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Coelacanth, "the glass sponge"
23five
23five came into the public eye as the label vehicle for soundartist-types, peddling the kind of stuff I'd see in the MoMA gift shopand pass by thinking it just wouldn't be the same outside an austeregallery space. Now only 6 releases into stride, the label has proved mewrong several times over. One needs only to hear Furudate &Zbigniew's World As Will II to see why. The opening minutes ofCoelacanth's sophomore release, however, left me with second, or ratherthird, thoughts. The Glass Sponge begins with a sparse scraping,thumping, and clanging that seems on the brink the ever-arty black holeof inaccessibility. After a few minutes, droning bell tones andtempered feedback ease their way in, making the piece more substantialbefore, as quickly as it began, the music fades into silence. Thoseopening bits were merely a prelude to the real meat of track, a sort ofsecond act comprised of layered static and an enriched texture oflulling feedback and prolonged bell tones. Stuttering vocal utteringsrise from drone and static layers that sound truly oceanic. Song titleslike "The Leaden Sea" and "The Violet Shell and Its Raft" lend a marinetheme to The Glass Sponge that feels apt in relation to the music. (Thename Coelacanth, also, refers to a prehistoric fish recently discoveredto still exist). All four tracks exhibit an approach to drone musicthat is both texturally rich and emotionally resonant. Tracks rangefrom gentle, inviting trips across static that gurgles and glimmerslike actual liquid to eerie passages where hollow drones and squealingfeedback rise from the depths. The Glass Sponge is host to a multitudeof bizarre, untraceable sounds as well. Various throbbings, tinkerings,and knockings find comfortable home in Coelacanth's sound world, givenoverture in the album's first moments, making it increasingly hard tobelieve that any of this was gathered from public performance as thenotes describe. This is beautiful, thoroughly engaging, and uniquemusic, no doubt more appropriate headphone music for pretending yourbed is a liferaft than for strolling the museum floor.
23five came into the public eye as the label vehicle for soundartist-types, peddling the kind of stuff I'd see in the MoMA gift shopand pass by thinking it just wouldn't be the same outside an austeregallery space. Now only 6 releases into stride, the label has proved mewrong several times over. One needs only to hear Furudate &Zbigniew's World As Will II to see why. The opening minutes ofCoelacanth's sophomore release, however, left me with second, or ratherthird, thoughts. The Glass Sponge begins with a sparse scraping,thumping, and clanging that seems on the brink the ever-arty black holeof inaccessibility. After a few minutes, droning bell tones andtempered feedback ease their way in, making the piece more substantialbefore, as quickly as it began, the music fades into silence. Thoseopening bits were merely a prelude to the real meat of track, a sort ofsecond act comprised of layered static and an enriched texture oflulling feedback and prolonged bell tones. Stuttering vocal utteringsrise from drone and static layers that sound truly oceanic. Song titleslike "The Leaden Sea" and "The Violet Shell and Its Raft" lend a marinetheme to The Glass Sponge that feels apt in relation to the music. (Thename Coelacanth, also, refers to a prehistoric fish recently discoveredto still exist). All four tracks exhibit an approach to drone musicthat is both texturally rich and emotionally resonant. Tracks rangefrom gentle, inviting trips across static that gurgles and glimmerslike actual liquid to eerie passages where hollow drones and squealingfeedback rise from the depths. The Glass Sponge is host to a multitudeof bizarre, untraceable sounds as well. Various throbbings, tinkerings,and knockings find comfortable home in Coelacanth's sound world, givenoverture in the album's first moments, making it increasingly hard tobelieve that any of this was gathered from public performance as thenotes describe. This is beautiful, thoroughly engaging, and uniquemusic, no doubt more appropriate headphone music for pretending yourbed is a liferaft than for strolling the museum floor. samples:
