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"Chicken Lips: DJ Kicks"

Past volumes of !K7's DJ Kicks series have featured the estimable talents of Tiga, Playgroup's Trevor Jackson and Carl Craig, each taking their turn at the mixing table producing extended DJ mixes that combined newer underground club hits with classic dancefloor material and the odd crate-digging gem. They each had their moments, but for the most part, they were entirely predictable. I mean, who couldn't have guessed that Playgroup's mix would lean heavily on leftfield disco, or that Tiga would fill his set with uber-sassy electro? For me, the gratification of a great DJ mix lies in hearing unexpected juxtapositions of the alien and familiar, or unearthed vintage rarities recontextualized to sound modern. The new entry in the DJ Kicks series, mixed by Chicken Lips, delivers on this promise.

!K7

Chicken Lips eschew the notion of a continuous, danceable groove, focusing instead on all manner of retro-cheese, bizarro disco, boogie and psychedelic lounge to create an eclectic mix perfectly suited to headphone listening. In this sense, it shares more in common with DMC's artist-choice Back to Mine series. Chicken Lips are the British duo of Andrew Meecham and Dean Meredith, the same pair behind early-90's acid-house outfit Bizarre Inc. As Chicken Lips, Andy and Dean are masters of the disco-dub, a British movement utilizing loops of inane and/or obscure vintage dance sides. In a bid to prove their undying fascination with the Weird Groove, Chicken Lips open their unique set with the deeply odd kraut-lounge of Brainticket, one of the more eccentric of the 70's kosmische groups. This psychedelic oddity segues into Herbert's beautifully trippy re-assembling of Karin Krog's Northern Soul classic "Meaning of Love." Then Chicken Lips take a sharp right turn, dropping the novelty hip-hop of Jimmy Spicer's "The Bubble Bunch," which sounds uncannily like "The Bertha Butt Boogie" (fans of Rhino's Super Hits of the 70's will understand this reference). This madness somehow morphs into the proto-sampling of 4AD's Colourbox and the outrageously fucked rhythms of Nina Hagen's "African Reggae." An extended selection of mutant disco tracks pave the way for the esoteric house of The Paul Simpson Connection.
A short stop in the dusty dub of Rhythm and Sound and the phased avant-funk of The Raincoats' "Animal Rhapsody," and it's time to pull into Freak Station with the wacky Tropi-disco of George Duke's "Brazilian Love Affair" and Chicken Lips' own hard-hitting funk number "Bad Skin." It's an eclectic mix with loads of personality, and the best DJ Kicks yet, methinks.

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