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Charlemagne Palestine and Tony Conrad, "An Aural Symbiotic Mystery"

Normally live albums fail to capture the magic of being at the show, instead they end up as souvenirs for those who were there or extra materials for completists to collect like archaeological specimens. However, this CD documenting a meeting of two legends of minimalism is a beautiful recording that seems to capture much of the magic that went on that night. Maybe those who were there would contest this statement but An Aural Symbiotic Mystery is still a stunning composition.

 

Sub Rosa
 
Performed the day Luc Ferrari was cremated, this improvised set by two of the best composers of the 20th century is both a fitting epitaph to the music from the last century and prayer to further adventures and explorations of sound over the next 100 years. Palestine wanted the performance to celebrate those who were alive; his words apply both to Conrad and himself as well as the next generation of composers and artists. The resulting piece is a joyous celebration of musical creativity that encapsulates the utter skill and proficiency of both men.

The piece itself is, as expected, just over 18 minutes of sublime minimalism; Palestine restricts himself mainly to a delicate set of variations of a short piano refrain which sounds like trickling water. Conrad extends violin drones from the beginning of time to the end of time, giving a real sense of eternal music. As the performance runs its course, there is a shift in feelings and sounds, at times Conrad cuts through the mix like a chainsaw. Palestine keeps right up with him proving the title especially apt; the two artists (despite not being in contact for over 30 years) connect in a way that is almost unnatural. The music is not just a static drone with repeated piano phrases by any stretch of the imagination; changes in instruments, addition of vocals and variations in both intensity and delivery make the piece a joy to listen to. There is so much going on here that it is easy to miss out on many elements of the sound even after quite a few repeated listenings.

An Aural Symbiotic Mystery shows two masters in full flight. Before I spun the disc I knew exactly what it would sound like but the sheer level of brilliance came as a shock. It is not just the musical content of the performance but the energy that is moving back and forth between Palestine and Conrad. It is hard to convey just how well the pair click together and luckily the power of their performance is captured on the disc. I am not a spiritual person but this kind of power and passion can move me to a place that is almost religious. An Aural Symbiotic Mystery came just a little too late for me to include it in my best of 2006 list but it deserves to be there.

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