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Dan Matz, "Carry Me Over"
Amish Records
It's always funny to hear how environments affect certain albums, fromthe way the musicians felt to the actual physical environs of thespace. One recent winter, Dan Matz was in an upstate New York farmhouseafter a horrendous snow storm. There was no power, and all he had wasan acoustic guitar and dulcimer, and a friend who played piano to seeit out. So, they wrote and played some songs to pass the time. When thepower finally returned, it was time to record these songs that had keptthem company for the past few days. Carry Me Overis the result, and it sounds just like what I'd expect given thecircumstances under which is was composed. There is a stark beauty tothe arrangements, with very few instruments and virtually nopercussion. A chill passes through these songs, mostly due to thehaunting male-female vocals and the minor key progressions, but thereis also a closeness, as though people are trying to keep warm. Matz andAnna Neighbor play and sing with a staid and complacent nature, asthough this delicate music will break them if they let it out too much.They sing songs as poetry and prose, as declarations and pleas, urgingand convincing at the same time they are weak and afraid. Matz has avery calm and smooth though untrained voice, which means most notescome out solid with minor cracks, a fitting addition to the music thathas the same qualities. "Downpour" is a perfect pop song, withmulti-tracked vocals and keyboards to accompany the deliberate guitarstrums and drums. The title track and "Matthew" also approach thisbeauty, with an all-encompassing sanguinity and human frailty. Othertracks feature eerie choirs, reverb, and bare vocals that inject justenough variety to please even the most stubborn with at least one song.As a whole it is at once a dark, pretty, warm, and barren release, andthere are great songs within that show Matz isn't through crafting hisbrand of off-kilter pop.
It's always funny to hear how environments affect certain albums, fromthe way the musicians felt to the actual physical environs of thespace. One recent winter, Dan Matz was in an upstate New York farmhouseafter a horrendous snow storm. There was no power, and all he had wasan acoustic guitar and dulcimer, and a friend who played piano to seeit out. So, they wrote and played some songs to pass the time. When thepower finally returned, it was time to record these songs that had keptthem company for the past few days. Carry Me Overis the result, and it sounds just like what I'd expect given thecircumstances under which is was composed. There is a stark beauty tothe arrangements, with very few instruments and virtually nopercussion. A chill passes through these songs, mostly due to thehaunting male-female vocals and the minor key progressions, but thereis also a closeness, as though people are trying to keep warm. Matz andAnna Neighbor play and sing with a staid and complacent nature, asthough this delicate music will break them if they let it out too much.They sing songs as poetry and prose, as declarations and pleas, urgingand convincing at the same time they are weak and afraid. Matz has avery calm and smooth though untrained voice, which means most notescome out solid with minor cracks, a fitting addition to the music thathas the same qualities. "Downpour" is a perfect pop song, withmulti-tracked vocals and keyboards to accompany the deliberate guitarstrums and drums. The title track and "Matthew" also approach thisbeauty, with an all-encompassing sanguinity and human frailty. Othertracks feature eerie choirs, reverb, and bare vocals that inject justenough variety to please even the most stubborn with at least one song.As a whole it is at once a dark, pretty, warm, and barren release, andthere are great songs within that show Matz isn't through crafting hisbrand of off-kilter pop. samples:
