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COH, "NETMÖRK"
souRce research recordings
Further exploring theories behind the track of the same name on souRceresearch recordings 2000 compilation 'Emre [Dark Matter]', 'Netmörk'the disc expands the piece to a 34+ minute movement in three parts. COHponders what might be hiding within the intricate infrastructure of thetelephone network. What becomes of the digitally encoded emotionalresidue? Perhaps there's an accumulation of energy yet to revealitself? Conceptually it's very intriguing right from the start. Partone asks the fundamental question is it "dark inside the telephonewire?" It might be but there's certainly a lot of life in the organizedchaos of the system. COH's signature tone-drones and other laptopgenerated gestures seem to perfectly imitate electromagnetic energies.Part two, "Love as Hate" approximates the aftermath of a concludedconversation. At first the touch tones at the tail end of part onesimply carry over then slowly morph into beautiful, elongated chimes.By the seventh minute a loping digital dirge sets in and later, nearthe end, the chimes return accompanied by a cute rhythmic march. Therumbling pulse of part three, "materialize: m=E/c^2" (dedicated toproducer Giorgio Moroder and the Khari Kelvin character of "Solaris")gathers and dissipates energy as it ripples through time and space.Then, with an abrupt sputter, it suddenly ceases to be. The final track"Undercosm" fills out the near 40 minutes of the disc. Sound wavesreminiscent of a lift-off and distant transmissions are befitting ofthe MIR space station to which it is dedicated. Up next from COH is aremastered reissue (with bonus tracks) of 2000's 'Mask of Birth' LP onCD courtesy of Mego.
Further exploring theories behind the track of the same name on souRceresearch recordings 2000 compilation 'Emre [Dark Matter]', 'Netmörk'the disc expands the piece to a 34+ minute movement in three parts. COHponders what might be hiding within the intricate infrastructure of thetelephone network. What becomes of the digitally encoded emotionalresidue? Perhaps there's an accumulation of energy yet to revealitself? Conceptually it's very intriguing right from the start. Partone asks the fundamental question is it "dark inside the telephonewire?" It might be but there's certainly a lot of life in the organizedchaos of the system. COH's signature tone-drones and other laptopgenerated gestures seem to perfectly imitate electromagnetic energies.Part two, "Love as Hate" approximates the aftermath of a concludedconversation. At first the touch tones at the tail end of part onesimply carry over then slowly morph into beautiful, elongated chimes.By the seventh minute a loping digital dirge sets in and later, nearthe end, the chimes return accompanied by a cute rhythmic march. Therumbling pulse of part three, "materialize: m=E/c^2" (dedicated toproducer Giorgio Moroder and the Khari Kelvin character of "Solaris")gathers and dissipates energy as it ripples through time and space.Then, with an abrupt sputter, it suddenly ceases to be. The final track"Undercosm" fills out the near 40 minutes of the disc. Sound wavesreminiscent of a lift-off and distant transmissions are befitting ofthe MIR space station to which it is dedicated. Up next from COH is aremastered reissue (with bonus tracks) of 2000's 'Mask of Birth' LP onCD courtesy of Mego.
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