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Crooked Fingers, "Red Devil Dawn"
Merge
After the Archers of Loaf broke up, front man Eric Bachmann decided hestill had a significant Muse living within him, enough to warrantforming Crooked Fingers, his current project. Where the Archers of Loafhad an abrasive noisiness which was unbelievably catchy and poppy,Bachmann's Crooked Fingers has shed all of the noise and distortion fora far more plaintive and roots rock sound. Did I mention there werestrings? There are strings. Some of the songs on 'Red Devil Dawn'receive a strangely lush orchestration, complete with horns ("YouThrough a Spark") and strings ("Big Darkness," et al.). On the otherhand, the last song, "Carrion Doves," is a truly spare dirge whichreminds you how good a songsmith Bachmann is even with the moststripped-down elements. The last time I heard Crooked Fingers was whenI sought out their cover of Bruce Springsteen's "The River" (I findmyself singing this song sometimes driving late at night, in the car,alone). I was curious what Bachmann did with the Boss's ballad. Iremember it being not as good as I wanted it to be, and I was surprisedbecause Bachman's scratchy, throaty, and gruff voice was perfectlyattuned to the task. The songs on 'Red Devil Dawn' are catchy pop rocksongs, but when the strings or trumpets come in I cannot help but thinkI am listening to a Mark Knopfler album, a thought which makes me feelrather uncomfortable and causes me to look for the nearest Minor Threatalbum. While picking up my mom from the airport recently, I had theCrooked Fingers album playing in the car, and she actually asked if Iwas listening to Bruce Springsteen. Her confusion became clear to mewhen I thought about it. Someone could easily mistake this album forthe newest Tom Waits or Neil Diamond. Still, I find myself listening tothe first song, "Big Darkness," whose verses hop up and down the scalesand whose chorus is quite catchy. As long as I don't think about MarkKnopfler or Neil Diamond, I can listen to 'Red Devil Dawn' pleasantly,though I don't foresee any of its songs replacing "The River" as mylate-night solo material.
After the Archers of Loaf broke up, front man Eric Bachmann decided hestill had a significant Muse living within him, enough to warrantforming Crooked Fingers, his current project. Where the Archers of Loafhad an abrasive noisiness which was unbelievably catchy and poppy,Bachmann's Crooked Fingers has shed all of the noise and distortion fora far more plaintive and roots rock sound. Did I mention there werestrings? There are strings. Some of the songs on 'Red Devil Dawn'receive a strangely lush orchestration, complete with horns ("YouThrough a Spark") and strings ("Big Darkness," et al.). On the otherhand, the last song, "Carrion Doves," is a truly spare dirge whichreminds you how good a songsmith Bachmann is even with the moststripped-down elements. The last time I heard Crooked Fingers was whenI sought out their cover of Bruce Springsteen's "The River" (I findmyself singing this song sometimes driving late at night, in the car,alone). I was curious what Bachmann did with the Boss's ballad. Iremember it being not as good as I wanted it to be, and I was surprisedbecause Bachman's scratchy, throaty, and gruff voice was perfectlyattuned to the task. The songs on 'Red Devil Dawn' are catchy pop rocksongs, but when the strings or trumpets come in I cannot help but thinkI am listening to a Mark Knopfler album, a thought which makes me feelrather uncomfortable and causes me to look for the nearest Minor Threatalbum. While picking up my mom from the airport recently, I had theCrooked Fingers album playing in the car, and she actually asked if Iwas listening to Bruce Springsteen. Her confusion became clear to mewhen I thought about it. Someone could easily mistake this album forthe newest Tom Waits or Neil Diamond. Still, I find myself listening tothe first song, "Big Darkness," whose verses hop up and down the scalesand whose chorus is quite catchy. As long as I don't think about MarkKnopfler or Neil Diamond, I can listen to 'Red Devil Dawn' pleasantly,though I don't foresee any of its songs replacing "The River" as mylate-night solo material.
