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BUSDRIVER AND RADIOINACTIVE WITH DAEDELUS, "THE WEATHER"
Mush Records/Dirty Loop Music
Asthe Weather, Los Angeles MCs Busdriver and Radioinactive dispense quickcut, weaving and rapid-fire rhymes with free-association styled contentranging from humorous to brilliant. Along with sample-basedcompositions and production from studio ace Daedelus, the trio havecollaborated on The Weather for sixty minutes of blisteringrhymes and hip hop meets clever musical arrangements, wierdness andsatire. "Pen's Oil" opens with a 18's inspired orchestration set tofunky drums and laid-back piano riffing that shifts to double time tokeep up with the speedy vocal dispatching. The playfully titled "CarlWeathers" consists of a full backing that includes machine beats,percussion and upright bass with a chorus that sings a line from atypical weather report while the duo convey simultaneous rhymes andbreak away for individual segments. A sampled audience clapping outsyncopated rhythms sets "Fine For A Robot" in motion for a soulfultrack when Busdriver, tongue in cheek, beautifully sings a loving odeto a machine. It then switches to drums and piano flourishes whenRadioinactive gets the sassy rhymes going for the robot girl. Daedelus'production on "Raffle Ticket Blues" employs dark, minor key jazz piano,bass and brushed drums segments with tinny machine beats forRadioinactive's wordplay in which the piece's sections are clearlymarked off based on the words per minute. The Weather's interestinglyrics and vocal talents of leaving no space unfilled are equallymatched by their ability to let lines breathe by leaving space betweenwords; all complemented nicely by Daedelus' rhythmic soundmanipulation.
Asthe Weather, Los Angeles MCs Busdriver and Radioinactive dispense quickcut, weaving and rapid-fire rhymes with free-association styled contentranging from humorous to brilliant. Along with sample-basedcompositions and production from studio ace Daedelus, the trio havecollaborated on The Weather for sixty minutes of blisteringrhymes and hip hop meets clever musical arrangements, wierdness andsatire. "Pen's Oil" opens with a 18's inspired orchestration set tofunky drums and laid-back piano riffing that shifts to double time tokeep up with the speedy vocal dispatching. The playfully titled "CarlWeathers" consists of a full backing that includes machine beats,percussion and upright bass with a chorus that sings a line from atypical weather report while the duo convey simultaneous rhymes andbreak away for individual segments. A sampled audience clapping outsyncopated rhythms sets "Fine For A Robot" in motion for a soulfultrack when Busdriver, tongue in cheek, beautifully sings a loving odeto a machine. It then switches to drums and piano flourishes whenRadioinactive gets the sassy rhymes going for the robot girl. Daedelus'production on "Raffle Ticket Blues" employs dark, minor key jazz piano,bass and brushed drums segments with tinny machine beats forRadioinactive's wordplay in which the piece's sections are clearlymarked off based on the words per minute. The Weather's interestinglyrics and vocal talents of leaving no space unfilled are equallymatched by their ability to let lines breathe by leaving space betweenwords; all complemented nicely by Daedelus' rhythmic soundmanipulation.
