace (Friedman's label) remixand 13 plus minute extended. The finale is the most satisfying with alengthy stretch of little more than gentle steel drums and the hustleand bustle of an unidentifiable inner city. Perhaps this is the secretrhythm Friedman and Liebezeit have found and wish to expose to the restof the world.
samples:
